The Greatest Photo I Never Took


The Iranians love Ferris wheels. When I spent a month in Iran back in 1994 I saw them everywhere. The parks in the big cities had the big, brightly painted ones we’re familiar with in the West. Smaller towns and villages had more modest Ferris wheels, some small enough that they could be cranked by hand.

I saw dozens of them. The one that stands out most in my memory was in a dusty little roadside village I passed through while riding a bus. The village was nothing more than a few dozen houses lined up on either side of the highway. This was Iran, though, and so it had its own Ferris wheel. It was homemade out of unpainted boards and had four seats that looked like they were old footlockers. An old man was cranking it around and around for the little local boys and girls, who all had big smiles on their faces as they went up, around, down and up again.

While I only saw it for a moment, it remains one of my most vivid memories of Iran. I wish I could show you a photo but I was zipping by in a bus and so I never got the shot. Instead, here’s a photo Tracy Hunter took in India. This Ferris wheel is about the same size.

While we’re on the subject of travel photography, is there a shot you missed that remains stuck in your mind? Tell us about it in the comments section!

Colorado’s Chimney Rock Named National Monument

This past Friday, as part of his America’s Great Outdoors Initiative, President Obama signed legislation that officially designated Colorado’s Chimney Rock a national monument. The move extends permanent federal protection to the site, and 4700 acres surrounding it, all of which are located inside the San Juan National Forest.

At the center of the new monument is the 315-foot-tall rock spire that dominates the landscape and covers more than 1000 acres by itself. But this natural stone formation, which can be seen for miles in all directions, also happens to be the location for an important archaeological site. Chimney Rock was once home to a thriving community of Pueblo Indians who first inhabited the area about 1000 years ago. Remnants of that community remain today, with over 200 small dwellings, as well as some larger workspaces and ceremonial structures, still in place. It is believed that at its peak, the site was home to more than 2000 people.

In July of this year, an economic survey was conducted by the National Trust for Historic Preservation to determine the impact of designating Chimney Rock a national monument. That study found that not only would there be a sharp increase in the number of visitors to the site but those additional visitors would also mean more revenue for the surrounding communities. The study indicated that the local economy could see an annual boost of as much as $1.2 million in the years ahead.

[Photo credit: Kevin Moloney/New York Times]

Amsterdam’s Stedelijk Museum Reopens, Adding To City’s Reputation As A Major Art Destination

Amsterdam is famous, and infamous, for its many attractions appealing to all types of traveler. One of the best reasons to visit is for the world-class art museums such as the Rijksmuseum, the Van Gogh Museum and the Hermitage.

Now another can be added to the list. The Stedelijk Museum reopens to the public this Sunday after a long remodel that has created more gallery space, allowing the first comprehensive display of the museum’s world-renowned collection of modern and contemporary art. Queen Beatrix presided over the opening ceremony on Saturday.

The museum is especially strong with works from the many art movements of the early 20th century like Expressionism, Bauhaus and Suprematism. One important work is “Woodcutter,” painted in 1912 or 1913 by Kazimir Malevich, shown here courtesy Wikimedia Commons. The museum also has a major collection dedicated to 20th century industrial and graphic design.

To mark the reopening, a temporary exhibition, “Beyond Imagination,” is on display until November 11. This exhibition brings together 20 international artists, active in the Netherlands, to give their views on the boundaries between reality and imagination.

The new design reorients the entire museum to face onto Amsterdam’s Museumplein (Museum Plaza), which it shares with the Rijksmuseum, the Van Gogh Museum and the Concertgebouw.

Aspen’s ‘Revolutionary’ New Restaurant: Is This The Future Of Fine Dining?

Aspen is well known for many things, some more savory (its restaurants) than others (Charlie Sheen arrests). There’s also the world-class skiing, but a person’s gotta eat, and Aspen definitely boasts some of Colorado’s finest restaurants. In a ski town, that’s saying a lot.

In June, Aspen’s restaurant scene just grew a little bigger, better and more groundbreaking, with the opening of Chefs Club by Food & Wine, at the tony St. Regis resort. The innovative restaurant, which opened to great fanfare during the 30th annual Food & Wine Classic in Aspen, marked the completion of a $40 million redesign of the resort.

The first restaurant of its kind worldwide, Chefs Club’s concept is simple, almost like a long-term pop-up. A select group of four Food & Wine Best New Chefs curate a bi-annually-changing menu of “seasonally-inspired cuisine.” The chefs will rotate on the same schedule, as well: the Fall/Winter talent will be announced November 15, via the restaurant’s website and Facebook. Following their initial, one-week tenure the chefs will make appearances throughout their “term” to offer menu specials, and showcase the Chefs Club concept to guests and the local community.

Notice that I said the concept is simple. Having four guest chefs, who are most likely total strangers, design a compatible collaborative menu, and having it consistently executed to high standards by a kitchen staff of complete strangers with varying degrees of training is a monumental task. I freely admit I was more than a little dubious when I first heard about Chefs Club. I’m writing this piece now, nearly six months after its opening, because I wanted to follow-up with staff and guest chefs, and find out how things are going.

Chosen to inaugurate the restaurant and menu were former Best New Chefs: George Mendes (2011) of Aldea, located in Manhattan; James Lewis (2011) of Birmingham’s Bettola; Alex Seidel (2010) of Fruition, in Denver; and Sue Zemanick (2008) of Gautreau’s, in New Orleans.

I was able to wrangle an invite to the grand opening reception at Chefs Club last June, as well as dine there the following night. It’s rare that I attend restaurant openings, because they’re usually a bit of a clusterf–k, as the kitchen hasn’t had time to work out the kinks or refine the menu. In this instance, however, I was curious to see how such a challenging concept would be carried out, especially given immense pressure for things to run smoothly.

%Gallery-165852%Some of the culinary industry’s biggest players attended the grand opening and/or the Classic, including the Food & Wine editors and publisher, and some of the nation’s most prestigious chefs, among them Jacques Pepin, José Andrés and Thomas Keller.

If you’ve never been to a restaurant opening, just know it’s an ulcer-inducing event for any chef, no matter how experienced. The decor, service and every single dish is scrutinized by both diners and press, and in the weeks that follow, it’s critical that any flaws be ironed out. Yes, it’s just food, but it’s also the livelihood of dozens of people, from dishwashers to investors. Chefs/restaurateurs face a lot of pressure with the opening of a new place.

The biggest challenge, as I saw it, was finding chefs willing to relinquish control (or their egos), because unlike a normal restaurant, Chefs Club means entrusting an unfamiliar staff to carry out their vision. That means it’s up to the Chefs Club powers that be to find participating chefs who fully understand the concept of collaboration, and are capable of letting go to a certain degree.

Fortunately, St. Regis Aspen/Chefs Club Executive Chef Thomas Riordan is equally adept at ensuring his kitchen does right by guest chefs. Says General Manager Paul Duce, “I think this is a revolutionary concept, and it’s amazing to see it all come together so beautifully. [Riordan] has a very difficult job, and our team works so well together.”

Based on my experience, which included dining at Chefs Club on its third night of operation, the team kicks ass. In fact, I was astounded by how smooth the service was (the wait staff and sommelier were also genuinely friendly and enthusiastic; no pretense whatsoever). I sat in one of the seats located right in front of the open kitchen, and was amazed by how calm everyone seemed to be, guest chefs included. In fact, there was a lot of camaraderie and joking around.

As for my dinner, it wasn’t flawless (no meal is), but it was very, very good. I enjoyed a luscious Duck Confit Crostini from Chef Zemanick; Charred Mediterranean Octopus with cannellini beans, local lovage and pancetta by Chef Lewis; Colorado Lamb Saddle with Fruition Farms (Seidel’s sheep dairy) ricotta gnocchi, baby artichokes, and pine nut gremolata (Chef Seidel), and for dessert, an outrageous Malt Chocolate Semi-freddo with peanut butter fudge, toasted marshmallow, and graham cracker crumbs (Chef Zemanick). The sommelier graciously paired wines for all of my courses.

I left not only full, but very satiated, and convinced that Chefs Club might be onto something. Couldn’t this concept provide a feasible way for talented young chefs to avoid the pitfall of opening their own restaurants before they’re ready (emotionally or financially)? A way for older, more settled chefs to eliminate the stress, long hours, and administrative b.s. involved with owning a restaurant, but still allow them to do the thing they’re passionate about, which is cooking? An opportunity for experienced, savvy restaurateurs to keep their places relevant and exciting, long after the opening rush has passed? What about hosting guest chefs from around the world, as a sort of educational exchange for professional cooks and armchair travel experience for diners?

A month later, I asked Chef Seidel his thoughts when first approached by Chefs Club. “It’s a great concept, if challenging,” he said. “Being the first group of chefs meant there were a lot of unknowns, and participating chefs need to understand the level of commitment needed for this.”

If being a part of Chefs Club means time away from his own kitchen, farm and family, and entrusting that his staff will run Fruition as if it were their own, Seidel feels the benefits outweigh the potential risks.

“The opportunity to cook for so many different people, and work with great chefs from across the country is amazing. At my restaurant, we don’t cook with any attitude or ego, and this shouldn’t be any different. The four of us got a chance to hang out, learn from one another, and work together, and I gained three new friends out of the experience.”

Other things to know about Chefs Club
The editors of Food & Wine have a hand in putting together custom wine and cocktail lists to coincide with the menus, while Jim Meehan, one of the nation’s top mixologists (PDT, New York), creates an original selection of seasonal cocktails (I’ll vouch for their excellence).

Don’t have any preconceptions about the menu, and be open to a diverse, but harmonious, melding of cuisines (there’s a three-course tasting menu with wine pairings for $85).

If you want to dine when a specific guest chef is in the house, check Chefs Club’s website and Facebook page for special events.

The elegant, white-walled dining room – done up in a mod ski chalet aesthetic, replete with giant snowflake cut-outs on the ceiling – features a long, low bar and row of seats in front of the open kitchen. If you enjoy watching the inner workings of a restaurant, reserve a seat here. There’s also a 24-seat patio, and 99 seats inside, including a communal table.

Make a reservation, regardless.

Enjoy yourself. This isn’t a pretentious, hushed temple of gastronomy. It offers a convivial atmosphere, and the concept and vibe are all about having fun, and a spirit of adventure. Cheers to that.

The bar is open to the public, not just diners. Says Duce, “A lot of the time, people will poke their heads in and say they’re just looking, and I’ll invite them in to check out our kitchen, or pour them a bit of Prosecco. We’re here to serve the community, and everyone should feel free to come have a drink at our bar.”

For information and tickets to the 31st annual Food & Wine Classic in Aspen, June 14-16, 2013, click here.

[Photo credit: Maroon Bells, Flickr user mland329]

Astronomy Photos Unite Earth And Sky


Whether you’re on the other side of the world or in your own back yard, it’s fun to look up at the night sky and wonder. One of my fondest memories of South America was one night on Isla del Sol on Lake Titicaca. Back when I went, there was no electricity on the island and the night sky was brilliant with stars. The fact that I couldn’t recognize the constellations – because they’re different than the ones in the Northern Hemisphere – really made me realize I had traveled a long way.

Some get more serious with their stargazing. Dedicated amateur astronomers travel the world for good observing conditions or to take the best photographs.

The Royal Observatory at Greenwich, England, and Sky at Night Magazine have just named Astronomy Photographer of the Year for 2012. The top prize went to Australian-based photographer Martin Pugh for a photo of the Whirlpool Galaxy. There were several categories, including a Youth category that attracted some incredible shots. While many photographers focused on distant galaxies or nebulae, others chose to combine terrestrial scenes with heavenly wonders. These images remind us that no matter how far we journey, we’ve barely moved in comparison to the vastness of the universe.

Above is the winner for the Earth and Space category. Masahiro Miyasaka took this shot in Nagano, Japan. It shows Orion, Taurus, and the Pleiades as the backdrop to an eerie frozen landscape. Though the stars appear to gleam with a cold, frosty light, bright blue stars like the Pleiades can be as hot as 30,000 degrees Celsius. He titled it “Star Icefall,” showing he’s a poet as well as a photographer.

Check out the gallery for other fine photographs, and jump the break to see my personal favorite.

%Gallery-166254%


Titled “Green World,” it was taken by Arild Heitmann. The aurora borealis traces the shifting patterns of the Earth’s magnetic field, creating a spectacular midwinter show in Nordland Fylke, Norway. The green light in this image comes from oxygen atoms high in the atmosphere, which have been energized by subatomic particles from the Solar Wind.