Congresswoman wants to expand nation’s oldest archaeological preserve

On Interstate 10 between Tucson and Phoenix is one of America’s most enduring ancient mysteries–a giant adobe structure called Casa Grande. It was erected by the Hohokam, a people who built towns where Tucson and Phoenix are today and who turned the desert green with an extensive system of irrigation. Ironically, the modern city of Phoenix was founded by American settlers who cleared out the prehistoric Hohokam canals and reused them for their own farms.

Casa Grande was a settlement between these two centers of population and was at its height 150 years before Columbus “discovered” America. At its center was a four-story building unlike anything else in the prehistoric southwest. Nobody knows for sure why the Hohokam civilization died out shortly thereafter, and nobody knows the purpose of Casa Grande. The late archaeoastronomer Dr. Ray White believed that Casa Grande’s windows were a prehistoric observatory that marked important times in the calendar such as the solstice and the equinox.

This mysterious building became the nation’s first archaeological preserve in 1892 and a national monument in 1918. Archaeologists have since realized the monument doesn’t protect many outlying areas of the site, and now Rep. Ann Kirkpatrick (Dem-1st District) has proposed House Resolution 5110 to protect 415 more acres. The move has the support of local archaeologists as well as the influential newspaper The Arizona Republic. The expansion was initially proposed by Kirkpatrick’s Republican predecessor Rep. Rick Renzi.

It’s a gutsy move at a time of belt tightening and threatened park closures, so it will be interesting to see if a destination on the itinerary of so many southwestern road trips will get the funds to expand its boundaries.

Exploring Harar, a medieval city in Ethiopia

In my last post I wrote about how Harar is an alluring walled city that made me throw away my travel plans and stay for three weeks. A serene atmosphere and an ever-widening circle of knowledgeable, hospitable acquaintances were what kept me there, but what is there to actually see?

Plenty.

The main attraction, of course, is the city itself, with its crowded markets, quiet back alleys, and mixture of Ethiopian, Egyptian, Arab, and Italian architecture. A long wander in the Jegol, as locals call the old city, will give you a feel for life in this unique place. Don’t worry about getting lost. While the winding little alleyways make it inevitable, the city is so small you won’t stay lost for long. Walking at night is safe and very romantic with the right company and a full moon.

Harar’s most famous attraction is the hyena man. Yusuf Mumé Salih is a local farmer who lives just outside the walls. He sits out every night feeding the hyenas with raw donkey meat just like his uncle did before him. The Hararis and the hyenas have an unusual relationship. The city wall has small gates to allow the hyenas in at night and one Harari told me he was more afraid of dogs than hyenas! Hyenas are useful for eating garbage left on the streets and also take away djinn, harmful spirits that sometimes possess people. The hyena man will allow you to feed the animals yourself, and they’re surprisingly gentle. Walking in Harar at night one will occasionally slip by you and disappear down an alley. After visiting the hyena man, I didn’t worry about it.

%Gallery-91953%There are also a few museums. The Harar Museum and Cultural Center has a reconstructed traditional home that should not be missed. Harari homes consist of several rooms, including a common room with different platforms for sitting and colorful basketry hanging from the walls. If you stay in Harar for any length of time you’ll be invited into a real home, but it’s nice to poke about here because you can see the private quarters that are otherwise off-limits. Another excellent museum is the Abdullahi Sherif Private Museum, run by a descendant of the prophet Muhammad who has devoted his life to collecting, preserving, and studying artifacts from Harar’s past. The museum is housed in the palace that Emperor Haile Selassie grew up in. Examining the various coins, swords, dresses, and medieval manuscripts will show just how eventful Harar’s history was, and how it was a nexus of influences from all over the world.

Admirers of literature will want to see Rimbaud’s House, an elegant mansion that, in a surprising display of honesty, the curator told me was never Rimbaud’s. Be that as it may, it is now devoted to the memory of the poet, with many of his photos of old Harar and information about his life and work. Rimbaud introduced photography to Harar when he moved here in 1880 and his photos are priceless documents of life in the city more than a hundred years ago.

And there’s much more to explore. I’m planning to go back for two months next year to do an in-depth research project on some aspect of Harari culture. Exactly what aspect I’m not sure. As one Harari friend advised, “Don’t come here with an idea in your head. Let the city give you the subject.” Harar is that kind of place.

An excellent introduction to the city and its people is Harar: A Cultural Guide (Shama Books, 2007) by David Vô Vân and Mohammed Jami Guleid, with beautiful photographs by Alain Zorzutti.

Don’t forget to read the rest of my series on travel in Ethiopia.

Next time: some final thoughts on travel in Ethiopia.

Stories From a Blue Planet, w/ Alexandra Cousteau

In 2009, Alexandra Coustau’s Blue Legacy Expedition took her and a small team of documenters to five continents in one hundred days, in search of clean drinking water. Though occasionally far from the ocean, she found herself constantly seeing the link between the sea and mankind’s sustainability, as well as to her grandfather, Jacques-Yves Cousteau, who would have been one hundred years old this year. Below, as excerpted from OCEANS, The Threats to Our Seas and What You Can Do To Turn the Tide she reflects on her career.

The ancients told of water. Carved deeply in stone and crafted carefully in story and song, their superstitions and histories and wisdoms cascade across centuries and flow through our lives today: “From the heights of a mountain…” “By the banks of a river…” “Upon the shores of a homeland…” and so the stories go. And so we tell them still. For history has always been written in water.

And yet, for all the wonder and worship, throughout most of human history, the mysteries of this water planet were out of sight and beyond understanding. The oceans were vast unknowable surfaces across which ships sailed bravely in search of wealth or distant lands and adventure. Beneath this plane lay a mysterious void filled by the wild creatures of myth, an inexhaustible supply of fish, or some combination of both. Rivers cradled civilizations, nurturing the evolution of societies while carrying away the waste and transgressions of communities. And the rains came as they would for reasons most everyone could explain but seldom in the same way or for the same purpose. So man spoke of water as one who sees without knowing- hoping somehow to explain the wonders beyond and beneath the water planet he called home.But as time passed, the siren call of exploration tempted the hearts of both pilgrims and wanderers to pierce the dark night of ignorance and see the planets spinning-to step beyond the binding traditions of mortality and think the thoughts of gods. And they too told of water. Some throwing sheets into the wind would rush to the edge of the world to drown echoes of scorn beneath a bending horizon. Some would chart water’s course through our veins and some would harness its steam to build a bigger and better life. So story follows story as man wielded reason and exploration to unravel the mysteries of his world.

But in spite of centuries of charting the expanses of her boundaries, no one had yet searched out the depths of her oceans and this frustrated my grandfather Jacques-Yves Cousteau. Tethered to shallow, short dives by the aching in his lungs he longed to see more, to know more and so, as centuries of explorers before him had done, he sat down with a friend to rewrite the boundaries. The invention they would call the “Aqua Lung” in 1943, allowed humans to explore the underwater world for the first time, opening new fields of study and changing how we understand much of our natural surroundings.

The thrill of what he saw-of what he discovered-was more than he could contain and soon, he was back at the drawing board to design gear for my grandmother Simone and eventually even for my father Philippe.

Just four years old when his father taught him to dive, my father was so exuberant about all he saw beneath the calm surface of the water – a darting school of fish here, a brightly colored coral there, a waving forest of life just beyond – that he repeatedly tried to call out to my grandfather. He was blissfully unaware that each exclamation caused the regulator to fall out of his mouth, which my grandfather deftly and repeatedly replaced to keep his small, excited son from drowning.

When they finally got back aboard the ship, my grandfather scolded my father for his reckless enthusiasm saying, “You must be quiet underwater because it is a silent world.” My grandfather’s description of the new world to which he had introduced my father that day later became the title of his best selling book and Oscar-winning documentary The Silent World. And so we Cousteau have joined the generations of those who tell the stories of water.

Twenty-six years, a host of inventions, discoveries and awards would pass from that day. President John F. Kennedy would bestow the National Geographic’s Gold Medal on my grandfather at a White House ceremony honoring his work. The award-winning series he developed with my father, The Undersea World of Jacques Cousteau, would be welcomed into living rooms around the world. His storytelling would launch a new generation of environmentalists and forever change how we see the oceans. And then Neil Armstrong walked on the moon.

I remember my grandfather telling me that the day he saw the headlines “Two Men Walk on the Moon” (knowing my grandfather, probably not without some healthy envy) was the day he knew our perception of the world would forever change. For the first time, we saw ourselves from outer space and realized unmistakably that our planet is in fact blue. Finally, people would see what he saw everyday from the deck of the Calypso: We live on a water planet.

Harar: Ethiopia’s medieval masterpiece

If you’re lucky, every now and then when you’re on the road you’ll come to a place where a little voice will say, “Stop here. This is what you were looking for.” You’ll have other plans, a nice neat schedule you made up in your head of what you wanted to see in the time you have for your trip. If you stop, if you listen to the little voice, you’ll miss a lot of things you had planned to see.

Do it.

For me that place was Harar, a walled medieval city I visited halfway through my two-month trip around the Horn of Africa. My wife had flown home, having thoroughly enjoyed the lifetime of memories I gave her as a tenth anniversary present. Now I was free to go anywhere I liked without consulting anyone else. Or I was free to go nowhere.

Harar is reached on a ten-hour bus ride from Addis Ababa. That’s not as bad as it sounds. The road is paved and the two main bus companies, Salaam Bus and Sky Bus, offer modern, comfortable transport. The scenery gradually changes from the hilly green of the Amhara and Oromo provinces to the rockier, drier region around Harar. The city is at a lower elevation than Addis or most of the north and I could feel the change in temperature.

Nobody knows how old Harar is. Hararis say it was founded in the early part of the Muslim era, perhaps in the 7th century AD, but given its location on the border between the core of the Ethiopian empire in the western and northern highlands, and the Somali lowlands and the sea to the south and east, it was probably a trading center long before that. Harar has always been a place where different cultures meet.

The first thing I noticed about Harar is how small it is. It’s more of a town than a city, with a bit of sprawl in the surrounding hills. The area encompassed by the 16th century walls can be walked across in fifteen minutes, and walked around in little more than an hour. It’s slightly less than 120 acres. Yet within these walls there’s an entire history and a unique culture rich in symbolism. For example the Jegol, as the old city is called, has five gates, corresponding to the five pillars of Islam. There used to be 99 mosques in the Jegol to correspond to the 99 names of Allah. The list of symbols both in the geography of the city and in the shape and layout of the buildings could and does fill volumes.

%Gallery-91809%Walled cities have an atmosphere all their own. Damascus, Jerusalem, Istanbul, Segovia. . .they all feel like they’re worlds unto themselves. The wall is more than just a physical barrier. In the days when city gates were closed at night the walls provided a very real social and psychological barrier. The people who grew up inside the city will be subtly different than those who lived only a few miles away. In the case of Harar the difference isn’t so subtle. Hararis have their own language spoken only within the walls of the Jegol.

My education in the ways of Harar started on the first day. I hadn’t been inside the Jegol for more than an hour before I was invited to join a meeting of the Harar Revitalization group, which is rebuilding dilapidated old buildings and wants to restore three of the five city gates that the Emperor Haile Selassie knocked down in order to allow access to cars. We sat on a carpet on the floor in the back room of one of the museums as a local poet and songwriter coached a group of young people who were recording a CD of songs about their city.

I soon found that the shopkeepers and office workers sitting around me were some of Harar’s intelligentsia–writers and historians and lexicographers. I’d tapped into a rich vein of scholars who cared about their city so deeply that they spent their spare hours learning its secrets and preserving it for future generations. As a former archaeologist turned writer, I couldn’t ask for better company. Over the following days and weeks I found many doors open for me, and over endless rounds of rich Harari coffee I met people who shared vast amounts of knowledge, and were curious to learn what I knew.

I soon settled into a rhythm. Every morning I’d sit at my favorite cafe on the main square sipping an excellent macchiato and watching the world go by. A Somali friend would often join me, and sometimes some of the Harari researchers. After some leisurely conversation it was time for a stroll around town, followed a conversation in some shaded alley or courtyard. Afternoons were spent in one of three homes, drinking coffee and talking about everything from linguistics to travel to history. Then as the sun set it came time to walk the darkened streets of the Jegol under the light of the moon.

It wasn’t long before I became a familiar face. The touts in the main square stopped trying to get me to go on tours and people always knew where to find me. Once I was headed down one of the main streets to find Amir, the assistant curator of a local museum. As I passed down the street someone I didn’t know said, “Amir is in the cafe.” He didn’t tell me which cafe, but I figured it was the one people usually saw me at. Sure enough, there sat Amir. Now this fellow couldn’t have known I was looking for Amir, hell, Amir didn’t know I was looking for Amir, but Harar is that sort of place.

So when you get to Harar, slow down. Skip the sights for a while and sit in the shade with a good companion. Or don’t. Perhaps you need to stop somewhere else.

Don’t forget to read the rest of my series on travel in Ethiopia.

Next time: more on Harar (with suggestions on what you can actually see there)

Santa Claus to seals: 5 California sights worth visiting

You already know the Southern California’s top tourist attractions by heart. Disneyland. Hollywood. Hearst Castle. Ever wonder what else is out there? Here are five great lesser-known attractions to check out on your next visit to the Golden State.

Piedras Blancas Elephant Seal Rookery

Wildlife is often entertaining, and you will get more than your money’s worth (it’s free) by making a stop at the Piedras Blancas Elephant Seal Rookery. Located about seven miles north of San Simeon (site of Hearst Castle) along Highway 1 on the scenic central California coast, the rookery is home to an estimated 15,000 animals, according to Friends of the Elephant Seal.

The seals travel in the open ocean for 8 to 10 months a year, but they head to land at the Rookery to give birth, breed and rest. The site is typically a hive of activity as the animals bark, scratch, crawl, fight, sleep and care for their young. They are funny, sweet and fascinating creatures to watch any time of the year. Parking and entrance to the Rookery are free, and there are plenty of viewpoints from which to enjoy the antics of these strange but wonderful creatures.

Santa Claus Statue
Did you know it’s Christmas all year long in Nyeland Acres, California? You might just miss the area’s very own jolly old St. Nick, unless you know where to look. While cruising down Highway 101 through this area of Ventura County north of Los Angeles you’ll encounter a giant 22-foot-tall statue of Santa Claus resting behind wrought-iron gates off the Rice Avenue exit on South Ventura Boulevard.

For more than 50 years, this SoCal Santa stood atop a candy store in what was then Santa Claus Lane off Highway 101, nearly 30 miles away. After the Christmas-themed attraction closed down, Santa’s future was in jeopardy. In 2003, Mike Barber, president of Garden Acres Mutual Water Co. in Nyeland Acres, took possession of him, and the 5-ton Saint Nick moved to his new digs. The custom wrought-iron gate has Santa’s initials (an “S” and a “C”) in it, and he now has company: a snowman and two soldiers. Although the site is opened by appointment only and on special occasions, you can still come to peer at him behind the gates any day of the year for free.

Santa Paula Murals
The quaint Ventura County town of Santa Paula holds a treasure trove of artwork — all on walls of buildings in the city’s downtown. As the city says, you can “enjoy a Walk Through History” by viewing the nine colorful murals as you stroll through town. Santa Paula’s rich history in aviation, “black gold,” citrus, Chumash Indians, Latino culture and more is represented on the various murals. Best of all: It’s free. Visit SantaPaulaMurals.org for more information, including a map with the murals’ locations.

Nitt Witt House

Chances are you know about Hearst Castle, the opulent mansion built by publishing magnate William Randolph Hearst in the central California coast town of San Simeon. But have you ever heard of the “Poor Man’s Hearst Castle?” That’s the nickname given to the Nitt Witt Ridge home at 881 Hillcrest Drive in Cambria, about 15 minutes away from Hearst’s fancy digs.

The Nitt Witt home, built lovingly out of junk, is the product of Arthur Harold Beal, aka “Captain Nitt Witt” or “Der Tinkerpaw.” Beginning in 1928, Beal spent 50 years building his “castle,” out of such items as toilet bowls, tires, tile, rocks and beer cans. In 1986, the home was named California Historical Landmark No. 939. Today’s owners, Michael and Stacey O’Malley, offer tours of the folk art home. Call 805-927-2690.

Fillmore & Western Railway
Residing in the rural town of Fillmore, north of Los Angeles, is a star of huge proportions. He’s been in more than 400 TV shows, movies and commercials. “He” is the Fillmore & Western Railway, also known as “The Movie Trains.” Just a few of his credits: “Monk,” “Seabiscuit,” “Criminal Minds,” “Buffy the Vampire Slayer,” “Walk in the Clouds,” “City Slickers II,” “Bugsy” and “Fatal Instinct.” You can ride the rails on this famous train year-round for a myriad of special excursions, such as murder mystery dinner train rides, the Pumpkinliner Halloween journey and the North Pole Express trip. Visit Fillmore & Western’s Web site or call 1-800-773-8724 for ticket reservations. All aboard!