Budget cuts may axe Washington historic sites

As the Great Recession drags on, more and more state programs are feeling the pinch. This includes many sites of historic interest. In the latest budget announced by Washington Governor Chris Gregiore, the state’s three Historical Society museums will all have to close.

The State Capital Museum in the Lord Mansion in Olympia, and museums in Tacoma and Spokane, would all be affected. The governor has earmarked $2.4 million to maintain the sites and their archives, but it would cost twice as much to keep them open, The News Tribune reports.

The Lord Mansion is on the National Register of Historic Places and in addition to having a museum, it hosts many public events. The Washington State Historical Society Museum in Tacoma gets an average of 100,000 visitors a year.

To be fair to Governor Gregiore, she’s facing a serious problem. If she keeps the museums open, that means $2.4 million less for other programs, and then some non-travel-related blog would be complaining about her budget. But museums and historical societies are important parts of the community, not just for old-timers who want to reminisce and tourists interested in history, but newcomers who want some background on their surroundings. I’ve moved way too many times, and one thing I always do to get grounded is study the history of my new home.

I also do Civil War research, and that means I’ve seen the inner workings of many historical societies. One place you’ll often find me is the State Historical Society of Missouri. Once or twice a week my studies are interrupted by a crowd of schoolkids coming into the library to see the treasures of the archives. Some researchers grumble about this, but I’m always happy to see them come in. One object that always arouses interest is a long, thin map of the Mississippi River that unrolls like a scroll. Steamboat pilots used it to navigate the perilous waters of the river more than a century ago. The students are fascinated by it, not just because of its odd appearance but because of what it symbolizes. More than once I’ve overheard kids talking about what it would have been like to use the map to avoid sandbars, sunken logs, and dangerous currents just like Mark Twain did.

This historical society, like so many others, has had its share of budget cuts. They recently had to stop a theatrical series and a traveling lecture tour. Both were popular, but the society simply can’t afford them.

It would be a shame if they had to cut the tours. Missouri schoolkids wouldn’t get their imaginations fired by that map anymore.

[Photo courtesy Joe Mabel via Wikimedia Commons]

Tod’s shoe company to restore Rome’s Colosseum

The Colosseum in Rome will get some much-needed repairs thanks to the sponsorship of Tod’s, an Italian luxury shoe manufacturer, the BBC reports.

The restoration will cost about 25 million euros ($34 million). The iconic gladiator arena is right next to a busy road in a polluted city, and a subway line runs close by. Many stones have shifted and require bracing, and the whole things needs a good wash.

Don’t expect to see a dramatic change soon, though. Restoration won’t even begin until the end of 2011 and will take two and a half years to complete. The Colosseum will remain open the entire time, although some parts will almost certainly have to be put off-limits on a temporary basis.

Many of Italy’s monuments are in a sad state of disrepair. The problem received international attention last year when several ancient structures collapsed in Pompeii.

[Photo courtesy user AlexSven via Gadling’s flickr pool]

Egypt changes stance: King Tut’s tomb will stay open (for now)


The famous tomb of King Tutankhamun in Egypt will remain open for the time being, the chief of Egypt’s Supreme Council of Antiquities Zahi Hawass announced.

While earlier this week he stated that it and two other tombs in the Valley of the Kings near Luxor would close by the end of the year, now he’s saying that they’ll close at some undetermined time in the future.

Egypt plans to build a Valley of the Replicas to show off exact duplicates of King Tut’s tomb and those of Seti I and Queen Nefertari. These and other tombs are suffering damage due to the large numbers of people passing through. The extra humidity from their breath is causing mold to grow and is damaging the ancient paintings that adorn the walls. The number of visitors to Tutankhamun’s tomb has already been limited to 1,000 a day, down from a peak of 6,000 a day.

Once the Valley of the Replicas is open, and there’s no set date for that yet, King Tut’s tomb will close to everyone except those paying an extra fee that will probably run into the thousands of dollars. The pharaoh’s mummy will remain in its tomb.

[Photo courtesy user Kounosu via Wikimedia Commons]

Cirque Dreams Jungle Fantasy goes 3D planet-wide

More than 50 million people world-wide have traveled the globe to see ultra-quality Cirque productions in theaters, Las Vegas casinos, theme parks, at sea and on Broadway. Cirque took Broadway by storm in 2008 as the only circus/cirque show of its kind. Now, Neil Goldberg’s Cirque Dreams Jungle Fantasy production joins with stereoscopic pioneer N4D to create a never-before-seen spectacle.

Cirque will incorporate Atlanta-based N4D’s patented technologies to create a variety of layers and textures both on and off the stage that previously never existed that they claim will “reinvent the current dimensions of theater.”

“Since 1993, audiences have come to expect Cirque Dreams’ artistry to unfold live, right before their eyes-pop off stage and soar through the air while defying gravity with limitless imagination.” Goldberg said “Adding the new dimension available through stereoscopic visualization implemented with unique N4D technology will not only heighten the experience, but will also create a sense of intimacy that brings live artistry and audiences together as one.”

To be unveiled in 2013, count on some spectacular productions as Cirque founder Neil Goldberg and N4D CEO Cliff Parker join forces to bring a never-before-seen spectacular to the stage.

This should be something to see.

Photo: Cirque Productions

It’s time travel writers stopped stereotyping Africa

Pop quiz: where was this photo taken?

OK, the title of this post kind of gives it away, but if I hadn’t written Africa, would you have guessed? It was taken in Dar es Salaam, the capital of Tanzania. This isn’t the view of Africa you generally get from the news or travel publications–a modern city with high rises and new cars. A city that could be pretty much anywhere. That image doesn’t sell.

And that’s the problem.

An editorial by Munir Daya for the Tanzanian newspaper The Citizen recently criticized Western media coverage of Africa, saying it only concentrated on wars, AIDS, corruption, and poverty. Daya forgot to mention white people getting their land stolen. If black people get their land stolen, you won’t hear a peep from the New York Times or the Guardian. If rich white ranchers get their land stolen, well, that’s international news. And look how many more articles there are about the war in Somalia than the peace in Somaliland.

Daya was objecting to an in-flight magazine article about Dar es Salaam that gave only superficial coverage of what the city has to offer and was peppered with statements such as, “Dar es Salaam’s busy streets are bustling with goats, chickens, dust-shrouded safari cars, suit-clad office workers and traders in colourful traditional dress.”

Daya actually lives in the city and says you won’t find many goats and chickens on the streets. But that wouldn’t make good copy, would it?

Travel writing has an inherent bias in favor of the unfamiliar, the dangerous. Some travel writers emphasize the hazards of their journey in order to make themselves look cool, or focus on the traditional and leave out the modern. Lonely Planet Magazine last year did a feature on Mali and talked about the city of Bamako, saying, “Though it is the fastest-growing city in Africa, Bamako seems a sleepy sort of place, lost in a time warp.” On the opposite page was a photo of a street clogged with motorcycle traffic. If Bamako is in a sleepy time warp, where did the motorcycles come from?

I’m not just picking on Lonely Planet; this is a persistant and widespread problem in travel writing and journalism. Writers, and readers, are more interested in guns than concerts, slums rather than classrooms, and huts rather than skyscrapers. In most travel writing, the coverage is simply incomplete. In its worst extremes, it’s a form of racism. Africa’s problems need to be covered, but not to the exclusion of its successes.

As Daya says, “there is more to Africa than famine and genocide.” There are universities, scientific institutes, music, fine cuisine, economic development, and, yes, skyscrapers.

And if you think Dar es Salaam is the exception rather than the rule, check out Skyscrapercity.com’s gallery of African skyscrapers.

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