VIDEO: Prehistoric Art Of Panther Cave Reproduced In 3D


Panther Cave in Seminole Canyon, Texas, has some of the country’s best-preserved prehistoric cave paintings. A colorful frieze of leaping panthers, feathered shamans and strange abstract shapes have puzzled researchers for decades. It appears to be telling a story of some sort, but what does that story say?

Now this new 3D video allows you to study it for yourself. Color enhancement brings out details hard to see with the naked eye. It also brings the cave (really a rock shelter) to the general public. Panther Cave is only visible from the opposite bank of the river or by a specially scheduled boat trip with a park ranger.

The paintings date to the Archaic period, a vague label stretching from 7,000 B.C. to 600 A.D. Judging from the condition of the paintings and the relatively shallow depth of the rock shelter, this former archaeologist thinks they must date to the last few centuries of that period. Take that with a grain of salt; my specialty was the Anglo-Saxon migration period.

The site is managed by Seminole Canyon State Park & Historic Site and Amistad National Recreation Area. Sadly, Past Horizons reports that the site is now endangered by flooding related to the construction of Amistad Reservoir. As prehistoric art across the nation falls prey to “development,” vandalism and time, these detailed videos become important records of our past.

For a look at some cave paintings from the opposite side of the globe, check out my post on the painted caves of Laas Geel in Somaliland.

The Old Leather Man: controversy over digging up a legend

Investigators in Connecticut are planning to uncover a local legend, but they’re facing a backlash of public sentiment.

An archaeological team will open the grave of The Old Leather Man, a mysterious wanderer who from 1883 to 1889 walked a 365 mile loop from the lower Hudson River Valley into Connecticut and back. It took him 34 days to make the journey and he was so punctual that well-wishers used to to have meals ready for him when he showed up. He spoke French but little English, slept only in caves and rock shelters, and never revealed information about himself. He got his name from his homemade, 60 lb. suit of leather.

His grave in Ossining’s Sparta Cemetery brings a regular flow of the curious, but local officials are afraid it’s too close to the street and is a safety hazard. They plan to dig up The Old Leather Man and move him to a different part of the cemetery. They also want to take a DNA sample. Legend claims he was a heartbroken Frenchman named Jules Bourglay, but Leather Man biographer Dan W. DeLuca says this is an invention of a newspaper of the time.

The DNA might prove a clue to who he really was and that’s where the controversy starts. History teacher Don Johnson has set up a website called Leave the Leatherman Alone, saying that his privacy should be respected. Judging from all the comments on his site, he seems to have a fair amount of backing.

As a former archaeologist I love unraveling a good mystery but I have to agree with Mr. Johnson on this one. The Old Leather Man obviously wanted his identity to remain unknown, and just because he was a homeless man why should his wishes be ignored? He never committed any crime besides vagrancy, he died of natural causes, and there are no known inheritance issues, so what’s the need?

As a teenager growing up in the Hudson Valley, I loved the mysteries of New England and the Mid-Atlantic states–the strange rock constructions, the Revolutionary War ghosts, Mystery Hill, and, of course, The Old Leather Man. Most of this is the stuff of imagination, but The Old Leather Man was real, living person.

And because of that, we should let his mystery remain buried.

[Image courtesy Wikimedia Commons]