The Drive-In Movie Theater Photography Project

Today we have an interview with a very interesting travel photographer. Craig Deman has done a number of photography projects, including The Drive-In Project, a look at abandoned drive-in movie theaters across America. Since today is the 80th anniversary of the drive-in theater, we decided to have him as a guest.

Welcome to Gadling, Craig! Tell us a little about the project and what attracts you to abandoned drive-ins.

You know how some people can remember many details about their childhood and teenage years and some people can only remember a few? I fall into the latter category. Even though I might not remember a great amount of the details of my childhood, I do have vivid memories of my earliest experiences at drive-in movie theaters. I remember the first movie my mom took my sister and me to at a drive-in. Can you say … “Supercalifragilisticexxpialidocious”? I remember the names of the guys I was with in my friend Mike’s trunk when we snuck into our local drive-in. Without question, I remember the details of the first girl I was “with” at a drive-in movie theater!

Today, approximately 90 percent of drive-ins are closed from their peak in the late 1950s. As a lover of architectural and landscape photography, drive-in movie theaters represent defining moments and passion for me. The distressed and decaying wood of a ticket booth, overgrown and unwieldy shrubs/trees where cars once parked, matched by the enormous scale of a screen tower all together scream as loudly to me today as if I was back in the day we laughed with joy upon successfully gaining entrance to the drive-in while sequestered in my buddy’s trunk.

Putting it simply – it’s the raw emotion, still present, from almost 50 years ago, that attracts me to abandoned drive-ins. A lot of people respond to the imagery of my Drive-in Project by referring to it as “haunting.” I’m good with that, as long as those same people’s definition of the word haunting includes “Mary Poppins” and getting busy.

%Slideshow-577%When you were doing this project, did you get to meet any folks who used to go to these drive-ins?

The people I met from Alabama to Arizona or from Nevada to New York were universally eager and open to sharing their personal experiences at drive-in movie theaters. People expressed a breadth of emotions when describing individual feelings they held in their memories about drive-ins they had visited.

Let me tell you about a couple of folks I met. I was shooting the Lake Estes Drive-in (Colorado), when I met the owners John and Sharon, in order to gain access to the projection booth. When we entered the projection booth, my eyes opened as wide as a kid being offered candy, as this was the first and only abandoned projector booth that I came across that still had a projector in it. It was dusty and needed a tune up to be sure, but it was a beautiful hunk of metal. All I could think about was what an organically perfect interior setting this was for my series. The rawness of the setting evoked such visceral emotions.

John and Sharon are planning to redevelop the land where the drive-in was located over 20 years earlier. They want a “good home” for the beautiful hunk of metal and offered me the projector. As of this interview, I haven’t figured out where I could house it. I’m still thinking about it, to the dismay of some in my family.

I came across something unique when I was researching drive-ins to shoot in Tennessee. Brothers Ed and John grew up going to the Moonglo Drive-in located in Pulaski. They own a dealership and loved going to the Moonglo when they were growing up. They loved it so much that as adults they bought the property and built their car dealership around the Moonglo’s projection booth and screen.

It was too good pass up for this project, no matter how far I had to drive to get there. Ed and John are great guys and thanks to them, I captured some wonderful images. While they’re concentrating on growing their dealership, I don’t believe it would take too much to get them to consider firing up the Moonglo as an operating drive-in movie theater.

Do you have any tips for budding photographers who want to take their own images of abandoned Americana?

Yes, I call it the three Ps – plan well, be patient as well as persistent. The Drive-in Project was shot over a four-year period in ten different states. Living in California, I traveled thousands of miles to shoot 80 percent of the drive-ins within the series. Each and every location deserved to have painstaking thought put into each image and that’s what they each received. If the lighting wasn’t right at the time I was there, I slept in the rental car, hoping the next morning would bring better light.

The three Ps came into play often during those four years, but nowhere more so than the drive-in located in Commerce, Georgia. Initially, I couldn’t even find it. So many years have passed that the drive-in is now engulfed by a full-blown forest that has hidden the remnants of the screen and ticket booth from the main road.

After finally locating the screen through the forest, I loaded up my equipment and began to hike out to setup my camera, a Mamiya RZ67. Suddenly, I felt this incredibly sharp pain in my right foot. I had stepped on a 4-inch nail that pierced my shoe and was now embedded in the ball of my foot. I said to myself, “I have come this far, I have to keep going and get the shot.”

I loosened my shoe and pulled the nail out, hiking further into the forest to a clearing where the small remaining piece of the screen was visible. As I’m setting my tripod up, I heard this rustling and am joined by two Georgia State Troopers. The troopers informed me that I was trespassing on private property, but I’d done my research and I knew the name and contact info of the property owner who had given me permission to shoot there. The troopers ended up being nice guys and were quite interested in my project. They left me to do my work and just as I was feeling good about covering the three Ps until one of the troopers, as they were walking away, said, “Watch out for snakes around here!”

What’s next for you?

I’ve started a project that involves a 1950s “Normandie Starline Mod 1” beauty parlor chair, which I have named Marilyn. Marilyn has a beautiful chrome dryer top with a pink chair with an ashtray in the left arm and a swing handle that lifts the leg rest. Marilyn will be photographed in various environments juxtaposed against outdoor landscapes, models inside my studio and street scenes.

The name of my new project is: “Road Trip With Marilyn (RTWM).” Although I am only about 20 percent into my RTWM project, I have found that Marilyn helps me in a couple of ways as a photographer. Marilyn is a great icebreaker; her physical appearance attracts and pulls people into the space she is placed in. People are anxious to play with her and pose with her chrome dryer top. I’m excited about hitting the road with Marilyn and capturing an eclectic series of photographs. Maybe we can hook up with you, Sean, while you’re on one of your upcoming adventures?

You, me, and Marilyn in the Sudan! That would make for some interesting photos. Thanks for joining us today!

Video Of The Day: Time Brushing Istanbul


Recently a Turkish friend asked my daughter Vera’s middle name. It’s Alcazar, my grandmother’s maiden name from Trinidad, and more commonly known as a Moorish Spanish word for fortified palace. I was surprised to hear the response, “Oh, like the cinema?” It turns out there is an Alkazar movie theater just a few miles away from us on Istanbul‘s busy Istiklal Caddesi. Opened in the 1920s with various incarnations as a popular, adult, and art house movie theater, the Alkazar closed two years ago just before I moved here, but the facade remains. The above video by Vimeo user mustafa emre uses a “time brush” technique to show the historic building in its heyday and more recently. It’s a fun way to show how the past is just below the surface.

Seen any historic travel videos or photos? Share them with us by leaving a comment below or adding to the Gadling Flickr pool for another Video of the Day.

Undiscovered New York: A movie lover’s guide to New York

Welcome to Gadling’s weekly series on the Big Apple, Undiscovered New York. If there’s one place outside of Hollywood or Bollywood that is inextricably connected to the movies, it is New York. From the city’s important role in the beginnings of the American movie industry in early 1900’s to its starring role in films like The French Connection and Ghost Busters, New York and the movies tend to go hand-in-hand.

Not only is New York a great place to discover the filming locations of the silver screen, it’s also a great city for people who love good movies. Whether it’s Hollywood’s latest blockbuster, the latest art-house indie film or a vintage classic, you’re bound to find a theater showing a copy sooner or later. And that’s nothing to say of New York’s great lineup of yearly film festivals, random movie-star sightings and fantastic stores catering specifically to rabid movie collectors.

Ever wonder where they filmed scenes for movies like Goodfellas or When Harry Met Sally? Looking to track down that vintage Casablanca movie poster or an obscure film-noir classic on DVD? Get comfortable, grab a bucket of popcorn and come along for Undiscovered New York’s guide to New York and the movies…
Famous Movie Locations

Perhaps the best part of movie culture in New York is that it is literally being remade, each and every day. New York is a living breathing film set. In addition to the numerous television shows and commercials that film in New York each year, there are countless movies. Over the course of any given day, there’s a good chance you might stumble upon a film crew setting up or even an well-known actor or actress preparing their lines.

If you tend to be the self-starting type, there’s a number of online guides that will take you on guided tours of some of the city’s most famous movie locations, allowing any visitor to quickly track down some of their favorite movie moments. A number of companies, like On Location Tours also offer guided tours of some of the city’s more memorable cinema spots.

Movie Theaters Galore
Given all movie-making that goes on around town, New Yorkers tend to be rather particular about their movies. This has led to one of the country’s most competitive and diverse theater markets, providing options for just about every taste. No matter what your preference, there’s a movie theater to suit you.

Chin-stroking cineastes tend to head to theaters like Manhattan’s Film Forum, which regularly screens the latest and greatest in non-Hollywood fare as well as long-lost classics. Other art-house movie theater favorites include the Angelika, the Sunshine Cinema and BAM Rose Cinemas in Brooklyn. Movie-goers looking to throw popcorn at the screen and whoop it up at the latest Hollywood action blockbuster should check out theaters like the Regal Union Square or AMC Empire 25 near Times Square. Make sure to yell at the screen, it’s a New York movie-watching tradition!

Film Festivals
Not only is New York spoiled for choice when it comes to movie theaters, the city is also the first to see some of the newest films at one of the city’s many annual film festivals. The events tend to bring out an eclectic cast of the movie industry elite’s biggest-name directors and actors, industry regulars and the plain curious.

The best part of New York’s film festivals is that many screenings are open to just about anyone who can get their hands on a ticket. Screenings not only include a first run viewing, they often also include Q&A’s and behind-the-scenes interviews with the cast and crew at the film’s conclusion. The Tribeca Film Festival in late April and the New York Film Festival in September/October are two of the biggest. Make sure to check out the festival websites as the start dates approach to get your hands on some passes.

Movie Memorabilia and More
Not only is New York a great city for watching movies, it’s also one of the best spots anywhere to pick up a piece of movie history. As you might expect in one of the world’s great shopping cities, it’s easy to find a movie-themed gift to please even the most finicky movie fan.

East Village institution Kim’s caters to the more eclectic end of the spectrum, stocking all manner of subtitled foreign films and obscure B-movie classics on DVD. Meanwhile Chelsea’s Chisholm Larsson Poster Gallery carries an incredible selection of rare original movie posters that’s sure to please even the most jaded movie fan.