A travel guide to the 2011 Oscar movies

The 83rd annual Academy Awards are coming up in a few weeks and the Oscars race is on. This year’s nominations contained few surprises, with many nods for Brit period piece The King’s Speech, Facebook biopic The Social Network, and headtrip Inception. While 2010’s ultimate travel blockbuster Eat, Pray, Love failed to made the cut, there’s still plenty to inspire wanderlust among the Best Picture picks.

Read on for a travel guide to the best movies of 2010 and how to create your own Oscar-worthy trip.

127 Hours – Location: Danny Boyle’s nail-biter was shot on location in Utah’s Blue John Canyon near Moab and on a set in Salt Lake City. Go there: Should you want to explore Moab’s desert and canyons while keeping all limbs intact, check out Moab in fall for bike races and art festivals.



Black Swan
– Location: Much of the ballet psychodrama was shot in New York City, though the performances were filmed upstate in Purchase, New York. Go there: To see the real “Swan Lake” on stage at Lincoln Center, you’ll have to hope tickets aren’t sold out for the New York City Ballet, performing this month February 11-26.

The Fighter – Location: in the grand tradition of Oscar winners Good Will Hunting and The Departed, the Mark Wahlberg boxing flick was filmed in Massachusetts, in Micky Ward’s real hometown of Lowell, 30 miles north of Boston. Go there: For a map of locations in Lowell, check out this blog post and perhaps spot Micky Ward at the West End Gym.

Inception – Location: The setting of this film depends on what dream level you’re in. The locations list includes Los Angeles, England, Paris, Japan, even Morocco. Go there: There are plenty of real locations to visit, including University College London and Tangier’s Grand Souk. Canada’s Fortress Mountain Resort where the snow scenes were shot is currently closed, but you can ski nearby in Banff.



The Kids Are All Right
– Location: Director Lisa Cholodenko is a big fan of southern California, she also filmed the 2002 Laurel Canyon in Los Angeles. Go there: Love it or hate it, L.A. is still a top travel destination in the US and perhaps this year you can combine with a trip to Vegas, if the X Train gets moving.

The King’s Speech – Location: A prince and a commoner in the wedding of the century. Sound familiar? This historical drama was shot in and around London, though stand-ins were used for Buckingham Palace’s interiors. Go there: It might be hard to recreate the vintage look of the film, but London is full of atmospheric and historic architecture and palaces to visit. If you’re a sucker for English period films or places Colin Firth has graced, tour company P & P Tours can show you around many historic movie locations like Jane Austen’s Pride & Prejudice.

The Social Network – Location: Another Massachusetts and California movie, this very academic film shot at many college and prep school campuses, but none of them Harvard, which hasn’t allowed film crews in decades. Go there: If you enjoyed the Winklevoss rowing scene, head to England this summer for the Henley Royal Regatta June 29 – July 3.

Toy Story 3 – Location: The latest in the Pixar animated trilogy is set at the Sunnyside Daycare. Go there: Reviews are mixed, but Disney’s Hollywood Studios has a new Pixar parade, to let fans see their favorite characters in “person.” Visit any Disney gift shop to make your own toy story.

True Grit – Location: The Coen brothers western remake may be set in 19th century Arkansas, but it was filmed in modern day Santa Fe, New Mexico and Texas, taking over much of towns like Granger. Go there: If you’re a film purist or big John Wayne fan, you can tour the locations of the original film in Ouray County, Colorado.

Winter’s Bone – Location: Many moviegoers hadn’t heard of this film when nominations were announced, set and shot in the Ozark Mountains in southern Missouri. Go there: The difficult film centers around the effects of methamphetamine on a rural family, but travel destinations don’t get much more wholesome than Branson, Missouri. Bring the family for riverboat shows and the best bathroom in the country.

[Photo by Flickr user Lisa Norman]

Get your Beatles-Style Abbey Road picture in five simple steps

When I emerged from the tube at St. John’s Wood and felt my way over to Abbey Road, I didn’t know what to expect. Like everyone of a certain age, I’d seen the album cover with the “Fab Four” striding across the street by their London studio. I’ve heard the songs and sung along (when nobody was around). The mystique had grown in me over decades, and I figured the Abbey Road crosswalk would have the feel of a holy place.

Well, it didn’t.

If you’re a Beatles fan, Abbey Road is certainly a mandatory stop on your next trip to London, and doubtless, you’ll want your own shot in that iconic crosswalk. I’m guilty of this brazenly tourist act, and along the way, I gathered a few ideas for making it easier to get your shot.

Are you headed to Abbey Road? Here are five ways you can make it easier to become one with music history:

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1. Watch the traffic: there is no traffic light, and Abbey Road is in a residential neighborhood. Cars come zooming past, except when Beatles fanatics get in the way (and even then …). Spend a few minutes watching the flow of traffic, which is influenced by lights farther down the road in both directions. Get a sense of when the natural gaps occur.

2. Note the horns: even if you pick a good time to cross, you’ll likely get in someone’s way. Be aware of what’s going on around you, and try not to be too much of a pain to the locals. They have places to go, too.

3. Make a trade: you need someone to take your picture. Someone else probably does, too. Help each other out, and be patient while waiting for an opening. Fortunately, you probably won’t be the only person in this situation, so finding a new photo buddy won’t be too hard.

4. Plan your walk, especially if you’re with a group: line up ahead of time, and e prepared to move when there’s a break in the vehicular action. You won’t have long when you’re in the street, especially if you want to be considerate of others looking for their moments in the middle of Abbey Road.

5. Instruct your photographer: when you hand over your camera, tell your new friend what you want: it will make it easier for him or her to deliver. When it’s your turn to return the favor, ask for instructions so you can do a good job, as well.

[photos by Laurie DePrete]

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Mona Lisa was a man, says expert

An Italian researcher, Silvano Vinceti, has an opinion about Mona Lisa: she was a he. Vinceti announced today that a male apprentice of Leonardo da Vinci was the real model for the famous painting. Gian Giacomo Caprotti, known as Salai, studied under Leonardo and he was a longtime companion of his. Vinceti speculates that Caprotti may have also been a lover of Leonardo’s. After all, artists’ lovers are often times their muses.

In Vinceti’s release of this news, he makes a point to say that the portrait represents a synthesis of Leonardo’s scientific, artistic, and philosophical beliefs. Leonardo worked on this portrait for several years, at various intervals. Because of this, he was subjected to different influences and inspiration sources. The canvas is also full of hidden symbolic messages and meanings. Caprotti worked with Leonardo for more than two decades beginning in 1490. Although their relationship seems to be definitively ambiguous, many art historians agree with Vinceti and believe that Caprotti was Leonardo’s lover.

And hey, I just want to point out, the letters for the name ‘Lisa’ are found in the name ‘Salai’. Read more on this discovery at ABC. [Thanks, ABC]

The burqa and niqab: can travelers get used to anything? Should they?


Travel broadens the mind, at least for most people. As we explore different cultures and beliefs we see that for the most part they’re OK. While there are always local customs we just can’t follow, in general the more we travel, the more accepting we become.

But how accepting should we get? I’ve traveled extensively in the Muslim world and I’ve yet to figure out exactly how I feel about the burqa and niqab, two types of female Islamic clothing that cover the face. For the vast majority of the world’s population, the face is a key to identity. We look at the face to tell what a person is thinking and feeling. It’s how we spot friends and enemies at a distance. To see a covered face makes many people suspicious. In most cultures, it means the person has something to hide.

Here in Europe a debate is raging over whether the face veil should be banned. Some politicians say it’s oppressive and against Western values, while others defend it as part of a cultural heritage that needs to be tolerated in a free society. One thing these pundits have in common is that they talk about women who cover their faces, but very few actually talk with them. Regarding the burqa ban in France, one female friend quipped, “It’s just another case of men telling women what to wear.” Here’s a video from the BBC program Newsnight that interviews Muslim women both for and against veils.

This video makes two important points: that opinion is divided in the Muslim community over face covering, and that there are thinking, educated people under those veils.As a Western man I haven’t had many opportunities to talk with covered women, but when traveling in Somaliland I got to talk to a few niqabis. While talking with them I discovered that their personalities began to emerge. I also kept a lot of eye contact since there was nothing else to look at. The eyes are always expressive. Among niqabis they’re even more so.

Fellow travel writer Lara Dunston taught in Abu Dhabi for many years and noticed the same thing. The veil didn’t stop her from getting to know people as individuals. She even became able to recognize people just from their eyes. She says the vast majority of her students cover by choice. In the book From My Sisters’ Lips, Muslim convert Na’ima bint Robert talks about why she chose to cover her face, and interviews others who made the same choice. Central to their decision was the desire to be known for what they think, not how they look. They see the veil as accentuating a person’s identity rather than hiding it.

If only it were that straightforward. In many places it’s not individual choice but social pressure or even force of law that makes women cover their faces. Saudi Arabia, which is our ally because we need their oil and they need our weapons, has been instrumental in the global spread of radical Islam. For example, they’re building beautiful mosques and madrasas in the Muslim regions of Ethiopia in order to change what has been a bastion of liberal Islam. I’ll never forget passing through one village where the only stone building, and the only one that had more than one storey, was a Saudi-built mosque. Walking along the road in the noonday sun was a woman in a niqab with a huge bundle of firewood over her back. I was hot just standing there. I can’t imagine how she must have felt.

Take this woman: uneducated, almost certainly illiterate, who’s probably never been outside her own region, and introduce her to a Saudi cleric with his nice car and clothes and education, and he tells her she needs to cover her face or Allah will be angry and her neighbors will think she’s a slut. What’s she going to do? That’s not a choice; that’s oppression pure and simple.

In a response to the controversial “Just Say No To Burqas” mural in Australia, a Muslim activist friend of mine Asra Nomani said, “‘Say No To Burqas,’ says ‘no’ to not only burqas but the interpretation of Islam that says that women are too sexy for their faces and have to cover up to be ‘good Muslims.’ It’s important that we reject the interpretation of Islam that sanctions burqas. One girl who had to wear a burqa in my village in India asked me, ‘What’s it like to feel the sun shine on your face?'”

Asra makes a good point that the burqa is only one interpretation of Islam. The Koran and Hadith say that both men and women should dress modestly. They say nothing about women bundling themselves up from head to toe in yards of cloth.

An educated debate about this issue is becoming increasingly important as Western society becomes more multicultural. It’s becoming more important to me personally. I spend every summer in Oxford. Among the many Muslims there, most women wear headscarves, something that I barely notice anymore. A small minority of women wear the niqab, including a local pharmacist. Last year we were in the park and my son, then four years old, saw one of the mothers wearing a niqab.

“Why is she hiding her face?” he asked.

“Because she wants to for her religion,” I said.

“SHE SHOULD TAKE IT OFF!” he said in that typical child voice that carries for miles.

“Only if she wants to,” I replied rather lamely.

I couldn’t think of a better answer. I still can’t.

Cruise line wants Olympic action

Cruise lines sometimes balk at the notion that they are merely a floating hotel. Sometimes that can work to their advantage though as one cruise line hopes.

Royal Caribbean International’s Azamara Club Cruises could be the home to London visitors for the upcoming Olympic games.

Azamara chief executive Larry Pimentel thinks his line will be picked over others looking to get in on the Olympic fever and have the ability to be docked in London for the games.

“The location of the ships is absolutely critical”, he said. “Officials were very restrictive but as time goes on I think we are going to be given permission. I think we will hear within a month.”

The thought is that it would be more cost-effective for visitors to stay on one of the Azamara ships due to the all-inclusive nature of their ships compared to London hotel prices.

Azamara Club Cruises currently operates two ships, Azamara Journey and Azamara Quest. Azamara Journey was in the news not long ago as host ship of the Titanic 2012 sailing with three days spent at the Titanic’s final resting place. The ship will receive live video feeds from a remotely operated underwater vehicle deployed from an expeditionary ship alongside the sunken ship.