Bonnaroo Photo Galleries

I made kind a big fuss about Bonnaroo. I tried to encourage anyone who had the means to attend the festival. Because, as excruciating as the Tennessee sun while camping can be, the festival was the highlight of my summer last year. Whether or not you managed to make it to Manchester, Tennessee for the festival, you should scope the photos Bonnaroo has released from last weekend’s festivities.

The people running the show over at Bonnaroo.com did a great job with compiling photo galleries this year–galleries of just about every act and moment that was a part of the event. Take a peak and either look for your own face or see what you missed. If you like what you see, start thinking about Bonnaroo 2012.

Check out the recently-released Bonnaroo photos here.

Vorticism: avant-garde art at the Tate Britain, London

In the years before the outbreak of World War One, European artists developed a variety of different styles to reflect the pace of change and industrialization in what used to be a traditional continent.

Cubism and Futurism were two of the biggest movements. One of the briefest and most vibrant was Vorticism. The Vorticists started around 1913 and focused on the hard lines and quick pace of the machine age.

Now the Tate Britain in London is hosting a major exhibition on the movement called The Vorticists: Manifesto for a Modern World. It brings together more than 100 Vorticist works from all the major players.

One of the leaders of the movement was Wyndham Lewis, although some Vorticists say the only reason he was popularly seen as the leader was because he gave more interviews to the press. He was certainly important, though. Lewis was the founder of the Vorticist journal Blast, the first issue of which had a hot pink cover and featured writings by T.S. Eliot and Ford Madox Ford. A whole section of the exhibition is dedicated to this journal and its groundbreaking design and typography.

Some of the rarer works on display include those from the many women welcomed into Vorticist ranks, a daring move at the time. There are also the Vorticist photos of Alvin Langdon Coburn, often hailed as the first abstract photographs. These photos will blow your mind and hurt your eyes.

%Gallery-126430%While Vorticism was mainly a British movement, this exhibition also explores its influences on the New York modern art scene. In fact, it was an American poet, Ezra Pound, who gave the movement its name.

The output of this movement was remarkably small. Blast only had two issues, and there were only two Vorticist exhibitions. World War One killed some of the Vorticists and left others embittered against the modern world. Yet Vorticism had a major impact on modern art and its works are still discussed and copied today. The two issues of Blast are still in print almost a century after they first appeared. One advantage of its brevity is that an exhibition of this size can encompass a majority of the major works, giving the visitor a full understanding of the meteoric life of one of modern art’s most intriguing avant-garde movements.

The Vorticists: Manifesto for a Modern World opened yesterday and will run until September 4.

[Image of Workshop c. 1914-5, by Wyndham Lewis courtesy of the Wyndham Lewis Memorial Trust]

Rwanda looks to its history to get over its past

Sadly, when people think of Rwanda they tend to think only of the 1994 genocide, yet Rwanda has a rich history and heritage.

Now the government is developing its museums and historical sites to encourage cultural tourism. Sites like Nyanza Palace, shown here, will get special attention. Other attractions include dance troupes and even something called the Inyambo dance, performed by trained cows!

Rwanda has been inhabited for at least ten thousand years. Around the 15th century AD, several kingdoms cropped up with distinctive artistic styles. Several good Rwandan museums showcase this heritage.

Rwanda has become increasingly popular with adventure travelers and safari groups. It’s working to preserve its environment to help its rebounding population of mountain gorillas as well as other species.

This new move towards cultural and historical tourism appears to be emphasizing a common past in order to erase longstanding ethnic divisions. Hopefully this new project will get the international community to see more to Rwandan history than its tragic recent past.

[Photo courtesy Wikimedia Commons]

Ancient faces: the Fayum mummy portraits of Egypt

The pyramids, Tutankhamen’s gold, the massive temples of Luxor and Karnak. . .the civilization of ancient Egypt has left us an incredible legacy, yet of all of these impressive monuments and treasures none has a more personal effect on the viewer than the Fayum mummy portraits.

During the Graeco-Roman period, after Egypt had fallen first to Alexander the Great and then to the Romans, the old traditions continued. Temples were still built, priests still wrote in hieroglyphics, and the wealthy were still mummified in order to guarantee their place in the afterlife.

The new rulers of Egypt took on some local customs. They often chose to be mummified in the Egyptian fashion, but added the touch of putting a portrait of the deceased over the wrappings covering the face. Painted on thin slats of wood, they were part of a trend called panel painting, considered by Classical writers to be one of the highest forms of art.

Panel paintings were hung in houses and public buildings all over the Greek and Roman world. Two thousand years of damp, mold, and fire destroyed all of them except those buried in the preserving sands of Egypt, so these mummy portraits give us a look at what would otherwise be a lost art. Panel painting was hugely popular in its day and later influenced the Coptic and Byzantine icons of the Middle Ages.

Looking at a mummy portrait brings you face to face with a real person from the past, like this image of a priest courtesy user Eloquence via Wikimedia Commons. Painted around 140-160 AD, it’s realistic enough that we’d know him if he passed us on the street. The portraits vary in quality, but each gives us an individualistic look at a man or woman or child, often with fascinating details like jewelry or hairstyles.

%Gallery-126247%Mummy portraits appeared around the first century BC and continued in fashion for about 300 years. Many were found in the Fayum, an oasis west of modern Cairo that was a popular place to be buried, but examples have been found all over Egypt.

The Museo Arqueológico Nacional in Madrid has a display of 13 of the best mummy portraits showing until July 24. Most of the museum has been closed for more than two years for refurbishment so it’s nice that something is going on there. There’s also the exhibit Tesoros del Museo Arqueológico Nacional, a “greatest hits” collection like the British Museum did while it was remodeling.

If you aren’t going to Madrid this summer (don’t–the autumn or spring are better with fewer tourists and milder weather) there are plenty of other places to see mummy portraits. In London, The Petrie Museum of Egyptian Archaeology and the British Museum have two of the largest collections in the world, although many of the best examples from the British Museum are in Madrid at the moment. In New York there’s the Met, in Edinburgh the National Museum of Scotland, in Paris the Louvre, in Vienna the Kunsthistorisches Museum, and in Amsterdam the Allard Pierson Museum. And of course there’s the Museum of Egyptian Antiquities in Cairo!

U.S. expresses concern over proposed Serengeti Highway

The U.S. government has expressed concern over a proposed new highway that would pass through the Serengeti plains in Tanzania, citing a study that indicates the road could have an adverse effect on the annual migration of animals there. Reportedly the Obama administration raised the issue with the Tanzanian government recently, and it could be a point of discussion for Secretary of State Hillary Clinton, who is currently visiting the African country.

Last year, Tanzania announced plans to create the new highway, which officials say will help spur economic development in northern areas of the country. The plans immediately came under fire from environmentalists and scientists who predicted that the road would change the migration patterns of millions of wildebeests, zebra, antelope, and other animals that travel between Tanzania and Kenya each year. Opponents of the proposal even suggested an alternate route for the highway in order to lessen its impact on the Serengeti itself.

So far, all pleas to the Tanzanian government have fallen on deaf ears, and their plans to construct the new road are moving ahead. Ultimately, when it is complete, the highway will link the cities of Arusha and Musoma, although the plan now is to leave the 50 mile section that crosses through the Serengeti unpaved. Environmentalists say it isn’t the road itself that will alter the annual migration, but the amount of traffic that will pass through the area. The route is expected to be one of the busiest highways in northern Tanzania when it opens.

It is unclear at this stage if the U.S. government can do anything to alter the construction of the highway, but with Clinton in the country on a 3-day state visit, it seems likely that the topic will at least be broached at some point.

When I visited the Serengeti a few years back, I completely fell in love with the place. It is one of the most spectacular and magical places I have ever visited, and the thought of it being altered by this road is disheartening. Hopefully a compromise can be found that will limit the impact of the new highway, allowing the amazing animals that live there to roam freely.