Tallinn’s Medieval Old Town


Tallinn is a medieval wonderland. The capital of Estonia isn’t on a lot of people’s bucket list but anyone at all interested in history, architecture or art will love this place.

The central attraction is Old Town, a medieval walled city filled with old buildings and fortifications. The sheltered bay and the easily defended Toompea Hill made it a natural place to settle. Sometime about 1050 A.D. a fortress was built atop the hill, the first of many. In 1219 the Danes showed up as part of the Northern Crusade to subjugate the Baltics and convert the local pagans to Christianity whether they wanted to or not.

The Danes improved the fortifications and expanded the town, which became part of the Hanseatic League, a trading organization of a hundred northern cities. The Danes sold Tallinn to the Livonan Order, a branch of the Teutonic Knights, in 1346. The Swedes came next in 1561. Tallinn weathered plague and the Great Northern War and became part of Russia in 1710. In 1918, Estonia declared independence from Russia and fought a bitter war against Bolshevik Russia. Independence didn’t last long, however, and the fledgling nation fell first to the Nazis and then the Soviets during World War II.

Despite all this conquering, Tallinn’s historic core has survived remarkably intact. It’s so well preserved that the whole Old Town has been designated a UNESCO World Heritage Site. Much of the 14th century city wall still stands, including a couple of stretches where you can climb the narrow spiral staircases of the towers and end up on the medieval catwalk. The Viru Gates, flanked by thin pointed towers from the 14th century, makes a nice entrance into Old Town.

Dominating the town atop Toompea Hill is Toompea Castle and Pikk Hermann Tower. It was used as the center of government since 1229 and is now the site of Estonia’s parliament. Nearby stands the inappropriately named Maiden’s Tower that used to house a prison for prostitutes.

%Gallery-178685%There are several interesting old houses of worship. The oldest is the atmospheric and very chilly Dominican Monastery from 1246. My favorite was the Holy Spirit Church with its colorful Renaissance clock, elaborate altar, and painted pews. The 13th century St. Nicholas got bombed in World War II but was meticulously reconstructed and now houses a display of religious art, including the freaky “Dance Macabre” of cavorting skeletons.

The photo below was taken from the spire of the Cathedral of St. Mary the Virgin, one of the many towers that offer fine views of the city. Also try the Town Hall for a great view. The most visible church that seems to get on all the postcards is the Russian Orthodox St. Alexander Nevsky Cathedral with its onion domes.

Several of the medieval buildings house museums: Epping Tower has a collection of medieval arms and armor, the 15th-century Great Guild Hall houses the Estonian History Museum, a 14th century merchant’s mansion is home to the Tallinn City Museum, and Fat Margaret’s cannon tower from 1530 is now the Maritime Museum.

One of the most popular attractions is Kiek en de Kök, an imposing tower on the slopes of Toompea Hill. Its basement connects with a network of tunnels beneath the bastions. There’s enough of interest here that I’ll be dedicating a whole post to this place later in the series.

As you can see from the photos, I visited Tallinn this February. While I only saw about five minutes of blue sky in the six days I was there, and it snowed every day, there are advantages to visiting in the dead of winter. First, prices of hotels and flights plummet and you can pick your dates without having to worry about getting a place. This makes it a good budget travel option for those who don’t mind a bit of cold.

If you’re coming from England, you’re in luck. Ryaniar flies to Tallinn from Luton, and easyJet flies from Gatwick. There are also regular connections from Munich, Helsinki, and other important cities.

Tallinn makes a good budget option whatever the season. Old Town is compact enough that you don’t need to pay for transport, and a Tallinn Card gets you free tours and free entry into all the sites. Being so compact you can see a lot of the city in one day, making the card well worth the money. The cost of the card is 24 euros for 24 hours, 32 euros for 48 hours, and 40 euros for 72 hours. Children up to 14 years get the card for half price. The card comes with a good city map and guidebook.

Read the rest of my series: “Exploring Estonia: The Northern Baltics In Wintertime.”

Coming up next: A Snowy Traditional Village in Estonia!

[All photos by Sean McLachlan]

New trail for medieval church paintings in England

The church of St Mary the Virgin in the little village of Lakenheath, Suffolk, England, contains a treasure trove of medieval church paintings. They were discovered 130 years ago when Victorian workmen were cleaning off centuries of grime and lime wash from the walls.

What they found was a series of detailed paintings of religious subjects painted from c.1220-c.1610. The church was repainted five times in that period.

A few years ago it was noticed that exposure to air, light, and moisture was destroying the paintings, and a painstaking restoration project was launched. The Lakenheath Wall Paintings Project has since restored the paintings and interpreted all five periods. Reconstructions of how the church looked during these periods can be seen on the website, as well as a rich gallery of closeup shots of the paintings.

They’ve also designed a cool Suffolk Wall Painting Trail that you can download for free. Suffolk is especially rich in wall paintings with several churches clustered together, making them easy to visit.

To learn more about this style of art, check out my review and photo gallery of the book Medieval Wall Paintings in English and Welsh Churches.

It was not possible to obtain permission to use one of the Lakenheath photos at press time. The above photo, of souls sheltering under the cloak of the Virgin Mary, is from the church of St John the Baptist, Byford. It’s similar in style to the paintings at Lakenheath.

Medieval painted churches in England and Wales


England and Wales are full of beautiful medieval churches. From the famous like Christ Church cathedral to the lesser-known like Dorchester Abbey, they offer breathtaking architecture and decoration, and since many are free, they make good budget travel destinations.

Some even preserve fragile paintings from the Middle Ages, like this one photographed by Roger Rosewell, author of Medieval Wall Paintings in English and Welsh Churches. This is a thorough and richly illustrated guide to an art form many travelers know little about. He takes us through the history of these paintings and their sometimes obscure meanings, and delves into how they were seen by their contemporaries.

The above illustration shows the “Harrowing of Hell” and was painted in the late 15th century at the church of St. Peter and St. Paul in Pickering, Yorkshire. It’s a scene from The Gospel of Nicodemus, when between Christ’s burial and the third day, God undid Christ’s death and Christ released Adam, Eve, and other righteous souls from Hell. If you haven’t heard of this gospel, it’s because it’s one of the many books that didn’t make it into the final standard version of the Bible we know today. Scenes from this book and many other so-called Apocryphal texts were well-known to medieval Christians, though.

Other subjects include the Virgin Mary, the lives of saints, the Doom or final judgement, and the Warning to Blasphemers–a grisly scene in which those who have taken the Lord’s name in vain are shown tearing apart his body.

Rosewell also looks at the patrons who commissioned the work and the painters themselves, telling us a lot about medieval society. Interestingly, it appears some of the painters were women, yet little is known about any church painters, male or female. There’s also a handy gazetteer and subject guide to help you locate any church paintings along your trip itinerary.

I only have two minor criticisms of this work. Firstly, while Rosewell explains Christian iconography very well, sometimes he leaves architectural terms undefined. Despite having written two books on medieval history, I had to look up “soffit” and “voussoir”! Also, while many of the photos are lovely, some have less than ideal lighting and look like simple snapshots. Granted, many medieval wall paintings are so faded it’s virtually impossible to get good photos of them, yet I feel a bit more effort would have enhanced these photos considerably.

All in all, I highly recommend Medieval Wall Paintings in English and Welsh Churches to anyone interested in the Middle Ages, art, or travel in England in Wales. It’s the perfect mixture of art, history, and guidebook, something I wish the travel industry would give us more of.

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