You might not like Disney Dream

by Chris Owen on

It’s sure the big cruise ship story of 2011, of that there is no doubt. Like Disney or not, like cruise vacations or not, Disney Dream is the big tamale of ships for the year. There will be more new ships from other lines coming out later in the year. But none will be as big of an event as the launch of Disney Cruise Line’s first ship in over a decade.

Why then, is it that so many have this all wrong?

If you’re not a fan of Disney, you won’t have too look far to find someone who has taken issue with something about the new ship. Some say it’s simply too much “Disney” to take. Others get more specific, pronouncing individual features disappointing. Still others compare what happens on board to a land-based theme park which I suppose is fair, since Disney does have a certain presence in that area.

Following their standard game plan, many who review cruise ships give Disney Dream a thumbs up but hedge their bets with a story or two about something universal that most people would agree is a negative. Kids bouncing off walls because soft drinks are free or comparing the cost per night on Disney Dream to some other new ship are common complaints.

On the other side, some reviews highlight innovative features like virtual portholes for inside cabins or the AquaDuck watercoaster as defining elements of the new ship. They mention the zillion dollars it cost to build Disney Dream and upcoming twin Disney Fantasy and get into details of how profitable these ships will probably be for Disney.

Neither one of them has it right.

What they are missing, the experience they are robbing themselves of is quite simple.Disney Dream is not a cruise ship at all.

Disney Dream is a show.

A grand show put on by the masters of storytelling, dream-making and all-things wondrous for kids of all ages for decades. The show begins before the curtain goes up as guests are greeted by cast members, dressed and rehearsed for the part, from the time they enter the cruise terminal at Port Canaveral in Florida.

Actually, the show begins before that. As guests approach the purpose-built cruise terminal, they see a carefully landscaped art-deco facade calling them into a grand space with a timeless air that transports them back to the days of grand ocean liners.

Waiting to board, guests line up, not to board the ship like they would on some other line, but to have their picture taken with a rotating parade of classic Disney characters. Do they really think this will be their only opportunity to get in a picture with Mickey Mouse or Donald Duck? Really?

No. Those people get it. Those people; large and small, young and old, get it. They have bought their tickets, checked in, are ready to board and have the time of their lives. Once on board they will experience a show that starts with their family name being called out as they enter the ship, answered by a round of applause. The show continues with every cast member they encounter along with every meal, activity and performance they attend. They’ll hear obscure bits and pieces of classic Disney music in hallways or elevators foreshadowing a culmination of energy, emotion, memories that represents a total escape from reality during some performance later in the day.

Disney has taken what every cruise line knows is the key to success: allowing passengers to Escape Completely, visit the Land of Wny Not or take a ride on The Fun Ships to an entirely different level.


If they believe.

Guests who allow themselves to be taken in. If they play along. If they can let Disney do what they do best on the perfect stage setting that the closed environment of a cruise ship provides, they will have a unique vacation experience like no other.

If they can’t do that, they might not like Disney Dream.

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Photos: Whitney Owen

Ancient Jerusalem tunnel causes friction between Israelis and Palestinians

by Sean McLachlan on


Here’s a big surprise–the Israelis and Palestinians are squabbling over land rights in Jerusalem again.

Archaeologists have cleared an ancient passageway they believe was a drainage tunnel leading away from the Second Temple, the Jewish holy spot destroyed by the Romans in 70 AD. The Canadian Press reports the tunnel runs from the Temple Mount, now the site of the Al-Aqsa Mosque, 2,000 feet under the Old City and into the Palestinian neighborhood of Silwan.

The controversy centers around the dig’s sponsors, the Elad Association. Not only do they fund excavations of Jewish sites, but they also move Jewish families into Silwan. Locals have cried foul and say the dig is politically motivated, that what the archaeologists are really trying to do is make a connection with the Jewish temple and Silwan as a justification for moving the Palestinians out. Archaeology quickly gets political in a land where the past justifies the present. As I discussed in my article Two Tours, Two Jerusalems, residents of this city can look at the same thing and see something completely different. Silwan even has another name in Hebrew–The City of David.

But none of this matters to the child in this lovely photo by user Flavio@Flickr via Gadling’s flickr pool. She’s content to sip her drink in a quiet spot somewhere in Jerusalem’s Old City. Looking at her face you can’t tell if she’s Jewish or Arab. Many Israeli Jews can pass for Arab and vice versa. They both speak Semitic languages that share a large number of words. In Hebrew, the word for peace is shalom. In Arabic it’s salaam.My Spanish wife commented that the kid looks Spanish. Hardly surprising considering that many Spaniards have both Arab and Jewish blood, a legacy of the many periods in that nation’s history when they lived in peace. A thousand years ago, this kid would have been allowed to play with “the other side”. I doubt she gets to now.

I wish it were the same in Israel. When I was working there as an archaeology student back in the Nineties, I made friends with a Palestinian guy and an Orthodox Jewish family. Despite their homes being only a few minutes’ walk apart, they never met. I tried to get them all together, but they weren’t interested. So if you go to Jerusalem, remember you’re actually going to two cities and try to visit both.

World’s highest restaurant opens in Dubai

by McLean Robbins on

Want to get high? It won’t be illegal if you do it at Burj Khalifa’s At.mosphere, which surpasses Toronto’s 360 Restaurant as the world’s highest restaurant. The downtown Dubai restaurant strands at 1,350 feet high (that’s level 123, for those who care).

The restaurant seats 210 guests and offers both a dining and bar area. Both emphasize fresh products and healthy, simple cooking – all food is availalbe grilled, broiled or baked.

Adorned in mahogany walls and ceilings, Adam Tihany furnishings, and floors of cafe au lait limestone and hand-tufted carpet, At.mosphere reflects Dubai’s position as a luxury destination in the Middle East.

Want to know more? Check out what our friends over at Luxist have to say.

Germany and Egypt fight over bust of Nefertiti: will Zahi Hawass’s crusade ever end?

by Sean McLachlan on

You win some, you lose some.

Zahi Hawass is a man who is used to getting his way. The head of Egypt’s Supreme Council of Antiquities has been fighting to repatriate stolen Egyptian artifacts for years, and more often than not he wins.

This time, though, he’s suffered a setback. He’s trying to get the Neues Museum in Berlin to return the famous bust of Nefertiti. He claims it was stolen by a German archaeologist a century ago who covered it with clay to hide its true value. Museum officials told the BBC it was legally exported and that it’s too delicate to move anyway.

The bust is the centerpiece of the Neues Museum’s amazing display of Egyptian artifacts, one of the best collections in the world. Nefertiti was the wife of the mysterious pharaoh Akhenaten, who put the Sun god Aten above all others in the Egyptian pantheon. Vengeful priests erased his name from monuments after his death in 1338 BC.

This won’t be the last battle in the war for Nefertiti. Dr. Hawass’s predecessors have been trying to get the bust back since 1930. What really needs to be done is for museums, governments, and archaeologists to get together and come up with a binding agreement on how to deal with these issues. Perhaps a neutral International Antiquities Court could be set up via the UN? At the moment Dr. Hawass has little power to force Germany or any other country to return artifacts, other than threats (which worked with the Louvre) or constant badgering. With a proper system in place, Dr. Hawass could get a good night’s sleep.

But having seen the inner workings of far too many museums and academic departments, I don’t hold out much hope for an amicable agreement. Too many people are trying to cling to their little bit of turf.

[Photo courtesy Philip Pikart]

Egypt changes stance: King Tut’s tomb will stay open (for now)

by Sean McLachlan on


The famous tomb of King Tutankhamun in Egypt will remain open for the time being, the chief of Egypt’s Supreme Council of Antiquities Zahi Hawass announced.

While earlier this week he stated that it and two other tombs in the Valley of the Kings near Luxor would close by the end of the year, now he’s saying that they’ll close at some undetermined time in the future.

Egypt plans to build a Valley of the Replicas to show off exact duplicates of King Tut’s tomb and those of Seti I and Queen Nefertari. These and other tombs are suffering damage due to the large numbers of people passing through. The extra humidity from their breath is causing mold to grow and is damaging the ancient paintings that adorn the walls. The number of visitors to Tutankhamun’s tomb has already been limited to 1,000 a day, down from a peak of 6,000 a day.

Once the Valley of the Replicas is open, and there’s no set date for that yet, King Tut’s tomb will close to everyone except those paying an extra fee that will probably run into the thousands of dollars. The pharaoh’s mummy will remain in its tomb.

[Photo courtesy user Kounosu via Wikimedia Commons]