Traveler Visits Every Country In The World Without Boarding A Plane

A British man has accomplished what many world travelers have only dreamed of. Over the course of the past four years, he has managed to visit every country on the planet, which is a very impressive feat considering some of the places he had to go to in order to earn this unique distinction. But perhaps most impressive of all is that he traveled to all of those places without ever stepping foot on a plane, something that is increasingly difficult in this day and age.

Graham Hughes (33) set out on his journey on January 1, 2009. He began his travels in Uruguay and continued on for 203 weeks before finally reaching his 201st, and final, country earlier this week. His last stop was South Sudan, the Earth’s newest nation and one that didn’t even exist when he started his wanderings.

Hughes tells Australian newspaper The Age that he traveled with four rules as his guiding principles. First and foremost, he barred himself from ever flying. He also vowed to not drive himself anywhere either, which meant that in order to get around he had to take scheduled ground transportation. Finally, in order to say that he officially visited a country he had to step foot on dry land.In order to visit every country on Earth he of course had to find ways to get into places like Iraq, Somalia and Afghanistan. You would think that those places would be extremely challenging to enter, but Graham says that many of them lack the infrastructure necessary to properly patrol their borders, making it relatively easy to slip in or out. Other countries weren’t quite so easy, however, as he was arrested while trying to sneak into Russia and was detained for a week in the Congo as well.

The most difficult countries to reach, at least in terms of logistics, were island nations like those found in the South Pacific. Hughes says that supply ships visit them infrequently and he often had to time his travel just right or risk missing a ship and end up waiting for weeks for the next one to embark. Most of us would obviously just hop a flight, but when you ban yourself from using that form of travel, it can really limit your mobility.

In 2009, Graham set a world record for visiting the most countries in a single year at 133. After that, he spent the ensuing months knocking off the remaining 68 countries while also raising funds for WaterAid, an organization dedicated to promoting clean drinking water around the globe.

So, what do you think of Graham’s efforts? Is he the ultimate world traveler or the ultimate guy with a checklist? While I admire his ability to travel to so many places, particularly without flying, I can’t help but think that many of those destinations were just a blur for him. I think I’d like to replicate the same journey, but do so at a much slower pace. How about you?

[Photo Credit: AFP]

Buffalo Rome: Mozzarella, Martians And Culinary Crusaders

I was staring, mesmerized, my mouth watering at a giant mozzarella. The elastic curd was submerged in a giant bowl of cold water in my favorite small, family-run specialty food store in Rome. The bowl was shaped like a huge puckered blossom. It sat atop a glinting counter at E. Volpetti & C. on Via Marmorata near the Pyramid of Cestius in the Testaccio neighborhood in southern-central Rome.

The archetypal Aladdin’s Cavern of gastronomy, Volpetti is a place of secular pilgrimage for savvy foodies but also for normal, food-loving, unpretentious Romans.

Dozens of hams were displayed in cubby-holes, the archives of porcine paradise waiting to be sliced to order by bona fide prosciutto experts. Jowl bacon and smoked pancetta dangled like headhunters’ trophies. Jars of artichoke hearts, sun-dried tomatoes, and slices of eggplant towered over the human scrum at the counter. Baskets brimmed with gnarled white truffles worth their weight in silver, truffles so nose-tickling that I nearly swooned of airborne gluttony.

Hundreds of fabulous, expensive cheeses beckoned: yellowish bitto or pecorino di fossa aged in limestone pits, pungent-smelling pear-shaped provolone with whole lemons buried inside, immense wheels of black-rimmed pecorino romano and flame-branded Parmigiano.
But it was the humble fresh mozzarella trucked in several times weekly afloat in that funny-looking bowl that held my gaze.

Ebullient Emilio and charismatic Claudio Volpetti saw me staring and smiling and they must have wondered what had gotten into me. Both are beyond retirement age. They still work 16 hours a day, 6 days a week, and are passionate. They have trained deeply knowledgeable staffers and groomed an heir, Alessandro. And they are still top of the heap in the world of old-fashioned gastronomy in this, arguably the greatest food city in Italy, a city with the freshest produce, the best meats fresh or cured, the greatest variety of wines from around the country and the world.

To be the best among the best is difficult in the best of times. It is almost impossible in hard times when big box stores take over, especially when Martians with a spaceship the size of the Coliseum land down the way and spend countless millions offering bread and circuses and razzle-dazzle morality lessons to the famished citizenry.

The reason I was obsessing about the mozzarella was simple yet multi-layered, like everything in Rome, where simplicity hides infinite complexity. I have been coming to the Volpetti brothers for decades and always assumed they would continue to thrive forever. But earlier that day I had faced a crisis and had wondered how much longer the place could remain in business.

Why? I had gone shopping. Then I’d performed a private, comparative tasting of Volpetti’s trucked-in mozzarella from the Naples area and the freshly-made mozzarella I’d bought at Rome’s new Martian food emporium.

The Martians are the creators of a chain of high-end foodie shopping malls and foodie food courts called Eataly. There are Eataly malls across Italy and Japan and in New York City. They are coming to a city near you if your city has money to spend and a holier-than-thou attitude among its consumers.

Rome’s Eataly, the chain’s latest conquest, is the biggest and the best, a true “americanata” as the Italians say, meaning in this case a glitzy Las Vegas Coliseum of gastronomy, a four-story showcase with canned music and moving sidewalks where the right-thinking, well-off, trendy consumer feels good about consuming both sanctimoniously and with orgiastic abandon in clean, modern, sanitized surroundings.

Eataly Rome occupies a disused air terminal at Ostiense train station. It’s a quarter-mile down grim, semi-industrial streets from E. Volpetti & C. and the caper-shagged Pyramid of Cestius.

The terminal building looks vaguely like a postmodern Gare d’Orsay, the famed museum in Paris. Instead of Impressionist masterpieces, it is stuffed with hundreds of millions of packages, bottles, barrels, bags and containers containing everything edible or potable produced in Italy by the anointed friends of Eataly who are, needless to say, the very best in the business.

The Eataly operation is unlike other commercial malls. It’s a for-profit business, but you get didactic displays, videos, cooking lessons, wine-tasting courses, seminars, and lots of cheerleader foodie propaganda in the bargain, including a paradoxical, not to say contradictory, spiel.

That spiel boils down to the claim that Italy’s small, family-run shops like Volpetti are finished. They’re gone. Kaput. So Eataly is it. It’s no mere supermarket. It’s responsible and good, and you are good because you shop there.

For instant enjoyment and to make sure customers have fun while being converted to the Eataly creed, a choice of fancy or cafeteria-style restaurants offer open kitchens behind picture windows and views over parking lots, housing projects, and railway tracks. This is the quintessence of trendy, meaning the cult of the ugly and the edgy. There are two cafés, one of them also a coffee-roasting establishment. There’s parking out front for hundreds of cars. It’s a fine way to encourage Romans to use vehicles in a city not designed for cars and ruined by cars.

Everything at Eataly is certainly the best. Some of the eager, handsome or comely young employees at Eataly are probably also knowledgeable. The poultry they spit and roast before your eyes is not mere poultry. Those are coddled, range-raised birds of noble lineage and include guinea fowl among their caste. The fish are caught responsibly by fish-loving environmentally aware fishermen and are so fresh they’re flipping and sometimes die dramatically before your eyes.

The chocolates are sourced with the good of the cacao growers in mind. The wines on tap or in the bottle are made responsibly, some of them according to the phases of the moon, and sold with incantations like the True Drink dispensed by the Vatican across town.

Precious shade-grown coffee beans are roasted on site. Beer is brewed from pure, unadulterated grains raised with love instead of fertilizers. Bread is shaped by loving hands and baked before the eyes of beholders. All is transparent, performed by performance artists of food behind large plate-glass windows.

In fact everything at Eataly comes with a giant explanatory panel, a video, a song and a dance, a label, an appellation, an approbation of excellence and wholesomeness and deliciousness. The acolytes and high priests of the Eataly cult and perhaps even Pope Benedict XVI himself when he visits wear badges of the Slow Food movement, born in a manger in Piedmont.

After decades of quiet preparation by the politically left-leaning Christian zealots that many of its founders once were, the Slow Food movement has found its Emperor Constantine, the ruler who recognized the cult of Jesus as a religion worthy of the Roman state. The foodie cult from Piedmont has united with the cleverest of clever Italian merchants, a group who in a few paragraphs can proclaim all small family-run retail food businesses dead, and yet claim in the next breath that it is promoting and protecting small, family-run businesses that produce the products Eataly sells. The world of Italian gastronomy is now safe. Eataly has arrived in the Eternal City in the nick of time. Beware those who dare to question its infallibility!

On the morning I visited, the moving sidewalks linking Eataly to Ostiense station were broken. So with my roast chicken, mozzarella and coffee all made or roasted on site, and much else stuffed in eco-friendly bags, I lumbered underground for the quarter-mile of fluorescent-lit tunnels separating Eataly from the great marble-clad, caper-shagged Pyramid of Cestius and Via Marmorata. I headed home and, with a group of food-loving friends, set to work comparing products. We did blind tastings of many exquisite things from Eataly and Volpetti. The results were unsurprising.

Back at Volpetti & C. that evening I stared happily at the last ball of mozzarella floating in the funny-looking container. It hadn’t been made minutes ago on site by eager zealots behind plate-glass windows. Why was it more flavorful, firmer, more luscious and perfect than the lump I’d bought at Eataly? Ditto the other cheeses we’d taste-tested, the hams, even the fresh bread.

It’s not that the Eataly products weren’t excellent. They were. But the ones bought at Volpetti’s dinosaur emporium were even better. How now, things purchased at a small, quiet, family-run place, which, as everyone knows, should no longer exist? Perhaps the reason was as elusively simple as everything else in Rome. Here reigned spontaneity, joy, passion and straightforward business instead of canned music, moving sidewalks, picture windows, handsome young acolytes, preachy zealots, and vats of sour-smelling sanctimoniousness.

Author and private walking-tour guide David Downie’s latest book is the critically acclaimed “Paris, Paris: Journey into the City of Light,” soon to be an audiobook. His next adventure-memoir, to be published in April 2013, is “Paris to the Pyrenees: A Skeptic Pilgrim Walks the Way of Saint James.” His websites are www.davidddownie.com, www.parisparistours.com, http://wanderingfrance.com/blog/paris and http://wanderingliguria.com, dedicated to the
Italian Riviera.

[Photo credits: David Downie]

GeoEx iPad App Brings Travel Catalog Into The 21st Century

For more than 30 years, Geographical Expeditions, or GeoEx as they are more commonly known, has been at the forefront of adventure travel. Since its founding in a tent on the Tibetan Plateau back in 1982, the company has been focused on providing the best travel experiences possible and as a result, it now offers itineraries to 150 countries and to all seven continents. With that pioneering spirit in mind, it should come as no surprise that the company is also charting new paths in the digital age. GeoEx has recently taken the eco-conscious, not to mention very convenient, step to release its latest catalog as an iPad app.

This high-tech approach to introducing travelers to all the options that GeoEx offers brings some fantastic innovations to the humble travel catalog we all know and love. For instance, in addition to the fantastic text that describes each and every trip in detail, the app is filled with beautiful, high-quality images. Those images have a small camera icon attached to them and touching that icon opens a window that provides captions and photo credits. A similar looking suitcase icon along the margin of the page reveals the trip’s daily itinerary while a magnifying glass provides more detailed information about the trip. Various animal icons are also sprinkled throughout the catalog as well and tapping one shows trip highlights for kids. That last option is especially helpful for parents planning a family escape that will appeal to all ages.

Navigating through the catalog is a breeze as on-screen icons allow readers to quickly jump to any page in the book or backtrack through previous pages no matter which order they’ve been viewed. I especially enjoyed the ability to mark a trip as a “favorite,” which made it a snap to find them again when I wanted review options for upcoming trips.

The new GeoEx iPad app is a fun way to discover new travel options or simply dream about your next adventure. It is absolutely free to download and you’ll love flipping through its virtual pages while plotting your next escape.

[Photo Credit: GeoEx]

Stockholm’s Spirit Museum, A Bizarre Museum

Sweden has a strange relationship with alcohol. After going through a period of prohibition in the early 20th century, booze officially resurfaced but under strict government control. Today, for example, you can only find three brands of vodka on store shelves: Absolut, Good ol’ Sailor, and Explorer. If you want a more high-end variety – say, Karlsson or Purity – you’d have to find it in a bar or order it online.

Whatever the case, you might need a bit of vodka before visiting the new Spirit Museum, or as it’s officially written, Spiritmuseum, in Stockholm. This is not a place dedicated to the ghoulish and ghostly; it’s all about alcohol. You won’t, though, learn much about the history of booze in Sweden. You won’t learn, for example, that Swedish Protestants played a large role in implementing Prohibition in the United States. Or that in Sweden, a “bar,” as we know it cannot exist: the establishment has to serve food. Or even that in the 1950s the Swedish government had ration books that kept track of how many bottles of booze you were purchasingInstead, you’ll enter a bizarre booze-themed fantasyland, created by someone who most certainly was under the influence of a Swedish spirit. The bi-level space is separated by seasons and guests are given a packet of spirits and to drink at each the season. In spring, I tasted an orange liquor. Summer was elderflower, late summer was caraway and dill, and autumn was wormwood. And each room/season had a particular theme: spring had fake trees and the summer room contained two campers, like the kind you pull behind your car – the back windows of each showed videos of people singing Swedish drinking songs.

Upstairs there’s a “hangover room,” a small space bedecked to look like someone’s apartment. As soon you shut the door, a recording of a hung-over woman begins. She’s talking to herself about how crappy she feels until the recording culminates with the woman vomiting. In the next room, you’re encouraged to lounge on a cozy banquette and watch a video of a guy’s night out. The show takes us on a journey through his inebriation, labeling each stage: sober, tipsy, loaded, hammered and wrecked. By the time we get to “gone,” he’s passed out in the snow.

It’s admirable they don’t necessarily romanticize alcohol. But neither does the museum seem to make much sense.

Fittingly, there’s a bar inside the museum as well (one that, of course, serves food). Of the cocktails on the list, I was intrigued by the Brooklyn Cocktail: Four Roses single barrel, Amer Picon, and Dolin vermouth. As I was contemplating getting one – maybe it would have helped me understand what I had just experienced – I met the museum director, Helen Ericsson.

Did I like the museum? Um … yes, I did. “It’s not about the production of spirits,” she told me. “It’s about the human experience with alcohol.”

And then she added: “Next year we’re taking a step back and adding more about the history of spirits. People now think the museum is a little strange.”

I’ll drink to that.

[Photo by David Farley]