I woke up in a sweat and was told by Marina that we had crossed into Turkmenistan, a country I had no transit visa for. The compartment was a white-hot crucible of heat that was exacerbated by the fact that none of the windows would open.
The train stopped at a dusty little outpost and the conductor, Ermat, already drunk at 10 a.m., came by with a hammer and began smashing out an entire large windowpane. I stepped out onto the platform to take some pictures of the train for posterity and was immediately accosted by a soldier. Marina rushed over and interpreted for me.
“He says you took a picture in a military area – you must give your film,” she said.”But all my pictures of this train trip are on this roll,” I said. “And I just took a shot of the train, not a military area. Tell him I’m keeping it.”
“Dayveed, please give it to him – you will be in trouble!” Marina protested.
Noticing that some kind of brouhaha was taking place, a crowd began to form behind me. After 70-some odd hours on the train I was in a foul mood, and almost didn’t care what happened to me. A small entourage formed behind me as I was asked to follow the soldier into an office in the station.
“Marina, tell him we don’t have time for this, our train could leave,” I protested.
“Just give him the film and we can go,” she pleaded.
“I am NOT giving him my film!” I insisted.
We were led into a large room where four other soldiers stood around below a framed photo of Turkmenbashi, the country’s mad dictator, who named days of the week and months after he and his mother, and banned opera, ballet and the circus, among other things.
After I refused once more to cough up my film they asked to see my visa for Turkmenistan. I handed them my passport and pointed out my Uzbek visa as well as my ornamental Kazakh one. It seemed logical at the time, but was probably akin to a Guatemalan showing up at Kennedy Airport with Mexican and Canadian visas and demanding to be let in.
“Day-VEED,” Marina said with a greater tone of urgency. “They say you must give them the film or you cannot leave!”
I opened up my camera and pulled out my film, stretching the whole roll in a highly theatrical manner and then spiked it down into a garbage can at one of the soldier’s feet and stormed away leaving the circle of onlookers shocked and speechless.
I stalked out of the office and back towards the train half expecting to be clubbed from behind, or placed into a gulag, but nothing happened. As I sat in my compartment a few witnesses came in and just looked at me as though I were a mental patient, and I began to think that perhaps I would be if we didn’t get to Bukhara soon.
A very well dressed young man who turned out to have been from Tajikistan approached me, and said, in flawless English, “I think you just did a very foolish thing. You have to realize where you are and be more careful. These people will put you in jail – they don’t care if you are American.”
A few hours later, our train passed across the Uzbek border and a couple of moneychangers began working the train. Marina explained that if I changed money at a bank I’d get only 200 Uzbek Som to the dollar, compared to 700 or more with a moneychanger. The rub was that the largest denomination was a 200-som note, so if you wanted to change $100 on the black market, you’d have to be ready to carry a huge bundle of notes. Changing money on the black market was technically illegal, so one needed to be discreet and have a big bag to carry the notes in.
An hour after my neighbors tricked me into believing that we’d arrived in Bukhara, we did in fact pull into the station, but I didn’t believe them until I actually saw Marina alight onto the platform. Aliya and Dima, who seemed like a married couple by this point in the trip, still had several hours to go until Tashkent, but joined us out on the platform to see us off.
I felt utterly exhausted, like some starving, island castaway who’d just been rescued. We had boarded the train on Monday at 11:30 a.m. and it was 3:40 p.m. on Thursday as we arrived in Bukhara. We had spent almost a full workweek on board.
I wasn’t sure whether Marina was going to share a cab with me into town or if she didn’t ever want to see me again. Dima and Aliya hugged me goodbye, and I felt like I’d miss them. I hardly knew them, but I felt as though we’d been through a terrible ordeal together. Aliya, who had the top button of her Al Pacino Couture jeans unbuttoned, Al Bundy style, said, “Dayveed, can you fax me a visa to America?”
“Fax you a visa?” I asked incredulously.
“Yes, I want to come to America – Cal-eee-forn-ya.”
This is a five part series that will run in installments this week. Check back tomorrow for the final part of this story.