Bowermaster’s Adventures — Tourism’s impact on the Galapagos

It would be wrong on its face to say that tourism is the biggest problem facing the Galapagos today. Simultaneously, it is accurate to say that the growth in tourism in the one-of-a-kind archipelago is the primary reason the islands are “in danger.” Those are not my words, but UNESCO’s, in 2007 … the same year Ecuador’s new president claimed the islands were at “great risk” and signed a decree making their protection a national priority. You get the sense that just defining the exact problem facing the Galapagos, for both locals and outsiders, is tricky.

With ninety seven percent of the islands off-limits and under national park protection – small, guided tours limited to 60 designated sites – the system that introduces tourists to the nineteen Galapagos islands has long been regarded a model of eco-tourism. But the success of that model is what puts them at such risk today: In 1991 there were 41,000 visitors, this year there will be close to 200,000; during that same period human population has risen from a few thousand to 40,000. Those are a lot of combined footsteps – as well as ship and plane traffic — for such a fragile eco-system (the so-called “Mona Lisa of biodiversity”).

The sudden arrival of so many people from so many parts of the world introduces parasites which threaten both flora and fauna; permanent residents arrive desirous of re-creating their mainland lifestyles, including cars, dogs and cats, and air conditioning; tour operators are pushing to expand their offerings to include sport fishing and skydiving. The Ecuadorian government has tried, with limited success, to limit migration and is considering raising the national park fee paid by every tourist from $100 to $135, an attempt to slow the numbers.

Jack Nelson is one of the Galapagos’ most-veteran tour operators, coming to the islands to live permanently in 1967. Like others like him in different settings around the world who have watched their own personal paradises become overly popular, he is alarmed. “To a tourist, things look good. You still see a lot of animals, and not many other people,” he says. “But get outside those controlled (national park) parameters, and you’ll find a big mess nobody can figure out what to do about.”

While we were filming in and around the islands we met longtime Galapagos guide Sylvia Vargas on a few occasions. A native Ecuadorian, she’s been coming here for more than twenty years and has lived in Puerto Ayora off and on since first visiting as a teenager. She feels both blessed to be working in such an incredible place and worried that tourism and migration may be taking too big a toll.

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“Personally, I think tourism should be capped for the moment. Higher entry fees haven’t worked to slow the growth. One tour operator I work for recently told me that the people who are coming to the Galapagos today are coming with a different idea about the place – they don’t ask as much anymore about wildlife, their first questions are about the comfort of the ship. They want more air-conditioning, more service, nicer cabins, a massage, a more comfortable mattress and expect a lot of chemicals on board to keep things clean and tidy … all of which have a direct impact on the Galapagos. More energy used, more garbage created, more pollution.

“I came first in 1984 when there were two thousand people living in town and two cars. I knew everyone on the street and was offered food by friends every day. The electricity on the island used to shut down at night. Now there are twenty times as many people and two hundred times as many cars. And we have electricity twenty-four hours a day. I miss the peacefulness of back then.

“But I have talked with people who work as guides in other places and they always say that we Galapagos guides are spoiled because we see such incredible wildlife every day. I guess they are right. But for me the most popular sites are too crowded, sometimes there are so many people I feel … embarrassed.

“My biggest worry is that more people living here means more demand for everything. I don’t see people thinking about having a different lifestyle than what they have on the mainland. They will tell you they came to the Galapagos to live in a peaceful place, but they expect to have exactly the same things that they had on the mainland. Why would you have a pet dog or cat here? Why would you have a car if you live in town? Why would you build a new house with air conditioning, when electricity is so hard to create? At Christmas on the mainland we decorate our houses with lots of outdoors lights and now they do the same thing here even though the power comes from a gas generator and the gas comes from far away.”

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Exploring the Mekong River

Some of the most amazing adventure destinations center around the great rivers of the world. Whether it’s rafting the Rio Grande, kayaking the Congo, or simply taking a leisurely cruise down the Nile, we seem to have a fascination with these waterways that have played an important role in human development. One of those rivers is the Mekong, which stretches for more than 2700 miles as it meanders through Laos, Thailand, China, Cambodia, Vietnam, and Myanmar.

In Laos, the Mekong is known as the “Mother River” and it plays an important role in that country’s culture and lore. Travel writer Kate Quill discovered this for herself recently when she made her own Mekong journey, sharing the details with us in this article from the London Times. Kate spent a week on the river back in October, and describes a tropical landscape filled with dense jungles and rocky peaks.

On her journey up the Mekong, Quill stopped at a remote village that gave her a sense of what life is like for those that depend on the river for their daily needs. Villages like the one she visited remain largely untouched by the outside world, lacking nearly all modern conveniences. She also notes that the Laos’ lack of public health care is also evident when interacting with the villagers.

I’ve been fortunate enough to visit the four longest rivers in the world, spending time on the Nile, Amazon, Yangtze, and Mississippi. Each offered their own unique experiences and glimpses into the cultures of the countries that they flow through. The Mekong seems like it continues this tradition, and offers adventure travelers another destination to add to their list of must see places.

November is the month for arts in Madrid

Two major festivals in Madrid this month are enough to keep any culture lover happy.

The first and biggest is the Festival de Otoño, an annual extravaganza of theater, dance, music, and even a trio of circuses. The plays are all in Spanish, but dance and music are universal languages so you can still enjoy this festival even if you don’t speak the the local lingo. The styles lean towards the modern and experimental, like the theater/dance fusion of the Belgian production Isabella’s Room about an old blind antiquities collector recounting a life lived through the highs and lows of the Twentieth century, or the multinational collaboration of Whale Watching Tour that fuses avant-garde experimental and folk music. One show to watch out for is The New Vietnamese Circus, which will portray life in a traditional village through juggling, acrobatics, martial arts, and music.

Another cultural highlight this month is the XXVI Festival de Jazz de Madrid. Jazz in Madrid? Yep, while it’s not as famous as Chicago or New Orleans, jazz is big here and there are a lot of cool venues that will be pulling out all the stops for this, the biggest annual jazz festival in Spain. There will be dozens of concerts at clubs around the city featuring artists playing all styles of jazz.

The Festival de Otoño runs from November 4-29. The XXVI Festival de Jazz de Madrid runs November 4-28.

Museum Junkie: Oxford’s Ashmolean reopens today

The long wait is finally over for the grand reopening of Oxford’s Ashmolean Museum of Art and Archaeology.

After being partially or completely closed for the past three years, the museum’s vast collection is finally open to the public again, with twice the exhibition space it once had.

The Ashmolean is the oldest public museum in the world, having opened in 1683, and while there have been a lot of changes over the years, none have been as big as this £61 million ($101 million) project. The expansion includes four temporary exhibition galleries so the Ashmolean can host blockbuster traveling shows, something it couldn’t do with its previous space.

The permanent collection has gone through some major changes too. More of it is on display now, of course, but also the style of the displays has been revamped with the new idea of Crossing Cultures Crossing Time, which allows visitors to see how civilizations developed as parts of an interrelated world culture. This is an an improvement over the old-style way of displaying civilizations as separate entities when in reality they influenced one another on many levels. It also echoes the global perspective that Oxford’s other world-class museum, the Pitt-Rivers, brings to its own collection.

The museum is best known for its collections of Anglo-Saxon, predynastic Egyptian, Asian, and Renaissance art and artifacts, but has a good sampling of treasures from just about every period and culture, everything from crocodile mummies to medieval beer mugs. Museum junkies will not want to miss the new Ashmolean.

If the pictures in the gallery below aren’t enough for you, check out this collection of photos by yours truly and Mrs. yours truly.

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Gadlinks for Friday 11.6.09

I don’t know about you guys, but I’m really grateful it’s Friday! I need the weekend to decompress, but these great reads have already helped me on my way.

‘Til Monday, have a great weekend!

More Gadlinks HERE.