Holidays to make you feel smart: summer courses at Oxford

If you’re like me, you went to a state university. The education may have been good, but your student union looked like a shopping mall and your dorm resembled a Soviet prison. Here’s a chance to relive the youth you never had by studying at one of the world’s greatest and most beautiful universities.

Recently I checked out out two summer school options at two historic colleges at Oxford University–the Oxford Experience at Christ Church College (pictured here) and the Creative Writing Summer School at Exeter College.

The Oxford Experience is the pricier and cushier of the two. There are a series of one-week courses from July through early August on everything from Darwin to the history of the English language. The small classes (max 12 people) and experienced teachers ensure that you’ll learn a lot. Students live at the college and there’s a real communal atmosphere, with interesting people from around the world. I met several who were on their third or fourth year. Day trips to places such as Bath and Stonehenge mean you’ll have your entire vacation taken care of for you.

Next year’s courses will be as varied as ever, with classes such as The Twilight of the Romanovs, King Alfred and the Vikings, English Romantic Poetry, and the Art of the Illuminator.

The summer school for writers at Exeter College is more like a real university course–three weeks of intensive work with professional writers that can earn you college credit if you’re already attending university somewhere. You have to apply to get in and there’s required coursework. If you’re serious about your writing career, it can also give you the one thing talent can’t–contacts.

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One of the best aspects of this summer school is the series of guest speakers. I attended one on screenwriting by Nicholas McInerny, who writes for The Bill, the UK’s most popular cop show. He had piles of good advice for getting into the business and staying there, and much of it applied just as well to fiction and nonfiction writing. I found myself taking notes. He even offered to help a student meet a TV producer. You won’t get that at a community college course.

Both schools have a lot going for them. You get to stay in college accommodation, surrounded by Gothic spires and lovely gardens. Food is provided by the colleges, but have no fear. This is far better grub than the cafeteria swill they serve at more proletarian universities. Christ Church and Exeter have sumptuous dining halls decorated with ornate stonework and stained glass windows. You also have the advantage of staying in the heart of one of England’s most historic and beautiful cities, with teachers who will point the way to all the best hidden spots.

While prices look steep ($1600 or more per week for Oxford Experience, and about $3500 for three weeks at the writing school) that covers decent accommodation and great food so it’s not much more than getting a hotel or B&B for the same amount of time, and takes a lot less planning.

So if you want to experience high culture and learning at its best, try a smart holiday at Oxford University.

Undiscovered New York: Modern art in Long Island City

It’s no secret New York is downright spoiled by a world-class modern art scene. Art lovers flock to great museums like MoMA, galleries in Chelsea and the famous annual Armory Show. With all this great creativity so close at hand, it’s hard to believe that one of New York’s best neighborhoods for modern art isn’t in Manhattan – it actually lies just across the East River in Long Island City.

Long Island City is a neighborhood on the rebound. Thanks to the nearby Queensboro Bridge, which dumps a steady stream of traffic into the area, this industrial neighborhood was long bypassed by visitors headed toward other points beyond in Manhattan and Long Island. Yet this feeling of a gritty zone time forgot is exactly what attracted the area’s first artists back in the 70’s and 80’s. Slowly, Long Island City began a remarkable transformation, replaced by an influx of artist studios, top-notch museums and monuments to New York’s influential role in street art.

Today, Long Island City is an art lover’s paradise. Ready to check out a less crowded version of Manhattan’s MoMA in Queens and dance at one of the city’s best outdoor dance parties? Or perhaps an outdoor sculpture park with views of the NYC skyline is more your style? It’s time to investigate one of New York’s best (and lesser known) neighborhoods for art. This week Undiscovered New York visits Long Island City. Click below for more.
P.S.1 Contemporary Art Center
Just off the 23rd St – Ely Avenue Subway stop, the first stop from Manhattan, lies P.S.1, one of Long Island City’s best museums and a mecca for up-and-coming artists. First opened in 1976 in a formerly deserted public school building, P.S.1 focuses on the shows of cutting edge art, resulting in an often delightful and eyebrow-raising mixture of works across all types and mediums from sculpture to painting to photography and beyond.

One of the most enjoyable parts of P.S.1 is the museum’s outdoor courtyard, where during the summer it plays host to Warm-Up, a series of outdoor weekend dance parties featuring DJ’s and live music. The backdrop for the party is a colossal ever-changing outdoor sculpture (see left) that is updated each Summer.

Socrates Sculpture Park
Another great reminder of Long Island City’s gritty industrial past is the Socrates Sculpture Park, located along the neighborhood’s East River waterfront. Named in honor of the area’s historically Greek residents, the sculpture park was built on the site of what was once an illegal dumping ground. Today the trash is long gone, having been replaced by large-scale sculptures, outdoor movies and art workshops.

Museum of the Moving Image
Just last week, we told you about New York’s long history with television. But we actually left one great museum out – the Museum of the Moving Image in Long Island City. In addition to galleries of movie and TV equipment, the museum features screenings of landmark movies, and has an extensive collection of costumes, photos and fan magazines. Museum-haters and those with ADD take note: it even has its own video game arcade as part of the exhibitions.

Lady in the House: Chef Anne-Sophie Pic’s Simple Elegance

As someone who has done her fare share of cooking, I have mad respect for anyone undertaking the daily grind of working in a professional kitchen, let alone running one. Yet as a woman, I can’t help but revel just a wee bit more in the achievements of the many female chefs out there who are gaining the culinary respect they so deserve.

Take Chef Anne-Sophie Pic, for example, of the newly opened, Anne-Sophie Pic at the Beau-Rivage Palace at the Lausanne hotel in Switzerland. Not only was she born with plenty of solid cooking genes (she’s the daughter of Chef Jacque Pic and the granddaughter of Chef Andre Pic, who are both award winning culinarians in their own right), she is currently the only female chef in France to earn three Michelin stars.

With a penchant for creating exquisite dishes plucked straight from the water, Pic’s vision is both elegant and understated. Whether you’re going a la carte or savoring a multi-course “Pic Collection”, Chef Pic reinterprets many classic, regional French specialties with her own unique refinement and flair.

Fresh crab and Aquitaine caviar is accented with “flaked crab jelly” while a ubiquitous slab of foie gras is roasted and topped with a black cardamom peach jam. Pic’s grandfather’s recipe for crayfish tail gratin is honored as is her father’s exercise in gastronomic indulgence, sea bass topped with either 20 grams of golden Osetra caviar from Iran or 30 grams of Aquitaine caviar.Seasonal and regional specialties also make frequent appearances, especially as they relate to Pic’s signature seafood dishes. Wild, red mullets are served with smoked Agria (a type of potato) gnocchi’s “cooked in hot embers” while roasted John Dory is accented with a creamy broad bean ravioli and “foamy milk” infused with rum from Martinique.

Desserts, courtesy of award-winning Chef Patissier, Philippe Rigollot, make for a sumptuous ending and boast whimsical titles like “Raspberry and the Mexican Tarragon Flower” consisting of a raspberry/tarragon sorbet topped with crystallized, candied raspberries.

A meal at restaurant Anne-Sophie Pic at the Beau-Rivage Palace doesn’t come cheap (the chef’s seven course tasting menu will set you back roughly $300 per person), yet guests are not only offered exquisite cuisine, they are treated to a refined service at every stage of the meal that is described on the website as having “the lightest touch”.

While pricey dinners might appear to be a thing of the past, especially during an era of lay-offs and foreclosures, I believe a dining experience at the Beau-Rivage is worth saving one’s pennies for, even if it’s simply to support one of the world’s great, female chefs.

–Kendra

Fiestas de la Virgen de la Paloma in Madrid

If you’re in Spain this week, you won’t want to miss the festival for the “Virgin of the Dove”. This takes place every year in the old barrio of La Latina in Madrid and honors an 18th century portrait of the Virgin that was found in the trash one day and captured the barrio’s heart.

I went to one of these a couple of years ago and it’s loads of fun. There’s music, dancing, and lots of limonada, which is sort of like a cross between lemonade and sangria. Tasty, but potent on a hot evening.

The main festival is August 15, when there’s a long procession and a mass in honor of the Virgin. More secular entertainments include dancers, clowns, and fireworks. Since madrileños can’t conceive of a party lasting only a single day, the festival actually lasts August 12-16.

There’s something for everyone at this festival–chess tournaments, storytellers, dancing, kids’ games, and way more into the wee hours. Last year they even had a running of the bulls suitable for the whole family. The bulls were guys in bull costumes, and kids dressed as matadors waved little capes in front of them. It wasn’t all fun and games, though. Local blogger/writer/poet Sue Burke, who took this shot, nearly lost her drink when she got gored. The running of the fake bulls will happen again this Thursday, so hold onto your limonada.

A full schedule of events is here (in Spanish). Check out this website’s main page for more festivals in one of Spain’s most enjoyable cities.

Bowermaster’s Adventures — Fish Mecca

A long line of three-wheeled electric carts steered by oversized circular handlebars, each with an attached four-foot-long wooden bed, whizzes through the narrow aisles of the Tsujiki fish market. Each is steered by a wild-eyed, sometimes smiling, sometimes glaring, Japanese fish monger – one of 60,000+ employees here in the world’s largest fish market – who would just as soon mow you down as avoid you. Balanced precariously on the back of each are a three hundred pound frozen tuna or a tall stack of Styrofoam boxes filled with fish or crushed ice or twenty, three-foot long, just-sawed swordfish steaks.

It’s just after six in the morning and the place has been alive for several hours, though it never really shuts down. The morning’s biggest event – the auction of hundreds of big blue fin tuna – has just finished and its results are being delivered one-by-one to many of the 900 individual stalls in the open-air market. Sunrise pouring through the dust-covered skylights of the 74-year-old market mixes with the fluorescents that light up each small shop, crammed side by side and fronted by tables heavily laden with Styrofoam containers filled with just-dead fish of more than four hundred species and tanks and plastic bags filled with those still swimming.

The Tsujiki (skee-gee) fish market – more officially the Tokyo Metropolitan Central Wholesale Market – is Mecca for fish purveyors and sushi lovers alike. (The more general name is appropriate since under the same roof there are big produce and flower auctions as well … though it’s hard to compare the excitement of bidding for bell peppers with that of this year’s biggest tuna to date, 261 pounds.) For several mornings we’ve gotten up before four a.m. and woken a taxi driver slumbering in his own front seat in order to be here the moment the tuna auction allows its first visitors in. Alex and I have a particular curiosity because over the years we’ve filmed big tuna in the wild and in farms that were ultimately headed here. Seeing them lined up on the floor – frozen, de-tailed and numbered with red food coloring — means we’ve followed them nearly full circle. Our morning sushi-break at 8:30 means we will have truly followed them through the entirely of their lives.

If you care about the health of the world’s ocean and its decreasing abundance of fish, you have to be fascinated by this place for both its size and the economy it creates. Jobs here are highly sought, whether as cart drivers, salesmen, cutters, icemakers, deliverymen, auctioneers or buyers (the emphasis on men is purposeful: of the 60,000-plus workers a tiny handful are women; only a very few work the floor, most are accountants). An American living in Tokyo tells us he is trying desperately to get a job in the market, in part because it pays well and in part because he would be such an oddity. “They will only tell me I’m ‘too tall,’ ” he says, “but what they are really saying is that I’m ‘too white.’ “Each year more than 700,000 metric tons of seafood is sold beneath the market’s roof, roughly $5.5 billion worth.

Walking the narrow aisles among the nine hundred small vendors it’s easy to see how we’ve done such a good job at decimating fish stocks around the world; of course it’s not just the Japanese who are doing so, but they have a per capita consumption of fish far outstripping the rest of the world. Though the market sits on the Tokyo Harbor, virtually all of the fish arrives by truck, some from Japan, most from seas thousands of miles from here.

There are two distinct sections of the market: The “inner market” (jonai shijo) is the licensed wholesale market, where the auctions and most of the processing of the fish take place, and where licensed wholesale dealers operate small stalls. The “outer market” (jogai shijo) is a mixture of wholesale and retail shops selling kitchen tools, restaurant supplies, groceries and seafood, and narrow restaurants, especially sushi restaurants. On our first morning we choose to have breakfast alongside the rubber-booted workers, rather than wait in the long lines of tourists outside the most popular sushi shops, on pork steaks, cabbage and rice.

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The market handles more than four hundred different types of seafood from tiny sardines to six hundred pound tuna, from cheap seaweed to the most expensive caviar. On one counter a live squid is gutted in front of us, its ink squirting everywhere; next-door band saws cut through just-thawing tuna; at the end of the aisle the most popular man in the market – the ice man – lugs fifty-pound blocks of ice to a conveyor which carries it to its crushing. Just beyond the market’s door rises a mountain of Styrofoam boxes being picked over by representatives of all the stalls inside; if still intact the boxes are reused, if cracked or broken they are fed by conveyor into a crusher to be recycled into paving bricks.

The history of the market goes back a century. In August 1918, following the so-called “Rice Riots” (Kome Soudou), which broke out in over one hundred cities and towns in protest against food shortages and the speculative practices of wholesalers, the Japanese government was forced to create new institutions for the distribution of foodstuffs, especially in urban areas. A Central Wholesale Market Law was established in March 1923. The Great Kantō earthquake on September 1, 1923, devastated much of central Tokyo, including the Nihonbashi fish market. In the aftermath of the earthquake, the market was relocated to the Tsukiji district, completed in 1935.

At a neat stall on the backside of the market a trio of men labor over six foot long swordfish, cutting them down to steaks. The master cutter – armed with extremely long, extremely sharp knives – operates on a hydraulic table, which he raises and lowers with his foot. Fresh water runs from a hose washing blood into a drain (amazingly, the whole market smells very … clean … no fish smell at all). With rapid, elegant cuts along its spine he splits it in two and then quarters each side. His partner reduces them to steaks, wraps them in paper towels and plastic and stacks them to be distributed.

I ask if they think there will come a day when we take the last fish from the sea. I’m only partially joking, and translating my question is tricky. But they get the point. Everyone I’ve talked with in the market admits the fish they’re selling today are far smaller than ten years ago; we’ve taken all of the biggest fish already.

“It’s not like cows or chickens,” says the man cutting steaks. “You can’t simply grow more. We never know exactly what’s in the sea, do we? But when these species are gone, I believe there will be more to take their place. I think my job is very secure!”