Tell airport security what you think without getting into trouble


For those that get upset while going through airport security, here’s a way to make yourself heard without getting pulled aside for questioning. Artist Evan Roth is working on a new project which will bring new excitement to your carry-on luggage. Pack that metal plate into your bag and the message will appear when x-rayed.

The project isn’t quite finished yet; Roth still needs an x-ray machine to test the plates out. If you happen to have access to an x-ray machine, he’ll give you a set of the plates in exchange for use of the machine. Find out how to email him here. Pretty humorous, although I don’t know how TSA officials will feel about it.

[Via Boing Boing]

Undiscovered New York: Bombing the Bronx and the Graffiti of 5 Pointz

As a resident of New York for just over five years, I frequently take for granted the “relative” cleanliness of my city. Sure, I could do without the many, pungent trash bag piles during summertime, but you quickly get accustomed to a certain level of grit and grime when you live in one of the world’s largest metropolises.

In fact, my version of New York circa-2008 is a utopia of clean compared to New York in the 1970’s and 80’s, when the town was literally coming apart at the seams. As the city suffered a massive financial crisis, crime ran rampant and public services like the subway system fell into decline. As tragic as this period was for residents, it also provided the background for some of the era’s most important cultural movements, including the rise of punk at clubs like CBGB, emerging artists like Basquiat and in particular, the first stirrings of the nascent culture of Hip-Hop and graffiti in the Bronx.

Graffiti is perhaps one of the most controversial artistic movements of the end of the 20th Century. As much as its detractors view the form as symptomatic of urban blight, its supporters just as forcefully embrace it as the stirrings of a wholely legitimate new art form. Though vandals have been defacing public buildings with their “art” since the ancient Greeks and Romans, the modern incarnation of graffiti took shape in New York City in the borough of the Bronx in the 1970’s. In that regard the current prominence of famous graffiti artists like Banksy owe their rise to the pioneers of the form here in New York several decades ago.

So if you’re visiting New York City in 2008, where do you go to see and learn more about graffiti firsthand? Click on through to find out more and learn where to go to find the art form still alive and kicking in the 5 boroughs.The rise of NYC graffiti was as much a result of civic neglect as it was a nascent cultural movement. With city police preoccupied with a huge crime wave, the city’s walls and subway cars became prime canvases for vandals, who began leaving their mark wherever they saw fit.

At first it was all about gaining notoriety. Early practitioners of the form like TAKI 183 would roam the city, leaving their ‘tag’ as a way to earn bragging rights throughout the huge city. Soon the movement gained steam, with other ‘taggers’ competing to see who could create the most ambitious pieces, evolving into elaborate, colorful works painted directly on the city’s subway cars. Due to the covert nature of their projects, many graffiti taggers began to describe their hit and run visits to the city’s subway rail depots as “bombing.” The style is perhaps best encapsulated by the 1983 documentary Style Wars, which documents New York’s thriving Hip-Hop, breakdancing and graffiti cultural scenes.

While graffiti on the New York City subway is a thing of the past, the spirit of the movement carries on today. A walk around downtown neighborhoods like the Lower East Side, East Village, Soho and parts of Brooklyn will reveal the art form is still alive and well. While there’s no one specific spot to check out, an afternoon stroll down the area’s many side streets will reveal a wealth of projects if you’re curious. Check out Wooster Collective and Streetsy, two of the best online street art websites, to get an idea of what’s out there. In the East Village, also make sure to check out the cheeky works of De La Vega at his shop on St. Mark’s Place.

But for the best place to go to learn more about this uniquely New York art form, your first stop should be Five Pointz, a large-scale artist project in Queens. This huge industrial building, located in Long Island City, is completely covered from floor to ceiling in a living, breathing mural of graffiti artwork. Artists both local and from around the world drop by on a regular basis to put up new pieces, resulting a building that has become a dynamic illustration of the art form’s continuing legacy and influence. While some works are more abstract, there’s plenty of great pieces that feature New York themes like Hip-Hop and many of the city’s famous landmarks. The building also has plenty of examples of wildstyle, an intricate form of lettering made famous by the original New York ‘taggers.’

If you want to check out Five Pointz, it’s easy enough to make a full day out of your trip to Queens. Just a short walk across the street is the art museum PS1, a contemporary art gallery which is an offshoot of the famous Museum of Modern Art (MoMA). Just take the E or V trains to the 23rd Street/Ely Avenue stop or the 7 train 45th Road/Courthouse Square. The Five Pointz building is hard to miss – you’ll be able to the see the brightly-colored murals from up close as your train rumbles right past the building’s many murals.

Xinjiang Journal: Sixteen hours in China’s Wild West

3:05 pm. The plane from Beijing has barely landed, and I’m already on my phone. The screen flashes 5:05 pm, and for a moment, I fear I’ve missed the ballgame, that I’ve flown 2,400 miles to the heart of China’s wild west-roughly the distance between New York and San Francisco-for empty bleachers and discarded foam fingers.

Then, I remember that there are two worlds here in Xinjiang, each with its own definition of time. The Han Chinese run this hardscrabble autonomous province on official Beijing time while the Uighurs, a Muslim ethnic minority, prefer unofficial Xinjiang time. Getting by on two different time zones is easier than you would think, for the Hans and Uighurs live in different neighborhoods, speak different languages, practice different religions, and attend different classes.

When these two worlds clash, violence often erupts. In August, 33 policemen and Uighur rebels were killed around Xinjiang, and with the end of the Olympics, many human rights activists fear an even greater crackdown on the Uighurs.

But there is one place where these two worlds still coexist peacefully: on the baseball field.
3:50 pm. I’ve made it to the skirmish (score one for Xinjiang time), but two problems arise. The first is that it’s raining. The second is more alarming. I’m standing on a soccer field, and the baseball players-college students from Xinjiang University-are not batting or catching or throwing: they’re kicking around a soccer ball.

Christopher Rufo, a 24-year-old Sacramento filmmaker who has been following this team for the past eight months, sees my confusion, and explains that the nearest baseball field lies 1,400 miles east of Urumqi, in Xian. “Baseball is an outlier here,” he says. “Few people play the game, and that’s why it’s considered so cool.”

Even though they must make do with a soccer field (with one corner as home plate), and their gear-worn gloves, stitch-frayed balls, rough bats-would not be fit for the Little League, these players have beaten the odds. On the field, they’ve transformed, in four years, from a skinny group of mostly freshmen (none of whom had ever seen a baseball game on television) into a cohesive team that has held their own against bigger, better equipped opponents from the coast. Off the field, their tale of overcoming bitter racial divides-there weren’t enough players to have separate Han and Uighur teams-begs to be baseball’s answer to Remember the Titans.

6:35 pm. It’s the fourth (and last) inning, and while I’d like to say it was a close game, no one was keeping score. Nonetheless, Akbar, a Uighur freshman and material physics major, dashes from second base in a full sprint, off a hard grounder into left field.

He rounds third and continues his mad dash to home, arriving in a tangle of legs and arms. I hear yells of “out-ta” (out). There’s no umpire, so the catcher, Zheng Siming, a Han junior and computer science major, makes the call. He had inadvertently dropped the catch, and rightfully declares, “Say-foo” (safe).

Their coach, Jai Kuk Rue, a stocky Korean who never fulfilled his dream of making the pros, watches approvingly from the sideline. “Baseball to us is not about points or winning,” he says. “Most important is our teamwork. The Uighur and Han players are always in close contact, so their relations have improved.”

He’s in the middle of retracing the team’s ascent in fortunes-the discovery of a cachet of gloves left by Japanese exchange students in the 1990s; his chance vacation to Xinjiang five years ago with his family, and the subsequent decision to stay and coach the team; the recent organization of a middle school and four elementary school training camps by team alums-when Akbar bounds over, all grins and still breathing hard.
Second part tomorrow.

Photo of the Day (09.30.08)

Much as we don’t want to admit it, summer is officially over and fall is here. This Photo of the Day was taken in Washington DC, where I spent part of my Monday evening, and where I could see signs of the season changing all around me. At least the best part of autumn, my favorite season, is still ahead of us.

Flickr user ohad* took this picture at the National Zoo in DC.

Have any cool photos you’d like to share with the world? Add them to the Gadling Pool on Flickr, and it might be chosen as our Photo of the Day.

Eatonville, Zora Neale Hurston’s hometown, a unique Orlando alternative

Here is a place I wish I had known about earlier. December before last my family and I were in Orlando, Florida doing the Disney World thing. If I would have known about Eatonville, writer Zora Neale Hurston’s hometown, I would have felt compelled to go and see the murals at the town’s oldest church. They tell a bit of the story of the United States’ racial fabric.

Eatonville, the first black-town to have incorporated in the United States, is six miles north of Orlando. For the most part, driving through Eatonville sounds like it would be similar to driving through many small towns in the United States–towns without any particular markings that make them unique except to the people who live there.

Eatonville’s history is what sets it apart, and the fact that it has kept its identity through the changes for the last decades. The fact that it’s so close to the mega commercial build up of this part of Florida fascinates me.

It reminds me of the hidden stories all around the world. Tourists head to tourist destinations often unaware about the depth of the surrounding areas. When I read about Eatonville in the New York Times, its story compelled me to want to know more about this town. Lately the town is becoming more used to outsiders wandering in. The Zora Neale Hurston Festival of the Arts in January bring visitors in by the thousands.

The descriptions of the apprehension of the people in Eatonville towards people not from there visiting reminds me a bit of what my mother’s hometown in southeastern Kentucky is like. Because of the stereotypes of Appalachian culture there has been a bit of an unease at times when visitors, particularly from the north, have shown up in town for a look-see. Over the years, the suspicion has waned, but when I was a child I heard about the wariness from the people who felt wary.