Powered paragliding problem ends in cruise ship landing

A Brazilian man didn’t realize he was about to do something incredible. Making an emergency landing while engaging in powered paragliding is interesting enough, but he took it to “Top Gun” levels by doing it on a cruise ship. Holland America’s “Prinsendam” served as his aircraft carrier, in Portugal‘s Portimao port. The unusual landing was the necessary because of equipment problems.

According to The Portugal News Online:

After crash-landing on the vessel the man was immediately given medical assistance and taken to the local Barlavento Hospital. His equipment, which was caught on the top deck of the ship, was collected by the Maritime Police for inspection and to ascertain the cause of the incident.

[photo by pizzodisevo via Flickr]

Saints’ relics in Rome


Everywhere you go in Rome, there are body parts on display.

The churches are full of them, and people travel hundreds or even thousands of miles to see them. They’re the mortal remains of saints and apostles and are venerated as holy relics.

Relics were big business in the Middle Ages and Renaissance. Every church wanted some because it meant pilgrims would come visit, and pilgrims meant money. Pilgrims were the original tourists and churches fought to be on the pilgrimage route as much as modern hotels fight to be on the tourist trail. Relics were bought, sold, stolen, and forged so much that it’s almost impossible to say whether a particular bone really came from a particular saint. What’s for certain is that their appeal hasn’t totally died away. People still come to the churches of Rome to see the remnants of their favorite holy person.

Being new to Rome, I recruited the help of two Italy experts, historian Angela K. Nickerson and Gadling’s own relic hunter David Farley. With their help I stumbled into the weird world of saint’s relics, a side of Catholicism that in the present day no longer takes center stage yet is still very much in the minds of modern pilgrims.

The mother of all relic collections can be found in and around St. John Lateran, founded in about the year 314 AD as the first Christian basilica in Rome during the twilight years of paganism. While Constantine seems to have been ambivalent about the new faith, his mother Helena embraced Christianity wholeheartedly. She went to the Holy Land and dug around until she found the True Cross, the Spear of Longinus, various holy corpses, and other relics. Her search proved so fruitful that she later became the patron saint of archaeologists. Helena brought these relics back to Rome, where many can still be seen. Her biggest haul was the Scala Santa, the steps to Pontus Pilate’s palace that Jesus walked up on the way to be condemned to death. These are housed in a building right next to St. John Lateran. The faithful still crawl up it on their knees, deep in prayer. A sign by the bottom of the steps informs visitors in a half dozen languages that it is forbidden to walk up. One must crawl or not go up at all.

%Gallery-102761%Other relics have since disappeared or have been moved. The True Cross was broken up and pieces can be found just about everywhere. Two later additions to St. John Lateran are the heads of Saints Peter and Paul, which rest in a pair of gold caskets above the altar. If you want to see the head of John the Baptist, head on over to San Silvestro in Capite.

Some of Helena’s relics ended up in Santa Croce en Gerusalemme, perhaps the most relic-intensive church in Rome. There are bits of the True Cross, the signboard from the Cross that says “Jesus of Nazareth, King of the Jews”, part of the crown of thorns, and the finger bone of St. Thomas. This is said to be the same finger he used to probe Christ’s wound, proving Christ was really dead and giving rise to the expression “Doubting Thomas”.

For more bones go to San Ignazio, where a side chapel houses a grandiose baroque altar filled with dozens of skulls, femurs, and other bones are incorporated into the decoration. Like the Scala Santa it attracts a steady group of the faithful. When I was there two ancient Italians were praying to these reminders of their immanent fate..

For something a little more romantic, go to Santa Maria en Cosmodin. This church, sitting atop a pagan cemetery, has the skull of Saint Valentine himself. On Valentine’s Day the church officials open up the catacombs beneath the church for tours, the only day they do so. Other churches have something to offer too. Santa Prassede has the column to which Jesus was chained while he was flogged. San Paolo fuori le Mura has St. Paul’s tomb and part of the chain he wore while under arrest. St. Peter’s, of course, has the bones of St. Peter. In fact, it’s hard to find a church that doesn’t have some little memento, human or otherwise, of the early days of Christianity.

And then there are the mummified monks. . .

Don’t miss the rest of my Vacation with the Dead: Exploring Rome’s Sinister Side.

Coming up next: The triumph of death: mummified monks of Rome’s Capuchin Crypt!

Hotel kicks out British couple after they allegedly write negative review on TripAdvisor

A lesson to all the amateur hotel reviewers out there: wait until you get home to slam the place where you’ve just stayed.

A vacationing British couple learned this the hard way when the manager of their hotel called the police to ask the couple to leave after the couple allegedly wrote a negative review of the hotel on TripAdvisor. Adrian Healey and his girlfriend had been staying at the Golden Beach Hotel in the English town of Blackpool for two days when the hotel’s manager allegedly barged into their room, accused them of slamming the hotel on TripAdvisor, and told them to leave. The police showed up shortly after.

“We asked for a refund but the hotel refused,” said Healey. “I think it is shocking and people need to know about this.”

“No offence had been committed by the couple, but the manager had requested them to leave the property,” according to the police. “We advised the couple how to go about getting a refund. This is a civil matter.”

Unsurprisingly, the hotel’s reviews on TripAdvisor are, shall we say, “mixed.” Don’t expect them to get any better after this episode.

More here.

[Image Credit: MyBlackpoolHotels.com]

Wet in Venice: an unexpected gift in Italy

In October 2002, Bush and Cheney were gearing up to invade Iraq and I was encountering my first experiences as a not-so-welcome American in Europe. My whole trip had been carefully scripted, at least as far as where I’d sleep at night, but I’d left open the question of where to stay in Venice, the city I would fly home from. As I sat in the small office off the kitchen of the Tuscan farmhouse I’d been staying in, calling more and more places, the proprietress noticed I was hearing a lot of no’s. She took the phone, saying that she had a friend in Venice with an extra room who could probably use the money. “She’s had cancer, and I’d like to do her a favor,” she explained, already dialing. I was desperate, so the intervention was welcome.

Armed with a little slip of paper on which my Tuscan hostess had spelled out the unusually named Virginia’s address and phone number, I was off.

As it turned out, Virginia lived on a wide cobblestone square in the heart of Venice. Pulling my roller bag across the stones, the racket announcing my arrival, I could see that from this location I would be able to walk everywhere. Weeks earlier, on the flight to Italy, I’d met an elderly man who’d studied Venice, specifically its mosaic floors, his entire adult life. His face had filled with delight as he composed a list of the floors and places I must visit.

I pulled up to a stone building with a big glossy black door presenting a sturdy face to the square. I was buzzed into a foyer, with a notably nice floor, and walked up the steps to Virginia’s flat.Virginia opened the door onto a cozy and modern home. Shelves full of books lined the living area, with the flat tops of the shelves reserved for plants. Behind the plants were windows, opened at a slant. These were too high for me to look out of, but the plants must have had a nice view. There was a sofa, a coffee table with current magazines and a large farm table for dining. Beyond this was the tiniest kitchen I’ve ever seen — about three feet wide and four feet deep. Everything in it, including the refrigerator, was commensurately small. An eye-level window looked out on potted geraniums and other apartments.

My room was just off the main one, with the only bath to my right and her bedroom down a small hall to the left. The futon was already made up for me, with a little reading lamp on a low table nearby. There was just enough room for my suitcase on the floor alongside my bed. And there were more tall windows. Even standing on the futon I wouldn’t be able to see out. I could hear the sounds of the canal below though — water sloshing, gently slapping the building, and voices too, of children playing.

“Alberto will be home this evening,” Virginia said. Oh, there’s a husband, I thought, okay.

My hostess was about fifty-five years old. As I thanked her for making my room so comfortable, I searched her face for signs of illness. She seemed all right, even if her color was a little off.

She showed me how to heat water for instant coffee in the morning and placed a canister of “biscuits,” very plain cookies, on the table for my morning breakfast.

And so my first afternoon in Venice began. I made my way down narrow alleys, up and down steps, pausing to look into shop windows, and I felt like I’d been there before. Not déjà vu, but deja merchandise. This was the exact same stuff I’d seen in my grandparents’ home as a child, things they’d picked up on their travels here: gilt trays of gold, red, and green, blown glass birds, “paintings” made of tiny stones. Suddenly those things that had seemed precious and unique, some of which I now owned, seemed like very expensive knick-knacks, souvenirs Venice had been foisting off on tourists for decades.

As I walked along the canals, lined with picturesque businesses and homes, watching the water lap against the buildings, I noticed that mildew was growing up the sides of some. The place was soggy at its roots, decaying, but putting up a good front. I visited Saint Mark’s Square, had my picture taken amidst the pigeons that have overrun the place, and paused for a rest.

“Could this be?” I wondered. “I really don’t like Venice?” This was an unacceptable conclusion to reach, especially so quickly. I walked along the Grand Canal and looked at the anchored yachts with their matching helicopters. The Canal view was lovely, but I was unmoved. I walked further and further but a feeling that this was a fake place, like Las Vegas or Disneyland, was growing. I decided to review the list provided me by the lover of floors. I would faithfully follow it the next day.

When I returned to the flat, I met Alberto — an environmental engineer working on plans for a massive project that it was hoped would someday provide a shield that would rise and fall with the tides, protecting Venice from periodic flooding.

That night a mosquito was trapped in my room. I turned on the light and went through the routine of trying to see and smash it. And though I washed my hands after visiting the bathroom, they smelled like prosciutto back in my room — Alberto’s favorite, smeared on the bathroom doorknob.

The next day I ate cookies for breakfast, and then — why not? — gelato for lunch. This would become a daily habit. Since it was Alberto and Virginia’s place and Virginia seemed to stay at home, I felt obligated to vacate the flat all day. No afternoon rest, just walking and walking, all day. Fueled by sugar and a determination to like this damp place, I located an English-language bookstore and zeroed in on this title: “The Stones of Florence and Venice Observed,” by Mary McCarthy. “Ah,” I thought, “this will help me.”

Little did I know that Ms. McCarthy hadn’t bought Venice either, though it had lots to sell in her day and apparently had for centuries. I read that it was basically a place created by vendors — a playground destination made purposefully pretty in order to lure people in to buy expensive trinkets and entertainment, including the courtesanal kind. It really had been a forerunner of Las Vegas. I felt vindicated, but not happy.

I pursued the list. Two of the places suggested by the floor-lover improved my feelings about Venice, in part because they were relatively dry. One was the Scuola Grande dei Carmini, one of the guilds dating from the thirteenth century where artisans had learned, perfected and practiced their crafts. The other was the Peggy Guggenheim Collection museum. Its pebbled walkways, trees and gardens were as important to me as its works by Calder. It was one of the few places in Venice where I saw a profusion of plants growing in earth.

That night I was invited to join a dinner party. Virginia and Alberto jostled each other in the kitchen, preparing clams. Alberto was a very large man — tall and top heavy. Though he occupied a lot of space, he had a surprisingly high, sweet and melodic voice, and he giggled often, which made me able to forgive him for the prosciutto-slimed doorknobs.

Their friends arrived and we sat down to eat. This was splendid — candlelight, fresh pasta with clam sauce, red Italian table wine, real Venetians… Only I was on the menu too. Virginia set the tone with a passionate statement about the war the US was about to begin, and the intense suffering we would cause. Only much later would I learn that the Senate had passed a resolution that very day authorizing war. Everyone stared at me, expecting answers. They were as brainwashed as I once was that average Americans could actually deter someone like Bush and those behind him from their agenda. I stumbled through a highly unprepared statement: “I agree with you — I can’t stand Bush’s policies…”

But it was clear that Virginia had experienced the hardships of war’s aftermath as a child. She was furious, my clams were gritty, and it was a relief to escape to my little room. On this night I could not only hear the water outside, I could smell it. Sumpy. This place was sopping wet and rotting. And my only friend, the mosquito, had unfortunately not chosen to abandon me.

The next morning, Virginia was kind again, and gave me a ticket to a piano concert at San Giorgio Maggiore church. She also leant me her thigh-high rubber boots so I could slog through St. Mark’s Square at high tide. It was amusing to traverse the square thus clad, but as I did so, I realized I was weary of so much water.

I awoke the next day feeling very ill. I had a high fever, and was weak. No walkabout today. The next day, I felt worse. I huddled in my little room, hearing the water splish-splash, smelling it, feeling terrible, too wiped out to read, with nothing to do but sleep, take my temperature, and worry. It must have been the fever, because I don’t recall ever crying before over being sick. But I cried, and tried to hide this fact when Virginia knocked on the door and brought me tea. She could see I was disheartened, and I felt a sympathy from her I now attribute to her experience of being sick — sick with cancer, sick with the discouragement that illness brought. She quietly left and I cried some more, convinced I would die there and be buried on San Michele, the soggy graveyard island I’d seen on my way to Murano.

Later that day Virginia returned. She’d been out, she’d bought a bone, and she’d made broth for me. I needed to eat, she said, so I could get strong enough for my flight home, the day after next.

The next day, in spite of the morose place I’d descended to, I did feel a bit better. Virginia brought me more bone broth and a few crackers this time. And jewelry. She wanted me to have a necklace of hers: it was made up of twenty-four intertwined strands of tiny glass beads, the beads mostly blues and reds. The beads were similar to what we call “Indian beads” but finer, smaller and deeply colorful. She told me they were very special beads, endemic to Venice, and that she was only telling me this so that I’d know they were special. The necklace had a gold clasp. She also gave me a delicate chain bracelet with black oblong beads because she’d noticed I tended to wear dainty jewelry.

I slid my suitcase nearer, quickly dug out my little jewelry bag and produced a necklace for her — round onyx balls encased in silver, hanging from a thick silver chain. The look of joy on her face still makes me happy.

A year or two later, I received an email from Alberto. Virginia was dead. Having survived several bouts with cancer, over a period lasting more than a decade, she’d finally succumbed.

It took me many years to start wearing that necklace. Now it is one of my favorite things. I think of her when I put it on, and the bone broth she made, and how she helped me become well.

Suzanne Stroot cut her travel teeth watching thousands of childhood miles stream by the backseat window of a Plymouth station wagon. Though she likes the vantage point of traveling as an adult far more, she wouldn’t trade those early experiences for anything. Suzanne is now a writer based in Northern California.

[Photos: Flickr | Kent Mercurio; Kiernan Lynam; gnuckx; sirgini; gnuckx]

Agatha Christie’s English Riviera


For one solid week – September 12-18, Torquay celebrated the 120th anniversary of Agatha Christie’s birth. As a lifelong Christie fan, I was looking forward to every minute of the promised “murder, mystery and mayhem,” which all turned out to be the kind of innocent fun of a bygone time.

In this quiet, almost pastoral part of England, there are many remnants of years past, as well as reminders that the world’s best-selling novelist is also the best-loved daughter of the English Riviera.

The anniversary festival opened with an old-fashioned fete, featuring costumed stall-holders, a jazz band belting out period music and the Agatha Christie Dancers, who did the Charleston with energy and style. Actor Martin Gaisford as Hercule Poirot, Christie’s most famous detective, mingled with the crowds, posing for pictures and answering questions from fans. Though David Suchet has been the “official” film Poirot for 19 years, Gaisford is a convincing lookalike, with a formidable mustache that is just as Christie described it in the Belgian detective’s debut novel, “The Mysterious Affair in Styles.”

Christie’s grandson, Mathew Pritchard also appeared at the fete, telling stories about his celebrated grandmother-and assuring fans that Agatha Christie, with millions of books in print, along with DVDs, comics, games and downloadable products, is still a star in this digital age. (Pritchard recently signed a 10-year deal with publisher Harper Collins for worldwide distribution of Christie’s books.)

Also making an appearance at the fete were the two Chinese winners of an Agatha Christie competition, along with several Chinese journalists. The prize was a trip to the festival, personally escorted by Matthew Pritchard.

A 23-year-old member of the group who identified himself as “James,” told me the first film he had ever seen after China opened up to Western culture was “Death on the Nile.” The second was “Evil Under the Sun.” After that he went on to read Chrisite’s books. “I was just amazed by Agatha Christie,” he said, “she writes a good story, with simple language, good dialogue and good puzzles.” He went on to predict that Christie’s fan base “will be great in China.”

My Christie pilgrimage included a remarkably fresh performance of “Witness for the Prosecution” by the Agatha Christie Theatre Company and a visit to the Agatha Christie Gallery of the Torquay Museum, where I discovered a long list of actors who had played Poirot, starting with Charles Laughton’s 1928 West End performance. (My least favorite was Albert Finney, who turned in a near-cartoonish performance in the 1974 Hollywood version of “Murder on the Orient Express.”)

The museum is part of the Agatha Christie Mile, a meandering route that traces landmarks in the life of the Queen of Crime: the Princess Pier, where she roller-skated, Beacon Cove, where she swam (and once nearly drowned) and 800-year-old Torre Abbey, where head gardener Ali Marshall has created a year-round garden of all the poisonous plants used by Christie in her 80 novels.

Dame Agatha had pharmaceutical training as a young woman, so poison was her preferred murder weapon, and she famously wrote: “Poison has a certain appeal…it has not the crudeness of the revolver or the blunt instrument.” Ali Marshall shares Christie’s enthusiasm for poisons found in nature, and her own guide to the plants is prominently displayed in the garden. I learned that cyanide is found in peach kernels and that hyoscyamine (or henbane) is not an easy plant to find-Marshall sourced hers from witchcraft sites.

A highlight of my visit to the English Riviera was the tour of Greenway, the 400-year old holiday home Christie purchased in 1938 for £6,000. To reach the house, which is located on the River Dart, I took the vintage Greenway bus (reservations necessary); the house is also accessible by ferry and by car (advance parking reservations necessary).

Greenway was gifted to the National Trust by Christie’s family, and after a £5.4 million restoration, it was opened to the public in 2009. Stuffed as it is with weird and wacky and wonderful things, the Georgian house is warm and welcoming and very much alive, as if Dame Agatha herself might still be in residence.

A pile of gardening hats belong to her son-in-law rests on a table in the entrance hall, along with a (really) vintage mobile phone that looks as if it weighs 10 pounds. Her personal collections: papier mache, pottery, ceramics, pictures, books and more, fill the rooms, which are light and airy, creating a 1930s setting with a modern (1950s) overlay of amenities. In each room are scrapbooks filled with Christie’s writings, records of parties and entertainments, dinner menus, as well as the sweet trivia that filled the days at Greenway, which she described as “the loveliest place in the world.”

Dame Agatha’s presence is felt throughout the home, especially when a recording of her voice is played, in which she talks about her career in a matter-of-fact way, saying she made notes on plots as they occurred to her-but then had to find time to do the writing.

Near the end of my tour, I had lunch in Christie’s own kitchen, dining on chicken that was cooked in a vintage Aga, followed by a luscious bread pudding. (Lunch is priced at a modest £15 for two courses.)

Before leaving Greenway, I checked out the section of the house that had been turned into a five-bedroom rental apartment that sleeps 10 (rent is about £2700 a week in high season, much less in winter). The furniture here is from the Christie collection and the kitchen is pure 1950s, making this a dream spot for fans who are also lovers of all things retro.

The most elegant event of the week was the September 15 birthday party held at the Grand Hotel, where Christie honeymooned with first husband Archie. Actress Jane Asher, known also as a celebrity baker, created the recipe for the “Delicious Death” cake from ingredients mentioned in “Appointment with Death.”

The guest of honor at the gala was Julia McKenzie, the newest Miss Marple. McKenzie greeted guests, posed for pictures and spoke of her trepidation at being given an iconic role, particularly after the late Joan Hickson established herself as the one-and-only Miss Marple. “But,” she says, “I like to play the story line, rather than over-thinking it,” depicting Miss Marple as “a person you’d like as a friend, someone you’d trust.”

And then, with a twinkle in her eye and a hint of mischief in her smile, she asks: “But would you invite her anywhere? There’s always a murder wherever she happens to be.”

The party ended with a bang, but there were no murders, just an eye-popping display of fireworks on the beach below the hotel.