10 Offbeat Things To Do In Chicago

If you’ve never been to Chicago, or you’ve only visited during the winter, which tends to last roughly from early fall through late spring, you have to see the place in the summer. As soon as the weather gets warm, the city’s residents flock to the lakefront and the place buzzes with live music, street festivals and places to dine al fresco.

The typical tourist itinerary includes stops at the Art Institute, Navy Pier, a boat ride on the lake or the river, Wrigley Field, the Magnificent Mile, and the Willis (Sears) Tower, among other places. If you’ve already been to these places, or you’d rather dig deeper and go further off the beaten track, here are ten more under the radar things to do in America’s Second City.

10. Jam Sessions at the Old Town School of Folk Music
Chicago is loaded with great places to hear live music but I have a soft spot for the city’s free jam sessions and this place is one of my favorites. They have two locations – one in Lincoln Park and one in Lincoln Square – that host live shows and classes. The Lincoln Square location has jams on Wednesdays from 12 – 2 p.m. and Thursdays from 7 – 10:30 p.m. and the Lincoln Park location hosts jams on Saturdays from 12 – 1 p.m. You never know who’s going to show up but it’s a great place to listen to live music and to meet locals. (Or if Bluegrass is your thing, head to the Montrose Saloon on the second Wednesday of each month for their open jam.)


9. St. John Cantius Church

Chicago has plenty of atmospheric old churches but I’m partial to this baroque beauty in the city’s hip Bucktown neighborhood. The church was built around the turn of the 20th Century by Polish immigrants and it has some incredibly beautiful stained glass. And if you love to visit historic churches, get on 90/94 West a couple miles north to check out the Our Lady of Sorrows Basilica, another turn of the century beauty which still hosts masses in Polish on Sunday mornings.




8. National Museum of Mexican Art

I dig this museum, located in the city’s Pilsen neighborhood, because the works of art tend to be colorful and accessible rather than abstract. It’s free and they have a terrific gift shop that is filled with great gifts that are handmade in Mexico, including loads of Day of the Dead themed items.

7. Bookman’s Corner

My wife refuses to step foot in this fire hazard of a bookshop but I’m addicted to the place. John Chandler, who has been selling used books “rare, medium and well done” at this Lakeview shop since 1984, is a character. It’s worth a trip to this place just to listen to him shoot the breeze with some of his regulars who stop in to buy and sell books on Saturdays. There are books everywhere, so watch where you step. I’ve had books come crashing down on my head here and if you pull something out of a big stack, the whole pile might come crashing down on you like an avalanche. But I always leave with something unexpected and the prices are unbeatable. Just don’t ask John if he has a specific book because trust me, he’s not sure.

6. Traditional Irish Music Sessions

I spent a summer in Galway in college and have been hooked on traditional Irish music ever since. Chicago is a great place to take in a free Sunday “session” where you’ll hear some great music and meet plenty of colorful Guinness quaffing locals as well as visitors and expats from Ireland and Scotland. My favorite Sunday sessions are at Tommy Nevin’s Pub in Evanston, a great little town just north of the city (3-6 p.m.), the Abbey Pub (4 p.m.), the Grafton (5-8 p.m.) and the Galway Arms (8 p.m.) (If you prefer classical music, try the free weekend concerts at the Julius Meinl Cafe on Southport.)

5. Neighborhood Beaches

On a sunny day, you can’t go wrong with any of Chicago’s beaches, but the Ohio Street and North Avenue beaches can be ridiculously crowded on warm summer weekends, so head further north along the bike path to carve out a little more space in the sand. If you’re a dog owner or a dog lover, you’ve got to check out the Montrose Dog Beach; if you’re looking for a gay beach, Kathy Osterman Beach is a good call; and if you want a beach with plenty of sports and recreation opportunities, check out Foster Avenue Beach. If you just want to photograph the city skyline, go south of the city to Promontory Point in Hyde Park. I like to cap off a summer day at the beach with dinner or drinks on the rooftop deck at Pegasus in Greektown, which has great food and views of the skyline.

4. The Money Museum at the Federal Reserve Bank

Inside Chicago’s Federal Reserve Bank you’ll find this interesting little museum, where you can see and have your picture taken with old and rare coins and bills, including $5,000 and $10,000 bills. They have a free 45 minute guided tour at 1 p.m., Monday-Friday and on your way out you can pick up a bag of “Fed Shreds,” which is $300 worth of shredded, uncirculated money. (Good luck trying to piece your bag of money back together again.)

3. A Taste of Arabia in Albany Park

Take the Brown Line train up to Kedzie to get a flavor of this fascinating neighborhood, which has some of the best Middle Eastern restaurants in the city. I love walking on Kedzie between Montrose and Lawrence to check out the Arab shops, bakeries and restaurants. My favorite places to eat on this strip are Al Khyam (Lebanese),Noon O Kabab (Persian), and Salam (hole-in-the-wall pan Arab). For after dinner sweets try Jaafer Sweets.

2. Richard H. Dreihaus Museum

A visit to Chicago’s old Nickerson Mansion will transport you back to the Gilded Age. I took a tour of the place with my family in March and was floored by the ornate stained glass, the Moorish inspired décor and all of the amazing period furniture. There is no better place to get a feel for how the city’s elite lived at the turn of the 20th Century.

1. Devon Avenue

You don’t have to leave the Midwest to travel to the Indian subcontinent. Just make your way to Devon Avenue near Western and you’ll be in a place where saris, turbans, and shalwar kameezes are the order of the day. This is often referred to as an Indian neighborhood but it’s both Indian and Pakistani. You’ll find Gandhi Electronics right across the street from an Islamic Finance Bank and both communities- Hindu and Muslim- seem to coexist nicely here.

Most visitors come here to eat. My favorite restaurants are Annapurna – a hole-in-the-wall spot which has a $3.49 lunch special – Hema’s Kitchen, which has a killer vindaloo, and Urban India, which has the best garlic naan in the city. While in this hood, I also like to walk down to the Georgian Bakery, which has great bread and Georgian specialties like khachapuri (a cheese pastry) and khin-kali (meat dumplings).

I also like to pop into the sari shops, the Indian video stores, the House of 220 Volt Appliances, which has suitcases big enough to store baby elephants, and the food shops, were you’ll find some treats that might make Andrew Zimmern blush. On Michigan Avenue, you’ll be tripping over other tourists, but on Devon Avenue, you’ll be tripping over 50 pound sacks of basmati rice and flowing saris. The choice is yours.

[Photo credits: Dave Seminara, Viewminder, Clint McMahon, and Swanksalot on Flickr]

George Orwell’s Birthplace To Become Monument To Gandhi

George Orwell’s birthplace in Motihari, Bihar, India, is being turned into a monument and park, but not to the famous English writer. Instead, Art Daily reports, the new park will be dedicated to independence leader Mahatma Gandhi.

The ramshackle bungalow where Orwell was born in 1903 has long been the subject of discussion as to what to do with it. The local government said it would fix up the place in 2009 but nothing was done. A statue of George Orwell on the grounds has been damaged.

The move has drawn criticism from many Indians. The Hindustan Times reports that locals want the park dedicated to Orwell, saying it will draw foreign tourists to the area. Bihar is the poorest or second poorest state in India depending on what statistics you focus on.

Orwell, an outspoken socialist, frequently criticized the colonial system of which he was a part. His father was serving in the Indian Civil Service when he was born and Orwell himself served as a policeman in Burma. He later expressed his ambivalence towards British rule in Asia in essays such as “Shooting an Elephant” and the novel “Burmese Days.”

He also had mixed feelings towards Gandhi. He opens his essay “Reflections on Gandhi” with the line, “Saints should always be judged guilty until they are proved innocent. . .” and went on to say Gandhi was ascetic to a fault and that “his medievalist program was obviously not viable in a backward, starving, over-populated country.” On the other hand, Orwell praises his integrity and courage. For a deep thinker like Orwell, there were no easy answers, no quick labels.

What do you think should be done with Orwell’s birthplace? Take the poll!

[Photo courtesy National Union of Journalists]

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VIDEO: Jerusalem In 1896


Jerusalem is one of those cities that clings to you long after you leave it. The mix of faiths, the musky scents of the markets, the muezzin’s call … once you’ve been there you can’t forget it.

It’s prominent in the imaginations of many who haven’t even been there, so it’s no surprise it was one of the first travel destinations filmed in the first years of motion pictures. In 1896, a crew from the studio of Auguste and Louis Lumière headed to Jerusalem, then part of the Ottoman Empire, to film its sights and people in what might be the very first foreign travel film.

Like all films in those days it was silent – the narration in this video was added decades later – but much of the spirit of Jerusalem shines through.

The Lumière brothers of France were pioneers in motion pictures. Their American rival was Thomas Edison, who was soon making his own travel pictures. He convinced transportation companies to give his film crews free rides to far-flung places such as the American West, China and Japan. Edison was not only an engineering genius; he was a master of marketing and saw films as a good way to get some press trips.

On The Road With NPR Music: Gwen Thompkins At WWNO, New Orleans, Louisiana

We love music here at Gadling, and this month is Public Radio Music Month, which is why we’re teaming up with NPR to bring you exclusive interviews from NPR music specialists around the country. We’ll be learning about local music culture and up and coming new regional artists, so be sure to follow along all month.

Today we’re headed to the birthplace of jazz: New Orleans. But New Orleans offers a whole lot more than jazz, and the local scene is one that’s well known outside of Louisiana. Thanks to local music host Gwen Thompkins we get the insider scoop on the music of this exciting city, from singer-songwriters to high school brass bands.

Name: Gwen Thompkins

Member station: WWNO, New Orleans

Regular Show/Contribution Beat: Host, Music Inside Out with Gwen Thompkins. NPR contributor.

When people think of music in New Orleans, what do they think of?

When people think of New Orleans, they think of music and vice versa. The city and its music are synonymous – traditional jazz, modern jazz, bounce, blues, R&B, brass bands, gospel, boogie woogie, swamp pop, hip hop, funk, cabaret. If your tastes run to opera, New Orleans has that too. In fact, the first opera house in North America was built right here in the French Quarter, which back then wasn’t just a neighborhood. It was New Orleans. Jelly Roll Morton talked about what he heard and saw at the opera house all the time. But what most people forget is that the legendary Boswell Sisters also grew up in New Orleans. In the 1920s and 1930s, their vocal jazz harmonies dominated the national charts and sold tens of millions of records. Ella Fitzgerald credited Connee Boswell as the only singer she ever tried to emulate.

New Orleans later topped the national charts with early rhythm and blues. Nearly everything Fats Domino touched turned to gold. But there’s no use skipping over Shirley and Lee of “Let the Good Times Roll,” or Ruth “Mama, He Treats Your Daughter Mean” Brown or Lee “Working in a Coal Mine” Dorsey. And the whole nation heard about Ernie K-Doe’s “Mother-in-Law.”

These homegrown songs and many, many others are still part of our daily lives in New Orleans. We hear them every day on radio and at a growing number of music festivals around town.

More often than not, today’s visitors to New Orleans want to fit into the groove right along with us. So they’re looking to absorb the whole musical experience – from trumpeter Buddy Bolden to the Meters, from Mahalia Jackson to Mystikal and from Louis Prima to Trombone Shorty to L’il Wayne. They also want to know about the great producers – Allen Toussaint, Dave Bartholomew, Wardell Quezergue and Cosimo Matassa – who helped shape, shift and funkify modern American music. And they want to hear from some of our piano royalty – Professor Longhair, James Booker, Dr. John, Huey Smith, Ellis Marsalis, Harry Connick, Jr., David Torkanowsky, Jon Cleary.

And then there’s Louis Armstrong. He’s the immortal one, the reason we all want to be from New Orleans.

How do you help curate that musical scene?

I look to my left and I look to my right and chances are – wherever I am in New Orleans – there’s someone or something great nearby. Just a few doors down from my house lives Lionel Ferbos who, at 101, is the oldest performing jazz musician in town. I see soul queen Irma Thomas at the dry cleaners and Dr. John at the grocery store. Talent is ubiquitous down here, which makes us a little spoiled. So I’m creating an archive of hour-long discussions with some of the most seminal artists of our time. We talk about the experiences and influences that helped create their sound and, by extension, music that is treasured around the world. We broadcast the interviews each week on radio and allow folks to stream them on the web.

How has the New Orleans scene evolved over the past few decades?

We’ve said goodbye to way too many wonderful artists in recent decades. Some, like James “Sugar Boy” Crawford or “Uncle” Lionel Batiste, died. Others, like the great pianist Henry Butler, moved away because they had to start over again after Hurricane Katrina. But those who can come back eventually do.

Since the 1950s, New Orleans has had its share of traditional jazz revivals and currently traditional jazz is in full bloom, with a crowd of established and up and coming artists. Try visiting Preservation Hall or the Palm Court Cafe or walking Frenchman Street in the Marigny (neighborhood). There’s nothing like seeing kids with dreadlocks and tattoos slow dancing to an old classic like, “Careless Love.”

That said, bounce has grabbed a lot of music lovers by the ears. Big Freedia and Katie Red are the divas to beat and when they team up with funksters like Galactic, they’re unstoppable.

Brass bands have gotten funkier too, which has set off an aesthetic debate down here about the meaning of tradition. What a trumpeter like Shamarr Allen teaches young brass band players is a world apart from what a drummer like Shannon Powell learned from the celebrated jazz greats of Treme.

What would you say is the most unique thing about the New Orleans music scene?

New Orleans has open arms. There’s room in the city for homegrown talent and for musicians who were born far, far away. It’s rare to find a place in the world where so many different people can play so many disparate styles and still feel at home artistically.

What are three new up and coming bands on the local scene right now and what makes them distinct?

The first lesson a music lover learns here is, “Ain’t nothing new.”

But if you’re coming to New Orleans don’t miss:

Alex McMurray: one of the finest songwriters working today in New Orleans or anyplace else. McMurray was born in New Jersey, came down here for college, took in a Neville Brothers/Marva Wright show at Tipitina’s and decided he was home. His songs are fully realized narratives about protagonists who drift through blues melodies, ditties, lounge music or flat out rock ‘n roll. McMurray writes about old boxers and sea faring lads, barflies, soldiers, at least one courtesan and a nutty guy named, “Otis.” Through a strange set of circumstances involving Disney and Japan, McMurray also knows an unusual number of sea shanties by heart. Filthy? Yes. But they’re awfully fun. He plays solo and with a band called the Tin Men. Check out: “The Get Go” “Me and My Bad Luck,” “It’s Not the Years, It’s the Miles,” “As Long as You Let Me.”

Hurray for the Riff Raff: Great singer-songwriters, not afraid of a guitar and a violin and a yodel or two. Alynda Lee Segarra, originally of the Bronx, New York, writes most of the songs. The melodies are mostly folk rock, but take on a Cajun quality at times. Hurray for the Riff Raff has been reported to admire The Band, which makes them A-OK by me. Check out: “Look Out Mama,” “Junebug Waltz,” “Little Black Star.”

KIPP McDonough 15 Middle School Brass Band. Director: Kelvin Harrison, Sr.: One of the many young brass bands coming out of the schools of New Orleans. Others include: O. Perry Walker High School Brass Band and Joseph S. Clark Prep Brass Band. Each school won a top prize at the 2013 Class Got Brass competition held by the New Orleans Jazz and Heritage Foundation. This is how the city’s second line tradition is reaching the stars of tomorrow.

Each year, the foundation uses some of the money earned at the city’s annual jazz and heritage festival to help continue local music traditions. The bands win prize money to buy and maintain their instruments. If you wanna know who’s gonna be the next Trombone Shorty, Shamarr Allen or Dr. Michael White, start seeking out these and other young brass bands.

For a Gadling playlist, what are your favorite tracks?

“We Made it Through That Water” – Free Agents Brass Band

“Heart of Steel” – Galactic featuring Irma Thomas

“Blessed Quietness” – Zion Harmonizers & Olympia Brass Band

“Petite Fleur” – Dr. Michael White

“Tou’ Les Jours C’est Pas La Meme – Carol Fran

“Careless Love –Don Vappie

“Atrapado” – Tom McDermott

“How Come My Dog Don’t Bark (When You Come Around)” – Dr. John

“Cry to Me” – Professor Longhair

“Tipitina and Me” – Allen Toussaint

Listen to the complete playlist on Spotify.

China To Demolish Ancient Temple To Bolster World Heritage Site Bid

Chinese officials have announced a controversial plan to demolish a number of buildings at an ancient Buddhist temple located in the city of Xi’an in the province of Shaanxi. This drastic move is intended to improve the site’s possibilities for being designated a World Heritage Site, even as the inhabitants of the temple express their displeasure over the idea.

The 1300-year-old Xingjiao Temple is well known for housing the remains of a monk by the name of Xuanzang. He is credited with bringing the earliest Buddhist texts from India to China and introducing the Buddhist philosophy there. Xuanzang and his friend the Monkey King are also the main characters in the classic Chinese fable “Journey to the West,” which is one of the best know stories in all of Asian culture.

Because of his role in that tale, and in helping to bring Buddhism to China, local officials are hoping to get the temple named to the World Heritage list – a designation that generally translates to more money in the local economy. In an effort to improve their chances of earning that distinction provincial authorities have made the decision to dismantle roughly two-thirds of the buildings on the temple grounds. Most of those buildings are newer than the main compound and the feeling is that their removal will open the space to make it appear like a more natural setting.When it was first announced that the site would be nominated for World Heritage status, the monks that live in the temple were supportive of the idea. But when they were told about the demolition of the buildings, which include a dining hall and several dormitories, they withdrew their support and filed a protest. Their feeling is that the destruction of the buildings would disrupt their daily lives and diminish the temple as a whole. They also note that even with the removal of those buildings, the site may still not be accepted into the World Heritage program, which means they structures would have been eliminated for nothing.

Officials from Shaanxi have ignored those protests, however, and are preparing to move ahead as planned. They want to relocate the monks to another site and begin the demolition of the buildings by June 30 so they can proceed with the World Heritage application process.

While it isn’t exactly a new thing to exploit ancient sites for economic gain, it is sad when those sites are altered dramatically in this way. If the plan moves ahead, and the buildings are destroyed, I certainly hope that the site at least gets added to the World Heritage list. If not, this story will be even more tragic than it already is.

[Photo Credit: China.org.cn]