Sometimes an “only in New York” moment has a more global story. On a rainy afternoon this week in Manhattan, my friend visiting from Germany was excited to spot a Mercedes with Munich plates. The car had a distinctive pattern covering its exterior, we debated whether it was metal, fabric or beads, but the actual decoration is much sweeter: gummy bears.
The back window detailed the “grand tour” of this visionary art, starting in Munich, traveling to Paris and London, and finally New York. The project is the third installment of artist Guenther Siraky‘s Mercedes Trilogy, which also took him and the car through Europe in 2007. The plan was to take the gummy bear car to each of the city’s major art museums, including the Louvre, Tate and Guggenheim, exhibiting the work of art in front of each museum. Over a million people have seen the car, and reactions range from disbelief and amazement to tears of joy. NYPD officers have even allowed him to park in forbidden places to display his work. While the car should be covered in rain and extreme heat, the slightly melted gummy bears just add to the vehicle’s charm. Siraky intended to sell the vehicle once he completed his tour last month, but he has extended his time in New York, and can be found driving it all over the five boroughs through the end of September.
See a slideshow of the gummy bear car in NYC below, and check in with the art car’s adventures through the artist’s Facebook page.
Cecilia Gimenez became a laughing stock last year when her bungled attempt to restore a 19th century painting went viral, but now it looks like she’ll be laughing all the way to the bank.
The 82-year-old tried to fix the flaking fresco titled Ecce Homo by Elías García Martínez at her local church, the Santuario de Misericordia in Borja, Spain. The result was something that looked like the love child of Justin Bieber and Bigfoot.
The “restoration” became a worldwide sensation and has led to a flood of 57,000 visitors to the once-obscure church. The town, which owns the church, started charging one euro ($1.33) entry, with the money going to the upkeep of the painting and to charity. Now Borja town officials are negotiating with several companies for permission to use the image on everything from wine bottles to coffee mugs, with the artist getting 49 percent of the profits, Art Daily reports.
A spokesman for the town stated that Mrs. Gimenez will donate her portion to charity.
May I suggest she sets up a scholarship for struggling artists with actual talent?
Have you ever wondered what a $50,000 a night hotel room would be like? Well, one hotel in Denver is giving travelers the chance to find out — though they might a little surprised by what they discover.
Expecting a heavenly mattress? Too bad, because all this pricy pad offers is an inflatable bed for your weary body. Dreaming of unwinding in a jacuzzi in your marble-clad bathroom? Sorry to burst your bubble but you’ll be doing your business in a chemical toilet instead.
Completely confused yet? Well, despite the lack of amenities, it turns out that people are willing to cough up wads of cash for the sake of novelty. In this case, The Curtis Hotel in Denver is offering a room that’s hoisted 22 feet up in the air, perched on top of a van. The room — which is entirely inflatable — is a temporary space that was designed as part an arts festival.This isn’t the first strange hotel room to be dreamed up by artists and designers. We found several other bizarre places to lay your head down for the night.
Weymouth Beach in England opened the world’s first hotel made entirely out of sand a few years ago. Guests were able to book a stay at the hotel for as little as $15 until the hotel was washed away by the ocean. Even the beds were made of sand, with hotel operators warning visitors that the sand “gets everywhere.”
At the Tubo Hotel in Mexico, travelers can make themselves at home in an old drain pipe. The recycled concrete pipes, which were previously used in sewers, are decked out with queen beds so you don’t actually have to feel like you’re sleeping in the gutter.
In Belgium last year, travelers could stay in a hotel room designed around the top of a 100-year-old clock tower. The room, which hovered 75 feet above the busy streets of Ghent, was designed to give guests an intimate perspective on the city’s history. With a massive clock right up against your bed, we’re guessing you don’t need to request a wake up call when you’re staying in this room.
Tell us, what’s the strangest hotel room you’ve slept in?
Madrid is one of the best destinations in the world for art, and this summer its many museums and galleries are putting on an impressive array of temporary exhibitions.
The blockbuster of the season is at the Reina Sofia, which is having a major exhibition on Salvador Dalí. “All of the poetic suggestions and all of the plastic possibilities” brings together almost 200 works here by the famous odd man of surrealism.
Organized in roughly chronological order, the earliest paintings in the exhibition date to the mid-’20s and show a surprisingly traditional technique. Once he’d mastered the basics, however, Dalí soon plunged into his own unmistakable style. The exhibition is accompanied by detailed texts on Dalí’s life and career. For example, we learn the reason why we keep seeing the same set of cliffs in Dalí’s work. In his youth Dalí and his family would vacation at the seaside town of Cadaqués, where he became obsessed with the cliffs of Cape Creus. He once said, “I am convinced I am Cape Creus itself. I am inseparable from this sky, from this sea, from these rocks.”
%Slideshow-2876%Many of his best-known works are here, as well as early sketches and little gems, like a painting of Hitler masturbating. Who but Dalí could pull that off? (Pun intended.) Numerous video screens shows Dalí’s many film experiments, including the famous “Un Chien Andalou” with Luis Buñuel and several other lesser-known films. The show runs until September 2.
The Reina Sofia has two other exhibitions. “1961: Founding the Expanded Arts” looks at a vital year in the history of modern art that saw the expansion of artistic collaborations and music experimentation and the launch of Concept Art. It runs until October 28. At the museum’s annex at Retiro park is “Cildo Meireles,” which looks at the acclaimed Brazilian conceptual artist’s work and runs until September 29.
The Museo Thyssen-Bornemisza has a major exhibition on Camille Pissarro. This cofounder of Impressionism was the only one to take part in all eight Impressionist exhibitions from 1874 to 1886. The museum brings together more than 70 of his works, mostly the lush landscapes for which he was known. The show runs until September 15.
El Prado also has three temporary exhibitions. The headliner is “Captive Beauty: Fra Angelo to Fortuny.” This exhibition brings together almost 300 works characterized by their small size and technical excellence. The point is to demonstrate the ability of some of Europe’s greatest artists to create beauty in a confined space and to highlight works that are often missed hanging next to giant, better-known works. They are arranged chronologically from the 14th to 19th centuries. The show runs until November 10.
Another of El Prado’s exhibitions examines the relationship between two 18th-century artists,Anton Raphael Mengs and José Nicolás de Azara. The two painters traded ideas and collaborated on projects throughout their careers. “Mengs and Azara: Portrait of a Friendship” runs until October 13. “Japanese Prints,” which runs until October 6, showcases items from the museum’s collection from the 17th to 19th centuries.
This year Spain and Japan are celebrating 400 years of friendly relations. In 1613, a group of Japanese emissaries set out to visit Spain. They crossed the Pacific, passed through the Spanish colony of Mexico, and then crossed the Atlantic. After touring Spain they continued on to visit the Pope in Rome before heading back home. The whole trip took seven years. We talk a lot about adventure travel here on Gadling, but nothing in the modern day can measure up to what these early travelers did.
To honor the anniversary, the Museum of Decorative Arts is hosting “Namban,” a fascinating look at the artistic influence these two distant cultures had on one another. One interesting object is a large screen in the Japanese style, yet bearing a Spanish colonial painting of Mexico City. There is as yet no closing date for this exhibition.
If you hurry you can still catch a free exhibition of the work of Swiss surrealist Alberto Giacometti at the Fundación Mapfre. The exhibition includes numerous examples of his famous statues of elongated human figures as well as his lesser-known paintings. This exhibition runs until August 4.
We’re suffering sweltering temperatures here in Madrid right now, so beat the heat and go see some art!
Yoko Ono turned 80 earlier this year and to celebrate, the Louisiana Museum of Modern Art in Humlebæk, Denmark, has opened a retrospective covering more than half a century of her work.
“Yoko Ono Half-A-Wind” looks back at Yoko Ono’s influence on avant garde art and how her personal expression has changed over the decades, using various media such as installation pieces, poetry, music and film.
Much of her work is interactive. One of her most famous installation pieces, “En Trance,” is included in the exhibition. This architectural construction can be entered six different ways depending on the viewer, allowing for various experiences. There’s also a new installation, “Moving Mountains,” in which visitors are encouraged to create mobile sculptures from cloth bags.
This isn’t the only new work Yoko Ono has created for this exhibition. A series of billboards have been set up around Copenhagen with words such as “DREAM,” “TOUCH,” “IMAGINE” and “BREATHE” to encourage commuters to take time out of their busy urban schedules. She’s also distributed free postcards bearing her art in Copenhagen’s cinemas, restaurants and cafes.