Digital technology meets art with a floating orchestra of ping pong balls

The Poietic Studio in London in the United Kingdom has combined technology with art in their new exhibit, the Floating Orchestra. Here, 19 ping pong balls come to life, becoming orchestral instruments that increase in volume as each ball rises. By manipulating each ball, you can create your own symphony of music. And, how is this all controlled? By technology, of course, via the touchscreen of an iPhone.

The Poietic Studio has a unique approach to art, focusing on “people’s fundamental joy of play, curiosity, and exploration”. Their practice is multidisciplinary, with backgrounds in art, engineering, and interactive and spatial design. By exploring the bounds of imagination, technology, and science, Poietic Studio is able to create “unique mechanical structures that offer memorable experiences whilst celebrating the poetics of engineering”.

Want to see how the Floating Orchestra works for yourself? Check out this video:


Floating Orchestra from Poietic Studio on Vimeo.

Japan wins World Rafting Championship

As we mentioned last week, the World Rafting Championship took place in Costa Rica over the weekend, with 48 teams (29 men, 19 women) competing against one another on a wild stretch of the Pacuare River. The competition, which began on Friday and finished on Monday, consisted of a variety of events that rewarded teams for their speed, agility, and endurance on the water.

After four very long days on the water, the Japanese men claimed victory over the field with an impressive showing all around. They finished ahead of the Czech and Slovenian squads who were two and three respectively. In the women’s competition, it was the Czech Republic that took home the crown, with Japan finishing second, and the Netherlands in third. Both the American men and women finished in seventh place.

To win the WRC, teams compete in four distinct rafting disciplines, earning points for how they place in those individual competitions. The team with the highest score at the end of the four days is then declared the champion. On the fist day of the event, the teams take part in the Sprint, during which they simply try to cover a certain length of the river in the fastest time possible. Day 2 brings the Head-to-Head competition, during which the teams are paired up tournament style based on their standings following the Sprint. Teams that win advance in the bracket, while losers are eliminated, until a Head-to-Head champion is crowned. The third day of the competition brings the Slalom, during which the teams navigate around a series of flags as quickly as possible, and the final day is the reserved for the Down River, a long distance test of endurance.

While crowds at the WRC don’t exactly rival those at the Super Bowl, there was an enthusiastic and dedicated group of fans from across the globe on hand. The “stadium” wasn’t bad either, as the Pacuare is a wild and beautiful river, surrounded by lush rainforests and towering mountaintops. It served as the perfect backdrop for event.

Congratulations to the winners.

Shake Shack in Brooklyn, New York, adds public art installation to their menu

A public art installation has been added to the space that will soon house a Shake Shack in the Fulton Mall in Brooklyn, New York. Earlier this year, Shake Shack reps heard about the Before I Die installation in New Orleans, Louisiana, and decided that they wanted to do the same thing as it seemed true to the Shake Shack spirit.

The installation is comprised of a giant chalkboard where people can write down things that they wish to accomplish before they die. According to Amanda Kludt of the New York Eater, some of the current postings include “Make Mariela proud of me”, “Change the world”, “Inspire like Steve Jobs did”, and “Hug you heart to heart”.

While the installation has been successful so far in creating a dialogue with their new community, the idea is purely for the Brooklyn location and will not be brought to other Shake Shacks.

Falling in love with oysters

The allure of the oyster always mystified me. For years, I’d wrinkle my nose when my tablemates would order the slippery creatures, put off by the texture of the little puddles of flesh. Don’t get me wrong: I like seafood. I grew up near the water, and I’ve scarfed down everything pulled from the sea ever since I could chew. And that’s not just fish–crustaceans are more than fair game, and I clamor to pry clams and mussels from their shells. But oysters always made me uncomfortable. It was something about their slimy, briny consistency–it seemed akin to willingly slurping down a slug.

So for a while I feigned interest. In New Orleans, I passed over the famous Oysters Rockfeller at Antoine’s, opting instead for a taste of something I thought would provide a perfect out: The Po’boy. A heaping portion of anything fried and served in a bun typically falls within my culinary wheelhouse, and the Parkway Bakery’s po’boy is considered to be one of the best in the city. The rubbery consistency of fried oysters was close enough to the clam rolls of my youth that I bit in without second thought. And to be honest, even mid-meal, no real difference between the two really registered in my mind; if anything there was a slightly creamier texture beneath the crispy oyster’s crust. I convinced myself that I’d overcome my aversion, but inside I knew the truth. I was still an oyster virgin. And for a while, I was okay with that.Then, earlier this year, I was offered an important opportunity that hinged largely upon my knowledge of oysters (or at least an appreciation for the creatures). So I did what most journalists do when encountered with an unfamiliar subject, and I dug deep, researching a foodstuff that I’d never really tried. I read that the Greeks worshiped the oyster and believed that Aphrodite, goddess of love, emerged the ocean in an oyster shell (which is the root of why they’re now considered aphrodisiacs). I found out that when the first colonial settlers arrived in the Chesapeake Bay, oyster reefs were so plentiful that they were considered navigational hazards (back then, they reportedly found oysters that were 13 inches long). Oysters, I learned, are an important part of the watery ecosystem, flushing out algae and pollutants from the water and creating reefs that help support other sea life. Groups like the Nature Conservancy and the Oyster Recovery Partnership have been working to repopulate oyster beds in areas around the country, as the conservancy estimates that in places like the Chesapeake, the oyster population is only one percent of what it once was. After giving myself a tutorial in all things oyster, my assignment thankfully worked out, and I was left feeling extremely beholden to the little bivalves. So I set out to get to know them better this summer.

In New England, where I live, oyster-selling establishments have history: The Union Oyster House is Boston‘s–and the country’s–oldest restaurant. It opened in 1826 and has been continuously operating ever since (J.F.K. apparently used to patronize a booth upstairs). It’s also a pretty crowded tourist attraction, but thankfully, one of Boston’s greatest oyster galleries is just a few blocks away, and it’s there that I had my official introduction.

Neptune Oyster bar is tiny and covered in white subway tiles that make you feel a bit like you’re dining in a fish market. Which in essence, you are. Their rotating menu of oysters are brought in daily from both coasts, and are served fanned out in circles and placed on a pile of shaved ice and rock salt. They’re elevated on the table on a little stand, not unlike the way pizza is served in certain restaurants, which allows you to get a closer glimpse of each variation. That was how I realized that I’d never really looked at an oyster up close: The ripples in the shells, the pearly white insides, the little pools of meat that admittedly still kind of creeped me out.

But I was there for the experience, and so experience I did. Aligning my mouth on the edge of the shell, I made my first fateful slurp. Salty and fresh, it tasted like the ocean. For the next half hour, as we worked our way through the plate, my friends and I explored the flavors as we would with wine. Earthy, mossy, bright, and fruity; who knew oysters varied so greatly? I spent the next few weeks ordering oysters on every menu I encountered, hoping to expand my palate. By summer’s end, I had not only gotten over my squeamishness, but landed on a favorite, the creamy, buttery Island Creeks, which are sustainably harvested in nearby Duxbury, Massachusetts.

I quickly learned that Island Creeks are a big deal in the Bay State; they have a new restaurant that opened in Boston this year, and are also the subject of a the book Shucked, out this month, about author Erin Byers Murray’s year spent working at the oyster farm. So I decided to complete my oyster appreciation tour with a pilgrimage of sorts.

Island Creek hosts an annual festival to raise funds for their charity, the Island Creek Oyster Foundation, which is working to build sustainably-grown oyster beds in Zanzibar and Haiti. So on a gorgeous afternoon earlier last month, I entered the huge tent that they’d set up on the beach in Duxbury, which was filled with outstanding chefs preparing oyster BLTs, grilled oysters, and hundreds and hundreds of raw oysters, shucked and served just out of the sea. “Look this one, it’s a porn star,” one shucker said as he handed an extremely large selection (apparently both oysters and porn stars are judged on the size of their cups). I eyed it greedily, and realized that when I comes to oysters, I’d finally come out of my shell.

Exhibit at Austrian Cultural Forum in New York gives a new perspective on beauty

The Austrian Cultural Forum in New York is currently hosting Beauty Contest, an exhibit featuring 20 international artists focusing their work on their interpretation of beauty. Some of the artists call upon their own experiences being a gay/lesbian, transgendered, or exhibitionist living in eastern Europe, while others comment on beauty’s evolution in terms of society. Visitors can expect these visions to be presented through an array of mediums, including sculpture, video, photography, and painting.

The majority of the artists working on this exhibit live and work in Vienna, Austria, however, there are still some artists who grew up in Austria and moved to New York, and others who have been raised in various American cities. Artists you may recognize include Cindy Sherman, Matthias Herrmann, Kalup Linzy, and Evangelia Kranioti.

The exhibit runs until January 3, 2012, and on certain dates there will be special events held as part of the Beauty Contest program:

  • October 19- A panel discussion will be held at 6:30PM, moderated by Gia Kourlas, the dance editor at Time Out New York as well as a dance critic for the New York Times. Other members of the panel will include French historian, dancer, and choreographer François Chaignaud, American author of The Man in the Grey Flannel Skirt Jon-Jon Goulian, Austrian dancer and choreographer Silke Grabinger, and the curatorial advisor for the exhibition Beauty Contest, Salette Gressett. The discussion will focus on “how emancipatory artistic reflection and practice has fought to reveal the hidden structures of repression toward gender, race, and age and to shake off antiquated visual preconceptions”.
  • November 10- A performance by Austrian artist Maria Petschnig will take place at 7:30PM. It will consist of video clips and live action that suggests fantasies, transitioning from the sensual to the grotesque. The performance will question the difference between public and private as well as one’s actual self verses the staged self.
  • Every Wednesday- Private tours are led at 5PM by co-curator Andreas Stadler.

The gallery is located at 11 East 52nd St. New York, NY 10022 (between Madison and 5th Ave) and the exhibit is open daily from 10am – 6pm.