Five unusual monuments of London

The historic city of London is filled with monuments of all kinds: to politicians, heroes, kings, and queens. Many blend into the background, just some more overdressed statues on plinths looking down at the traffic. Here are five unusual monuments that really stand out.

Animals in War Memorial

While London is full of war memorials, this one on Park Lane next to Hyde Park is a bit different, as you can see from this Wikimedia Commons image. It’s dedicated to all the animals who served in war. Used as mounts for cavalry or as beasts of burden, they suffered and died alongside their human comrades. The inscription says:

“This monument is dedicated to all the animals
that served and died alongside British and allied forces
in wars and campaigns throughout time
They had no choice”

The Golden Boy of Gluttony

This fat little naked guy commemorates the Great Fire of 1666, when much of London burnt down. The plaque claims the fire was caused by the “sin of gluttony”. Located at the corner of Giltspur and Cock Lane, the fire stopped just short of here. That’s a shame because the old inn that stood on this site was the scene of sins far greater than gluttony. At a time when the only bodies surgeons could get for study were those of the executed, “resurrection men” would steal the recently buried from graveyards and lay them out for sale in the upper floors of the inn. The practice became so widespread that cemeteries had to post armed guards.

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Simply called “Monument”, the 202-foot column at the corner of Monument St. and Fish St. Hill also commemorates the Great Fire. Unlike the people who erected the Golden Boy, the builders of this memorial blamed the Catholics. The anti-Catholic plaque was removed in 1831. The column’s height is significant-it’s the exact distance from the pillar to the house in Pudding Lane where the fire started.

Monument was designed by the famous architect Sir Christopher Wren (who also designed St. Paul’s Cathedral) and was completed in 1677. It sports a bright golden flame at the top and an observation tower with splendid views reachable by 311 steep steps. Making it all the way up earns you an official certificate proving your accomplishment. The platform became a popular place for distraught Londoners to hurl themselves to their deaths; more people died at the Monument than from the fire itself until a protective screen was installed.

Cleopatra’s Needle

Dramatically set alongside the Thames Embankment between Waterloo and Hungerford Bridges is something you don’t expect to see in London-an ancient Egyptian obelisk covered in hieroglyphs. The name is misleading. It wasn’t erected by Cleopatra but rather by Thothmes III around 1500 BC. Two centuries later Ramses the Great added some inscriptions boasting of his military prowess. When Cleopatra was redecorating Alexandria in 12 BC she had the obelisk moved there.

It was donated to the British Empire in 1819 by Muhammad Ali, viceroy of Egypt, as thanks for the English kicking Napoleon out of Egypt. Getting it to England proved problematic. They didn’t even try until 1877, when the obelisk was encased in a metal cylinder and towed out to sea. It was lost in a storm in the Bay of Biscay only to be spotted by another ship floating peacefully on the waves. The chips out of its bottom are courtesy of German bombing during World War One.

Watts Memorial in Postman’s Park

Next to the 18th century church of St. Botolph-without-Aldersgate on Aldersgate Street stands Postman’s Park, a tranquil oasis amid the rush of the city. A curious feature of this park is the Watts Memorial, erected in 1900 by a parishioner who wanted to honor those who had given their lives while trying to save others. Each hero or heroine is given a plaque briefly telling their story. The accumulated effect of the dozens of plaques is deeply moving.

Visiting monuments is one way to travel on a budget. All except Monument are free, and they tell you a lot about British history and worldview. Are going to London? Check out AOL Travel’s London guide!

Video from inside the Washington Monument during the earthquake

Yesterday, the National Park Service released video from inside of the Washington Monument showing just how much the structure shook during that 5.8-magnitude earthquake that hit the East Coast last month. Startled visitors and park rangers appear uncertain of what to do at first, then begin to calmly and orderly move down the building, with one ranger in the lead and another staying behind to ensure that everyone gets out safely. As the video continues, debris begins to fall, obscuring the view to a degree, and giving an indication of the amount of a damage suffered to the interior.

The Park Service says that the monument is structurally sound, although it is unclear at this time when it will reopen. A team of engineers will begin a comprehensive inspection of the obelisk today by repelling down the side of the structure. That will take about five days to complete, but the overall assessment won’t be finished until sometime later in October. From there, renovations will get underway, while the building also undergoes its annual preparation for winter as well.


Cocktails, Chilean style

A few weeks ago, I was sitting at the bar of the very lovely Alto Atacama Desert Lodge & Spa, outside of San Pedro de Atacama in Northern Chile. I’d just returned from an afternoon at 12,600 feet, exploring the Andean Altiplano Lakes of Miscanti and Miñiques, and I was feeling parched.

Small wonder I was thirsty; Atacama is the driest desert on earth. Visually and geographically, it’s like the Southwest on steroids. If the love child of Sedona, Arizona and Abiquiu, New Mexico inherited a chain of conical, snow-dusted volcanoes, the largest salt flat in Chile, and shimmering lagoons full of flamingos, Atacama is what you’d get. Kraig recently wrote a great series on exploring Atacama, which you can find here.

San Pedro itself is a surprisingly sweet little village of adobe walls and buildings, with a whitewashed church and dusty streets. It’s the world’s least offensive tourist-mecca. Alto Atacama is located about a mile-and-a-half outside of town, in the middle of a river valley sided by craggy, brick-red rock.

Native plant gardens dot the property, there are resident llamas, the small restaurant serves many locally grown foods. But these are mere details. My biggest concern that evening was soothing my dust-coated throat with a cocktail.

I most definitely approved of the pisco sour made by Sebastián, the bartender. Pisco sours are a tricky thing; too often they’re made with old lemon juice or concentrate or too much sugar, and the result is a cloying, flat-tasting mess. But Sebastián squeezed fresh lemon juice (limón de pica, or Peruvian lime, which may or may not be the same species as key lime, depending upon who you ask). The final addition of good pisco made for a smooth, tangy, refreshing libation.

Sebastián raised his eyebrows at my swiftly drained glass. “Was good?” he enquired.

“Delicioso,” I assured him. “Uno mas, por favor.” As we spoke I watched him expertly muddling a mess of quartered limóns with something brown and sticky looking.

He followed my gaze. “It’s a Mojito Atacameño. Invented here at the hotel. You like to try?”

[Photo credit: Frank Budweg]Never one to turn down a cocktail, I nodded. “What’s in it?” I asked.

“It’s made with chañar, a fruit found only in Atacama (I later found out that chañar-the fruit of Geoffroea decorticans-is also indigenous to parts of Argentina).”

“It’s very important. We use the arrope (preserved fruit in syrup) to flavor ice cream and other desserts. But it’s also a medicine,” Sebastián explained. The Atacameño’s– the local indigenous people, who have lived in the area for thousands of years–use chañar as a traditional cure for bronchitis and sore throat.

To further underscore the allure of this little round fruit, I bring you the following passage from author Edward R. Emerson (Beverages, Past and Present, 1908):


Its flavour is beyond description, and the way the Indians eat this fruit best shows in what estimation it is held. Early in the morning all hands repair to the chanares–chanar orchard (for, though wild, the trees grow in immense tracts) and proceed to eat of the fruit until locomotion, except in a crawling way, becomes almost impossible, and as soon as they have arrived at this state they crawl to the river, drink as much water as they can possibly hold, and then crawl back to the trees, where they stretch themselves out at full length and sleep until night, when they repeat the operation.

Sounds like the producers of “Intervention” could have had a field day.

Sebastián passed me a bottle of arrope de chañar to try. After a small taste, I realized that it reminded me, in appearance, consistency, and flavor, of tamarind paste. Tangy, a little sour, with an almost molasses-like sweetness. It was interesting, but not something I’d think of using in a cocktail. Nevertheless, I watched, dubiously, as Sebastián meticulously put together my Mojito Atacameño.

After muddling two quartered limóns, he added two tablespoons of powdered sugar (I assume because it’s traditionally used in a pisco sour, rather than simple syrup).

To this he added a dash of creme de menthe because fresh mint was out of season; the base was Absolut Mandarin Vodka (“You can use pisco, but I think vodka is better flavor.”).

When the finished drink was set before me, I contemplated it. It closely resembled the last fecal sample I’d had to submit after I accidentally drank unfiltered river water. The mojito had floaty bits of lime pulp and was cloudy from the thick arrope de chañar; It looked repulsive. I sniffed it, and took a cautious sip.

Fantastic. A beautiful balance of tart and sweet, with a clean, citrusy finish. Ass-kickingly strong. Sebastián was looking at me expectantly.

“Uno mas, por favor.”

My trip was sponsored by Wines of Chile, but the opinions expressed in this article are 100% my own.

A classic sailing ship in northern Spain

If you’ve been following my travels here at Gadling, you know I’ve moved to Santander in northern Spain and am busy settling in. I’ve had my first of many hikes in Cantabria and have even ventured into the chilly northern surf. I need to buy a wetsuit.

One advantage of living in a port is you get to see sights like this, a reconstructed sailing ship from the Golden Age of Sail. Called the Nao Victoria, it’s a Spanish ship from the 16th century and is currently on tour around the coast of Spain.

A nao, also called a carrack, was a type of sailing vessel used by the Spanish and Portuguese in the 15th and 16th centuries. It was a precursor to the galleon. The Nao Victoria was the first ship to circumnavigate the globe on Magellan’s voyage from 1519-22. Magellan didn’t survive the voyage and the commander to bring the boat back to Spain was Juan Sebastián Elcano. I saw his hometown while hiking the Basque coastline.

The Fundación Nao Victoria also manages a second ship, a reproduction 17th century Galeón Andalucía.

The reconstructed nao is a floating museum where you can see how a ship was run back in the olden days. It had a large storage capacity and could handle rough seas, important for long voyages to unknown parts of the globe. It’s not a completely faithful reconstruction, though, what with its flush toilet and electricity. I suppose the folks sailing this thing shouldn’t be expected to suffer from the filth and scurvy the old sailors did!

Downdecks is an exhibition on Spain’s first constitution, adopted in 1812 as Spain and her allies were busy pushing Napoleon out of the country. The constitution allowed for universal suffrage for men, extended numerous rights to citizens, and ended the Inquisition. The constitution was abolished two years later with the reinstatement of absolute monarchy. It came back a couple of times in Spain’s tumultuous history before other constitutions were introduced in later times.

The project is funded by various regional and municipal governments and government institutions. The stress they put on the Spanish constitution appears to me to be more than just celebrating the bicentennial. Deep fissures are appearing in Spanish society as various regions, especially the Basque region and Catalonia, are pushing for more autonomy or even outright independence. In Spain, any emphasis on national unity carries a political message.

If you like old sailing ships, be sure to check out Madrid’s Naval Museum.

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Ivory Coast national museum ransacked

During the civil war earlier in the year, the national museum in Abidjan, capital of the Ivory Coast, was nearly stripped bare by looters, Art Daily reports.

An estimated $8.5 million worth of art and artifacts were taken while the city suffered bitter warfare between political factions. Some of the most severe fighting swirled around the museum itself, which was used as a sniper’s nest.

Once famous among African museums for its fine collection of art, it is now a pale semblance of its former self, with all the most valuable artifacts gone. The Ivory Coast is home to a rich variety of cultures and a long history of ancient civilizations. A wide variety of arts are practiced there, including making masks like the one shown in this photo courtesy Guérin Nicolas. Luckily, this particular mask is in the Museum Rietberg in Zurich where it remains safe.

Civil unrest and cultural looting go hand in hand. In places like Iraq and Afghanistan, criminals have taken advantage of the chaos and lack of law enforcement to steal their own heritage and sell it on the international antiquities market. By doing so, they take away evidence of their common history, thus making it easier for factions to emphasize their differences and renew the cycle of violence.