Charles Dickens featured at new Museum of London exhibition

by Sean McLachlan on

The Museum of London has opened a major new exhibition on one of the city’s greatest writers–Charles Dickens. Dickens and London celebrates Dickens’ 200th birthday looks at the relationship between the writer and the city he used as inspiration for many of his novels.

The exhibition recreates the sights and sounds of 19th century London, something the museum does very well for many eras. London 200 years ago was one of the greatest cities of the world, and one of the worst. The center of global commerce and culture, it was also home to grinding poverty and drug abuse. One item on display is Dickens’ notes from an opium den he used as inspiration for one of his scenes.

Dickens often wrote about the plight of the poor and he knew what he was talking about. When still a child, he had to work ten-hour shifts in a shoe polish factory while his father spent time in debtor’s prison.

The British Library in London is also marking the bicentennial with a small exhibition titled A Hankering after Ghosts: Charles Dickens and the Supernatural. Dickens loved a good horror story and penned many, although another author once accused Dickens of plagiarism, an accusation that had some foundation in fact.

Dickens fans will also not want to miss the Charles Dickens Museum. Although Dickens only lived here from 1837-1839, the prolific author finished The Pickwick Papers, Oliver Twist, and Nicholas Nickleby in that time. Even if you’re not terribly interested in him, his house gives you a good idea of a moderately wealthy family home of the era.

Dickens and London will run until June 10, 2012.

Photo of Dickens with his two daughter courtesy Wikimedia Commons.

Brimham Rocks: weird natural formations in Yorkshire

by Sean McLachlan on


What do you see in this picture? In Victorian times, the local people called this The Dancing Bear. In a more PC age where we don’t humiliate animals for our entertainment (much) the name has been changed to The Dog. Looks like he’s begging at his master’s dinner table.

This is one of many rock formations at Brimham Rocks, Yorkshire, England. An ancient river laid down grit and sand in this region more than 300 million years ago, forming a sandstone called Millstone Grit. Wind and rain have been scouring it away ever since. Softer portions go first, while those layers with tougher ingredients take longer to weather. Thus over millions of years the once-featureless stone has been twisted into odd formations like this one.

Needless to say the rocks have been a Yorkshire landmark since before recorded history. In Victorian times it became a tourist destination, with lots of colorful names and stories attached to the stones. One spot is called Lover’s Leap where, according to an 1863 guidebook, a couple named Edwin and Julia decided to end their lives.

“They were madly in love with each other but Julia’s father wasn’t having any of it. Especially when Edwin asked for his daughter’s hand in marriage. He forbade them to see each other any more. But of course, they couldn’t stand to live without each other. They decided to leap off Brimham Rocks and spend eternity together that way. Julia’s father got wind of the plan and dashed up there to dissuade them – but they jumped before he could reach them. However, by some miracle, instead of plummeting to their dooms, they floated gently to the ground. “Some said that a fairy who lived among the rocks had witnessed their misery and knew they could be happy if only they were allowed to marry.” Perhaps it was the influence of the Druids – or maybe even the magic in the rocks themselves. More boring people put it down to Julia’s skirts being so voluminous. But whatever, her Father at last consented to their marriage and naturally they lived happily ever after.”

The mention of the Druids is significant. The Victorians were fascinated by all things Celtic and many scholars thought archaeological sites like Stonehenge had been built by these Celtic priests. Natural formations were attributed to the Druids too. One table-like formation is called “The Druid’s Writing Desk” although many people say it looks more like E.T. There are dozens more, like the Idol, the Bulls of Babylon, and the turtle. There are also spots where Mother Shipton, the famous Yorkshire soothsayer, made her prophecies and practiced her magic.

While Brimham Rocks didn’t make it onto our list of the 17 strangest natural wonders, it’s well worth a visit not just for its natural beauty but also for all the strange and funny folklore that’s glommed onto it over the years. How much of it is “real” folklore and how much has been made up by the guides? Who knows? Our guide did admit that in Victorian times visitors paid only what they felt like, so the guides were under some real pressure to entertain.

Don’t miss the rest of my series on Exploring Yorkshire: ghosts, castles, and literature in England’s north.

Coming up next: York: capital of England’s north!

This trip was sponsored by VisitEngland and Welcome to Yorkshire.

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The photographer who changed the way we see the world

by Sean McLachlan on


We’ve all seen them, those grainy series of black and white images showing animals walking or nude people climbing stairs or jumping. They’ve been used in art pieces, music videos, and are part of our visual heritage, but what are they all about?

A new exhibition at London’s Tate Britain tells the story of the photographer who took these enduring images. Eadweard Muybridge was a British immigrant to the U.S. in the 1850s. A skilled photographer, he traveled the world taking giant panoramic shots that he would then put on display, sort of an IMAX theater for Victorians. His seventeen-foot long panorama of San Francisco is one of the exhibition’s highlights.

His fame comes from his experiments with high-speed film in the 1870s. Muybridge wanted to answer the question of whether a galloping horse took all four hooves off the ground at the same time. People had been arguing about this for ages but the movement was too quick to catch with the unaided eye. Muybridge hired the Sacremento racetrack and put up a series of high-speed cameras that would be set off when the horse hit their tripwires. This technological innovation proved horses actually do leave the ground while galloping.

Muybridge became fascinated by human and animal movement and produced thousands of images. The people in his photographs are generally nude. While stuffy Victorian morality frowned on this sort of thing, since it was in the name of science Muybridge got away with it. One wonders how many of his books sold not for their scientific value, but because they contained plenty of cheesecake. He even made movies by stringing the images together on a spinning wheel called a zoopraxiscope. Muybridge was making movies twenty years before the movie camera was invented.

Muybridge at Tate Britain runs until 16 January 2011.

[Photo courtesy Library of Congress]