Halloween on 6th Street in Austin: the sounds and lights


If New Orleans’ Bourbon Street has a little sister, it is, at least sometimes, 6th Street in Austin. Both streets are main attractions, teeming with boisterous activity. Both streets are usually embraced by tourists and, perhaps just as usually, eschewed by locals. And both streets are worth walking, no matter who you are or where you are from, on certain days of the year, namely, costumed days. Austinites can’t shine a light to New Orleans on Mardi Gras, but Halloween? Just maybe. From what I have seen, the people in the batty city of Austin take Halloween seriously. After receiving an underwhelming reaction to my Westboro Baptist Church Member (I do not condone their actions, I find their actions frightening and despicable, and thereby suitable for Halloween) Halloween costume last year on Austin’s 6th Street, I decided to give the 6th Street walk a go again last night–I was a dead Olympic swimmer this time.

One of the immediate connections I made to Bourbon Street when I first walked the obligatory walk down Austin’s 6th Street last Halloween was that both streets are party streets. Bars and clubs line each of these streets, nearly all of these bars and clubs exist with their doors open, with their internal music becoming externally audible. The rhythms and melodies escaping from these doors come together in the air over 6th Street, forming the sonic equivalent of a strobe light. And the beams from actual strobe lights fly freely from the windows and doors, creating an army of strobe lights–an army that conjures up images of a Potter vs. Voldemort wand dueling in my mind.

%Gallery-138100%But the sounds on 6th Street aren’t limited to the continual onslaught of music, nor are the lights on 6th Street limited to the bouncing beams of strobe light. If you can transport yourself enough to imagine the sounds of 6th Street on Halloween night, here they are for the imagining:

  • The music, yes, the music, we discussed this already. Thumping beats, the kind you feel in your chest as they plummet out of their respective speakers. Hanging hooks, the kind you can’t kick out of your mind’s jukebox, no matter how hard you try. The mixing of several of these, resulting in a collective off-beat, inharmonious soundtrack for your night. For Halloween, the addition of ‘spooky’ music comes rolling into play. Filtered vocal tracks cushioned with the sounds of rushing wind, children screaming, and maniacal laughter.
  • The chatter. There are people holding sober conversations, and, on average, these conversations are muted by the drunken conversations, which oftentimes involve a steadfast sense of conviction in the speaker’s tone. There are cops giving stern warnings, as well as directions. There are bouncers and club managers shouting the nightly special out to each passerby, “100 shots for ONE DOLLAR! Ladies drink free!”. For Halloween, the chatter evolves. It’s not just personal anymore; much of the chatter is in character. A J.K. Rowling Dementor is flapping his gigantic, black wings. A flock of sheep ‘baaa’ as they nose through the crowd. The Founding Fathers speak with accents that match their pristine-looking white wigs. The dog trapped in the skeleton costume whines more than he might on a costume-free evening. A saxophonist plays as he walks slowly through the crowd.
  • The vehicles. Much of 6th Street is closed for Halloween (and other big events, like SXSW) to motor vehicles. But you hear them anyway, coming from barricades’ boundaries. The honking, squealing of breaks, blasting of Slayer. Inside the quarantined area designated for stumbling zombies and the like, pedicabs are limitless and racing through the crowd. Many of the pedicabs employ their own sound systems and on a night like Halloween night, that means mostly one thing: more blasting, scary music. Bicyclists’ tires swoosh through puddles of spilled beer (during this kind of Texas drought, you can count on the street puddles being from just about anything other than rain). A helicopter circles overhead, its lights drawing chins toward the horizon and eyes toward the Austin sky, which looks as though it’s been tie-dyed with navy and rust orange.

Keep your mind fixed on this recreation of 6th street and focus on the kinds of lights to be seen on a night like Halloween in a town like Austin.

  • The strobe lights, we know about them. They are dancing incongruously, bolting from paved street to brick wall to starry sky to dusty window glass and bouncing off the glass to begin the chaotic circle of light again.
  • The club lights aren’t all strobe lights, though. One club is black-light-lit, another is dressed up in red lights. Bands or DJs are playing on every stage on a night like Halloween night, and just about every bar or club on 6th Street has a stage. In fact, I can’t think of any that don’t. Each performer has their own approach to lighting–a film playing on a screen behind the band, a rainbow colored expanse of lights illuminating the DJ.
  • The bicyclists and pedicabs fly by with their red and white lights blinking out of sync as they pedal.
  • The cops have flashlights, and sometimes they are on. But on a night like Halloween, it’s tough to tell the Halloween Cops from the Everyday Cops. But even the non-official flashlights emanate an apparent, even if fleeting, white light.
  • Food trucks are scattered throughout the street and their tiny work areas are thankfully alight; their signs are blinking.
  • The Halloween costuming on 6th Street represents an Austin attraction in and of itself. A man stands stationary in the middle of the street while juggling glow sticks; plenty of other people are simply wearing glow sticks. A robot’s lights twinkle throughout, no doubt indicating computation. An aviation duo appears. The man is dressed as an air traffic control tower and the woman is dressed as a flight attendant adorned with bright runway lights. I quickly scan the immediate crowd, but I see no plane.

These are sounds to be heard, these are lights to be seen. Austin’s 6th Street might very well be Bourbon Street’s little sister sometimes, but sometimes it is something else entirely, not even of the same blood. There’s a fine line between the Spooky City and the Weird City, but the distinction can be made, especially on a night like Halloween.

Photos of Vietnam by Brian Kelley

Some beautiful photos of Vietnam recently caught my eye. Taken by Brian Kelley, these shots relay to viewers the journey he and nine other skateboarders were on when they traveled through Vietnam (as well as Myanmar, Cambodia, and Thailand) as a part of a project called Visual Traveling.

The Vietnam series, which can be found on Brian Kelley’s website, contains photos that are each examples of a thousand words being crammed into a single still. Motorcycles, lush landscape, small children, and rippling water come together in this short but sweet series to convey this Vietnam experience to anyone with interested eyes. These photos are expertly done and, on top of that, they have, effectively, fostered my already-growing desire to visit this gorgeous country.

Thanks: WeJetSet.com

President Obama creates new national park

President Obama created a new national park yesterday when he invoked the Antiquities Act for the first time in his presidency. The Commander in Chief used his executive powers to designate Fort Monroe, located in Hampton, Virginia, as a national monument, thereby adding it to America’s National Park System.

The region has a long and storied history, that dates back to the early 1600’s when Dutch sailors first traded slaves the Old Point Comfort Peninsula, the future home of the fort. Later, many famous Americans would spend time inside its walls, including Robert E. Lee, who oversaw construction there during the 1800’s. Edgar Allen Poe was stationed at Fort Monroe for a time, penning his famous poem “Annabel Lee” inside the fortress. Harriet Tubman worked at the fort’s hospital, and Chief Blackhawk, who fought with the British during the War of 1812, was briefly imprisoned there, as was Confederate President Jefferson Davis following the end of the Civil War.

While the fortress may have started as an outpost for the slave trade, during the Civil War it became a symbol of hope for many African Americans. In 1861, the fort was occupied by Union soldiers when three escaped slaves arrived at the gates seeking asylum. The fort’s commander, General Benjamin Butler, took them in and refused to return them to Confederate General Charles Mallory. Soon, thousands more would flock to the place, earning it the name of “Freedom’s Fortress.” Butler’s bold move marked the beginning of the end for slavery in Virgina.

The President’s proclamation not only includes the fort itself, but two miles of beachfront property and inland landscapes as well. Those environments are said to be excellent spaces for bird watching, hiking, camping and other outdoor pursuits. The newest park in the system offers both history and beauty in a single setting.

Naturally, the National Parks Conversation Association was quick to praise this move by the President, calling Fort Monroe “America’s next great urban national park.” The non-profit organization is dedicated to protecting America’s parks for future generations, and sees the inclusion of this park as a historical and economic boon to the surrounding communities.

Fort Monroe is the 396th park in the U.S. system. To find out more about the place click here.

New York’s New Museum adds sleek slide

With the addition of a slide, New York’s New Museum just made the cut for my ‘Next Time I Visit NYC‘ bucket list. This new slide at the museum doesn’t appear to be your run of the mill slide. No. I don’t suspect you would find a slide like this in the playground adjacent to the school nearest to your home. With a transparent ceiling and a metallic silver casing, the “Carsten Holler: Experience” exhibition features this slide, which plummets through the floors of the museum.

The object of this show seems to be a transformation of time and space, experienced by the viewer. Employing Holler’s Mirror Carousel, the Experience Corridor, and plenty of other twisting features alongside the slide, this show seems like one of the most magical museum attractions in New York right now. The show is open to the public now through January 15th, 2012 and can be viewed in the Lobby, Second, Third, and Fourth floors. Check out this Flickr photo set, which documents the installation of Experience.

In the United States? Catch a free ride with the Kindness Cab

From now up until November 13, 2011, anyone located in between Washington D.C. and Los Angeles, California, can catch a free ride in a 1985 London Sterling taxi. CouchSurfer Leon Logothetis started driving the Kindness Cab in a an effort to give back to the community as well as raise money for charity. If you’re interested in hitching a ride with him, you can click here to follow his whereabouts and connect.

Years ago, Logothetis hitchhiked from New York to L.A., relying on the kindness of strangers to get around. Now, as he re-traces his original route, he is repaying the favor. On his first day in New York, he drove thirteen hours and picked up thirty passengers. The entire journey will end on November 13, 2011, World Kindness Day.

Here is a list of where and when you can catch the Kindness Cab next:

October 31- Chicago
November 3- St. Louis
November 7- Denver
November 9- Santa Fe
November 10- Phoenix
November 11- Las Vegas
November 13- Los Angeles