Northern Lights Just One Reason To Visit Iceland

The northern lights are a natural light display that occurs in the high latitude regions of our planet. Alaska is one of the best places to see the northern lights, especially in September and March when skies are dark and temperatures mild for comfortable viewing. Iceland is also a good place to view the display and offers some unique advantages.

One of several astronomical phenomena called “polar lights” (aurora polaris), northern lights, (Aurora Borealis) are caused by the collision of energetic charged particles with atoms in the high altitude atmosphere. Iceland is located directly under the main concentration of the northern lights annulus, the so-called Great Belt, an oval cosmic light that goes around earth off-axis.In Iceland, located midway between Europe and North America, and with direct flight routes from both continents, northern lights can be viewed from October through March in a number of ways.

Self-drive tours, winter Jeep expeditions and organized group excursions are popular and offered by a variety of tour operators.

But northern lights are a natural phenomenon and sightings can never be guaranteed, so having a backup plan when visiting is a good idea. Actually, for many travelers, the backup plan is their main focus and viewing the northern lights is icing on the cake.

The Golden Circle is a popular tourist route in south Iceland, looping from Reykjavík into central Iceland and back over about 300 kilometers.

Stops on the route, any one alone worth a visit, include Þingvellir national park, the Gullfoss waterfall, and the geothermally active valley of Haukadalur as well as the Kerið volcano crater/lake, Hveragerði greenhouse village, Skálholt church, and the Nesjavellir geothermal power plant.

Can’t make it to Alaska or Iceland? NorthernLightsIceland.com has a webcam set up and will broadcast the northern lights live when they happen. Follow them on Facebook and Twitter then watch for a post or tweet when their UStream feed is active.

In this time-lapse video we see a number of attractions in Iceland from Iceland Explorer Travel Guide that also has an iPhone app for exploring.


[Flickr photos by Gunnsi]

Aspen’s ‘Revolutionary’ New Restaurant: Is This The Future Of Fine Dining?

Aspen is well known for many things, some more savory (its restaurants) than others (Charlie Sheen arrests). There’s also the world-class skiing, but a person’s gotta eat, and Aspen definitely boasts some of Colorado’s finest restaurants. In a ski town, that’s saying a lot.

In June, Aspen’s restaurant scene just grew a little bigger, better and more groundbreaking, with the opening of Chefs Club by Food & Wine, at the tony St. Regis resort. The innovative restaurant, which opened to great fanfare during the 30th annual Food & Wine Classic in Aspen, marked the completion of a $40 million redesign of the resort.

The first restaurant of its kind worldwide, Chefs Club’s concept is simple, almost like a long-term pop-up. A select group of four Food & Wine Best New Chefs curate a bi-annually-changing menu of “seasonally-inspired cuisine.” The chefs will rotate on the same schedule, as well: the Fall/Winter talent will be announced November 15, via the restaurant’s website and Facebook. Following their initial, one-week tenure the chefs will make appearances throughout their “term” to offer menu specials, and showcase the Chefs Club concept to guests and the local community.

Notice that I said the concept is simple. Having four guest chefs, who are most likely total strangers, design a compatible collaborative menu, and having it consistently executed to high standards by a kitchen staff of complete strangers with varying degrees of training is a monumental task. I freely admit I was more than a little dubious when I first heard about Chefs Club. I’m writing this piece now, nearly six months after its opening, because I wanted to follow-up with staff and guest chefs, and find out how things are going.

Chosen to inaugurate the restaurant and menu were former Best New Chefs: George Mendes (2011) of Aldea, located in Manhattan; James Lewis (2011) of Birmingham’s Bettola; Alex Seidel (2010) of Fruition, in Denver; and Sue Zemanick (2008) of Gautreau’s, in New Orleans.

I was able to wrangle an invite to the grand opening reception at Chefs Club last June, as well as dine there the following night. It’s rare that I attend restaurant openings, because they’re usually a bit of a clusterf–k, as the kitchen hasn’t had time to work out the kinks or refine the menu. In this instance, however, I was curious to see how such a challenging concept would be carried out, especially given immense pressure for things to run smoothly.

%Gallery-165852%Some of the culinary industry’s biggest players attended the grand opening and/or the Classic, including the Food & Wine editors and publisher, and some of the nation’s most prestigious chefs, among them Jacques Pepin, José Andrés and Thomas Keller.

If you’ve never been to a restaurant opening, just know it’s an ulcer-inducing event for any chef, no matter how experienced. The decor, service and every single dish is scrutinized by both diners and press, and in the weeks that follow, it’s critical that any flaws be ironed out. Yes, it’s just food, but it’s also the livelihood of dozens of people, from dishwashers to investors. Chefs/restaurateurs face a lot of pressure with the opening of a new place.

The biggest challenge, as I saw it, was finding chefs willing to relinquish control (or their egos), because unlike a normal restaurant, Chefs Club means entrusting an unfamiliar staff to carry out their vision. That means it’s up to the Chefs Club powers that be to find participating chefs who fully understand the concept of collaboration, and are capable of letting go to a certain degree.

Fortunately, St. Regis Aspen/Chefs Club Executive Chef Thomas Riordan is equally adept at ensuring his kitchen does right by guest chefs. Says General Manager Paul Duce, “I think this is a revolutionary concept, and it’s amazing to see it all come together so beautifully. [Riordan] has a very difficult job, and our team works so well together.”

Based on my experience, which included dining at Chefs Club on its third night of operation, the team kicks ass. In fact, I was astounded by how smooth the service was (the wait staff and sommelier were also genuinely friendly and enthusiastic; no pretense whatsoever). I sat in one of the seats located right in front of the open kitchen, and was amazed by how calm everyone seemed to be, guest chefs included. In fact, there was a lot of camaraderie and joking around.

As for my dinner, it wasn’t flawless (no meal is), but it was very, very good. I enjoyed a luscious Duck Confit Crostini from Chef Zemanick; Charred Mediterranean Octopus with cannellini beans, local lovage and pancetta by Chef Lewis; Colorado Lamb Saddle with Fruition Farms (Seidel’s sheep dairy) ricotta gnocchi, baby artichokes, and pine nut gremolata (Chef Seidel), and for dessert, an outrageous Malt Chocolate Semi-freddo with peanut butter fudge, toasted marshmallow, and graham cracker crumbs (Chef Zemanick). The sommelier graciously paired wines for all of my courses.

I left not only full, but very satiated, and convinced that Chefs Club might be onto something. Couldn’t this concept provide a feasible way for talented young chefs to avoid the pitfall of opening their own restaurants before they’re ready (emotionally or financially)? A way for older, more settled chefs to eliminate the stress, long hours, and administrative b.s. involved with owning a restaurant, but still allow them to do the thing they’re passionate about, which is cooking? An opportunity for experienced, savvy restaurateurs to keep their places relevant and exciting, long after the opening rush has passed? What about hosting guest chefs from around the world, as a sort of educational exchange for professional cooks and armchair travel experience for diners?

A month later, I asked Chef Seidel his thoughts when first approached by Chefs Club. “It’s a great concept, if challenging,” he said. “Being the first group of chefs meant there were a lot of unknowns, and participating chefs need to understand the level of commitment needed for this.”

If being a part of Chefs Club means time away from his own kitchen, farm and family, and entrusting that his staff will run Fruition as if it were their own, Seidel feels the benefits outweigh the potential risks.

“The opportunity to cook for so many different people, and work with great chefs from across the country is amazing. At my restaurant, we don’t cook with any attitude or ego, and this shouldn’t be any different. The four of us got a chance to hang out, learn from one another, and work together, and I gained three new friends out of the experience.”

Other things to know about Chefs Club
The editors of Food & Wine have a hand in putting together custom wine and cocktail lists to coincide with the menus, while Jim Meehan, one of the nation’s top mixologists (PDT, New York), creates an original selection of seasonal cocktails (I’ll vouch for their excellence).

Don’t have any preconceptions about the menu, and be open to a diverse, but harmonious, melding of cuisines (there’s a three-course tasting menu with wine pairings for $85).

If you want to dine when a specific guest chef is in the house, check Chefs Club’s website and Facebook page for special events.

The elegant, white-walled dining room – done up in a mod ski chalet aesthetic, replete with giant snowflake cut-outs on the ceiling – features a long, low bar and row of seats in front of the open kitchen. If you enjoy watching the inner workings of a restaurant, reserve a seat here. There’s also a 24-seat patio, and 99 seats inside, including a communal table.

Make a reservation, regardless.

Enjoy yourself. This isn’t a pretentious, hushed temple of gastronomy. It offers a convivial atmosphere, and the concept and vibe are all about having fun, and a spirit of adventure. Cheers to that.

The bar is open to the public, not just diners. Says Duce, “A lot of the time, people will poke their heads in and say they’re just looking, and I’ll invite them in to check out our kitchen, or pour them a bit of Prosecco. We’re here to serve the community, and everyone should feel free to come have a drink at our bar.”

For information and tickets to the 31st annual Food & Wine Classic in Aspen, June 14-16, 2013, click here.

[Photo credit: Maroon Bells, Flickr user mland329]

When Monsters Are The Theme, Anything Goes

The Monsters of Rock cruise, coming up in March 2013 looks to have just about all the head-banging fun a heavy metal rock fan could ask for. Sailing from Fort Lauderdale and titled “Monsters of Rock: The Lost Weekend,” the four-night sailing is being promoted as “the greatest rock cruise to sail the seven seas.” Unlike some other festivals at sea, this one looks set to deliver too.

The headliners alone should cause hard-core rock fans, if not rock historians, to get excited. Cinderella, Tesla, Queensryche, Kix, Saxon, Lita Ford, Stryper, Y & T, Loudness and Great White join a total of 35 bands and a bunch of special guests on a full ship charter of MSC Poesia, sailing from Port Everglades. That translates to non-stop hard rock around the clock the entire four days.

On a great number of music-themed cruises, that would probably be plenty to keep fans busy between a few artist-specific events, meet and greets plus enjoying features of the ship itself. But Monsters of Rock has much more. Contests for “Best Tattoo,” “Best ’80s Hairstyle,” and three competitions titled “So you think you can sing?” “So you think you can drum?” and “So you think you can Shred?” promise to create some unique memories of the voyage.

Guests who have been on a cruise before will find some familiar activities and entertainment but with a heavy metal focus. “The Rock Star Dating Game,” “Celebrity Bingo” and “Shore Excursions With Your Favorite Rock Star” promise to put a unique twist on standard cruise ship fare. There is even what looks to be a far from traditional formal night titled “Monsters Of Rock Prom 1987.”

These people have really put some thought into this.

A photo show titled “Every Picture Tells a Story” has rock and roll photographer Mark Weiss sharing his photographs that capture the look of music and celebrity personalities of the 1980s. For a nominal fee, aspiring musicians can sign up for “Master Class Clinics Featuring Some of the Finest Musicians in the World” giving lessons on guitar, bass, vocals and drums.

Think this sounds like the rock gods have answered your prayers? Hold that thought.

In 2011, officers from U.S. Immigration and Customs, U.S. Marshals, DEA agents, and the Broward Sheriff’s Office stormed MSC Poesia in a raid just before setting sail for the Jam Fest Cruise. The raid resulted in the arrest of some passengers and the seizure of an assortment of party favors ranging from small quantities of marijuana, mushrooms, hash oil, LSD, ecstasy, prescription drugs and a variety of drug paraphernalia.

Too much heavy metal fun? Want to play it a bit safer?
There’s always the Blake Shelton Cruise, a full-ship charter of Norwegian Pearl sailing from the port of Miami on October 15, 2012.

Still too much fun?
A Barbie cruise could work. The Barbie Premium Experience will be on Royal Caribbean ships starting in January 2013.

Monsters of Rock sails March 16-20, 2013. Pricing starts as low as $679 per person with three people in an interior stateroom (+ government taxes, fees, and gratuities of $199 per person, added automatically). See Monsters of Rock for details.

Here is a recap of the 2012 Monsters of Rock cruise for your head-banging pleasure:




Flickr photo by The-E

New Mexico’s International Symposium Of Electronic Arts

New Mexico is known for its overlapping identities. It’s an artistic hub (Santa Fe is the third largest art market in the country). It has incredible landscapes (it has 13 national and 33 state parks). And there’s a fair share of technological quirkiness (Roswell’s Area 51 comes to mind). While the state has been busy celebrating these different aspects of its history during its centennial events this year, this week these elements will gel as New Mexico begins looking to the future. That’s thanks to the kickoff of the International Symposium of Electronic Arts, an annual conference and exhibition that celebrates the intersection of art, technology and nature, which is being hosted in the United States for the first time in six years. Over 100 artists and 350 presenters from 29 countries have descended on the city, and are transforming Albuquerque and the surrounding region (which includes Taos, Santa Fe and southern New Mexico) into a “Machine Wilderness,” that looks at how humans, machines and animals will coexist in the future. Their installations, which include lowrider symphonies, robotic animal skeletons, and Navajo tapestries with QR codes woven into them, will be on display through January 2013.

In years past, artists have flocked to ISEA conferences in cultural hubs like Istanbul, Munich, and Paris, but event directors Suzanne Sbarge and Andrea Polli say that Albuquerque was selected in part because its access to wide-open spaces has led to the development of technological marvels one would be hard pressed to find elsewhere. “We have huge swaths of wilderness, but we also have labs like Sandia and the first commercial spaceport,” says Polli. “It’s a strange juxtaposition that’s already here. We’re just bringing it to life.” In preparation for the event, the pair invited over 20 artists to take up residence throughout the area, and many arrived this summer to begin building out site-specific works for the conference.

%Gallery-166216%Both Sbarge and Polli hope that “Machine Wilderness” will help put Albuquerque, long seen as a dusty, pass-through-on-your-way-to-Santa-Fe town, on the map (and yes, they’re looking beyond the annual Balloon Fiesta, which draws tourists but has little cultural heft). “People think about Albuquerque as being the boonies,” says Sbarge. “But here we are, with leading scholars and artists making the journey here. It’s really exciting, and is just going to propel us into a bigger realm. There’s so much here happening, but people don’t really think of Albuquerque as a cultural center. I think this project is going to change that.”

Click through (above) for a slideshow of the ISEA installations that will be on display through January of next year.

Statue Of Liberty To Reopen October 28

Last week, the National Park Service announced that after being closed for renovations for nearly a year, the interior of the Statue of Liberty is set to reopen on October 28. The reopening will allow a limited number of visitors inside for the first time since the renovation project began and it’s timed to coincide with the celebration of the statue’s 126th anniversary.

Changes to the interior include new elevators to whisk visitors to the top of the statue, remodeled restrooms, improved water coolers and safer stairways. A wheelchair lift has been installed for the first time as well, granting better access to the pedestal for those who need a boost. Each of these changes and additions were made to ensure visitors have a safer and more enjoyable experience while in and around the statue.

The renovation project isn’t completely wrapped up just yet and is expected to continue through the end of the year. Because of the ongoing work, access to the interior of the statue will remain limited for the time being. Specific information on availability of tickets will be announced on Lady Liberty’s Facebook page and Twitter feed in the days ahead.

It’s great to see the Statue of Liberty reopening for visitors. One of the most iconic travel experiences when visiting New York City is to drop by to see the statue. It may sound like an overly touristy thing to do, but sometimes when you travel you just have to be a tourist. Definitely worth it in my opinion.