Across Northern Europe: Globians Film Festival

If you’re in Berlin and have a few free hours this weekend skip down to Potsdam, about 20 minutes away by express train. You’ll find the Globians World and Culture Documentary Film Festival presenting films which are especially geared to the global tastes of Gadling readers.

This weekend’s slate of films focus on Asia: from Indian call centers to Tibetan orphanages to Chinese suicides to Japanese gigolos.

Director Joachim Polzer created a thematic program, starting with general long-term travel last Saturday (full disclosure: my film opened the festival) and following with nights devoted to Latin America, the United States, Europe, Africa and other less geographic themes.

The festival began in 2005, some 15 years after one of Polzer’s interview subjects told him, “We are all Globians.”

“The word stuck with me,” Polzer said.

At the time, Polzer was making documentaries himself in California and was struck by the number of quality English-language films that never made it to Germany.

“People think ‘American documentary, what is that?’ but there are lots of good programs on PBS and other places that people here don’t know about.”

With that premise he launched Globians in Potsdam, Berlin’s smaller sibling to the southwest. It’s not the easiest place to attract interest in English-language documentaries but Polzer says its better than being “the 20th film festival in Berlin.”

The modest audience of 300 in 2005 doubled last year and doubled again this year. More than 70 features are on this year’s roster.

The common thread of the three films I had a chance to see was unique perspective. “Back to the Ice: A Year in Antarctica” is a portrait of long-term stays in one the planet’s harshest environments. “Dark Water Rising: The Truth About Hurricane Katrina Animal Rescue” is a revealing, at times gruesome story of animal rescuers who seem somewhat ignorant to the simultaneous human suffering. “Match & Marry” explains the unorthodox coupling of Orthodox Jews in New York and elsewhere.

All three films told stories that I haven’t seen told elsewhere, stories that aren’t easy to tell for various reasons. Those difficulties were also evident in the limited production value and at times incomplete nature of the stories. They will all struggle to find a wide audience, which is too bad because they offer rarely seen perspectives. The chance to get a glimpse runs til Sunday and will return next summer for the festival’s fourth year.

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Previously on Across Northern Europe:

  1. Shining a Light on Iceland
  2. Lonely Love on Iceland
  3. Iceland Gone Wild
  4. A Trip to the Airport
  5. Why Bother Going to Berlin?
  6. A Perishable Feast

Brook Silva-Braga is traveling northern Europe for the month of August and reuniting with some of the people he met on the yearlong trip which was the basis of his travel documentary, A Map for Saturday. You can follow his adventure in the series, Across Northern Europe.

Across Northern Europe: A Perishable Feast

The difference between traveling and vacationing is a favorite topic of longterm travel writers. It’s not hard to see which group they hold in higher regard or believe they belong to. I try not to be competitive when it comes to travel — it’s so terribly tacky — but I’m sure I fail sometimes.

For me though there is a real and important difference between a short trip and long trip and I’m reminded of it now in the middle of my not-so-short, month-long jaunt. For me, you only truly feel like a traveler when you can’t see either end of your trip. When you can count how many days you’ve been away or how many you have left you are on a “vacation” from your life. But when you’re lost in the middle of it, it IS your life and you can inhabit the road like a new apartment. That’s the feeling of travel we get addicted to.

Since I’ve been back from my yearlong trip I’ve tried to figure out if I wanted to go on another big trip. I spent a few weeks in Costa Rica this winter asking myself, “Is this what I want to do?” And on the day we all rode the ferry in the bikini-hot sun and found a little beach village at the end of the dirt road I knew there was nothing finer. And on the slow, meaningless, empty, pointless days I wished I had a job for goodness sakes.

But here I am in Berlin traveling again and remembering that feeling of living on the road instead of visiting it. How can I tell the difference? The first sign came around 3am two nights ago at a club too far from my hostel. I was dancing, which meant I was traveling, because I don’t dance at home. “Why don’t I dance at home?” I was thinking as I danced there.

You can’t describe or even understand how you change when go away or how you change when you go back but it’s chemical and unstoppable and you can feel it and taste it but never touch it. You can just see what it does, like make you dance or talk to someone on the street. You need to get a little roughed up and jaded by being away and then you get in that groove.

A few days ago I mentioned Hemingway’s theory that Paris is a movable feast you can take with you wherever else you go. But the change I’m talking about doesn’t stay with you when you’re home. It’s a perishable feast you can bring home like a French peach in August. You can bring it home and have it there for a week until it rots.

That’s what makes it so special too. I made a damn feature length documentary about traveling and wrote elaborate things about it all. But the Swiss girls in the next bunk own that more than me now. They’re away for the summer and they know what I’m talking about better than I do. And when they go home their basket of new food will go stale and someone else will be eating French peaches without us.

But last night it was the four of us — the Swiss girls, the Canadian guy and me — drinking German beer in Berlin. Holly and Nadine are 19 years old and I am not. I’m not sure what we found to talk about but we spoke all night and into the morning.

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Previously on Across Northern Europe:

  1. Shining a Light on Iceland
  2. Lonely Love on Iceland
  3. Iceland Gone Wild
  4. A Trip to the Airport
  5. Why Bother Going to Berlin?

Brook Silva-Braga is traveling northern Europe for the month of August and reuniting with some of the people he met on the yearlong trip which was the basis of his travel documentary, A Map for Saturday. You can follow his adventure in the series, Across Northern Europe.

Across Northern Europe: Why Bother Going to Berlin?

Museums make me thoughtful, or maybe just a bit precious, and I was in the Pergamon museum here in Berlin today thinking that there may be no more pointless thing than going to a museum. I was having very big thoughts about museums though.

Art, I think, is about distillation. It’s about someone spending hours, months, years creating something for us to admire for a few minutes. We’re looking at all the time they spent making it; it’s all concentrated down onto a canvas or sculpture like a very high proof liquor.

And it’s also, obviously, an example of the best anyone has been able to do. Only the best distillations make it to the museum and that must have been a very cool thing a long time ago.

But these days we’re surrounded by movies, books, computer software, furniture, sitcoms that all perform the same trick every day: They take a great amount of expert effort and focus it into consumable pieces for our enjoyment. How many hundreds of man hours do you think go into a 23-minute episode of The Office? How much time did I spend dreaming up this ridiculous blog entry for you to skim for three minutes (and fortunately stumble upon this sentence)?

We’ve become desensitized to distillation.

I think this is why so many people have to work so hard to pretend they care at all about the things they see in museums. Stand in the corner of any gallery in any museum anywhere in the world and watch how many people spend less than ten seconds at each piece of art, when they even bother to stop at in the first place.

And usually when we care the most — indicated by us snapping the greatest number of terrible pictures — it’s because we’ve seen the artwork so often before in popular culture. How often have you been anxious to see a work you hadn’t already seen reproductions of?

It seems to me seeing great art once meant much more for two principle reasons: 1) you couldn’t see a reproduction from home and 2) you couldn’t reach the art very easily. For a boy from New York to see some stuff in Berlin would have been a big deal 200 or even 20 years ago, but not now.

This got me thinking about travel in general because both points 1) and 2) are becoming less true for all sorts of things other than art; it’s easier for the world to come to you and easier for you to go to the world, which starts to erode the reasons to go traveling at all.

Need I waste a paragraph listing ways the world is coming to us? We’ve already seen reproductions of the paintings, tasted reproductions of the food, heard reproductions of the music. Etc to infinity.

And meanwhile going to the world is easier than it probably should be. Look at the twelve of us sitting here in the Heart of Gold Hostel common area in Berlin, Germany. Look at the Koreans on their wi-fi, the dressed up Europeans slurping the bottom of their cocktails, look at me sitting here typing rubbish.

Berlin, Germany, man! There was a wall keeping the world out so recently that if reunified Germany was a backpacker it wouldn’t be old enough to drink the Jager shots on tap at the hostel bar. But in 17 years visiting here has morphed from tragically impossible to impossibly easy.

That’s point 2: When seeing the painting takes no effort you end up spending ten damn seconds in front of it. And these days I look at Russia and the Middle East and say, “At least there’s still somewhere you have to work a little to get to.”

So could travel be on a collision course with itself? Is the world coming to us and us going to world becoming so easy that the magic is disappearing?

No, there won’t be empty planes in 50 years any more than there are empty museums today. We’ll still go. We’ll go because we’re supposed to. We’ll go because its a status symbol. We’ll go because there are some tastes, some colors, some sounds and feelings and sights that will never be fully diminished. And we won’t even really know it’s different, I bet. It’ll be like drinking beer when you’ve never tasted grain alcohol. That’s plenty distilled, we’ll say, wiping our mouth. We’ll hold the glass up to the light and admire it, like we do now.

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Previously on Across Northern Europe:

  1. Shining a Light on Iceland
  2. Lonely Love on Iceland
  3. Iceland Gone Wild
  4. A Trip to the Airport

Brook Silva-Braga is traveling northern Europe for the month of August and reuniting with some of the people he met on the yearlong trip which was the basis of his travel documentary, A Map for Saturday. You can follow his adventure in the series, Across Northern Europe.

Across Northern Europe: A Trip to the Airport

There were potatoes, chick peas and cauliflower cooking in green curry and coconut milk on a stove in Copenhagen, Denmark tonight. The potatoes were taking too long to cook and my flight to Berlin left at 9:25pm and it was 8:00 by the time dinner was served. The food was scorching hot and tasty and after a week or muesli and bad, pricey Icelandic take-out it was quite nice. It was 8:10 when I hurried off to the train; the flight would stop checking people in at 8:45.

Trains in Denmark seem to come quite often when you have more than 35 minutes to get to the airport, but on this occasion the little board told me it would be 11 minutes until the next train. It turned out to be more like 13 and every minute was counting because I still had to switch at the main station.

At the main station it looked like another 10-15 minute wait and I was wondering what I’d do when I didn’t make my flight. But another train pulled in behind schedule and the conductor told me it was going to the airport and I got on with 17 minutes until my flight closed.

I don’t know how many times I’ve flown, I’d guess 200 or so. I’ve only come close to missing a flight once: Fall ’01 in San Antonio, TX when I slept through my alarm until 27 minutes before departure. I took a 20 minute cab ride, ran to the front of security and found a boarding pass waiting for me at the gate. That was in the weeks after 9/11 which only further cements it as my greatest airport triumph.

But tonight, there were just four minutes until my flight closed when the train reached the airport and my two bags went sprinting up the people mover and into Terminal 1 where the departure board informed me my flight was leaving from Terminal 2.

“I’m sorry, but where is Terminal 2?” I asked the barman by the arrivals gate.

“Just to the right, about two minutes away.”

I assume he meant two minutes if you sprint because that’s what I did all the way to Terminal 2. In my bags were two video cameras, two tripods, three microphones, five batteries, several items of clothing, a sleeping bag and assorted junk. I can’t remember if I’ve yet mentioned my significantly injured left foot?

In Terminal 2 there was a Departure board listing the check-in areas for each flight. It hung above stall 112 and listed my destination as stall 143.

I huffed up to 143 panting “Berlin, Berlin” and the lonely gate agent said, “You do realize the flight closes in less than a minute?” But he was asking rhetorically because it was obvious I knew.

He handed me a boarding pass at 8:45pm and as I walked away he said, “Don’t stop running until you’re on the plane.”

Around midnight in Berlin there were many hostels with many travelers already booked in. But I found one bed available for one night and hopped a leisurely train to the city center. The hostel was very nice and modern looking and the man at reception smiled as I walked in. But it turned out they had no beds because I had mistakenly gone to the hostel with no beds instead of the one with beds. The receptionist graciously called the hostel I meant to go to and informed me they didn’t have any beds either, after all.

Okay, ready? It’s time for the moral of our story. Because the guy who runs the hostel came over and suggested they just give me an available private room for the dorm room price because no one else was going to take it anyway. And so everything worked out because everything always works out and now I have my own place to stay that isn’t a tent in the cold on an uneven hill.

Previously on Across Northern Europe:

  1. Shining a Light on Iceland
  2. Lonely Love on Iceland
  3. Iceland Gone Wild

Brook Silva-Braga is traveling northern Europe for the month of August and reuniting with some of the people he met on the yearlong trip which was the basis of his travel documentary, A Map for Saturday. You can follow his adventure in the series, Across Northern Europe.

Across Northern Europe: Iceland Gone Wild

On the Icelandic calendar, the first weekend in August is marked with a red pen of hype and expectation. “Its when Iceland stops being Iceland,” one Icelander said. “I like to think its when Iceland is most like Iceland,” said another.

Whatever Iceland is like, this weekend is when Iceland goes camping. The tradition has waned in recent years as the country has become more concentrated in and around Reykjavik and some have grown distasteful of what the weekend has become. What it has become is a dancing, drinking, snogging carnival where the music is repetitive and mediocre and the weather is invariably awful. At least that’s the rap on the Westman Islands, the largest of the country’s meeting places.

“Do you have your condoms?” Jon asked on the ferry Thursday evening as he showed me his. “When the music stops everyone just…”

In point of fact Jon did not utilize the ellipses but instead said the four letter word everyone was saying, many were doing, and everyone was talking about doing all weekend. You can ignore or sensationalize the sex on Westman in August but it will be there anyway. Let’s ignore it for a minute.

Early this morning, with the sun coming up and the festival over I sat in a circle between the assembled tents. To my right was a 21 year old guy who has lived in the U.S. and elsewhere but always come back home. “What is different about Iceland?” he asked me. “Because I always come back and try to figure out what it is but I can’t explain it exactly.” On the strength of five days in the country I couldn’t either.

But I see two forces defining the Icelanders I’ve met: A very strong sense of personal freedom (maybe bordering on entitlement) and a communal sense of closeness seemingly borne of their small population and isolated home.

The ferry docked Thursday evening as the sky lit up in dusky pink. Police were there with drug dogs (and though I heard rumors of ecstasy I never saw anything but alcohol on Westman). The weather was bad so we were barred from the campsite and herded to a gymnasium where we slept on the floor. Across from the gym there was the “Hooker Party,” a reference not to prostitutes but fishermen who hook both fish and women. That’s the joke. Hooker Party. Get it?

Women seem more socially equal to men in Iceland than anywhere I’ve been and the Icelandic men rightly worship their gorgeous partners. But at the same time there’s a certain disrespect or what seems like disrespect. “Icelandic women are the easiest in the world,” Jon mentioned later. I was thankful to him for phrasing it with all quotable words.

“Let’s go find some guys to…” one of the girls I met on the ferry said as we went into the Hooker Party. “Well, if we find some good ones.”

Inside it was wonderful riot. Everyone was drunk and dancing and I thought of Hemingway’s quote that anyone who lives in Paris as a young man can take it with him for the rest of his life. When you’re young and living in Paris you should take a trip to Iceland one August, I thought as I stood there.

The music was unapologetic pop with a bent towards anything that sounds like Bon Jovi’s “Its My Life.” The good thing about recycling the same 20 songs for four days is you get to know the words, or at least the sounds, and belt them out as if you understand any of it.

The dance floor was quite a place for sociological research and you could hear yourself think because the music was actually not that loud. Icelanders get drunk and start pushing each other but they never throw a punch. They push so much because they know no one will punch them back.

I was getting pushed pretty good up near the stage when a kissing couple fell to the floor mid-snog. They regained their feet and continued some of the most ferocious kissing I’ve had the pleasure of witnessing. They were close enough to me that I think our eyelashes may have touched and the girl looked over to me and said with her metal-filled mouth something that I knew meant either, “get the blank away” or “kiss me too.” You can sensationalize it or ignore it but it will be there anyway and soon we were kissing a sloppy, absurd kiss as her boyfriend staggered.

If there was a candy with a very hard, brittle shell and a gooey, melting center it would be the candy that represents what its like to meet an Icelander. People like to cut them slack and say they aren’t standoffish but I say they are. But then that disappears with freakish speed on a ferry or dance floor or campground. Everyone knows everyone on Westman Island and after a couple days it seemed I knew everyone too.

Ten-thousand people gather in this volcanic valley. It’s Iceland’s biggest festival and if the same proportion of Americans showed up in one place there’d be 10 million of them there. But the truth is the festival isn’t that big. Its a field of tents, a couple small stages and more overpriced alcohol than you can shake a condom at.

Icelanders work hard. They don’t go out during the week because they’re too busy working and that must be why they managed to make this crazy piece of land work as a country. It must be why it’s a rich country.

Then on the weekend they party like its a second job and all that somehow fits into who Icelanders are and what that guy wanted to know this morning about what is different about them.

“Got a light?” they would ask me in Icelandic and when I looked back blankly they would translate into English and then continue with, “Do you like Iceland?” The question is so common it’s something of a joke. It’s more common here than anywhere else I’ve been.

“This is the greatest festival in the world,” they would all say when I asked why they were there. And they meant it sincerely and it meant something to them to have it.

In Reykjavik when I told people I was going to Westman they looked at me as if I had bought a ticket to a dirty movie. And it was a kind of dirty movie, where they didn’t put ellipses when they meant a word that starts with “f” and they didn’t pretend they didn’t want to enact that word into a verb (possibly in your tent while you were gone).

It was more than that, too. But not more in a high-minded, important way. Iceland is a place where they work too much and party too hard and have lots of safe sex. That doesn’t make it sound so different than a lot of other places, but it’s the explaining that’s the hard part you know. That’s what you can tell them when you book your ferry next August. You can drop Hemingway’s name too, that always makes it sounds legit. Just doing research, you’ll say, I want to know if I like Iceland.

Previously on Across Northern Europe:

  1. Shining a Light on Iceland
  2. Lonely Love on Iceland

Brook Silva-Braga is traveling northern Europe for the month of August and reuniting with some of the people he met on the yearlong trip which was the basis of his travel documentary, A Map for Saturday. You can follow his adventure in the series, Across Northern Europe.