Travel writing tips: Four seeds from the garden of Susan Orlean

Earlier this month I had the exhilarating opportunity to interview Susan Orlean on stage as part of the National Geographic Traveler Conversations series. I’ve been a fan of her work in The New Yorker and elsewhere for many years, but had never met her until early this year when we were on a panel together, so I was thrilled by this chance for a prolonged conversation.

Orlean enlivened the night with numerous anecdotes and tips, but four in particular took root in my mind. Here they are:

Resourcefulness and perseverance are all: Well, not really all, but Orlean’s tales demonstrated in two ways just how important these qualities are. The first is how she advanced in her career as a journalist: She was working on a small newspaper in Oregon when a religious cult began to build a commune in a rural part of the state. She recognized that this had the makings of a big piece, called the Village Voice in faraway New York, and convinced the editor that this was a story the Voice would want to publish. This kind of pluck, vision and determination propelled her from Oregon to Boston, where she wrote for the Phoenix and the Globe, and then to New York, where she landed her dream job writing for The New Yorker – about which she said, “I had been writing stories for The New Yorker for a long time; they just didn’t realize it.”
Resourcefulness and perseverance are key to her stories as well: When she went to Spain to interview the first female matador, Orlean recalled, everything fell apart: The man who had represented himself as the matador’s agent turned out to be a fraud; the interview she thought she had arduously set up had evaporated. This matador was such a hot property that no media person could get close to her. So what did Orlean do? She tracked down the matador’s mother and spilled out her woeful tale. Eventually she got her interview – and her story, “The Bullfighter Checks Her Make-Up.”

I’ve heard this kind of story over and over from successful journalists. Talent is part of the equation, but finding a way to get your story – whatever obstacles the world throws in your path – is an equally important part. It’s happened time and again in my own life, too. When I arrived in Siena late at night and every hotel and hostel was “completo,” I ended up sleeping on the third-storey stoop of a stony apartment building – and wrote a piece about the unexpected revelations that adventure conferred. When my evening flight from Dulles to San Francisco got canceled and I was suddenly spending the night in Leesburg, Va., I wrote a piece about that. When you know where you want to go, find a way to get there. And when your bus breaks down, look around: Stories abound.

Look for your connection to a place and follow that thread: Orlean talked about how she approaches a place by looking for something quirky or idiosyncratic that connects her to that place and becomes her point of entry. When she wrote about Morocco, for example, she approached it through the unlikely portal of donkeys. She began by analyzing the essential role donkeys play in the daily life of the medina of Fez, whose ancient alleys are too narrow to accommodate motor vehicles. That focus led her to an extraordinary institution called the American Fondouk, a free veterinary clinic in Fez that was founded and funded in 1927 by a wealthy American woman who had been distressed by the condition of the donkeys. Orlean met the Canadian currently in charge of the Fondouk and through that connection, found a guide to take her to “the epicenter of the donkey universe in Morocco,” the grand donkey market at Khemis-des Zemamra. When she wrote her article, “Where Donkeys Deliver,” these connection-stones paved a poignant pathway into the heart of Morocco that I had never read before.

Orlean’s words reminded me of the advice I pass on in my Travel Writing book: Look for your passion point. It may be puppets in Paris, potatoes in Peru, or hula in Hawaii – whatever connects your passion to the local culture, that’s your entryway. Pursue it and see where it takes you. A great example of this notion is the article “Mexico: Guitar Central,” by Los Angeles Times writer Chris Reynolds. In this wonderful piece, the quest to track down and buy the perfect handmade guitar reveals the quintessential qualities of a Mexican mountain town and its high, homespun art. Pursue your passion point, and my bet is it will open up a place and its culture to you in a way that they’ve never been seen — and written about — before.

Be in the moment: One of the most piquant points Orlean made is that she doesn’t really like taking notes on the spot. “I like to spend a fair amount of time not worrying about note-taking,” she said. “I like to have time to get the feel of a place before I’m scribbling.” Later, she elaborated, “I don’t take exhaustive, extensive notes, but I do indeed take notes on the spot — I have my notebook with me always, and jot when I need to — and I definitely use notes when it comes to quotes. But I care more about paying attention and absorbing where I am. I count on my memory as much as I count on my notes.”

I absolutely agree about wanting to be in the moment, and this has been an ongoing frustration in my career as a travel writer. The moment you take out pen and notebook, you detach yourself from the scene you’re seeking to describe. Over the years I’ve tried to modulate this detachment so that I’m constantly plugging and unplugging into the experience I’m describing – hopefully so fast that I don’t lose the electrical connection to the flow of the experience itself. On the other hand, I’ve always found that the notes I take on the spot are my best, most vivid portals right back into that experience, so that I can recall it, surround myself in it, three weeks or three months after the trip ends. I expressed this to Orlean and she agreed, “Notes taken on the spot are sharp and instant, and are very important; memory is not sufficient.”

So: Immerse yourself as much as you can in the moment – but take enough notes so that memory can find its way back long after that moment has passed.

Surprise me: One last delightful point Orlean made was the value of surprise. Almost invariably her stories begin, she said, with something that surprises her. The Taxidermy World Championships, for example: “What’s that all about?” she thought when she first heard about the competition, and the quest to understand that obsession led to her acclaimed 2003 piece “Lifelike.”

The same process applied to “The Orchid Thief.” The genesis of the book was a short newspaper story about a convoluted case of orchid theft in Florida. At first Orlean just didn’t understand all the fuss: How could people be so passionate about a flower? As she tried to answer this question, the journey took her deeper and deeper into the orchid’s musky, mysterious, maddening swamp.

Every one of her pieces, Orlean intimated, unfolds as a journey for her to explore and understand something that has surprised her and kept her attention. Happily for us, Orlean’s extraordinary skills as a reporter and writer transform those journeys into odysseys of enlightenment for her readers as well.

[Photo credit/Flickr user Jonrawlinson]

Five tips to reduce your health risk while eating street food

It was the 18th century food writer and gastronome Jean Anthelme Brillat-Savarin who famously said, “Tell me what you eat, and I’ll tell you what you are.” For certain cultures, street food is more than just a cheap, tasty, easy way to fuel the body. It’s part of a daily ritual, a way to catch up on neighborhood or community gossip, a means of eking out a living to provide for one’s family. By eating foreign street food, you get a sense of the social fabric and gender roles of a community or culture, but what about the health risks?

Some travelers equate a love of street food with a latent wish to sightsee whilst wearing an adult diaper. They steer clear of anything sold from a vendor, or resembling fruit, vegetable, or beverage not from a bottle (although when it comes to drinking water, you should always err on the side of caution, and there is something to be said about peeling or washing produce to avoid pesticide residue, since many developing nations use chemicals banned in the U.S.). What these folks may not realize is that foodborne illnesses such as E.coli, salmonella, and listeria don’t discriminate. FDA statistics show you’re more likely to get sick from preparing food at home than from dining in a domestic restaurant.

Is street food inherently more risky than eating in a restaurant when you travel? Sometimes, and it depends. Children, the elderly, and those with compromised immune systems are certainly more at risk of getting ill, and may be best off avoiding street eats. But there are certain precautionary measures healthy travelers can take before scarfing their tacos or mystery-meat kebabs that will minimize the chances of bringing home more than just a suitcase full of sweatshop-made tchotchkes as souvenirs. Read on.

1. Is there a crowd? Just like at home, go where the locals go, as they obviously know where to find the good stuff. But high volume also means that food is being prepared fresh, rather than sitting around attracting flies and turning into something useful for waging biological warfare.

2. Are basic hygiene practices being implemented by the vendor(s)? In Mexico, I’ve frequently observed street vendors slipping clean plastic bags over plates. With every order, a new bag is used, then discarded at the end of the meal. It’s an eco-nightmare, but it’s a lot more sanitary than dunking a plate in a bucket of dingy water doubling as a petri dish. Also bear in mind that in many parts of the world, the left hand performs double-duty as toilet paper. I can’t say it enough: Look at the sanitation practices before ordering.

You’ll often find co-workers whose sole responsibility is to handle money, to avoid cross-contaminating food (this isn’t always the case, however, so sometimes you’ll just have to–literally–suck it up). Once, when I accidentally handed my money to the wrong guy, he turned his hand upside-down to avoid contact with my filthy coins.

3. Is the stand or cart clean and well-maintained? Is hot food kept hot or cooked to order, and is cold food cold? Is purified water or ice used for beverages and frozen treats?

4. Are the ingredients fresh? If you’ve got eyes, a nose, and some tastebuds, you can figure this out for yourself. I look at the condiments and garnishes to determine if I want to eat at a given stand or cart. If I see crusty bowls of salsa, dessicated limes, slimy herbs, or flies congregated on any raw foods I might potentially eat, I’m out of there.

Stick to local specialties. One of the greatest joys of travel is eating regional ingredients or dishes. It also stands to reason that ordering seafood in an inland desert is a calculated risk. Raw protein products (egg, meat, poultry, fish, fresh cheeses) in general are to be avoided in the Third World. What about dishes like ceviche, where the acid in the citrus juice denatures (breaks down proteins, killing some potential pathogens in the process) the fish? It’s still risky, because technically it’s an uncooked food, and only application of heat over 145 degrees can totally annihilate anything potentially deadly lurking in fish. Again, use good judgment based on freshness of ingredients and basic sanitation, but remember that you can’t eliminate all risk.

If you’re in a coastal region, it pays to do a bit of homework on the cleanliness of the local fresh and ocean water supplies; algae blooms or cholera outbreaks will be widely reported. Try to avoid eating raw river fish or seafood, or river fish/seafood from just offshore; remember that many developing island nations and coastal regions use high tide as their toilet. If you’re eating pork in the Third World, always make sure it’s well-cooked. While trichinosis has effectively been eradicated from our domestic industrial pork supply, the disease is prevalent in other parts of the world. And not to get too graphic, but you’ll often find pigs in rural parts of the developing world lurking around latrines, searching for a snack.

Fresh ingredients don’t necessarily mean great food, but it helps. Delicious street food is ulimately a reflection of the loving care that goes into its preparation. Are the carnitas slightly crispy on the outside, with an interior succulent with greasy goodness? Is the masa in the tamales moist, with a sweet, earthy corn flavor? Are the noodles slightly toothsome, the herbs fresh and bright-tasting, the broth fragrant and piping hot? These things matter.

5. Use hand sanitizer before eating, take probiotics with live active cultures prophylactically, and pack a broad-spectrum gastrointestinal antibiotic and Imodium, just in case. I’m just sayin’.

For more information on food safety, go to this page on the USDA website.

12 historic sites in danger of disappearing

The Global Heritage Fund has released a new report that lists 200 World Heritage Sites around the globe that are in danger from a variety of threats, turning the spotlight on 12 in particular that could disappear altogether due to a lack of funds, neglect, and mismanagement.

The 12 sites listed in the report include Palestine’s Hisham’s Palace, Turkey’s Ani, and Iraq’s Nineveh. Hisham’s Palace, the remains of a royal winter retreat built in 747 AD and the ancient city of Nineveh are both under threat from encroaching urban development, while Ani, an 11th century city on Turkey’s border with Armenia, finds many of it’s ancient structures literally falling apart on their foundations.

Other Heritage Sites that make the list of “most threatened” include Mahansrhangarh, the oldest archeological site in all of Bangladesh and Mirador in Guatemala, which is a pre-Columbian Mayan ruin which sits in a remote jungle location. Haiti’s Sans Souci Palace suffered damage during the recent earthquakes that hit the country, while the Maluti Temples in India suffer from years of neglect. Kenya’s Lamu Village, Famagusta, located in Cyprus, Pakistan’s Taxila, Intramuros and Fort Santiago in the Philippines, and Chersonesos in the Ukraine round out the list.

The GHF’s report recommends that the countries in which these historic sites are located invest in restoring and preserving the ancient places. While those repairs could cost millions of dollars to complete, the sites could potentially generate that income back through tourist dollars, although UNESCO representatives say that caution should be taken when going down that road, as sustainable tourism is not always an easy thing to accomplish and there are a lot of factors to consider before proceeding.

One thing that everyone agrees on however is that these amazing sites need to be preserved for future generations to visit and explore. Just how that will be accomplished remains to be seen.

[Photo credit: Christian Koehn via WikiMedia]

Reflections on a round-the-world journey

Several nights into our journey, as we were speeding along dark roads en route to our guest house on the island of Lifou in New Caledonia, I felt a bolt of irrepressible excitement of the sort familiar, no doubt, to most travel enthusiasts. We’d just spent several nights in big, bold Sydney, a bona fide world city, well-organized and self-evident. Sydney was exciting, but, truth be told, not unlike many places I knew well. The quiet island of Lifou, with its hybrid French-Melanesian culture, provided a novel contrast. There were few people around, and few streetlights. The air smelled sweet. Occasionally a car overtook us during our 40-minute journey, and headlights once or twice revealed women in bright clothing walking along the side of the road.

We had made it to an unknown place. I felt myself caught up with that familiar emotion known to all who love travel: teeming excitement, tied to a lack of knowledge of what was to come.

Taking stock of a five-week trip after the fact is perhaps unavoidable, but it’s also fraught. You don’t want to put too much energy into second-guessing what you did on your journey, perhaps in particular because a specific round-the-world itinerary is unlikely to be repeated. Simultaneously, you also want to learn from the experience.

Here’s what we planned well and what we might have executed differently if we had the trip to do over.Good planning.

• Hotels. Our hotels were well chosen, all in the $95-$175 range. In terms of value, we did especially well by scoring a room through Hotwire at the Hilton London Docklands for just under $100 per night. Most of the hotels we chose are well-located, or close enough to secondary attractions to feel central.

• Open-ended approach. Our general lack of planning as far as activities are concerned was also beneficial. This approach gave us time to relax into each destination and pick up inspiration on the spot. Our approach perfectly fit my neighborhood-based strategy of urban exploration. More tourist sight-oriented travelers might find this approach to be less satisfying.

• Variety of destinations. Another plus was the variety of our itinerary’s destinations. By including big vibrant cities and out-of-the-way insular idylls on our itinerary, we were able to enjoy a range of experiences in a relatively short period.

So-so planning.

• Johannesburg. As I detailed in an earlier post, our brief Johannesburg stay suffered from poor planning. In retrospect, it turns out that I’d simply consulted the wrong sources. Several friends and acquaintances popped out of the woodwork following the publication of this blog post with tips. I’ll be better prepared for my next visit to Johannesburg. Lesson: always get feedback from your trusted contacts and carefully contextualize reports of a city’s security situation.

• Tanna Island. I’m a big fan of picking a base and then fanning out to other places. I wish we’d taken greater advantage of this approach to spend a few nights on Vanuatu’s Tanna island. I read about Tanna, an ecological wonder of nature, in Lonely Planet’s Vanuatu & New Caledonia guidebook. It is fairly easy to visit Vanuatu from New Caledonia.

• Rodrigues Island. Nine nights on Mauritius was perhaps two too many. A jaunt to the country’s far flung Rodrigues Island, 350 miles to the east, would have provided a fascinating cultural and physical contrast with the main island.

This is the final Capricorn Route series installment. Check out other stories in the Capricorn Route series here.

Plane crash caused by crocodile?

Any time I fly an African carrier my friends get worried. While some have good safety records like the ten safest airlines in Africa, others show an abysmal lack of basic care. Such was the case of the ill-fated Filair flight on August 25 that crashed into a house as it approached Bandundu city airport in the Democratic Republic of the Congo. Twenty people were killed. Authorities claimed the airplane ran out of fuel, but the company said it was a technical problem.

The lone survivor of the crash tells a different tale, Juene Afrique reports. The unnamed survivor says a crocodile slipped out of a sports bag someone had brought as a carry on. The passengers panicked and rushed to the front of the plane, causing a weight imbalance that put the aircraft into a nosedive. The crocodile reportedly survived the crash only to be killed by a machete-wielding local when it emerged from the wreckage.

Whether this is true are not is hard to say. Juene Afrique is a respected news source, but eyewitness testimony can be unreliable, especially when it’s anonymous. The plane was a Soviet-era Let-410 like the one shown here. It only seats 19 passengers so it’s small enough that if everyone ran to one end it would have weight balance issues. Plus the pilot reportedly complained it was in bad condition. Congolese company Filair is one of many airlines banned from flying into the European Union thanks to its poor track record.

Yet if the crocodile tale is true it wouldn’t be one of a kind. An eerily similar incident of a crocodile in a plane happened on an EgyptAir flight last year. Luckily nobody was hurt that time.

[Image courtesy Mottld via Wikimedia Commons. Note that this is not a Filair plane but a Russian carrier]