The Ritz-Carlton, Riyadh opens, featuring bowling alley and cigar bar




The Ritz-Carlton Hotel Company, L.L.C. continues to expand into the Middle East market with their first hotel in Saudi Arabia, The Ritz-Carlton, Riyadh. The 493 room hotel in the Diplomatic Quarter is adjacent to the King Abdul Aziz Convention Centre.

Of course, the hotel has to be appropriately palatial – it includes 52 acres of landscaped gardens, a massive fountain, and a one kilometer driveway.

Originally envisioned as a royal guest palace for visiting dignitaries and heads of state, the hotel’s architecture is modeled on traditional palaces and elegant Arabian residences. Native palms, 600-year old olive trees from Lebanon, and water fountains abound.

“This majestic hotel’s prime location in the literal heart of the Arabian Peninsula offers many significant advantages to visiting guests and dignitaries,” said Herve Humler, president and chief operations officer of The Ritz-Carlton Hotel Company, L.L.C. “We are extremely proud that The Ritz-Carlton, Riyadh represents our first hotel into the Kingdom. We have been aggressively seeking the right first location in Saudi Arabia for a number of years, and believe there could be no better place for a Ritz-Carlton than in this” added Humler.

The interior of the hotel is also imbued with a sense of place – guestrooms and suites use the vibrant colors and ethnic textures of the region. Highlights include not just one, but 49 exquisitely appointed two-bedroom Royal Suites, each generously measuring 4,574 square feet and 50 one-bedroom, opulent Executive Suites at 1,022 square feet. Wow.

The hotel also features 62,000 square feet of meeting space, an Aubergine restaurant, a buffet-style restaurant serving Lebanese favorites, Asian and Italian restaurants, a tea lounge and a cigar lounge that will be home to one of the widest selection of Cuban cigars in Saudi Arabia. The hotel also features an indoor six-lane bowling alley, indoor swimming pool and men’s health club with three treatment rooms. Sorry ladies, you’re out of luck here- there isn’t a women’s health club or spa. See more pictures, below:
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*A previous version of this article incorrectly stated that the hotel has an on-site ICU. This information has since been removed.

Street art comes alive at the Sarasota Chalk Festival



Go to any major tourist city, particularly a city with a car-free, pedestrian-friendly center, and you’ll likely find street artists honing their craft, using just chalk as their medium and pavement as their canvas. Within hours, these street painters are able to create everything from spot-on renderings of the Mona Lisa to 3-D chasms that look so realistic you fear walking too close to the painting’s edge. Street painting is always a treat to come across. But, like all street art, chalk art is not organized. So it’s not an activity you’ll typically find on your weekend arts calendar. That is, unless you’re in Sarasota.

This week, the south Florida city of Sarasota hosts the Sarasota Chalk Festival, an annual event during which the world’s best chalk artists transform South Pineapple Avenue into an open air performance art space. In its fourth year, the Chalk Festival will focus on “Pavement Art Through the Ages,” paying homage to the art’s centuries-old Italian roots. In particular, the festival will showcase historical street painting, giving artists the opportunity to depict on pavement hundreds of years of Italian culture. The festival will also feature a 24-hour chalk painting competition modeled after the Grazie di Curtatone Madonnari, the very first street painting festival that took place in Mantua, Italy, in 1973. Madonnari, by the way, is the Italian term for “street painter.”

And then, there’s the 3-D art. Legendary chalk painter Kurt Wenner, an American artist who helped popularize anamorphic, or 3-D, street art, will be on hand to demonstrate his technique for creating three-dimensional chalk figures on a horizontal plane. In all, approximately 100 artists will decorate downtown Sarasota with dozens of mind-blowing street paintings that will all fade away shortly after the festival ends.

The Sarasota Chalk Festival runs through November 7.

MondoWindow: a new way of looking at in-flight entertainment

Imagine being bored on a plane. It isn’t hard to do.

First, you’re flipping through the in-flight magazine or the Skymall catalog. Then, maybe you watch the movie or whatever 90s-era sitcom the airline has chosen to pump through the In-Flight Entertainment (IFE) system to your seatback screen. If you’re lucky, you brought along your smartphone or tablet, which is stocked with music and e-books. Though, if this is a last-minute jaunt or a return trip, you may not have had the foresight to load new content on your device. The availability of WiFi on your plane is still not a given, either, even though it’s twenty-freaking-eleven. And, don’t even think about getting up to walk the aisles for a few minutes – beverage service is about to start!

IFE has indeed made some strides in the past decade but it is a far cry from the type of interactive entertainment we are now accustomed to on the ground. Enter MondoWindow, a start-up that is seeking to be the “disruptive charge in the $6 billion in-flight entertainment industry-an inefficient, bloated sector that is the last major consumer media space still largely untransformed by the Internet.” Co-founders Greg Dicum and Tyler Sterkel aim to harness the “twin disruptions” now happening in the IFE sector, that of the increasing ubiquity of personal devices, such as tablets and smart phones, and the move towards more internet connectivity aboard aircraft, to make “every seat a window seat.”

Here’s how it works:Navigate over to mondowindow.com and you’ll be greeted immediately with the view of the passing terrain from a flight in progress. You can watch the progress of the randomly-generated flight, or track a flight by airline/flight number or airplane tail number. At first glance, this may remind you of the flight status map you see on airplane seatbacks. Look closer at MondoWindow’s live map, and you’ll see points on the map ranging from Wikipedia content and user-submitted Flickr photos to approximately 300 points of interest that the team at MondoWindow have connected to geo-tagged posts on Posterous. All of these interactive push-pins correspond to the points that the plane is passing. This is where the disruption begins.

MondoWindow has built its IFE model around a map. Dicum explains:

“the map is a key piece of any IFE system. It’s the only content that is relevant to absolutely everyone on the plane, and it’s the only content that is unique to the in-flight experience: you can watch TV or movies at home; you can only track your progress across the planet in flight.”

Using the map, wifi, and a growing roster of content, from photos and videos to feature articles and games, MondoWindow brings relevance to the in-flight experience, connecting passengers with the environment – businesses, landmarks, even people – below them. At its most basic, a passenger could tap into MondoWindow for information about the Grand Canyon as she flies over it. A more advanced outlook sees passengers using MondoWindow to participate in geocaching games with persons 30,000 feet below. No doubt, there are possibilities that neither I nor the MondoWindow team, have thought of, especially as interactive technologies develop. When MondoWindow’s map goes global, perhaps passengers could tap into Turkish lessons en route to Istanbul or watch a documentary on The Great Wall as they try to entertain themselves on a long-haul flight to China. MondoWindow’s model has boundless potential for positively disrupting the IFE sector.

MondoWindow is still very young, having only launched its beta site at South by Southwest in March 2011. But it is the “interactive grandchild” from Dicum’s 2004 book Window Seat, which gave airplane geeks, aerial photography enthusiasts, and curious travelers the ability to read the landscape from the air. Paired with Sterkel’s years of experience as a curator and technical project manager for museums such as the Smithsonian and the SFMOMA, MondoWindow has the power to completely change how we view, use, and consume in-flight entertainment. The next step is to get the airlines on board.

Two Yerevan tips: Lagonid Bistro-Cafe & Sergei Paradjanov Museum

Here are two Yerevan tips. Though both make it into some guidebooks, neither would probably be an obvious choice for a Yerevan sojourn: the Syrian-Armenian Lagonid Bistro-Café and the Sergei Paradjanov Museum.

I never meant to wander into Lagonid Bistro-Café (37 Nalbandyan Poghots), a Syrian-Armenian restaurant in Yerevan. I wanted to eat something distinctly Armenian, or at least something within the ex-Soviet sphere. But the best sounding restaurants along these lines in my rag-tag Lonely Planet to the Caucasus were closed, some apparently for several years, restaurants with enticing names like Color of Pomegranates (Armenian and Georgian cuisine, reportedly) and Bukhara (Uzbek cuisine).

I kept walking in search of a decent lunch, and Lagonid Bistro-Café looked like it might have potential. I ordered labne, hummus, mutabel, and pomegranate juice. The hummus was creamy with lots of olive oil, better than any hummus I’d had since an eye-opening feast at Fakhr El-Din in Amman several years ago. (After Fakhr El-Din I couldn’t eat hummus for months and months. Their version was so far superior to any hummus I’d ever had previously that I wasn’t willing to pollute my palate with bad hummus.) The labne was tart and the mutabel (a puree of roasted eggplant and garlic) was spicy and satisfying. That feast ran me 3300 dram ($8.70), and frankly the only thing on my mind as I walked away was if I should return later that day or the next.

Another Yerevan tip: The Sergei Paradjanov Museum (15-16 Dzoragyugh Poghots). Paradjanov, born to an ethnic Armenian family in Georgia in 1924, was a bad boy of avant-garde cinema at a time when dissident behavior had frightening consequences. Uncomfortable working within the social realist confines of Soviet cinema, Paradjanov was imprisoned several times on various charges, including immorality and bribery. He had many international champions in the arts, and many famous writers and artists campaigned for his release during a long imprisonment in the 1970s. Even when Paradjanov was no longer in prison, Soviet authorities monitored him and limited his ability to work creatively.

The museum presents a psychedelic hodgepodge of Paradjanov’s artistic activities and aesthetic influences. Especially interesting items include the shrine (above) and Paradjanov’s dolls and collages. Photographs, various objects, and the artist’s collages, some very intricate, cover the walls. Paradjanov developed the collage form while he was imprisoned.

Admission to the museum is 700 drams ($1.85).

Be sure to check out other Far Europe and Beyond series installments.

Seoul food: an eating and drinking tour of Korea’s capital

Visiting Seoul during a mid-winter freeze isn’t something I’d recommend to anyone unless, like me, you go there to eat. The few trees are leafless, the local’s faces are sullen with a determination to keep warm and trips to the local sights, such as the beautifully stark outdoor royal palace, only make you want to retreat to a heated room. Luckily, Daniel Gray is there to save us all with his nighttime eating and drinking tour. This is the delicious side of Seoul where you can get as warm and tipsy from atmosphere as from the mugwort beer. And any time of year, the food is excellent.

I don’t often take tours but Dan’s came highly praised by a foodie friend, so I decided to try it. Dan is a Korean American who started a food blog after moving to Seoul to find his roots. As his blog grew, people began asking him to take them to the places he wrote about, so about a year ago he started a culinary tour company and cooking school called O’ngo Food Communications with his friend and chef, Jia Choi.

The night tour is done using local transport or on foot. On the night of our tour, our first stop is barbecue. Dan leads me through an alleyway thick with steam from food stall workers washing their dishes on the sidewalk. The humble neon shop signs and row of rudimentary restaurants look eerily like futuristic scenes in the movie Blade Runner. Our destination is a basic stall-style restaurant covered in clear plastic to keep out the cold. The small tables each have a charcoal barbecue at their center and the place is packed with locals. It smells like cooking pork and the damp air is warmed by body heat and hot grills.We find a table crammed between two others and Dan begins ordering in Korean. We get a few kinds of pork, the best being garnaeggisal, a cut from near the lungs and back, which we grill alongside whole mushrooms and cloves of garlic. We dip the cooked meat in a bean and chili paste mixture called samjang, then wrap it in gaennip (sesame leaf). To wash this down, we drink shots of cheongha, a rice alcohol that tastes like sweet sake. Of course I’m the only non-Asian in the place but all that earns me is a few fleeting smiles.

“Save room,” Dan tells me as I down another perfect, caramelized pork skewer after complaining about being full.

Next we walk to a small cafe called Pub of the Blue Star. It’s an arty place with young couples snuggling in the corners, the unpainted wood walls decorated with the owner’s travel photographs. We sit at a simple round table with small bench seats. Again Dan orders in Korean, and soon we’re served what looks like a miniature witch’s cauldron full of green pond scum.

“It’s called makgeolli– it’s better than it looks,” Dan says, noting my confused expression. “Do you know what mugwort is?”

I do know. It grows in the US and hippies use it to have good dreams – or something. Dan ladles the pea green, frothy drink into our bowls. The rustic drink is known as “farmer’s beer,” and it’s delicious: slightly fizzy, subtly spicy and something I could drink vats of if not careful. The owner makes several other variations such as green tea and mulberry, and I’d like to try them all but decide to stick with one for sobriety’s sake. So we drink the makgeolli with the cafe’s tasty homemade kimchi and talk food.

I of course want to try live octopus, since that’s what I’ve heard is a specialty here. I have an idea that the critters are tiny, like bite-sized wriggling cheese puffs.

“Um, not really,” says Dan. “In fact, I took some people this morning and they ate some. Do you want to see the video I took on my phone?”

He shows me a terrifying clip of a man stuffing a fist-sized octopus in his mouth with a chopstick. The octopus is slathered in sesame oil to make it go slick down the gullet.

“Around four people die every year from eating octopus this way,” Dan explains. “The tentacles grab onto your windpipe and strangle you.”

OK, let’s skip the octopus. Instead Dan suggests we go to the market to eat pancakes called pajeon. I tear myself away from the yummy mugwort brew and again we walk through the cold steaming streets. The market starts in what feels like a mid-city pedestrian tunnel, damp and strewn with litter. We pass vegetable sellers, then the tunnel opens to a wider, covered area stuffed with restaurant stalls and vendors.

It’s getting late and some places are closing but there are still plenty of bubbling pots of soup, fresh fish on display and groups of locals bent over bowls of noodles. We go into a shop where pajeonare being fried up by a grinning grandma. The place is full of young people. Dan orders the specialty modumjeon, a mix of pan-fried snacks made from spam, flounder, kimchi and tofu alongside mungbean pancakes. This is all to be eaten with shots of soju, Korea’s national drink. There are two sojuvarieties: “original,” which is 20.1% alcohol, and “fresh,” which is slightly less challenging at 19.5%. Both taste like paint thinner to me, but I manage a few shots. Everyone around us is downing sojulike water. Meanwhile, the eggy, protein- and vegetable-rich pancakes are just the healthy, salty type of thing that goes down well with drinking.

At the end of the night, I’m not only full, warm and a bit drunk — I also feel like I’ve tasted the best food in town without feeling like a dumb tourist. Dan has been fabulous company. During my next trip to Korea I’ll definitely take his daytime market tour – but I think I’ll skip the live octopus.

For more information on O’ngo Food Communications: www.ongofood.com.