An Enchanted Expedition In Kyoto

I have just returned from two and a half wonderful weeks in Japan, leading an intrepid, engaged and enriching group of eight travelers through Kyoto and Shikoku. The trip turned out to be full of magic and delight, but as I began the journey, before I knew how it would turn out, I had turned for inspiration and encouragement to the memory of an earlier journey – my very first time as a tour leader, when I had led two American travelers on an autumn tour of Tokyo, Kyoto and rural Honshu. Here is a tale from that initial tour:

On our first full day in Japan’s ancient capital of Kyoto, we began with visits to three back-alley shops where traditional tofu delicacies, delicate fans and tatami mats are made. Then, when the husband of the couple I was accompanying mentioned that his mother used to love lacquerware and had a considerable collection in California, our local guide perked up. ”Oh, then I know just where we must go,” she said, hailing a cab. ”Zohiko!”

From the moment we walked into its hushed confines, Zohiko seemed more a museum than a retail store. Three men and a woman in crisp dark suits greeted us with bows. The ground floor consisted of two spacious rooms elegantly arranged with wooden shelves and mounted display cases showcasing an extraordinary assemblage of lacquerware. There were exquisite soup bowls and small plates, flower containers, round boxes, square boxes, sake sets, green tea cup saucers, large serving trays and small personal trays, multi-layered boxes and decorative plates, all in sleek black, red and gold, adorned with intricate flowers, rolling waves, fluttering butterflies and bending grasses.

I lingered for a long time studying a set of five black soup bowls, each with a different gorgeous rendering of pine, bamboo, apricot, chrysanthemum and orchid. A strikingly simple pure red tray with two soaring gold cranes in one corner held my eye. And if I’d had enough money, I would have bought a spectacular rectangular black container with layer upon layer of gold depicting a glittering seascape with a single, pine-crowned island in the distance and thin-winged birds flocking on the horizon.

The manager noticed me admiring the last and as we were talking, I mentioned that my companion’s mother had been an ardent collector of lacquerware in America and that discovering Zohiko was a special treat for us. ”Well, then you must come upstairs!” he said, and called to two be-suited associates.

Suddenly, we were all being escorted up a discreet stairway in the back of the showroom to another room with further elegant displays and beyond that a small area where 13, 4-inch by 5-inch, wooden trays were laid out, lacquered and polished to different degrees, illustrating the stages in the creation of lacquerware. One of the assistants began to explain in English, but the manager, clearly so gratified and excited to have foreign guests with a real interest in his own passion, couldn’t stop himself and took over, speaking in a mixture of English and Japanese that our guide translated. First, he showed us the trunk of a lacquer tree from which the sap is extracted. Then, picking up each tray in turn, he described the lacquerware-making process: the selection and shaping of the piece of wood, the laying down of a linen cloth to prevent warping or cracking, the numerous applications of layers of lacquer, followed each time by polishing, first with a whetstone and in the penultimate stage, with soft magnolia charcoal. At this point the assistant reappeared with printed one-page explanations in English and pressed them into our hands with a bow. In the final stage, I read as the manager spoke, ”a coat of clear lacquer is rubbed over the surface with cotton and the piece is polished with deerhorn powder and vegetable oil until it takes on a brilliant luster.”

The manager finished with a smile that mixed relief and glee. As we applauded and bowed and began to head for the stairs, he bent to consult with our guide. ”Wait a moment!” she announced. ”We are having a very special opportunity!”

The manager then summoned another assistant, who led us down the stairs, out the shop’s front door, around the side of the building and through a parking lot into a long, low warehouse. As we entered I caught a whiff of wood and paint. He led us up some narrow stairs to the second floor and a cozy room, about 8 feet square, where a man of perhaps 50, clad in blue jeans and a red and white striped shirt, was sitting cross-legged on a cushion. In front of him was a low red-painted stand, as high as his knees and about 2 feet wide by 2 feet deep. Neatly arranged on this stand were a dozen brushes, a bamboo tube, an engraving tool, three blue-and-white sake cups with paints inside and a tiny plastic bag containing gold pellets.

>The artist was cupping a red lacquered bowl in his hand. Taking up one of the brushes, he dipped it in a rectangular silver palette that was looped on his left thumb and began making fine brushstrokes. After a few minutes, he put that bowl aside and picked up another red-lacquered bowl. Inside this bowl was the white design of a flower. He took up a different brush, and began to lightly trace this design with transparent lacquer. When he had finished, he very intently tapped finely pounded gold dust from the bamboo tube onto the lacquered area. He then gently brushed the gold dust off with a clean cotton cloth, studied the bowl and carefully set it aside, then took up the other bowl and red brush. ”Repeating this process over and over again,” the assistant said in an awed whisper, ”he will create the kind of bowls you see in our showroom. It takes many months – sometimes even a year – to make one bowl.”

We watched the artist tip, tip, tip with his brush, careful, unhurried, moving from bowl to palette and back, seemingly at one with the grain of the wood and the flow of the lacquer. I thought about how this artist came to this workshop every day, week after week, year after year, practicing his craft, focusing on a single bowl, a tip of the lacquered brush, a tap of the bamboo tube, an intricate whole of red and black and gold. I thought of the generations of artists who had practiced this same craft before him, an unending stream of tap and tip and gleam. We watched and watched, and journeyed to an ageless place, sharing an unexpected gift from an ancient sage: the concentrated grace of his hands and his eyes, the quick dip of the fine-tipped brush and the slow liquid strokes on the bowl, the sheen of the lacquer, the glitter of the gold, the pungent scent in the air – a precious piece of Kyoto to hold in our minds, then and now and everywhere.

[Photo Credit: Flickr user Silgeo]

Forget Mykonos, Try Syros, Your Friendly Neighborhood Greek Island

I arrived on the Greek island of Syros on the night ferry from Samos at 2:30 a.m., bleary-eyed and in need of coffee or a bed, maybe both. My sons, then 2 and 4, were still half-asleep, wondering why the hell we’d hustled them out of their tidy bunks in the middle of the night. We stepped over backpackers, most of them heading to Mykonos, Naxos or Santorini, who were still asleep in the corridors of the boat, and alighted in Ermoupolis, the cultural and administrative capital of the Cyclades island group.
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I had heard that Ermoupolis was a thriving place, busy year round, but not touristy. But at 2:30 a.m. on a Monday night in early June the place was dead, with just a few cars there to greet the ferry – mostly locals picking up friends and relatives. I had reserved a room at a place called Lila’s Guesthouse and though she had promised to pick us up at no charge, I somehow doubted she’d be there. I booked a swanky looking one-bedroom loft with two balconies in a historic building that had once housed the French consulate for 60 euros. If I was Lila, I would have told me to take a taxi. But there she was with a little sign waiting to take us to our room.The drive up the steep hill above the port was a perfect introduction to our ancient neighborhood. The hotel is less than a mile up the hill from the port, and I could get there easily via a series of staircases, but if you told me to drive there, following Lila’s path in an out of a labyrinth of anorexic alleyways, I don’t think I could do it for a million dollars.

Lila’s turned out to be a revelation and so did Syros. Tourists flock to Mykonos, which is undeniably picturesque but can be a zoo – crowded, expensive and touristy to a fault. But hop on the ferry in Mykonos, fork over 8 euros and in an hour, you’re in Ermoupolis, a fascinating little city that is home to many of Greece’s wealthiest shipping magnates.

It’s a small island that attracts far fewer tourists, but it has pretty much everything you might want on a Greek island: seductive beaches, nightlife, history, old churches, a thriving port, and great food at reasonable prices. There are no large, beachfront resorts but it’s a great place to experience Greek culture and hospitality.

Tourism is manageable enough on Syros that you feel like the locals you meet actually have an interest in meeting you, in sharp contrast to busier islands, like Santorini, Naxos or Mykonos, where you can sometimes feel like the whole point of every interaction is all about buying and selling. We spent just four days on the island but on each day I met people whom I’ll never forget.

Dimitrios, Lila’s husband, was a businessman in Athens before they decided to move to Syros in order to live a quieter life. He was a jack-of-all-trades but what I found most interesting about the way he ran the hotel was how he made the place a magnet for neighborhood kids, who would pop by to talk about the latest soccer match or have a drink. It made me feel as though we were part of the neighborhood rather than just a bunch of transients in a tourist ghetto.

Dimitrios noticed that one of my shirts had a huge hole in it and he said he’d send it to be sewed. The next day it was as good as new for 5 euros. And when I asked him to recommend a laundromat, he said, “Why? I’ll do your laundry for you.” When I protested that we had a huge bag of dirty laundry, he waved me off, and within a few hours, all of our clothing was washed and folded into neat piles in our room. The charge? “No charge,” he insisted.

One afternoon, we were out taking a walk and my sons were fed up with the strong sun and all the hills, so we stood around trying in vain to find a taxi. I saw a woman in her 30s sitting on a second floor balcony and asked her if she could call a cab for us. She got up off her chair, walked into her apartment, emerged moments later on the street where we were standing and then crossed to the other side.

I saw her walk a half block up the street and wondered what was going on until I saw her pull a phone card out of her purse and pop it into a pay phone. After she made the call, she came over to explain that she had no phone in her apartment because she was unemployed and didn’t have much money. She stayed to chat with us while we waited 10-15 minutes for our cab and we learned that she had gone to beauty school to become a hairdresser but had long ago given up trying to find work. I tried to give her a couple euros for the phone call but she wouldn’t take it.

The following night, we went up to Ano Syros, a fascinating 1,000-year-old Catholic neighborhood located high above the port that is filled with vistas and atmospheric tavernas and shops. We met a woman selling hand-painted souvenirs she made herself that seemed absurdly undervalued for how beautiful they were, and as she began to wrap them up in lovely little bowed parcels, she started telling us about what a mess Greece was in. She told us she was still proud to be Greek but started crying recounting all the people she knew who were struggling to get by.

“I don’t know what’s happened to our country,” she said, drying tears from her face.

Our last night in Syros was magic. We visited a tiny, picturesque little village called San Michalis, up above Ano Syros, and had one of the most memorable meals of our lives at a place called To Plakostroto (see photo above). There are only two men still living in San Michalis – Francesco and Giovanni – and we met them both, along with a host of their friends, who had dropped by to play cards.

Francesco played a tune for us on his goatskin tsabouna, we tried some of his homemade wine and as we looked out at a panorama that included six neighboring islands, I couldn’t help but feel as though we’d captured something elusive, a spirit, a feeling, something – that thing we look for on the road that makes a place dear to us. We found Greece in a ruined hilltop village with just two residents but these kinds of undiscovered edens are dotted all over the Aegean. All you have to do is just step off the ferry in the middle of the night, when everyone else is still asleep.

[Photo and video credits: Dave Seminara]

Odd Travel Jobs: The Toucan Caretaker Of Cartagena

Meet Wilson Garcia. He’s like the Clark Kent/Superman of his workplace in Cartagena, Colombia. He looks, by first appearances, like an ordinary security guard, the ubiquitous sort one sees all over this handsome Colombian city. But look closer and you might get a clue as to his other job: he doubles as the official caretaker of Mateo, the on-property pet of the Santa Clara Sofitel hotel. Mateo is a toucan and hangs out in the courtyard of the 17th-century former convent that houses the hotel. I sat down with Garcia to ask him what it’s like to be the official caretaker of an exotic bird.David Farley: What’s your official job title?
Wilson Garcia: I’m a security guard but I’m also the caretaker of Mateo.

DF: Does it say that on your business card?
WG: No.

DF: How did you become the caretaker of the bird?
WG: Every security guard has a second line of duty here at the hotel. When I started, they told me I’d be taking care of the bird.

DF: What’s his favorite Fruit Loops flavor?
WG: [Laughs] He doesn’t eat Fruit Loops. He does love fruit, though – especially apples.

DF: Do you have to bathe him?
WG: He can clean himself, except for the parts that he can’t reach, mainly his beak. So I clean that for him.

DF: Aw-awwww-aw! Toucans are known as the “chupacabras of the sky.” Isn’t it dangerous to have such a ferocious winged beast just freely hanging around the hotel?
WG: [Laughs] I don’t think they’re called that. There has been some internal discussion about this since Mateo is technically a wild animal. But so far he has been good. He’s only attacked a couple people?

DF: He’s attacked people?
WG: Yes, but nothing serious. He just pinched a couple people with his beak when they were trying to pet him. It didn’t break the skin.

DF: How long did it take to gain Mateo’s trust when you first arrived here?
WG: About a week. Every day I’d try to pet him so that he’d know I was a good person.

DF: What kind of training did you previously have?
WG: I’ve trained dogs. Dogs and birds, and all animals, have the same instincts, especially when it comes to food. You use food as an enticement and it’s really easy to train them.

DF: So have you taught Mateo any tricks?
WG: I don’t have time. But some day I’d like to teach him to catch food in the air.

DF: So when Mateo is bad how do you punish him?
WG: I give him a time out in a place he doesn’t want to be. In this case, it’s the old chapel. He hates it. It’s amazing, though. After 20 minutes of being in there, he’s a totally different bird when he comes out.

DF: So Mateo is not a religious bird?
WG: No.

DF: When you see another toucan in the wild now, do you feel this impulse to teach it tricks or connect with it.
WG: Yes, sure. I do, actually.

DF: So really no Fruit Loops?
WG: Really, no.

[Photo by David Farley]

A Visit To A Bolivian Medicine Woman

I’d never heard of a shaman until my first class on my first day of college. I’d signed up for “Magic, Witchcraft, & Religion” as an elective on a whim. It turned out to be one of my favorite undergrad classes and has been highly inspirational to my work as a travel writer.

The instructor was a short, plump woman of a certain age. She’d lived on a Hopi reservation while working on her doctoral thesis. She looked so exotic, always bedecked with ropes of beads, silver and turquoise necklaces and rings, and dangly earrings. She wore colorful indigenous skirts and told incredible stories, some of them involving the words “peyote” and “ayuhuasca.” She’d traveled all over the world. I wanted to be her.

So, it’s no surprise that I developed a fascination for indigenous cultures. Perhaps one of the reasons I find them so absorbing is because I don’t subscribe to any religion myself, so I find the concepts of animism, polytheism and shamanism particularly interesting. I’m spiritually bankrupt myself, although I studied holistic massage in the ’90s (big mistake), and through that developed a respect for certain alternative modalities of medicine.

But fortune-telling? Soul cleansing? Killing endangered species and then ingesting their body parts in foul-tasting teas? Um, no thank you. I find this stuff interesting, but I don’t believe in it, nor do I endorse anything that involves sacrificial offerings in the name of fortune, fertility or romance.

I once had my palm read on a press trip in Hong Kong. The fortune-teller, a wizened old man, examined my hand (at the time cracked and callused from my part-time jobs as a farmers market vendor and waitress), and asked my translator, “Why no marry? If no marry by 40, never marry. Health good, feet not so good.” Still single at 44, that asshole may well have sealed my fate, but on the other hand, my feet are in good shape.

%Gallery-186949% Still, despite my non-existent belief system, I was determined to visit a shaman while in Ecuador four years ago, simply because I was curious about the process, as well as what he’d have to say about my psyche. Unfortunately, my session proved impossible to organize on short notice, so when I went to Bolivia last month, I set about finding a contact pre-trip who could hook me up with a reliable medicine man or woman.

Throughout South America, there are variations on the type of people who perform services that, to our Western minds, are mystical, if not demonic. Depending upon the country or indigenous culture, this person might be male or female, and they can variously be considered a medicine… person, shaman, or witch. The most important fact is that rarely are these people practicing what we would consider the occult.

The function of most South American “medicine men/women” and their ilk is to provide spiritual guidance or assist with medical or emotional problems. Whether this involves medicinal herbs, potions, casting spells or purifying rituals is besides the point. For many people, particularly those from indigenous cultures, regular visits to these specialists is a way of life.

Amongst the Aymara people of Bolivia, such a person is referred to as a yatiri, and they may be male or female. While plenty of yatiris can be found in La Paz’s Mercado de Hecheria, or witch’s market, I discovered that the real-deal yatiris (i.e. ones that don’t cater to tourists) are located up in El Alto, a separate city that’s sprung up in the hills above La Paz. This mostly indigenous community is a sprawling cacophony of markets, ramshackle houses, shops, traffic snarls and street vendors, but it’s also an excellent representation of daily life for urban Aymaras.

It was here that my fixer/translator, a British woman who’s been living in Bolivia for 22 years and works as the office manager of a mountain biking company, found Dona Vicentá. A practicing yatiri for 10 years (she says she felt a calling), her services are requested across the continent, including by some prominent government officials.

Dña. Vicentá agreed to see me thanks to a personal reference from a Bolivian friend of my fixer. She doesn’t usually take on gringos as clients, but for whatever reason she agreed to see me, as well as allow me to document my session. I was given a price range for a fortune telling and soul-cleansing session (the price depended upon just how much scrubbing my soul was in need of, so I steeled myself for the full fare, which was about $60).

My fixer and I took a cab up to El Alto, and there we met Dña. Vicentá in front of a community building. She was an adorable, sweet-natured Aymara woman with remarkably youthful skin, dressed in full cholita (highlands woman) attire. We walked to her “office” along a busy street. We came upon a row of squat, corrugated buildings, most of which had small fires burning in metal pans in front of each doorway. I learned that these were the workplaces of other yatiris. This area is popular with them, because of its prime location overlooking La Paz (above).

Location is, as they say, everything, and for yatiris, the double-whammy of having the soaring peaks of Huayna Potosi to the left, and Illimani to the right has significant cultural and spiritual meaning. It’s also where La Paz’s radio towers are located. This, explained Dña. Vicentá without a trace of irony, makes for excellent communication with spirits and helps her to better receive feedback on her clients. For the record, I believe she was utterly sincere, and for the sake of journalistic and personal integrity, I’d promised myself I’d submit to this adventure with a completely open mind.

My session began with Dña. Vicentá asking me a few general questions, but nothing personally revealing. She asked me for a 10 boliviano note, which she added to a pile of coca leaves on a table. She then began picking up handfuls of the coca leaves, and divined their meaning based upon the way they fell. This lasted approximately 15 minutes.

I’m not going to tell you what she said, because it’s personal, but I can say that she was eerily accurate. Not just good-at-reading-people accurate – she literally nailed certain things that only a long-term therapist, if I had one, or my closest friends could possibly know. It didn’t freak me out so much as astound me, and after that, I began to pay closer attention.

Unfortunately, this is the part where my fixer and I learned that a visit to a yatiri is a two-part process (at the very least). Dña. Vicentá told me she had a client with a serious family matter waiting outside, and asked when I could return for my soul cleansing. Apparently, the process requires the yatiri to seek guidance from higher powers, in order that he or she might procure and prepare the correct offerings. In order for me to have a certain “blockage” removed that was prohibiting me from achieving certain things, Dña. Vicentá would need time to prepare (much of this was lost in translation, but I do know that a dried llama fetus was required).

We explained to her that I was flying out of La Paz at 6 a.m. the following morning, and had no plans to return to Bolivia anytime soon. I actually felt a little distraught. Dña. Vicentá mulled things over and decided to perform a sort of mini-cleanse in order to help me in the interim, but only with the understanding that I would return to Bolivia for the full deal at some point (this I promised, as I do get to South America about once a year).

After about 15 minutes, Dña. Vicentá was ready for my ceremony. A small, incense-fueled fire was burning in front of the office. I was told to kneel on a blanket overlooking the city. She requested my wallet, so that my money would be blessed. She then used a smudge stick to purify me (above), chanting in Spanish and Aymara the entire time. It took about five minutes and when it was over, I felt strangely relieved – like I’d acquired some karmic insurance to tide me over. I thanked her profusely and we exchanged traditional cheek kisses in farewell.

So, now I’m back home and I have to say, it seems some of Dña. Vicentá’s predictions appear to be coming true. Of course, this may well have happened without her, and I prefer to continue to believe we make our own luck, or lack thereof, most of the time. As for the long-term outcome of certain things she told me, that remains to be seen. I do know I’ve given a lot of thought to a few things she pointed out about my nature (which, for the record, she deemed as fundamentally good), and I’m working on trying to change a few detrimental habits.

Do I now believe in witchcraft, shamans and spirits? No. But I’m willing to accept that perhaps there are certain people out there who are blessed with a type of insight that goes beyond what the human mind can readily comprehend. Or maybe Dña. Vicentá has just read some of my writing.

[Photo credits: Laurel Miller/Jill Benton]

Three Mountaineers Assaulted On Mt. Everest By Sherpas

The 2013 spring climbing season on Mt. Everest took a strange and unexpected turn this past weekend when a team of three climbers was assaulted by a mob of angry Sherpas. The incident first began at one of the mountain’s high camps, then reignited further down the slope when tempers flared up once again. If it weren’t for the brave intervention of other Western climbers, the conflict could have resulted in severe injury, or even the death, of the mountaineers involved.

This past Saturday, independent climbers Ueli Steck of Switzerland, Simone Moro of Italy and Jonathan Griffith of the U.K. were all climbing towards Camp 3, located at 7200 meters (23,622 feet), when they came across a team of Sherpas. The high altitude guides were busy fixing lines up the mountain that the commercial climbers will use as they scale it over the next few weeks. The Sherpas asked the Europeans to stay off the ropes while they were being worked on, as it was possible the climbers could dislodge debris and send it falling down on them while they worked. Steck, Moro and Griffith, who are each very accomplished climbers, agreed with the request and proceed up the slope using their own ropes that ran parallel to those the Sherpas were working on.

As they neared their campsite, the three climbers needed to cross the fixed ropes in order to get to their tents. As they carefully proceeded over the lines, the lead Sherpa, who was working above them at the time, rapidly descended and immediately began shouting at them to stay off the ropes. He accused the team of dislodging a chunk of ice, which struck and injured one of his workers below. Something the European climbers deny. The argument only escalated from there, culminating with the entire Sherpa team ceasing their work and descending to Camp 2 in a huff.Steck, Moro and Griffith then proceeded to their campsite to drop off several loads of gear and discuss what to do next. In an effort to extend an olive branch and show respect to the Sherpas for their efforts, Steck decided to help with the rope fixing himself, adding 260 additional meters to the work that had already been completed. But after spending some time mulling their options, they decided it was best to descend to Camp 2 just as the Sherpas had.

Upon arriving there, they were immediately met with an angry mob. The team of 17 Sherpas that the climbers had confronted on the mountain slopes had grown to nearly 100. The group attacked the three men, punching and kicking them repeatedly. Some threw rocks at them in an effort to severely injure or even kill them. The incensed Sherpa contingent was clearly out for blood.

Fortunately, other Western climbers were on site and jumped in to serve as a buffer zone between the trio from Europe and their assailants. It took the better part of an hour, but things finally began to calm down. At that time, the Sherpas told Steck, Moro and Griffith that they had better get back down the mountain to Base Camp, because if they spent the night in C2, one of them would lose his life. They promised to see to the other two climbers as well.

Grabbing a few pieces of gear, the three men descended back to Base Camp, but out of fear for their lives they didn’t use any of the fixed ropes that are in place along the route. When they arrived in BC, Ueli Steck was immediately flown to a hospital in a nearby village for treatment. He had suffered a minor injury to his head when he was struck by a rock during the melee but doctors didn’t find any serious damage. After spending a night under observation, he was back in Base Camp the following day.

The team had been considering continuing the expedition. Steck and Moro are two of the best climbers of their generation and they don’t give up easily. But after meeting with authorities yesterday and members of the Sherpa association, the three European climbers have decided to call it quits for the season and head home.

In the aftermath of the violent incident, three of the Sherpas have been removed from the mountain, while the police and the Ministry of Tourism investigates what exactly happened. Everyone knows that this story won’t be good for Nepal’s image, which relies heavily on tourism dollars from climbers and trekkers to stay afloat.

[Photo Credits: Rupert Taylor-Price via Wikimedia, Jonathan Griffith]