Laas Geel: Somaliland’s ancient treasure

Before becoming a writer I worked as an archaeologist, and one of the things that inspired me to choose that profession was the beautiful cave art of Europe–places like Lascaux, Altamira, Chauvet, and so many others.

One of the things that inspired me to go to Somaliland was the recently discovered painted caves of Laas Geel. The paintings are being studied by Sada Mire, Somaliland’s head archaeologist. She dates these paintings to the Neolithic period, when pastoral peoples tended their herds in a landscape that was greener than the dry, stony plain that makes up much of Somaliland nowadays.

The art seems to have been made over time, with some figures painted over earlier ones. Dr. Mire estimates they could be anywhere from 5,000 to 11,000 years old. Dating rock art is extremely difficult, especially since so little has been studied in this region. Dr. Mire is the first ever Somali archaeologist, and one of the first to seriously study the Somali region.

Laas Geel is a little more than an hour drive northeast of the Somaliland capital Hargeisa. Foreigners venturing outside the capital are asked to hire a soldier or policeman to protect them. While this is a mostly peaceful country, the government doesn’t want any bad press, and a couple of foreigners have been killed in recent years. So one fine morning I head out with a hired car, our driver, a Kalashnikov-toting bodyguard, Swedish photojournalist Leo Stolpe, and Ali, Dr. Mire’s assistant from the Department of Antiquities.

A short drive along a well-paved road and we make our first stop to see some other relics of Somaliland’s past. Right next to the road is a rusting old Soviet-made tank, destroyed during the war of independence. There used to be many more of them scattered around the country but most have been hauled away for scrap. This one remains and has become a local landmark.

Ali is more interested in a rocky hill nearby. He leads us up the slope under a strong mid-morning sun and shows us two heaps of small stones. To the untrained eye they look like nothing, but I can see they aren’t natural.

%Gallery-93102%”What are these? Cairns?” I ask.

“Yes,” Ali replies. “Graves from the pre-Islamic times.”

One of them is about ten feet in diameter and consists of thousands of fist-sized stones. I wonder who is buried here, and what they did to deserve such an expense of labor.

Soon we’re speeding along the highway again. It’s not long before we turn off onto a dirt track. The Landcruiser jolts and crashes across deep pits and humps. Through the scrub we can see a herd of camels and the low dome of a nomad’s hut. It’s taken less than a minute to leave the twenty-first century behind. After a short ride we make it to a gate. Beyond is a small concrete building and behind that is a rocky hill. We’re here.

The Department of Antiquities doesn’t have much money, so one of the most impressive rock art sites in the world has no grandiose museum, no visitor’s center, not even a guy selling tickets. Well, we do have to pay to get enter, but we don’t get a ticket. Considering the precarious situation this unrecognized nation is in and the long list of important projects it needs to fund, it’s a small miracle there’s a Department of Antiquities at all.

The painted caves of Laas Geel are actually rock shelters. Nine of them dot the hill on all sides, and while their depth provides them with ample protection from the sun and the occasional rainfall, they offer sweeping views of the surrounding countryside. These aren’t hidden, secret places like the painted caves of Paleolithic Europe.

That makes them no less mysterious. Ali leads us up the hill while the guard and driver go off to enjoy a local swimming hole. As we enter the first of the rock shelters we’re all stopped dead with wonder. Somaliland’s past, which to me had only been some flint tools and half a dozen dry academic articles, suddenly explodes into full color. The entire interior of the shelter is covered with figures. There are hundreds of them, mostly cows of various sizes. Some are schematic outlines, others are drawn in elaborate detail. Humans stand in between with their arms upraised as if in worship. A few tiny hunters run amidst the herds.

There are other animals too, antelope and dogs and a giraffe, but the cows predominate. This is the art of a pastoral people, as many Somalis still are. The nomads we passed just a mile back would probably draw the same images if they could pluck up the courage to enter the shelter. Somali folklore teaches that spirits hide within these shelters and possess whoever enter, although that wasn’t enough to stop a group of fighters during the civil war from burying one of their comrades in a niche at one side of the cave.

Ali leads us scrambling over the hillside to find more shelters. Each one is covered in artwork. Some of the stones have been painted completely red. The pigment is made from mineral sources and brewed into a paste that sticks to the rock better than plaster. This, and the dry climate, is the reason the paintings have lasted so long. But now that they’ve been discovered, armed guards have been posted to keep the art from being chipped off and sold on the international antiquities market.

The animals are beautiful and seem to fall within three main types: simple red figures, small and cruder white figures, and more elaborate drawings of cows that show decoration on the neck that reminds me of the personal marks the dealers at a Somali camel market put on their animals.

But the human figures attract me the most. Were these real people? Ancestors? Generalized drawings of the whole clan? It’s hard to tell, but it’s obvious they’re worshiping the most important thing in their lives–their cattle. A German archaeologist I worked with who was fortunate enough to visit Lascaux caves in France once told me, “It’s so different from Mayan art. With Mayan art you’re not sure what’s going on, but with Lascaux you look at the drawings and say ‘they were like us'”.

Exactly. Although I can’t understand the deeper meanings behind the paintings or truly know the world out of which they came, that was my reaction. The ancient Somalis were like us. Their lifestyle was totally different, of course, but they thought enough like us that they could communicate what they believed in a fashion that someone can appreciate and (kind of) understand thousands of years later.

Dr. Mire and her team have already discovered several other rock art sites in Somaliland. Who knows what they’ll find in the next few years? Even though Somaliland isn’t on most political maps, the efforts of a few dedicated scholars are putting it on the archaeological map.

Don’t miss the rest of my series on travel in Somaliland.

Next time: Khat, the drug of a nation.

Sex and the City 2: A NYC Movie Location

The long-awaited Sex and the City 2 hits theaters on May 27. For those hoping to visit some of the actual film locations, it’ll be a little tougher with the sequel (parts of the movie were filmed in Morocco, which is meant to stand in for Abu Dhabi).

A brief scene, however, was filmed a little closer to home at the Hotel Plaza Athenee, on Manhattan’s Upper East Side. Remember the first movie when Mr. Big built Carrie a drool-worthy walk-in closet? Well apparently for the sequel, crews resorted to filming an apartment scene on one of the hotel’s balconies (Suite 1501 to be precise).

I recently toured some of the hotel’s renovated suites, and it’s not hard to see why Hollywood came calling: many of the suites have views of Central Park, and some of the rooms can be joined together to create a palatial multi-bedroom suite.

Standing in the footsteps of Carrie’s Jimmy Choos obviously doesn’t come cheap: booking Suite 1501 (a deluxe suite with a balcony) starts at $2,200 per night.

For a more affordable Sex and the City experience, fans of the TV show may recognize the on-site Bar Seine as where part of the second-to-last episode was filmed. Bartenders here mix up a signature cocktail: the Crystal Cosmopolitan.

If you can’t make it to New York City in time for the film premiere, here’s the Crystal Cosmopolitan recipe for post-movie cocktails no matter where you are.The Crystal Cosmopolitan at Bar Seine

Ingredients

2 oz. Absolut Citron
1/2 oz. Cointreau
1 oz. white cranberry juice
1 lime wedge

Instructions

Fill a cocktail shaker with ice. In the shaker, combine the vodka, Cointreau, and juice. Cover and shake thoroughly. Strain into a chilled martini glass. Garnish with a lime wedge.

Speaking of martinis, famous hotel guests apparently have included none other than 007 himself (Pierce Brosnan).

Details: Hotel Plaza Athenee is located at 37 E. 64th Street at Madison Avenue.

Christopher Elliott on the reality of frequent flier programs

Few people know the airline industry as well as Chris Elliott – he’s a regular contributor on MSNBC, The Washington Post (and Gadling) – so when I came across one of his columns on frequent flier programs, I paid close attention to what he had to say.

In his article, Elliott makes a very valid point that airline loyalty really only works one way. Millions of people work hard to earn airline miles, only to discover that the airline doesn’t really plan to reward them for all that hard work, or decides to cut the value of their points before they are able to use them.

Now, this may be a minor inconvenience to people with only one or two flights a year, but there are large groups of business travelers that stay ferociously loyal to a single airline or hotel chain, without ever bothering to check out the competition. I’ll call these people the “Up In The Air” crowd – after the George Clooney movie about the life of a very frequent flier. There is one thing a lot of these fliers have in common – something Elliott doesn’t make mention of – most of them don’t pay for their own tickets.

In the frequent flier world, there are thousands of fliers with millions of miles banked in their accounts, they travel with their platinum cards around their neck, know all the tricks, and obtain top tier status year after year. They show this loyalty because their airline of choice rewards them with a couple of convenient perks. But no perk is as important to them as the well stocked mileage account. With a rich mileage account, the business traveler can fly on the company dime during the week, and use their miles for leisure trips in their spare time. However – once you start living this life, you start losing track of the true price of travel.The blind loyalty to airline programs mentioned by Elliott is related to this – if your plane tickets don’t come out of your own pocket, you stop caring about price, competition and alternatives. When someone else picks up the tab, why bother finding a cheaper way to get from A to B. Airlines know this – and their frequent flier programs are designed to take full advantage of it.

The most brand loyal people are often the ones that earn their miles the easiest way possible – I even know people who use their personal credit card for company wide purchases – earning millions of miles without taking a single trip. Of course those people will defend brand loyalty – that brand loyalty lets them travel the world without spending a dime of their own money. Of course, there are also companies with a corporate policy on airline choice – but even those companies will force an employee to pick something other than their usual airline if the price is right.

Now, don’t get me wrong – I also know people that don’t have the luxury of a corporate expense account (myself included) – and these are usually the people that try not to bank any kind of “magical number” in their mileage account. Wise travelers spend their miles, keeping a limited balance for last minute trips. These travelers are the ones that don’t see the value of their accounts cut in half when the airline introduces new award levels, or adds new redemption fees.

The article takes a pretty negative tone – and I don’t agree that the cons always outweigh the pros. If you know what you are doing, you take the time to shop around, use mileage runs to top off accounts, and pay close attention to dormant mileage accounts, you’ll find plenty of things to like about frequent flier programs.

So – head on over to the Washington Post to read what Elliott has to say about loyalty – (registration may be required to read the article).

Relaxing in China part 1: Massage

Picture a quiet room that smells of essential oils, maybe tea tree or lavender. The lights are dim, and there’s a candle or two flickering in the corner. The background noise is either a small burbling fountain or a CD of monks chanting. A masseuse expertly spreads warm, fragrant oil across your bare back while you accidentally fall asleep….

Cue needle-ripping-off-of-record sound — this is China, baby. Pretty much everything here (dinner, strolling in the park, a visit to the acupuncturist) is accompanied by noise, groups, and fluorescent lights, making what North Americans normally consider “relaxing” experiences worlds away. Massage is no different.

First, toss away that quiet, private room. Oh, and keep your clothes on for goodness sake — there are other people in the room with you. True, your masseuse is likely to be blind, (blind folks are considered disabled and therefore unable to work in very many occupations), but still. They’ll cover your body with a sheet and massage you through that. Next, bring a couple of friends — getting a massage is an excuse to be social, after all. Enjoy your cup of green tea during a foot massage, or maybe watch the big-screen TV while the masseuses gossip with each other.

%Gallery-92547%A massage in China ranges from full-body (they even rub your face down), to my favorite, a foot massage. Generally you can choose what kind you want, though some places are geared towards one or the other. You’ll find a massage joint on every street; because it so cheap (anywhere from $3-10 US) it’s possible for people to enjoy a regular rub-down.

So what can you expect with a massage in China?

First, anticipate the usual bright lights and crowds. I did some spa research for hot springs outside Kunming and saw rooms with 100 chairs for foot massage. Expect noise — whoever is pressing their hands into you will likely be chatting with their friend across the way, or occasionally answering their cell phone. A full-body massage will require the same kind of table you’re used to, with a hole for your face. However, no oils or lotions are used; instead a sheet will be placed over you and the masseuse will work through that.

If you go with friends, you can expect the masseuses to work in unison. It’s odd at first; the massage is a well-timed routine, and you’ll hear rubbing, popping and slapping at the same time across the room. There’s no real individual treatment, unless you ask for it. Everyone is treated the same – you know, kind of like in communism.

A foot massage is a fun, social activity since you can sit next to and chat with your buddies, rather than have a muffled conversation while face-down on a massage bed. My favorite type of foot massage is a medicinal one: you choose a scent from a menu, and a wooden bucket lined with a plastic trash bag is filled with almost-too-hot water. Then a packet of fragrant … stuff … is added, which turns the water into a jelly-like substance (it feels great between the toes). After a few minutes of soaking, a “magic” powder is added that turns the jelly back to liquid (see gallery). After a few more minutes of soaking, your bare feet will get a thorough rubbing. Often your back and neck will get some attention as well.

High-end spa treatment it ain’t, but a thrice-weekly after-dinner activity with your friends it is. Once you adjust your cultural expectations, it becomes a Chinese experience worth repeating.

Read more about my life in China here.

Marine Mammal Center offering low-cost tours this summer

So, I never knew much about marine mammal life until I worked for the Alaska SeaLife Center (ASLC) last summer. And to be honest, I thought it was all a little boring. I know, right? What did I know?

Not much, obviously. A few of those things: just how hard non-profits struggle to keep afloat, and just how closely every research center works with one another when rehabilitating stranded marine mammals. That brings me to the Marine Mammal Center, a non-profit veterinary hospital outside of San Francisco that focuses on the rescue and rehabilitation of injured marine mammals. At ASLC I was familiar with the Marine Mammal Center’s work, since I was writing about marine mammal populations and whatnot.

We’re pleased to share that the MMC will be offering super-cheap guided tours this summer – a total bargain for a research center that depends on grants, donations, and ticket sales to maintain operations. A guided tour will only cost $7 for adults ($5 for students and seniors). You’ll get to see, among other things, volunteers making herring milkshakes for baby marine mammals, veterinarians in the necropsy lab examining tissue samples, and of course, cute marine mammals (see photo). If you’re in the area, it’s definitely a worthwhile trip.