Three years ago I was in Telluride, Colorado attending Mountainfilm festival. I was particularly blown away by a series of huge photographs that depicted life in Afghanistan. I remember being particularly moved by one of a beggar woman in a burqa, sitting in the middle of a dusty street with a boy sitting in her lap. I had read, and even written about the Streets of Afghanistan photo exhibit, in the days leading up to the festival, but seeing it was completely different. That was the same day I went to listen to Shannon Galpin give a presentation on both the photo exhibit and her nonprofit, Mountain2Mountain.
Galpin and I had corresponded back and forth via email, but this was the first time that I had met her in person.
I sat almost shell-shocked as she told the story of her rape at the age of 19, and then the subsequent rape of her sister several years later and the impetus for deciding that she would not be a victim. Then came the birth of her daughter, a moment where Galpin realized that all women and girls around the world deserve the same rights that, being born in the United States, her own daughter would have. She launched Mountain2Mountain in late 2006 with that exact idea in mind, paving a way for women’s rights in Afghanistan.
Committed to the power of voice, one of Mountain2Mountain’s first projects was collaboration between Afghan and Western photographers to document real life in Afghanistan, not through the war or conflict lens, but Afghanistan as Afghans saw it. The result was a life-size interactive exhibit that provided a different view of this corner of the world; a corner that we so often see but so rarely emotionally connect with.
“The goal with Streets of Afghanistan was to bring the images that capture the beauty and spirit of this country back to Afghanistan itself; a chance for Afghans to appreciate art and perhaps instill a sense of pride in the beauty and soul of their country. On a global level, this series of exhibits also shows the world that you can do things like this in a country like Afghanistan. Art, and street art in particular, isn’t off limits because of ongoing conflict – in fact, in situations like the one in Afghanistan, it is even more important to inspire, to ignite conversation, and to celebrate community,” says Galpin.
Three years after seeing “Streets of Afghanistan” in Telluride, I found myself in Kabul producing that exact same exhibit, seeing Afghanistan for myself, but also the reactions of the local community to a show that was all about showcasing them; sometimes things come full circle in a very serendipitous way.
As I unfolded yet another 10′x17′ photo and propped it up against a stone wall, my headscarf falling off and a group of men standing and staring at the crazy foreign woman, I was reminded that in a time of conflict and destruction, there is so much room for beauty and creativity. Empowering voice, in this case through art, means empowering grassroots activism.
At the end of October, Anna Brones spent two weeks in Afghanistan with nonprofit Mountain2Mountain working to produce several Streets of Afghanistan public photo exhibits. This series chronicles the work on that trip and what it’s like to travel in Afghanistan. Follow along here.
[Photo Credits: Anna Brones]