A city within a building: Dubai’s latest “Pearl”

by Abha Malpani on

The latest soon-to-sprout architectural bewilderment in Dubai is the Dubai Pearl.

It’s hard not to be entertained by Dubai’s fetish for constructing (well, wanting to construct) rare-shaped buildings: a cube, a chess piece, a tulip, numbers (1 and 2), a wave, a sail and an iPod, are amongst some of the ‘only-fathomable-in-Dubai’ types. It was therefore a pleasant(?) surprise that this Pearl plan, isn’t in the shape of a pearl. I quite like its design — more of a sci-fi scape and less of a monstrosity, in my opinion.

Anyway, to be constructed at a Dubai-throw-away cost of $3 billion, the Pearl is special because not only will it have the usual luxury mall, hotel, spa, and residences, but it will also have a climate controlled pedestrian city — yes, an interior area built for people to walk!

In Dubai, if you are walking on the street (especially in the heat), don’t be surprised if you are the only soul using his feet to commute, or if someone stops to give you a ride because they see you as mad trying to walk anywhere in the city. But, build a space for people to walk, and people will drive there to go for a walk.
City Center — one of Dubai’s main shopping centers has something like “City Strolling” every Friday morning, where you go there especially for a morning walk. Yes, in a mall. Yes, many people go. So a climate controlled “pedestrian city” with sidewalk cafes will probably be a super hit in the city.

The Pearl will also boast a 21st century Covent garden (not sure if this will be inside or outside) and robot valet service! (*gasp*) I’m not sure what that means exactly, but I doubt people will be comfortable giving their Lamborghinis to some R2D2 to park.

It also says that the building will be the world’s first column-free structure (what does that mean!?), will have the capacity to cater to 20,000 people, and is due to open in 2010.

So this Great Wall thing’s the real deal, right?

by Brett Atkinson on

Forget bootleg iPhones and bogus DVDs. Just when you think China’s finally getting serious on the purveyors of dodgy counterfeits comes news that a Hamburg museum may have been duped with a touring exhibition of the Terracotta Army from Xian.

They thought the assorted statuary was the real deal, but apparently it’s not that simple.

(You would have thought the “Made In China” logos were a giveaway but obviously not).

But does it really matter, when scores of satisfied punters have been to the exhibition before this hub-bub of half-truth?

If the real thing was on display, would anyone have known the difference, and is it any different from the cosmetic surgery applied to historical sites like Angkor Wat or Knossos in Crete?

Your starter for ten: “Exactly what does authentic mean when it comes to travel?”

Thanks to mick y on Flickr for the pic (I’m pretty sure these ones are the real thing).

Photo of the Day (12-12-07)

by Jamie Rhein on

If you look into the blue ball, you’ll see buildings and people. According to the tags, this was shot was taken at the Marché aux Puces, a flea market in Paris, France. I can imagine Luke Robinson, who took the photo walking, along and noticing the reflection. “Look here.” Another thing that attracted me to this shot was the Blue Willow plate below the basket. My grandparents used plates with this design. I’ve loved this pattern since childhood, and if I were here, I’d ask the price.

If you have shots of images that have caught you eye, send them our way to catch ours at Gadling’s Flickr pool.

Infiltrating North Korea Part 7: The Mass Games

by Neil Woodburn on

Infiltrating North Korea is a two-week series exploring the world’s most reclusive nation and its bizarre, anachronistic way of life. To start reading at the beginning of the series, be sure to click here.

My trip to North Korea was only the second time since the Korean War that Americans were allowed into the country. The reason for this rare exception was the Mass Games.

The Mass Games is a wild spectacle of dancers and performers that takes place in Pyongyang’s 150,000-seat May Day Stadium, one of the largest in the world. While the games can loosely be described as a “Super Bowl half time show on steroids,” such an analogy fails to capture even a sliver of the energy and uniqueness that is the Mass Games.

For starters, over 100,000 performers participate in the event. This includes some 20,000 students holding up placards with militaristic precision that puts to shame the student section of any American college football stadium. And they’re not just flipping cards that spell out simple slogans either. The North Korean students create rich, detailed landscapes and portraits often enriched with flowing animation.
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Although the card show is impressive on its own, the 240,000 square-foot stadium floor is where the real show takes place. This is where thousands of performers tell the story of how, according to the Mass Games program, “the Arirang nation [Korea], once a colonized tragic people, has become the master of their destiny and faces the world as a dignified nation.”

The result, spread over four acts, combines elements from rhythmic gymnastics, Broadway musicals, and Cirque du Soleil. A rash of brightly-colored costumes and a booming soundtrack enhance the spectacle even further. The most amazing aspect of the whole production, however, is the jaw-dropping, grand scale of thousands of performers working in complete unison, as though a single body.

This is, after all, the philosophy behind the Mass Games. Like the socialist system which created this spectacle, the Mass Games emphasize the group over the individual and illustrates how working together for the common good can produce such works of perfection.

From a Western perspective, the Mass Games are indeed a microcosm of the North Korean nation where everything is perfectly regulated with no room for error or misinterpretation–a place where the individual is lost to the collective amidst a colorful fantasyland where everything appears perfectly wonderful but nothing is really true.

The North Koreans aren’t the only ones to implement such propaganda on such a grand scale. Other communist nations did so as well–such as Czechoslovakia’s Sokol performances that were held in the world’s largest stadium until 1990. Like communism, however, the mass gymnastic movement eventually disappeared from the face of the earth with the sole exception of North Korea.

One day too, it will disappear from Pyongyang as well.

This was my one chance to witness a truly endangered performance and I was therefore eager to purchase the best seats I could. In a typically un-socialist move, however, foreigners are charged mind-numbingly higher prices than locals. If you go, be prepared for only two ticket prices: $150 and $300. I opted for the more expensive tickets–the most I’ve ever paid to see any show–and ended up sitting where Madeline Albright sat when she came to visit. This was the best seat in the house–except for the open area just to my right where Kim Jong Il would have sat had he attended.

When the lights finally dimmed and the Mass Games started, it took only a moment to realize I had made the right choice to come so far and spend so much. The show was as spectacular as I had hoped and I sat through its entirety wondering how so many people could be so perfectly synchronized and expertly choreographed.

And then I remembered where I was.

Yesterday: Art and Culture, Pyongyang Style
Tomorrow: The Cult of Kim

Infiltrating North Korea Part 6: Art and Culture, Pyongyang Style

by Neil Woodburn on

Infiltrating North Korea is a two-week series exploring the world’s most reclusive nation and its bizarre, anachronistic way of life. To start reading at the beginning of the series, be sure to click here.

Like all communist regimes, the North Korean government considers art, culture, sports and education as integral parts of the socialist upbringing. From pre-1989 East Germany to present day North Korea, socialist leaderships have consistently provided free, high-quality education for the arts, as well as inexpensive access to performances and events. I remember spending the equivalent of a nickel to see a superb ballet in St. Petersburg in 1991. Today, North Korea has kept up this tradition despite limited resources and a waning economy.

Sports Facilities

The country’s commitment to sports, for example, can clearly be seen on Chongchun Street where, in the span of less than a mile, one can enjoy almost a dozen separate stadiums for soccer, handball, table tennis, tae kwon-do, weight-lifting, volleyball, basketball and swimming. In addition, the government has also built for its people the enormous Kim Il Sung stadium (100,000 seats), a permanent circus arena of over 70,000 square meters, a futuristic cone-shaped ice rink hall, and the May Day Stadium–one of the largest in the world with seating for 150,000 people.

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Grand People’s Study House


Perhaps the most pleasant building in Pyongyang is the Grand People’s Study House, a 30-million volume library and study hall built in 1982 and designed in classic Korean style. We spent more than an hour touring the facilities and learning about the “high-tech” system which delivers books to the librarian along an automated track. The stacks aren’t accessible and all books must be requested in such a manner–including the few Western ones available such as Huckleberry Finn and select works by Hemingway and Steinbeck.

Despite not being able to personally access the books–something actually quite common in Western Europe as well–the Study House was still rather impressive. Its 600 rooms serve as reading areas and lecture halls and naturally, every single one is decorated with portraits of Kim Il Sung and Kim Jong Il. The lectures are free and open to anyone. Frankly, it’s a great concept in my opinion, like a free university where just anyone can drop in.

We poked our heads into a handful of lecture halls but there was only one where I could understand the language spoken: the music appreciation room. In this room students could request CDs and headphones from the librarian and then sit back and listen at one of 30 desks topped with a boombox. What was truly entertaining, however, was the example of western music the instructor proudly played for us: Chim Chim Cheree from Mary Poppins–certainly a classic of western music!

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Mangyongdae Children’s Palace


The Children’s Palace is a younger person’s version of the Study House. But instead of lectures and book reading, the palace serves as a type of after-school activity center where students can take classes in tae kwon-do, ping-pong, calligraphy, needlepoint, painting, computers, and a variety of musical instruments. The building is massive. It has almost 700 rooms, 103,000 square meters of space, and, according to my copy of Pyongyang Review, was built in a semicircular shape “to emphasize the warm embrace of the motherly Party which takes loving care of all students and children.”

I had low expectations when told we would tour the facilities, but was pleasantly surprised to discover it was one of the highlights of the trip. Our guide led us from room to room where students either performed for us (see the video at the top of this post) or allowed us to look over their shoulders as they strung beads, embroidered, or performed some other type of hobby.

Although I was a bit disappointed to learn that only boys could take computer classes, I was nonetheless blown away by the extraordinary talent we witnessed throughout our tour.

I still had to keep in mind, however, that the packed classrooms and perfectly choreographed performances had been carefully arranged for our visit and was just more of the propaganda continually fed to us during our trip. I therefore wondered just how busy this place was on a regular basis-although something tells me it’s probably not too different than what we witnessed.

The grand finale of our tour was a show in the palace’s 2,000-seat theater where the most talented students sang, danced, and played music for us. I’m usually not impressed by such displays–in fact, I’m always disappointed by how woefully terrible young students normally sound at talent shows. But this one was different. Every single student seemed to be a child prodigy who performed way above his or her age, breezing through each performance without a single mistake. The only slightly disturbing thing about the performance was the tightly regulated structure of play. Every guitar player, for example, sat in the same erect position with the same stoic face and played in the same robotic fashion as though rigidly choreographed by the army. There was no spontaneity, individuality, or squeezing more play out of the notes. On the other hand, some of the dancers and soloists certainly exhibited their share of personality and spunk, especially the spry girl featured in the video above.

Overall, the afternoon spent in the Children’s Palace was a real, unexpected treat. I’m sure it was all just another part of the smoke and mirrors intended to portray North Korea in a positive light–although I could be wrong–but it was entertaining nonetheless and I highly recommend visiting if you get the chance.

Yesterday: The Sexy Traffic Girls of Pyongyang
Tomorrow: The Mass Games