The Last Pyramids Of Egypt

by Sean McLachlan on


They just don’t make pyramids like they used to.

The pyramids of Egypt have fascinated people ever since they were built. The Step Pyramid at Saqqara started things off around 2650 B.C. Later came the iconic pyramids of Giza. What’s often forgotten, however, is that pyramid construction continued for more than a thousand years and there are at least 138 built to house the remains of pharaohs and queens. More are still being discovered. Last year, satellite imagery revealed seventeen previously unknown pyramids.

The later pyramids of Egypt tend to be overlooked, and it’s easy to see why considering the sad state of most of them. Just take a look at this photo of the pyramid of Senusret II (ruled 1895-1878 B.C.) and photographed by Jon Bodsworth. Like a lot of later pyramids, it was made of mud bricks instead of stone blocks to save money, and that’s why it’s a giant sad lump today – an interesting lump, though.

The interior tunnels are still intact and archaeologists discovered the nearby village where the workmen lived. Contrary to popular belief, slaves didn’t construct the pyramids. Actually, it was trained craftsmen and farmers who didn’t have any other work to do when their fields were underwater during the annual flooding of the Nile.

Senusret II was part of the 12th Dynasty, a high point in Egyptian power and civilization. It’s strange then that pyramids were in decline. You can see several of these pyramids at Dahsur, not far from Saqqara and an easy day trip from Cairo. One is the Black Pyramid of Amenemhat III (ruled 1842-1797 B.C.). It started to collapse almost immediately so he had to build a second one at the Faiyum Oasis near a giant temple to the crocodile god Sobek. This site reopened last year.

%Gallery-155699%The experimentation with cheaper building methods may have started with Senusret I (ruled 1962-1928 B.C.). Instead of a solid geometric shape, the builders first constructed a network of walls crisscrossing each other and dividing the pyramid into 32 parts. These were then filled with loose stone. A smooth limestone facing was put over the whole thing. It sounded good in theory, but it’s another sad lump today.

Perhaps as a compensation for the cheap building styles, the later pyramids had elaborate tricks to stop tomb robbers: dead end tunnels sealed with thick stones; interior chambers made of quartzite, the hardest substance worked in Ancient Egypt; elaborately sealed rooms that contained nothing; and sarcophagi as big as the rooms that held them in order to deny robbers room to work.

Sadly, none of these tricks worked and the pharaohs eventually resorted to hidden underground tombs in places like the Valley of the Kings. After the 12th and 13th dynasties, pyramids went out of fashion. Many of the 13th dynasty rulers didn’t bother building one at all. Only a few were made by later dynasties. The last pyramid made for a pharaoh was for Ahmose I around 1525 B.C. It’s a pile of rubble now that barely measures 30 feet high. Much later, pyramids briefly became fashionable in the Sudan.

The pyramid was dead, and last year, so was Egypt’s tourism industry. It’s been gradually rebuilding itself, though. Cruise lines are returning, as are independent travelers. The tourist sights remained mostly unaffected by the unrest and there’s not much trouble outside of a few spots in Cairo.

Visitors will have more to see with six tombs at Giza having reopened and Egyptologists hard at work uncovering more ancient wonders. Many of the later pyramids haven’t been excavated and while all the ones that have been explored were plundered by tomb robbers centuries ago, there’s always a chance that the treasure of a pharaoh remains hidden inside one of them.

Met Showcases Predynastic Art Of Egypt

by Sean McLachlan on

The Metropolitan Museum of Art in New York City has one of the best collections of ancient Egyptian art in the world. Now it has opened a special exhibition focusing on the lesser-known art from the early days of Egypt before the pharaohs.

“The Dawn of Egyptian Art” brings together art from the Predynastic and Early Dynastic Periods (ca. 4000–2650 B.C.), a time when Egypt was developing into a society with towns, specialized labor and, eventually, a centralized government. This broad swath of time included several distinct local cultures that slowly became the ancient Egypt that we are familiar with.

The main culture was the Naqada culture. Villages each had their own animal deities, many of which survived as gods and goddesses of dynastic Egypt. The dead were buried with works of art such as jewelry and figurines of these deities. As agriculture became more important in the fertile Nile valley, villages grew into towns and art flourished. Local rulers became more powerful and expanded their territories until Egypt was two kingdoms: Upper and Lower Egypt.

The 175 objects from the Met’s collection, and those of a dozen other institutions, put Predynastic Art into its historical and cultural context as well as display them as objects of beauty. For example, this female figure, shown here in a photo courtesy the Brooklyn Museum, was made about 3500-3400 B.C. and is typical of the highly abstracted figures made throughout most of the Predynastic Period. It’s unclear what this figure symbolized, although many Egyptologists think these figures are goddesses, since similar figures painted onto pots are always larger than the male “priests” shown next to them.

Some art is easier to identify, like ships and hunting scenes painted onto pottery or on tomb walls. There are also statues of gods and goddesses, many of which can be identified as the major deities of the age of the pharaohs. A masterpiece of early Egyptian art is the Narmer Palette, seen in the gallery, which commemorates the unification of Upper and Lower Egypt in the 31st century B.C.

For more information, check out this excellent page on Predynastic Art and check out the gallery below.

“The Dawn of Egyptian Art” runs until August 5.

%Gallery-152958%

Ancient Egyptian tombs to be reopened

by Sean McLachlan on


A visit to the pyramids at Giza in Egypt has just become even more interesting with the imminent reopening of six ancient Egyptian tombs nearby.

The tombs have been closed for many years for restoration, including the removal of graffiti left by people who don’t deserve to travel. The tombs are part of the Western Cemetery reserved for minor royalty and high officials of the Fourth Dynasty (c.2613-2494 BC) who were important enough to be buried near the pharaohs they served in life.

One is the tomb of Seshem-Nefer, who had the august title of “overseer of the two seats of the House of Life and keeper of the king’s secrets.” His large is visible in the foreground of this photo courtesy Hannah Pethen.

Other tombs include those of a royal treasurer, high priests and other functionaries. Only one of the tombs is for a member of the royal family — Princess Mersankh, the granddaughter of King Khufu, whose pyramid is the largest in Egypt.

Several of the tombs have brightly painted scenes of daily life, such as hunting and spending time with family, making them a good way to gain insight into the world of ancient Egypt.

‘Egyptomania’ grips Houston

by Sean McLachlan on

The Museum of Fine Arts in Houston, Texas, has just opened a new exhibition exploring the West’s fascination with ancient Egypt.

“Egyptomania” collects forty objects from the Egyptian revivals of the 17th, 18th and 19th centuries. This was the time when the West became widely aware of the great civilization of Egypt and started excavating there. Cutting open mummies became popular entertainment, the rich collected Egyptian artifacts, and it seemed like everyone wanted to own something in the Egyptian style — like this Art Deco perfume bottle shown here in a photo courtesy MFAH. It was designed by Baccarat c. 1930. Other items on display are Egyptian-style furniture, garden sphinxes (much cooler than garden gnomes) and even Egyptian asparagus tongs.

Visitors to the museum can get a double dose of ancient Egypt right now because the traveling exhibition “Tutankhamun: The Golden King and the Great Pharaohs” is on display through April 15. This exhibition features more than a hundred artifacts, most of which have never been shown in the U.S. prior to this tour.

If this isn’t enough to stave off your Egyptomaniacal cravings, I suggest a trip to the Rosicrucian Egyptian Museum & Planetarium in San Jose, California. This place is a strange hybrid of serious museum and cultish quackery founded by a modern spiritual group inspired by ancient Egypt.

“Egyptomania” runs from March 18 through July 29.