The Best Inspirational Travel Quotes

As an inveterate quotation-hoarder, I am always on the lookout for concise yet powerful expressions of wit and wisdom related to travel. Here are ten of my favorites, followed by a couple comments on why I find them so memorable and meaningful…

10. “We are sad at home and blame the weather and the ugliness of the buildings, but on the tropical island we learn… that the state of the skies and the appearance of our dwellings can never on their own underwrite our joy nor condemn us to misery.” – Alain de Botton, The Art of Travel. Travel is many things– mind-altering, exciting, challenging– but it is not a panacea. Those who travel abroad because they’re unhappy at home will find that travel does not cure all of life’s ills.

9. “When one is traveling, one must expect to spend a certain amount of money foolishly.” – Robertson Davies, as quoted by Chuck Thompson in Smile When You’re Lying. It happens. Whether it’s indulging at the hotel mini-bar or being ripped off by an unscrupulous taxi driver, people often see their money evaporate at alarming rates when they’re traveling. Expect it, and most importantly, budget for it.

8. “Very many people spend money in ways quite different from those that their natural tastes would enjoin, merely because the respect of their neighbors depends upon their possession of a good car and their ability to give good dinners. As a matter of fact, any man who can obviously afford a car but genuinely prefers travels or a good library will in the end be much more respected than if he behaved exactly like everyone else.” – Bertrand Russell, The Conquest of Happiness, as quoted in Rolf Potts’ Vagabonding. A reminder that it’s your money and your life: do with it what you want. Every dollar spent at home is a dollar that can’t be spent abroad.

7. “There are two things to do in Juneau, drink and get drunk.” – Chuck Thompson, quoting a friend, in Smile When You’re Lying. It isn’t just Juneau; there are only two things to do in a lot of places. Not every travel destination is a winner, and sometimes you’re left in the middle of nowhere splitting a bottle of booze with a friend. Still, there are worse ways to spend an evening, or a week.

6. “Sublime places repeat in grand terms a lesson that ordinary life typically teaches viciously: that the universe is mightier than we are, that we are frail and temporary and have no alternative but to accept limitations on our will; that we must bow to necessities greater than ourselves.” – Alain de Botton, The Art of Travel. In our normal, workaday lives, the experience of being “humbled” is often an embarrassing or upsetting one. But standing in the midst of Angkor Wat or Machu Picchu, we are happy, ecstatic even, to be humbled. It’s a great, great feeling.

5. “You must kill ten hours to make two hours live. What you must be careful of is not to kill ALL the hours, ALL the years.” – Charles Bukowski, The Captain is Out to Lunch and the Sailors Have Taken Over the Ship.
The most powerful force in most people’s working lives is inertia: we do what we do because it’s what we’ve always done. But surrendering one’s life to inertia is a tragic mistake.

4. “As for the idea of a native country, that is to say, of a certain bit of ground traced out on a map and separated from others by a red or blue line: no. My native country is for me the country that I love, that is, the one that makes me dream, that makes me feel well. I am as much Chinese as French, and I don’t rejoice about our victories over the Arabs because I’m saddened by their defeats.” – Gustave Flaubert, in a letter to Louise Colet, The Letters of Gustave Flaubert: 1830-1857. As true today as it was when Flaubert wrote it in 1846, travel provides a window into the lives of the oft-derided Others: illegal immigrants, people from the Middle East, Asian factory workers who “steal” American jobs. Travel reminds us of what shouldn’t need reminding: these are people too.

3. “The fool, with all his other faults, has this also: he is always getting ready to live.” – Epicurus. Couldn’t have said it better myself. If not now, when?

2. “We have a new joke on the reservation: ‘What is cultural deprivation?’ Answer: ‘Being an upper-middle class white kid living in a split-level suburban home with a color TV.'” – John Fire Lame Deer, Lame Deer: Seeker of Visions. Ouch. Okay, this one hits a little too close to home. Still, it’s a reminder that there’s a hell of a lot more to life than watching TV and clicking aimlessly on the internet. A whole world awaits.

1. “Often I feel I go to some distant region of the world to be reminded of who I really am… Stripped of your ordinary surroundings, your friends, your daily routines, your refrigerator full of your food, your closet full of your clothes, you are forced into direct experience. Such direct experience inevitably makes you aware of who it is that is having the experience. That’s not always comfortable, but it is always invigorating.” – Michael Crichton, Travels, as quoted in Rolf Potts’ Vagabonding.
I can’t tell you how often that final sentence pops into my mind whenever I’m hanging on for dear life during some insane taxi ride, or arriving in a new town after midnight. No, travel isn’t always comfortable, but it’s always, always invigorating.

Got a favorite travel quotation of your own? Share it in the Comments.

Wet in Venice: an unexpected gift in Italy

In October 2002, Bush and Cheney were gearing up to invade Iraq and I was encountering my first experiences as a not-so-welcome American in Europe. My whole trip had been carefully scripted, at least as far as where I’d sleep at night, but I’d left open the question of where to stay in Venice, the city I would fly home from. As I sat in the small office off the kitchen of the Tuscan farmhouse I’d been staying in, calling more and more places, the proprietress noticed I was hearing a lot of no’s. She took the phone, saying that she had a friend in Venice with an extra room who could probably use the money. “She’s had cancer, and I’d like to do her a favor,” she explained, already dialing. I was desperate, so the intervention was welcome.

Armed with a little slip of paper on which my Tuscan hostess had spelled out the unusually named Virginia’s address and phone number, I was off.

As it turned out, Virginia lived on a wide cobblestone square in the heart of Venice. Pulling my roller bag across the stones, the racket announcing my arrival, I could see that from this location I would be able to walk everywhere. Weeks earlier, on the flight to Italy, I’d met an elderly man who’d studied Venice, specifically its mosaic floors, his entire adult life. His face had filled with delight as he composed a list of the floors and places I must visit.

I pulled up to a stone building with a big glossy black door presenting a sturdy face to the square. I was buzzed into a foyer, with a notably nice floor, and walked up the steps to Virginia’s flat.Virginia opened the door onto a cozy and modern home. Shelves full of books lined the living area, with the flat tops of the shelves reserved for plants. Behind the plants were windows, opened at a slant. These were too high for me to look out of, but the plants must have had a nice view. There was a sofa, a coffee table with current magazines and a large farm table for dining. Beyond this was the tiniest kitchen I’ve ever seen — about three feet wide and four feet deep. Everything in it, including the refrigerator, was commensurately small. An eye-level window looked out on potted geraniums and other apartments.

My room was just off the main one, with the only bath to my right and her bedroom down a small hall to the left. The futon was already made up for me, with a little reading lamp on a low table nearby. There was just enough room for my suitcase on the floor alongside my bed. And there were more tall windows. Even standing on the futon I wouldn’t be able to see out. I could hear the sounds of the canal below though — water sloshing, gently slapping the building, and voices too, of children playing.

“Alberto will be home this evening,” Virginia said. Oh, there’s a husband, I thought, okay.

My hostess was about fifty-five years old. As I thanked her for making my room so comfortable, I searched her face for signs of illness. She seemed all right, even if her color was a little off.

She showed me how to heat water for instant coffee in the morning and placed a canister of “biscuits,” very plain cookies, on the table for my morning breakfast.

And so my first afternoon in Venice began. I made my way down narrow alleys, up and down steps, pausing to look into shop windows, and I felt like I’d been there before. Not déjà vu, but deja merchandise. This was the exact same stuff I’d seen in my grandparents’ home as a child, things they’d picked up on their travels here: gilt trays of gold, red, and green, blown glass birds, “paintings” made of tiny stones. Suddenly those things that had seemed precious and unique, some of which I now owned, seemed like very expensive knick-knacks, souvenirs Venice had been foisting off on tourists for decades.

As I walked along the canals, lined with picturesque businesses and homes, watching the water lap against the buildings, I noticed that mildew was growing up the sides of some. The place was soggy at its roots, decaying, but putting up a good front. I visited Saint Mark’s Square, had my picture taken amidst the pigeons that have overrun the place, and paused for a rest.

“Could this be?” I wondered. “I really don’t like Venice?” This was an unacceptable conclusion to reach, especially so quickly. I walked along the Grand Canal and looked at the anchored yachts with their matching helicopters. The Canal view was lovely, but I was unmoved. I walked further and further but a feeling that this was a fake place, like Las Vegas or Disneyland, was growing. I decided to review the list provided me by the lover of floors. I would faithfully follow it the next day.

When I returned to the flat, I met Alberto — an environmental engineer working on plans for a massive project that it was hoped would someday provide a shield that would rise and fall with the tides, protecting Venice from periodic flooding.

That night a mosquito was trapped in my room. I turned on the light and went through the routine of trying to see and smash it. And though I washed my hands after visiting the bathroom, they smelled like prosciutto back in my room — Alberto’s favorite, smeared on the bathroom doorknob.

The next day I ate cookies for breakfast, and then — why not? — gelato for lunch. This would become a daily habit. Since it was Alberto and Virginia’s place and Virginia seemed to stay at home, I felt obligated to vacate the flat all day. No afternoon rest, just walking and walking, all day. Fueled by sugar and a determination to like this damp place, I located an English-language bookstore and zeroed in on this title: “The Stones of Florence and Venice Observed,” by Mary McCarthy. “Ah,” I thought, “this will help me.”

Little did I know that Ms. McCarthy hadn’t bought Venice either, though it had lots to sell in her day and apparently had for centuries. I read that it was basically a place created by vendors — a playground destination made purposefully pretty in order to lure people in to buy expensive trinkets and entertainment, including the courtesanal kind. It really had been a forerunner of Las Vegas. I felt vindicated, but not happy.

I pursued the list. Two of the places suggested by the floor-lover improved my feelings about Venice, in part because they were relatively dry. One was the Scuola Grande dei Carmini, one of the guilds dating from the thirteenth century where artisans had learned, perfected and practiced their crafts. The other was the Peggy Guggenheim Collection museum. Its pebbled walkways, trees and gardens were as important to me as its works by Calder. It was one of the few places in Venice where I saw a profusion of plants growing in earth.

That night I was invited to join a dinner party. Virginia and Alberto jostled each other in the kitchen, preparing clams. Alberto was a very large man — tall and top heavy. Though he occupied a lot of space, he had a surprisingly high, sweet and melodic voice, and he giggled often, which made me able to forgive him for the prosciutto-slimed doorknobs.

Their friends arrived and we sat down to eat. This was splendid — candlelight, fresh pasta with clam sauce, red Italian table wine, real Venetians… Only I was on the menu too. Virginia set the tone with a passionate statement about the war the US was about to begin, and the intense suffering we would cause. Only much later would I learn that the Senate had passed a resolution that very day authorizing war. Everyone stared at me, expecting answers. They were as brainwashed as I once was that average Americans could actually deter someone like Bush and those behind him from their agenda. I stumbled through a highly unprepared statement: “I agree with you — I can’t stand Bush’s policies…”

But it was clear that Virginia had experienced the hardships of war’s aftermath as a child. She was furious, my clams were gritty, and it was a relief to escape to my little room. On this night I could not only hear the water outside, I could smell it. Sumpy. This place was sopping wet and rotting. And my only friend, the mosquito, had unfortunately not chosen to abandon me.

The next morning, Virginia was kind again, and gave me a ticket to a piano concert at San Giorgio Maggiore church. She also leant me her thigh-high rubber boots so I could slog through St. Mark’s Square at high tide. It was amusing to traverse the square thus clad, but as I did so, I realized I was weary of so much water.

I awoke the next day feeling very ill. I had a high fever, and was weak. No walkabout today. The next day, I felt worse. I huddled in my little room, hearing the water splish-splash, smelling it, feeling terrible, too wiped out to read, with nothing to do but sleep, take my temperature, and worry. It must have been the fever, because I don’t recall ever crying before over being sick. But I cried, and tried to hide this fact when Virginia knocked on the door and brought me tea. She could see I was disheartened, and I felt a sympathy from her I now attribute to her experience of being sick — sick with cancer, sick with the discouragement that illness brought. She quietly left and I cried some more, convinced I would die there and be buried on San Michele, the soggy graveyard island I’d seen on my way to Murano.

Later that day Virginia returned. She’d been out, she’d bought a bone, and she’d made broth for me. I needed to eat, she said, so I could get strong enough for my flight home, the day after next.

The next day, in spite of the morose place I’d descended to, I did feel a bit better. Virginia brought me more bone broth and a few crackers this time. And jewelry. She wanted me to have a necklace of hers: it was made up of twenty-four intertwined strands of tiny glass beads, the beads mostly blues and reds. The beads were similar to what we call “Indian beads” but finer, smaller and deeply colorful. She told me they were very special beads, endemic to Venice, and that she was only telling me this so that I’d know they were special. The necklace had a gold clasp. She also gave me a delicate chain bracelet with black oblong beads because she’d noticed I tended to wear dainty jewelry.

I slid my suitcase nearer, quickly dug out my little jewelry bag and produced a necklace for her — round onyx balls encased in silver, hanging from a thick silver chain. The look of joy on her face still makes me happy.

A year or two later, I received an email from Alberto. Virginia was dead. Having survived several bouts with cancer, over a period lasting more than a decade, she’d finally succumbed.

It took me many years to start wearing that necklace. Now it is one of my favorite things. I think of her when I put it on, and the bone broth she made, and how she helped me become well.

Suzanne Stroot cut her travel teeth watching thousands of childhood miles stream by the backseat window of a Plymouth station wagon. Though she likes the vantage point of traveling as an adult far more, she wouldn’t trade those early experiences for anything. Suzanne is now a writer based in Northern California.

[Photos: Flickr | Kent Mercurio; Kiernan Lynam; gnuckx; sirgini; gnuckx]

Agatha Christie’s English Riviera


For one solid week – September 12-18, Torquay celebrated the 120th anniversary of Agatha Christie’s birth. As a lifelong Christie fan, I was looking forward to every minute of the promised “murder, mystery and mayhem,” which all turned out to be the kind of innocent fun of a bygone time.

In this quiet, almost pastoral part of England, there are many remnants of years past, as well as reminders that the world’s best-selling novelist is also the best-loved daughter of the English Riviera.

The anniversary festival opened with an old-fashioned fete, featuring costumed stall-holders, a jazz band belting out period music and the Agatha Christie Dancers, who did the Charleston with energy and style. Actor Martin Gaisford as Hercule Poirot, Christie’s most famous detective, mingled with the crowds, posing for pictures and answering questions from fans. Though David Suchet has been the “official” film Poirot for 19 years, Gaisford is a convincing lookalike, with a formidable mustache that is just as Christie described it in the Belgian detective’s debut novel, “The Mysterious Affair in Styles.”

Christie’s grandson, Mathew Pritchard also appeared at the fete, telling stories about his celebrated grandmother-and assuring fans that Agatha Christie, with millions of books in print, along with DVDs, comics, games and downloadable products, is still a star in this digital age. (Pritchard recently signed a 10-year deal with publisher Harper Collins for worldwide distribution of Christie’s books.)

Also making an appearance at the fete were the two Chinese winners of an Agatha Christie competition, along with several Chinese journalists. The prize was a trip to the festival, personally escorted by Matthew Pritchard.

A 23-year-old member of the group who identified himself as “James,” told me the first film he had ever seen after China opened up to Western culture was “Death on the Nile.” The second was “Evil Under the Sun.” After that he went on to read Chrisite’s books. “I was just amazed by Agatha Christie,” he said, “she writes a good story, with simple language, good dialogue and good puzzles.” He went on to predict that Christie’s fan base “will be great in China.”

My Christie pilgrimage included a remarkably fresh performance of “Witness for the Prosecution” by the Agatha Christie Theatre Company and a visit to the Agatha Christie Gallery of the Torquay Museum, where I discovered a long list of actors who had played Poirot, starting with Charles Laughton’s 1928 West End performance. (My least favorite was Albert Finney, who turned in a near-cartoonish performance in the 1974 Hollywood version of “Murder on the Orient Express.”)

The museum is part of the Agatha Christie Mile, a meandering route that traces landmarks in the life of the Queen of Crime: the Princess Pier, where she roller-skated, Beacon Cove, where she swam (and once nearly drowned) and 800-year-old Torre Abbey, where head gardener Ali Marshall has created a year-round garden of all the poisonous plants used by Christie in her 80 novels.

Dame Agatha had pharmaceutical training as a young woman, so poison was her preferred murder weapon, and she famously wrote: “Poison has a certain appeal…it has not the crudeness of the revolver or the blunt instrument.” Ali Marshall shares Christie’s enthusiasm for poisons found in nature, and her own guide to the plants is prominently displayed in the garden. I learned that cyanide is found in peach kernels and that hyoscyamine (or henbane) is not an easy plant to find-Marshall sourced hers from witchcraft sites.

A highlight of my visit to the English Riviera was the tour of Greenway, the 400-year old holiday home Christie purchased in 1938 for £6,000. To reach the house, which is located on the River Dart, I took the vintage Greenway bus (reservations necessary); the house is also accessible by ferry and by car (advance parking reservations necessary).

Greenway was gifted to the National Trust by Christie’s family, and after a £5.4 million restoration, it was opened to the public in 2009. Stuffed as it is with weird and wacky and wonderful things, the Georgian house is warm and welcoming and very much alive, as if Dame Agatha herself might still be in residence.

A pile of gardening hats belong to her son-in-law rests on a table in the entrance hall, along with a (really) vintage mobile phone that looks as if it weighs 10 pounds. Her personal collections: papier mache, pottery, ceramics, pictures, books and more, fill the rooms, which are light and airy, creating a 1930s setting with a modern (1950s) overlay of amenities. In each room are scrapbooks filled with Christie’s writings, records of parties and entertainments, dinner menus, as well as the sweet trivia that filled the days at Greenway, which she described as “the loveliest place in the world.”

Dame Agatha’s presence is felt throughout the home, especially when a recording of her voice is played, in which she talks about her career in a matter-of-fact way, saying she made notes on plots as they occurred to her-but then had to find time to do the writing.

Near the end of my tour, I had lunch in Christie’s own kitchen, dining on chicken that was cooked in a vintage Aga, followed by a luscious bread pudding. (Lunch is priced at a modest £15 for two courses.)

Before leaving Greenway, I checked out the section of the house that had been turned into a five-bedroom rental apartment that sleeps 10 (rent is about £2700 a week in high season, much less in winter). The furniture here is from the Christie collection and the kitchen is pure 1950s, making this a dream spot for fans who are also lovers of all things retro.

The most elegant event of the week was the September 15 birthday party held at the Grand Hotel, where Christie honeymooned with first husband Archie. Actress Jane Asher, known also as a celebrity baker, created the recipe for the “Delicious Death” cake from ingredients mentioned in “Appointment with Death.”

The guest of honor at the gala was Julia McKenzie, the newest Miss Marple. McKenzie greeted guests, posed for pictures and spoke of her trepidation at being given an iconic role, particularly after the late Joan Hickson established herself as the one-and-only Miss Marple. “But,” she says, “I like to play the story line, rather than over-thinking it,” depicting Miss Marple as “a person you’d like as a friend, someone you’d trust.”

And then, with a twinkle in her eye and a hint of mischief in her smile, she asks: “But would you invite her anywhere? There’s always a murder wherever she happens to be.”

The party ended with a bang, but there were no murders, just an eye-popping display of fireworks on the beach below the hotel.

638 Iraqi relics found in closet

The Iraqi National Museum found 638 artifacts that had been missing for two years. Once returned by the U.S. government, the relics were turned over to the office of the prime minster in Iraq, which is where they were found, according to an announcement over the weekend. They were in a closet in the prime minister’s office.

Following the removal of Saddam Hussein in 2003, approximately 15,000 relics fell victim to looting.

According to Qahtan al-Jibouri, the minister of tourism and antiquities for Iraq, “We found these artifacts in one of the storerooms of the prime minister’s office along with some kitchen appliances.”

[photo by Brian Sayler via Flickr]

The death of paganism: how the Roman Empire converted to Christianity


In the year 300 AD, Christianity was a minority religion in the Roman Empire, practiced by perhaps ten percent of the population. In good years it was discriminated against; in bad years it was persecuted. By 400 AD, a century later, it had become the official religion practiced by pretty much everyone. Evidence of this remarkable transformation can still be seen in Rome’s monuments.

Teachers in Sunday schools like to tell a story about how it happened.

In the year 312 there ruled a Roman Emperor named Maxentius who had taken power illegally. He hated Christians and persecuted them. The proper heir to the throne, Constantine, marched on Rome to save the Empire. Before the two forces met in battle, Constantine saw a vision of a cross in the sky and the words “Conquer under this”. Constantine and his army converted to Christianity and painted the cross on their shields. The next day they defeated the pagans and brought Christianity to Rome.

This story is almost entirely wrong, yet it has resonated down the centuries through books, paintings, and films to become part of the Christian legend.

The truth is more complex. Maxentius and Constantine were both sons of emperors and thus equally legitimate. Maxentius did not persecute Christians, and the story of Constantine seeing a cross in the sky doesn’t appear in the texts until years after the battle. Constantine did defeat Maxentius and marched into Rome in triumph, bearing his rival’s severed head as a trophy. After the usual celebrations and gladiator spectacles, he built the Arch of Constantine, which has no Christian symbolism but does depict sacrifices to four pagan gods. In later years he built a number of grandiose churches, including the original St. Peter’s, but didn’t get baptized until his deathbed. Paganism remained legal throughout his reign.

Constantine gave one great boon to the Christians–he legalized their religion. From then on it rapidly gained more followers and began edging out the pagan cults. Soon it was the pagans being persecuted. Rioting monks trashed temples and killed pagan philosophers like Hypatia. In 382 the Altar of Victory was removed from its centuries-old home in the Senate. In 391 paganism was outlawed and temples shut all over the Empire. The old cults hung on for a few generations in rural areas, but Christianity was now the dominant power.

Traces of this incredible transformation are visible in Rome. At the Basilica di San Clemente a 12th century church is built atop a much earlier church. This earlier building was the home of a Roman noble, a secret Christian who invited fellow Christians into his home to worship, a common practice in the days when Christianity was illegal. Underneath his home lies a subterranean temple to the pagan god Mithras.

Entering the medieval church you see the usual grandiose paintings and sculptures. The real interest comes when you descend the stairs into the dank, dark cellar. There you can see the original church much as it was. Descend further and you get back to the days of the pagan Roman Empire. Three rooms survive. One may have been a mint. Another, with a few paintings surviving, was a training room for acolytes in the Mithraic faith. The third is the temple, or mithraeum, for Mithras himself.

%Gallery-102749%Mithras was Christianity’s main rival. As a mystery religion with its deepest teachings revealed only to the initiated, we don’t know much about its inner workings. What we do know shows many similarities between Mithraism and Christianity, such as the belief that Mithras was born on December 25 to a virgin, and died and was resurrected in order to save mankind. The similarities were so numerous that early Christian writers said that the older religion was invented by the Devil as a cheap imitation of Christianity before Jesus was even born!

The mithraeum is a long, rectangular room with benches to either side. Members would sit on these benches and share a communal meal that included bread and wine. At the end of the room stood a plaque showing Mithras in a little-understood ritual of killing a bull. Mithraism was popular, but didn’t have the widespread appeal of Christianity. First off, only men were allowed into the cult. Also, most of the teachings were secret, and while that had a certain mystique, it also turned off many who didn’t want to go through a long period of study and initiation. Despite this more than a dozen mithraea survive in Rome and there were probably hundreds during its heyday.

The transition from pagan to Christian isn’t always as obvious as in San Clemente. Sometimes you can see it in the art, such as the image above, a 4th century mosaic from Santa Pudenziana. Here Christ sits enthroned in a pose identical to many statues of the pagan god Jupiter. Saints Peter and Paul sit to either side dressed as Roman senators. The early Christians saw nothing wrong with this. They wanted to win the hearts and minds of the people, and a bit of reworked pagan symbolism was a good way to do that.

At times the Christians reused old buildings or parts of old buildings. San Maria Maggiore, a third century basilica, was originally a secular building before being converted into a house of worship. This is one of the most stunning churches in Rome, with fifth-century mosaics showing Biblical scenes and a ceiling gilded during the Renaissance with the first gold brought back from the New World. So many Roman sites are only foundations with perhaps a few columns standing, but here you can actually stand inside a Roman building.

Christianity would have never caught on so quickly if it didn’t have the Empire’s infrastructure to spread its message. These were the days when trying to cross a border could easily get you killed, and the Empire provided a large, secure area in which to move about. The Catholic Church understood their debt to Rome and wanted to take on its aura of glory and power. Rome went became the capital of the new faith and its art and architecture was incorporated into churches worldwide. The Church was still trying take on a bit of the old Roman magic as late as the 17th century, when the Pope ordered the giant bronze doors from the old Roman Senate installed in the entrance to St. John Lateran.

The name Roman Catholic Church is no accident.

Don’t miss the rest of my Vacation with the Dead: exploring Rome’s sinister side.

Coming up next: Saints’ relics in Rome!