10 travel read suggestions for the road

by Jamie Rhein on

Ben Groundwater points out in his Sydney Morning Herald post “Travel Reads for the Road” that a good book is a wonderful companion to have while traveling. Not only can reading help fill up down time in a satisfactory way, a good book can enhance travel experiences.

In his post Groundwater lists ten perfect for travel books that range from serious to humorous and fiction to non-fiction. These are the best books he’s read this year. The neat thing about his list is that he pairs several books with locations where their settings will seem most poignant.

For example, if traveling in Africa, read Swahili for the Brokenhearted by Peter Moore and Blood River by Tim Butcher.

His pick for Thailand travel is The Beach by Alex Garland– and for Russia, particularly St. Petersburg, Groundwater suggests A City of Thieves by David Benioff.

If France strikes your interest, check out A Year in the Merde by Stephen Clarke and Almost French by Sarah Turnbull.

For travel in general, Groundwater recommends Holidays in Hell by P.J. O’Rourke, Rule No. 5: No Sex on the Bus by Brian Thacker, A Cook’s Tour by Anthony Bourdain and On the Road by Jack Kerouac.

The last travel related book I read was Step Back From the Baggage Claim. A review is coming your way soon. In the meantime, each of Groundwater’s suggestions are appealing. I’m particularly interested in picking up Rule No 5: No Sex on the Bus and Swahili for the Brokenhearted. The titles alone are intriguing. Thacker’s book is not new, but it sounds hilarious and Moore’s book has a similar theme to Franz Wisner’s book Honeymoon with my Brother where travel and self discovery go hand in hand.

Who works harder? Aussies or Americans? What does this mean for tourism?

by Jamie Rhein on

In this article in the Sydney Morning Herald, Australians are touted as working the hardest out of people in the developed world.

Here are the statistics given to prove the point. In Australia:

  • Almost 60% of the people with full-time jobs don’t take all of their four-week vacation time.
  • Years of this practice have many people with 8 weeks of unused time.
  • Corporate men ages 35-49 with kids under 12 are the biggest culprits of this practice.

I find the statistics interesting since I don’t know many jobs in the U.S. where people have a starting vacation time of more than two weeks. Many begin a job with less than that. Many folks don’t even get a paid vacation. In order for people to have acquired eight weeks of unused time in the U.S., they would have had to have not taken ANY vacation for at least four years if they are the ones with the two-week time frame. In a Gadling post in 2007, Willy pointed out the U.S. statistics which don’t bode well for those looking for R&R on a beach somewhere.

However, given that if the Australian statistics are indeed correct, and who really cares anyway, the larger point that the article makes is important indeed. Unused vacation time means unspent tourist dollars. In today’s economy, tourism could be a big economic boost to many parts of both countries–Australia and the U.S.

In Australia, the not taken time equates to $31 billion in holiday pay. Yowza! Hoping to tap into the dough, Tourism Australia has a program called “No Leave, No Life,” in order to get the business community to buy into the idea of the importance of taking that vacation time.

I think the U.S. needs to tap into the idea of more vacation time, period. If people are given four weeks, they may take two at least.

As part of the campaign in Australia, and I’d bet the U.S., part of the TV and print ads need to address the issue of how important it is for dads to spend time with their children. AND show dads having fun doing it.

Anyone with kids who are bickering at home with each other and arguing about cleaning their rooms, or whining from the backseat, “How long before we get there?” may think that work is actually more relaxing than that family vacation.

Making light of Colombia’s crime problem

by Brenda Yun on


There was much debate in the comments on my article about “dangerous” travel destinations — most of which pertained to the current clean-up of Colombia’s city of Medellín. Having traveled to Colombia for three months during the spring of 2008, I believe Colombia as a country (particularly the dangers of traveling there) is largely misunderstood.

Take Mike Peters’s “Mother Goose & Grimm” comic strip that was published a week ago on January 2, 2009.

The Colombian Coffee Growers Federation, which includes over 500,000 coffee producers, were so offended by Peters’ suggestion that it is suing Peters “for damage and harm, detriment to intellectual property and defamation.” The federation is seeking no less than 20 million dollars, claiming that the cartoon links Colombian coffee to organized crime and “attacks the national dignity and the reputation of coffee from Colombia.”

As a cartoonist, Mike Peters seeks controversy, but this type is harmful to our already skewed perception of Colombia. Peters’s cartoon suggests that Colombia is a dangerous place. I’m not clear about how drinking Colombian coffee could be considered a dangerous activity, but there’s definitely a sense of fear in this comic strip with regard to crime in Colombia.

While I’m all for freedom of speech, I think in this particular instance Peters could have picked a topic that he knew more about or discussed a country that he really understood. Instead, this particular cartoon defames a nation and offers an unfair and inaccurate portrayal of Colombia and its coffee for all the world to see. I just hope readers will know the difference between sarcasm and reality.

[via the Associated Press]

Berlin celebrates 20 years of wall’s collapse

by Tom Johansmeyer on

The Berlin Wall was pulled down 20 years ago, giving birth to a new industry: selling pieces of the Berlin Wall. Remember that? Well, all the pieces were probably bought long ago (well, except the “real” one that you picked up last week, of course), but there is still plenty you can do to celebrate. The list of cultural events is long and impressive, like the German translation of a short word in English. So, take a look at what Berlin has to offer.

Long Night of Museums lets you visit 100 museums will be open from 6 PM Saturday until 2 AM on Sunday every weekend from January 31 to August 29.

Take in the 59th Berlin International Film Festival (Berlinale) from February 5 to February 15; more than 400 films will be screened, many of them European premieres.

At the Festival Days at the Staatsoper Unter den Linden, Wagner’s Lohengrin opera will be staged, and other classical music performances will be available from April 4 to April 12.

Enjoy even more of the cultural stuff at the Extended Opera and Theatre Night on April 25. Half-hour events are available from 7 PM to 10 AM on 60 stages, and buses take visitors from theater to theater.

Other events include:

  • Berlin’s Lesbian and Gay Street Festival, June 20-21, and Christopher Street Day, June 27
  • Fete de la Musique, June 21, free concerts on over 50 open-air stages throughout Berlin
  • Jewish Cultural Days, Aug 29-Sep 6
  • Classic Open Air Berlin, July 2-6; opera, classical music
  • Berlin International Beer Festival, Aug 7-9, when Karl-Marx-Allee turns into the world’s longest beer garden and bar, with 190 breweries offering beer along a mile-long stretch
  • Real Berlin Marathon, Sep 19-20, a 42-km run
  • Festival of Lights, Oct 13-25; fireworks, light shows
  • JazzFest Berlin, Nov 5-8, with big bands and international jazz stars

Noticeably absent from the agenda: David Hasselhoff.
[Via Toronto Sun]

There are 261,690 photos of the Eiffel Tower on Flickr. So why do we still take pictures of it?

by Aaron Hotfelder on

Yes, 261,690 photos. Of one man-made structure. If every possible photograph of the Eiffel Tower has not already been taken, we’re probably coming dangerously close to exhausting the limits of human creativity. Same goes for all the hundreds of thousands of photographs of Times Square, Buckingham Palace, the Pyramids, Angkor Wat, and every other tourist destination to which millions of camera-clad tourists flock every year.

Photos of all these places– many of the shots better than anything most of us could take– are on Flickr right now and available for us to download and print out or upload onto Facebook.

But we don’t do these things, do we? After we come back from Paris, we don’t show our friends other people’s photos of the Eiffel Tower, even though many of them are probably better than our own. It seems as if we’d prefer to look at (and show others) inferior photographs of our own creation rather than beautiful shots done by somebody else, even when both photos are of the same thing. But why?

Well, in many photos, we like to stand in front of tourist landmarks as a sort of proof that we were there– the ol’ “This is me in front of the Eiffel Tower” shot. You can’t simply download these photos off Flickr, so it makes sense to take these pictures. But, assuming we don’t have some great photographic abilities, why do we spend time and energy photographing just the Eiffel Tower itself when so many great photos of it are already available?

I think it’s because we get satisfaction when we produce an image, even when it’s (sometimes highly) imperfect. It’s human nature to hold up something we’ve created and proudly say, “I made this. Sure, maybe others have done it better, but this was what I did.”

And others enjoy seeing what we’ve created as well (rather than just where we’ve been), even if it might lack the polish of the work of someone more talented. It’s the same reason your mother was always happier to receive a hideous hand-made card on Mother’s Day rather than a beautiful one that could be bought from the store. (Well, up to a certain age, I guess.)

If we were really only interested in showing people where we’ve been, we’d print out a bunch of photos from Flickr or upload a bunch of stock photography to Facebook. But we’re equally interested in that “I made this” feeling, the one that comes from showing others– and ourselves– how much beauty we can create when we give ourselves the chance.