Tourism Australia posted the photo of the kangaroo at Featherdale Wildlife Park on its Facebook page, with the note that the image had been “censored for Facebook.” The animal –- which coincidentally is named “Big Baz” –- was shown lying on it’s back in such a way that its anatomy would have been fully exposed.
The joke was apparently lost on many Facebook users, who bombarded the tourism board with thousands of comments questioning the decision to censor the image. “Wtf. Political correctness gone mad. It’s a kangaroo,” said one user, while another remarked, “How ridiculous! What on earth is wrong with showing the kangaroo’s bits, it’s an animal.”This isn’t the first time a tourism organization has sparked controversy because of its promotional tactics. In fact, Australia came under the spotlight several years ago with it’s “where the bloody hell are you?” tourism slogan which was eventually ditched due to the controversy. And Air New Zealand was bombarded with complaints after it aired a television ad showing its cabin crew serving passengers while wearing little more than body paint.
What do you think? Was the decision to censor the kangaroo wrong or funny?
The Kentucky Derby, the Preakness and the Belmont Stakes are three of the biggest horse races on the planet, collectively making up the prestigious Triple Crown. Steeped in tradition, each of those events deftly mixes exhilarating action on the track with plenty of pomp and circumstance in the stands. With their large purses, competitive fields and rich histories these races are the very embodiment of the “sport of kings,” drawing plenty of attention to thoroughbred racing on an annual basis.
The residents of the town of Alice Springs, located deep in the heart of Australia’s “Red Center,” aren’t particularly impressed with the Triple Crown, however, mostly because they have a fine race all their own. In the minds of local residents, their homegrown event more than rivals those races in terms of prestige, action and unpredictability, while easily surpassing it in quirkiness. The Lasseters Camel Cup takes place on the second Sunday in July each year and features some of the finest camel racing you could ever hope to see. That is, if you should ever find yourself at an actual event that features those irritable, obstinate and down right mean animals pitted against one another on a racetrack. The sport seems aptly fitting for Australia, however, where they not only have an abundance of camels but more than a few jockeys crazy enough to try to ride them.Considering the fact that camels aren’t indigenous to the continent, they have still managed to play a surprisingly important role in Australia’s history. The animals were originally imported to the country from Pakistan, India and the Middle East back in the 1800s and were used in both the exploration of remote regions as well as in the building of the all-important Overland Telegraph Line. Eventually, camel breeders set up shop within Australia itself, providing local animals that were healthier and stronger than those that were being imported. They remained a popular choice for draft and riding animals into the 1920s when motorized vehicles came to prominence and began to replace the creatures. When they were no longer needed, many camels were set free into the rugged Outback and over the years they have grown into quite the nuisance. It is estimated that more than 1 million wild camels now wander the countryside and in an interesting change of fate, some are occasionally rounded-up and actually exported to other countries.
The Camel Cup has been built on the legacy that the animals have created in Australia but also has a colorful history all its own. Now in its 43rd year, the race began as a bet between two residents of Alice Springs who decided to settle a feud by racing one another on the backs of the unpredictable beasts. They didn’t know it at the time, but those two men were starting a tradition that would continue for decades to follow, carving out its own identity in the process. The original race was so much fun for the locals that they actually decided to continue with the event in subsequent years. The Camel Cup became an important fund raiser for the Alice Springs Lions Club, which has been involved with the event from the start and uses the money raised to help fund a number of local programs.
The most recent edition of the Camel Cup took place last Saturday, July 13, in front of a large and enthusiastic crowd of over 5000 at the Noel Fullerton Camel Racing Arena located in Alice Spring’s Blatherskite Park. That arena became the permanent home for the race in 1979 and is the only venue dedicated strictly to camel racing in the entire Southern Hemisphere. It features a 400-meter, oval shaped track, plenty of seating for fans and a press box where colorful commentators provided interesting and funny comments all day long. Local vendors also set up stands that offered any number of tasty delicacies to keep those in attendance happy and well fed.
Much like the Triple Crown, the Camel Cup consists of a number of races that take place throughout the day. Each of those races brings an element of uncertainty and randomness to the event leaving spectators to wonder just what they might see next. The stubborn nature of the camels often provides good comic relief because when they aren’t busy trying to throw their riders they often race in the wrong direction or simply refuse to run at all. At the Camel Cup it is possible to see more unexpected action on the track in a single afternoon than you would see in months of horse racing. You’ll also be more than happy to be sitting safely in the stands rather than astride one the more temperamental creatures making its way around the track.
Between races the crowd is treated to a number of other entertaining activities. Young children race on the track’s infield on hobby-camels while rickshaw races involving teams pulling each other around the track are hilarious to watch. There’s even a spirited competition amongst contestants looking to be named Mr. and Miss Camel Cup, which is a unique honor to say the least.
As a visitor to Alice Springs taking in the Camel Cup for the first time, I loved how there was an air of seriousness about the entire event, but not too serious. Some fans came dressed up in their finest clothes, as if they were going to the Kentucky Derby, while others wore silly costumes and became part of the show. The bottom line was that everyone was there to have a good time and no matter which end of the spectrum you were on, I think that mission was accomplished. I’m not positive, but I believe that even the camels were getting a good laugh out of the whole affair.
Today is the hottest day yet in New York City’s latest heat wave, and the summer weather is no less forgiving in many other cities in the western hemisphere. To help beat the heat, car service app Uber is offering ice cream trucks on demand, today only from 11-5 p.m. in 33 cities worldwide. The stunt is to help promote the app’s expansion to new cities in the United States and in Australia, Europe and Singapore.
Australia’s vast and wild Northern Territory holds a number of wonders for visitors to discover, not the least of which is Kakadu National Park. Spread out across more than 7600 square miles, the park is the true embodiment of the Outback with a rugged and unforgiving landscape that includes some of the most breathtaking scenery that can be found anywhere on the entire continent. But Kakadu is more than just pretty scenery as it also holds important keys to understanding Australia’s past in the form of Aboriginal art that is scrawled across rock faces throughout the region. That artwork offers important insights into the history of the indigenous people who have inhabited Australia for more than 40,000 years and continue to have a lasting impact on the country.
Named a UNESCO World Heritage Site in 1981, Kakadu is one of the rare destinations that earned that distinction by scoring points for being significant both for its cultural and natural wonders. Travelers need only visit the spectacular Jim Jim Falls and Twin Falls to understand why the park earned the nod in the area of natural significance, as those locations are postcard-perfect representations of just how beautiful our planet can be. Both places require a little work to reach, but the payoff in both cases is a stunning waterfall dropping majestically into a serene pool of water.
Kakadu’s historical and cultural significance is also found at the sites of Nourlangie and Ubirr, where Aboriginal artwork adorns the rock faces in spectacular fashion. Since Australia’s indigenous tribes had no written language they would often leave messages for one another in the form of pictures on the sides of cliff faces. Those images could convey important messages such as which animals lived in an area and which were best to eat. Other images represented characters from Aboriginal legends, which were typically passed along orally from one generation to the next. Those characters gained a level of immortality by surviving on the rocks in Kakadu for hundreds of years.
The artwork that is found in Kakadu is simple in design but often surprisingly detailed. The artists tended to draw what they saw around them, so much of what is depicted on the rocks there is straight out of the daily lives of the Aboriginals. For example, at the Ubirr site there are numerous drawings of fish, the very distinct outline of a kangaroo, a couple of turtles and even a white man. That particular image clearly reflects the growing interaction with the Aboriginals and the strange outsiders who began visiting their lands just a few hundred years ago. The simple figure is depicted using white paint, which was surely no coincidence, and he is clearly wearing shoes and standing with his hands in his pockets, something that the indigenous people had no knowledge of prior to Europeans coming to their country.
Each of the images was created using ochre, a colorful mineral that is plentiful throughout the region. The soft material comes in a variety of yellows, whites and reds, although the industrious artists found ways of creating still other colors by mixing it with animal fats and other natural resources around them. In Aboriginal tradition, it was forbidden for female members of the tribe to gather the ochre, although they could use it in their artwork once the males had taken it from the earth. The location of the ochre pits remain sacred ground to the original inhabitants of Australia even to this day and some are still used for collecting the mineral for use in traditional ceremonies.
Because it can’t be carbon dated it is impossible to know exactly how old the artwork at Ubirr and Nourlangie actually is. But judging from what is on the wall it is possible to estimate an approximate age. For instance, Europeans haven’t been living in Australia for all that long, relatively speaking, so the image of the white man is probably no older than 300 years. On the other hand, visitors to Ubirr will notice an image of a Thylacine, or Tasmanian Tiger, which have been extinct on the continent for at least 2000 years.
While the artwork in Kakadu has survived for centuries it remains a fragile piece of history that could be easily lost forever. The original artists never meant for their works to stay on the rocks indefinitely, as they were often erased or painted over with new artwork much like a blackboard. The images found in the national park have survived through the years in part because most of them are sheltered from the elements by overhanging rocks. That natural protection has kept this aspect of Aboriginal culture alive and on display for visitors to Kakadu to appreciate generations after the artwork was originally created.
Australia’s Aboriginal tribes wandered the country for millennia before Europeans began to arrive. Those indigenous peoples had an intimate relationship with the land and that shows through in their artwork and the places that they painted those indelible images. In Kakadu, where the landscapes are so beautiful and dramatic, that connection with the Earth can still be felt. It is as ageless as the artwork that marks the passage of time, sending us a message from the past that is undeniably powerful and humbling at the same time.