Wanderu’s Site Lets You Research And Book Bus And Rail Travel

If you’re a traveler, then you’re a Kayaker. Not a paddler, but a devotee of Kayak.com, the airline (and hotel and rental car) search engine that makes booking the lowest fares a breeze. If you’re a traveler, then you’ve also probably cursed the fact that a similar site doesn’t exist for bus and rail travel.

We can now count our blessings, thanks to Wanderu. According to Thrillist, this ingenious domestic search engine offers “hundreds of routes, operators, and schedules into a free, trip-aggregating database.” You can even make bookings, which is like a giant gift from the Travel Gods.

As soon as Wanderu or a competitor makes this info available for international travel, budget travelers won’t have anything left to complain about – except maybe the quality of their guesthouse banana pancakes.

[Photo credit: Flickr user DavidDennisPhotos.com]

Shakespeare Slept Here: Hidden Old Room In Oxford Once Hosted The Bard

Behind an eighteenth-century facade in downtown Oxford, just above a clothing shop, is a bedroom that was once used by William Shakespeare.

It was part of the Crown Tavern, owned by Shakespeare’s friend John Davenant. The Bard frequently stopped in Oxford on his trips between Stratford-upon-Avon and London. A nearby courtyard may have hosted his troupe’s performances.

Known as the Painted Room, it’s been remarkably preserved since Elizabethan times and still has hand-painted wall decoration from the late 16th century. This rare artwork survived thanks to oak paneling installed in the following century, and was only rediscovered in 1927.

Part of the decoration includes a religious text:
“And last of thi rest be thou
Gods servante for that hold I best / In the mornynge earlye
Serve god devoutlye
Feare god above allthynge. . .”

This week the Oxford Preservation Trust is offering guided tours of the Painted Room. If you can’t make it, BBC has posted a video tour of the room, led by some silly guy in an anachronistic tricorne hat. The Trust is also working on making the rooms permanently available to the public.

[Photo courtesy Wikimedia Commons]

The Best Cities For Street Art Around The World

I’ve always loved a good art gallery but I know not everyone feels the same way. I get it. Looking at still life oil-on-canvases isn’t for everyone. But the good news is that some of the coolest art in the world isn’t locked away in stuffy art galleries or museums – there are plenty of creative paintings and murals on the sides of buildings, along fences and across public walls.

Graffiti has been around since ancient times but what has really changed is way the many people now perceive the public scribblings. From a mark of gang culture and vandalism to a political statement to genuine artistic expression, graffiti has evolved with the times and is now accepted as “street art” in cities all over the world. Here are a handful of places known for their vibrant street art culture across Europe, South America and The Pacific.

Valparaiso, Chile

This city located close to the Chilean capital is famous for the colorful houses and murals, which line its steeply hilled streets. The extreme incline between one part of town and the next created the need for lots and lots of staircases, many of which have now been turned into richly hued works of art.

Graffiti took off in this city back in the ’70s as a way to protest the Pinochet regime and was initially frowned upon but as the years progressed, the city decided to let the street art flourish. As a visitor to Valparaiso, you cannot only wander the colorful laneways, you can get your hands dirty too. The city runs tours where you can actually hit the streets and create some graffiti with the aid of local artists who help you design your own unique stencils.

London, England

London might be home to some of the most celebrated art galleries in the world, but the city is quickly making a name for itself as a street art hub as well. Parts of the city that were once rundown and off the tourist radar have now been regenerated and have become prime places to view colorful murals.

East End is one of the off-the-beaten-track neighborhoods where many street artists have flocked. While some of the artwork in the area is done furtively, a surprising number of artists are commissioned to put their mark on the city’s public spaces. A few artist’s work to keep an eye out for include “Stik,” so named because he draws stick men across the city; Christiaan Nagel, who leaves colorful sculpted mushrooms on the rooftops of buildings; and Pablo Delgado, who creates miniature “paste up” images all over East London.

Berlin, Germany

Berlin is a street art lover’s paradise with both historical graffiti and a thriving present-day art scene to take in. Graffiti really took off here in the ’80s with those on the west side of the Berlin Wall expressing their beliefs and frustrations with the aid of spray cans. After the fall of the wall, graffiti spread throughout Berlin, and although large chunks of the wall are now gone, you can still see many murals left over from times past.

There are also a new crop of street artists that have made a name for themselves leaving their signature artwork on the sides of buildings across the city. While street art is technically illegal in Berlin, it’s such a draw card for visitors that the city still promotes it.

Melbourne, Australia

Melbourne has long been Australia’s artistic capital and there’s as much to see out on the streets as there is in the galleries. Graffiti got its start here in the ’70s and ’80s and there has always been a heavy focus on what’s known as “stencil art.”

In more recent years, the street art has evolved to include other techniques, including street installations, woodblocking and reverse graffiti – a method, which involves carving an image out of dirt (like you might do on a car window). Over the past decade, Melbourne has also held a number of stencil festivals where the public can watch live demonstrations, listen to debate about graffiti, take part in workshops and more.

[Photo credits: Flickr users szeke, Gabriel White, bobaliciouslondon, Gianni Dominici, m.a.r.c.]

Balochistan, The Unluckiest Corner Of The World

The earthquake that shook Iran and Pakistan last week has already been overshadowed by fatal tremors in Sichuan, China, a few days ago. Perhaps not surprising given that both places are in seismically active areas, but both of these disasters are repeats of far more deadly earthquakes that occurred in the last decade. In 2008, the Great Sichuan Earthquake killed almost 70,000 people, while a 2003 earthquake in the Balochistan area in Iran killed over 26,000.

That the death toll of such strong earthquakes this year is much lower (188 so far in China and 36 in Balochistan) is partly due to luck and partly due to building changes made in the wake of the last disasters. Iran was lucky that this year’s earthquake struck a less inhabited area, while China was lucky that the magnitude of the earthquake, though great, was still far less than in 2008 (6.6 vs. 7.9 is a huge difference on the logarithmic quake-measuring scale). In Iran, it’s certain that upgrades to buildings would have helped in this year’s disaster. Part of the reason the earthquake in 2003 was so devastating was due to mud brick buildings that didn’t comply with 1989 earthquake building codes. Two years ago when I visited Bam, the city devastated in 2003, almost all of the buildings were girded with steel support beams. It remains to be seen whether Chinese building integrity, which was lacking in 2008’s earthquake, will be to thank for the lower death toll this time around, but it seems likely.
The Iranian earthquake last week was actually almost directly on the border of Iran and Pakistan, in a murky and little-visited area known as Balochistan. Where Iranians and Chinese have enjoyed an immediate and effective response to the crises of the past week, the Pakistanis have not been so lucky. China has literally had to turn away volunteers from Sichuan. And Iran, which in case you’re not paying attention was just hit with its own 7.8 M earthquake, has offered earthquake aid to China. Meanwhile, Balochistan, Pakistan’s largest province is suffering something of a humanitarian crisis.

Few people ever travel to Balochistan. It’s bleak and desolate and basically on the way to nowhere. Even the hippies, self-medicating their way to India along the hippie trail in the ’60s and ’70s, would divert through Afghanistan rather than going through the dusty deserts of Balochistan.

I traveled there in 2011, on my way overland to Southeast Asia. We (a convoy of travelers) were assigned armed guards along the way, who took regular naps as we trundled across the desert. The Baloch people, with their sun-beaten faces and piercing stares, often seemed sinister, but it turned out curiosity was simply mistaken for menace. Few Baloch see any Westerners except on TV, though the elder of them will remember a time pre-Partition when British were still garrisoned in Quetta, Balochistan’s capital.

I’m not naive. Balochistan is a dangerous place. Kidnappings perpetrated by al-Qaeda radicals are not uncommon (though they rarely target foreigners). Sectarian violence is a big problem. And there’s always the chance one might get in the crossfire between the Pakistan military and the stout and very armed advocates of an independent Balochistan.

But the regular Baloch, like everyone else on the planet, is just on his hustle, trying to eke out a living for himself and his family. He is abiding by ancient customs of hospitality in his native land. He is offering tea to the strange foreigner who wandered into his shop dressed in a moose toque and suede shoes in the middle of the desert. He is napping in the passenger seat of some foreigner’s car so they can safely transit his homeland. He is yelling at an idiot foreigner to turn off the bloody radio during the call to prayer, but then smiling to show he wasn’t being hostile or anything. And he is helping said sartorially inept foreigner navigate the hectic markets of Quetta to buy local dress that won’t make him stand out so damn much. So spare a thought for the Baloch and their homeland of Balochistan, a small, unlucky corner of the globe where you will probably never go.

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[Photo credit: Jae Pyl, Adam Hodge]

April In Paris At The Bagatelle

April in Paris is about spring buds, blossoms, lovers and delicate sunshine – everyone knows that. Just because the temperatures are often in the 30s or 40s Fahrenheit, branches still barren, makes no difference at all. So it was with a light heart and step that I trekked to the western edge of town the other day to revisit one of my favorite gardens anywhere: the lavishly landscaped Parc de Bagatelle.

Edging the Bois de Boulogne and posh Neuilly, Bagatelle comes complete with ponds, grottoes, fountains, lichen-frosted statues and sexy sphinxes, a miniature chateau, orangeries, a café and restaurant, and remarkable rose and iris gardens. Peacocks feathered and of a human kind saunter along looping lanes, some draped with wisteria or clematis. The exquisite whole is tied together by more tortuous history than could fit into several of my monthly columns.

Sound familiar? Look up “bagatelle” and you’ll find: “something of little value or significance.” Wrong: ride line 1 of the Paris metro to Pont de Neuilly then walk or take the 43 bus the last moneyed mile or so, and you’ll be startled by the large value and evergreen significance of this magical park.

Everything about Bagatelle is contemporary, right down to the oligarchs and corrupt politicians in their mansions bordering the walled enclave, plus the kaleidoscope of workers on the bus, or the new skyscrapers rising over nearby La Défense-Paris’ mini-Manhattan. By day the surrounding parklands are filled with birdsong and joggers, millionaires on horseback and dog-walkers tangled in designer leashes. By night the essence of Neuilly comes out: the woods and lanes around Bagatelle fill with prostitutes that look amazingly like the garden’s sphinxes, and sleazy customers in SUVs. The delightful and the seamy frolic cheek by jowl.

“A mere bagatelle,” is one of those shopworn saws my father’s generation used when dressing up false modesty. The grand gesture – diamonds, baubles, or, as happened here, a chateau and garden – is tossed off with “oh, it’s nothing, a mere bagatelle.” Not that my father would’ve indulged in pretense.

As I entered the romantic 19th-century garden gateway and stood before two towering plane trees hundreds of years old, I recalled that the phrase was coined by the loveable Comte d’Artois, later King Charles X, a despotic reactionary later known for his ghoulish S&M parties in the Paris catacombs.

The count was the youngest brother of Louis XVI, he who lost his bewigged head. Charles and his ditzy sister-in-law Marie Antoinette had a little bet: she wagered he could not build a perfect rococo mansion and garden in less than 70 days. The count won: it took his nearly 1,000 artisans and serfs 64 days and nights (some say 68, but who’s counting?). Marie Antoinette did not bring in her sheep or feed them cake. She stayed in Versailles. The count lived high – for a while. This was 1775. Revolution hadn’t yet knocked off the big wigs.

The other saying associated with Bagatelle is “parva sed apta” – small is beautiful. It’s carved onto the façade. This one was coined probably 2,500 years ago in Athens or Rome but is apt to this day: the chateau is pocketsize, symmetrical, pink-stucco perfection, and the garden itself, though not exactly small, seems intimate and compact compared to the sprawling Bois de Boulogne.

Even when spring is a month behind as it is this year, the daffodils and crocuses at Bagatelle carpet the endless, rolling lawns. Peacocks wing past, plucked from some surrealist movie. Buds burst and leaves unfurl in a gentle yellow rain. Gone are the counts, kings and queens. Allergens and democracy have prevailed at Bagatelle: even the millionaires mix with the hoi polloi, though the park’s main café-restaurant is so expensive its clientele seems plucked from the ranks of the Comte d’Artois.

Near the cheapo café with powdered coffee and plastic seats, on the south side of the park, I rested on a mossy bench after several mile-long laps. The air was pollen-rich. I watched an elderly couple flap newspapers and coddle their very fat cat. The peacocks and hens also watched, unafraid. The cat, peacocks and fellow strollers seemed not to notice the stylized sculptures – a temporary art exhibition – dotted around the garden. This wasn’t the first time I’d seen the compound invaded by contemporary high culture. Bagatelle is trying to be cutting edge – without much success. What people including me come here for isn’t today’s outdoor art. It’s a chance to sit or walk in an unnaturally beautiful natural setting, amid antique marbles and thorny roses, quietly celebrate the seasons, and the continuing struggle to uphold equality of enjoyment in France.

Author and private tour guide David Downie’s latest critically acclaimed books are “Paris to the Pyrenees: A Skeptic Pilgrim Walks the Way of Saint James“ and “Paris, Paris: Journey into the City of Light,” soon to be an audiobook. His Paris Time Line app will be published in April: www.davidddownie.com and www.parisparistours.com.

[Photo Credits: Alison Harris]