Taste Hawaii: Savoring Alan Wong’s fresh farm-to-table feast

On a recent trip to Oahu, my wife and I had the excellent fortune to dine at Alan Wong’s eponymous restaurant in Honolulu. Consistently named one of the best restaurants in Hawaii, Alan Wong’s has been at the forefront of the Hawaii Regional Cuisine movement since its founding in 1995. Our farm-to-table, fusion feast featured a number of dishes that embody the chef’s culinary quest to showcase Hawaii’s fresh food products and its marvelous mélange of culinary cultures. Virtually every dish was a compact lesson in taste, texture, and tradition.

Our favorites included such signature concoctions as the Soup and Sandwich, a stemmed glass filled with chilled vine-ripened Hamakua Springs tomato soup presented with a yin-yang design, crowned with a parmesan cheese crisp and atop it a mini-kalua pig foie gras and mozzarella sandwich; Butter-Poached Kona Lobster, savory chunks of lobster served in a sauce of green onion oil with flavorful morsels of Hamakua Heritage eryngi mushrooms; North Shore Tilipia on a bed of local saimin noodles with Naked Cow Dairy lobster truffle butter nage; Ginger Crusted Onaga with piquant miso sesame vinaigrette, Hamakua mushrooms and sweet corn from Kahuku; Crab “Tofu” Agedashi, consisting of a tofu-like spanner crab mousse with Kona lobster medallions and plump lumps of crab meat, served with kudzu dashi; and a delightful dessert called The Coconut – scrumptious coconut meat-like haupia sorbet served in a chocolate “coconut” shell, surrounded by tropical fruits in a lilikoi sauce. Yum!

%Gallery-140566%Before our feast we had devoured Chef Alan’s 2010 book “The Blue Tomato,” which beautifully showcases both his culinary art and his life philosophy. So our dining experience was enhanced by the knowledge that he is a passionate and idealistic chef/entrepreneur, who goes out of his way to support sustainability efforts in Hawaii and to mentor and inspire his staffers to dream big. The aloha energy that he pours into his cuisine and co-workers seemed to fill the restaurant that night; from the warm, knowledgeable, and infectiously enthusiastic kitchen and wait staffers to the companionably oohing-and-aahing diners, everyone seemed to be thoroughly enjoying themselves.

After our feast, I looked more deeply into Chef Alan’s background. Born in Japan and raised in Hawaii, he worked his way through the kitchen trade, first at The Greenbrier in White Sulphur Springs, West Virginia, then at Lutèce in New York City, and finally at The CanoeHouse on the Big Island of Hawai’i before opening his restaurant in Honolulu in 1995. Since then, he has won the James Beard Award and was one of 10 chefs in the United States nominated by the Wedgewood Awards for the title of World Master of Culinary Arts. Bon Appétit has recognized him as the “Master of Hawai’i Regional Cuisine,” and Alan Wong’s Restaurant has been ranked by Gourmet twice. It is also the only restaurant in Honolulu that appears in the Top 10 of America’s Best 50 Restaurants. In addition to “The Blue Tomato,” he is also the author of “New Wave Luau” and is a 10-time winner of the Hale ‘Aina “Restaurant of the Year” and Ilima “Best Restaurant” Awards in Hawai’i.

Inspired in general by the emphasis on ethnic fusion cuisine and farm-to-table practices we found in Hawaii and in particular by Chef Alan’s attitude and achievements, I asked if he would do an email interview with me. He graciously agreed. Here’s our conversation:

DG: Did you cook when you were a child?

AW: No, but my mom was a great cook. Her cooking taught me a lot about seasoning, and she showed me the value of not wasting anything in the kitchen.

Who have been your principal culinary mentors and inspirations?

Andre Soltner, Chef Proprietor, and Christian Bertrand, Chef de Cuisine at the Lutece Restaurant, in New York City, when I worked there; Mark Erickson, chef at the Greenbrier Hotel when I did my apprenticeship there; and Joe Kina, instructor at Kapiolani Community College where I went to culinary school.

What first inspired you to create the cuisine you are now famous for?

Being the Chef de Cuisine at The CanoeHouse Restaurant at the Mauna Lani Bay Hotel and Bungalows, opening it in 1989. Meeting all the farmers on the Big Island and using their products, and being charged with creating Hawaii Regional Cuisine with 11 other chefs from across the state. HRC was born in 1991, and we have been celebrating its 20th anniversary this year.

You mention “being charged with creating Hawaii Regional Cuisine with 11 other chefs from across the state.” How did HRC come about? Was it a spontaneous creation of island chefs or was it something that was proposed from some outside source such as the Hawaii Tourism Board and then adopted by the chefs?

Originally twelve chefs got together just to “enjoy the party” for a change instead of providing the party all the time. We established HRC Inc. for two reasons. The first was to help develop an agricultural network in the state with the help of the Department of Agriculture. We did this by divulging all of our farmers and purveyors whom we bought produce from. Our second goal was to promote Hawaii’s culinary scene so that tourists and locals would know that there was a different new cuisine of Hawaii evolving and developing.

What are the primary characteristics/ingredients of traditional Hawaiian cuisine?

The word “Hawaiian” refers to an ethnic group entirely on its own. They originally came from the South Pacific islands. They ate a lot of raw fish dishes. They cooked in an underground imufrom which kalua pig is most famous today. They grilled on hot rocks, called pulehu. Now we have iron, so we cook on hibachis. They placed food in the imubesides the whole pig, and that method is steaming today. Another method of steaming was known as lawalu, where a fish or meat is steamed in tileaves over the fire. Taro turned into poi was the main starch. For seasoning, the Hawaiians would use inamona(roasted kukui, or candlenut), sea salt, and seaweed.

What are the primary characteristics/ingredients of contemporary Hawaiian cuisine?

Hawaii (without the “an” at the end) Regional Cuisine is a contemporary cuisine that borrows from all the ethnic cuisines found in the islands today. To Taste Hawaii, we utilize as much locally grown and raised product as possible to feature what we have — the fish from our waters, grass-fed beef and lamb, local eggs, dairy, pork.

How important are fruits and vegetables to HRC, and how much do these vary from season to season? That is, because of Hawaii’s climate, are the same produce products available throughout the year, or are there seasonal differences and specialties?

We have two seasons in Hawaii, rain and sunshine, or another joke is mango season and no mango season. Fruits and vegetables play a big role in the cuisine. We have the best mangoes in the world when in season. Pineapples are best from here and do not travel well. Tropical fruits grow well here and for the most part, because of our weather, we can enjoy a vine-ripened tomato all year round.

What are the goals of the fusion cuisine you are seeking to create?

The most important things are flavor, good taste, having a sense of place, and featuring the food, not your ego.

Could you take one of your favorite fusion dishes/creations and “deconstruct” it: What are the different elements in terms of ingredients that go into it? How are these prepared and put together? Which cuisine traditions are you combining in this dish?

Ginger Crusted Onaga was inspired by childhood memories of Chinese cold ginger chicken. The miso sesame vinaigrette that goes with it is Japanese inspired. Combining ethnic flavors together comes naturally to me; the most important thing is that it has good flavor.

Are there any special techniques you use in creating this cuisine?

Most of the techniques are influenced by European techniques and French training. The different ethnic cooking styles, flavors, ingredients, and techniques do come into play and using the Hawaiian influence is important to me.

What’s the biggest challenge of creating Hawaii Regional Cuisine?

Your own imagination and creativity

What most excites you about the culinary scene in Hawaii today?

It is still growing and evolving, so there’s a lot to look for in Hawaii. Today the popularity of farmers markets is growing. People can go to the markets and meet the people who grow their food, and they can get products that are much fresher because they come from the source. There’s more variety in what’s available. Twenty years ago when Hawaii Regional Cuisine was first started, we didn’t have products like locally grown mushrooms, hearts of palm, abalone, chocolate, and vanilla. As more farmers continue to grow a wider variety of products, we as chefs can continue to be inspired by what’s fresh, local, and in season.

In your mind, how is Hawaiian cuisine related to Hawaiian culture?

Family is important, sharing food, talking story at the table. Aloha means many things: doing the right thing, to make things right, to have the right intentions. Hawaii’s multi-ethnic cuisine begins from the immigrant plantation days. Most of the immigrants came from Asia, so the local people are a mixed bag. When you are raised in Hawaii eating local food, you find that the source comes from this time, and it is heavily Asian influenced. Most of the food comes from a poor time and so something like the “Plate Lunch” is born out of necessity to fill your stomach so that you can go out and work again tomorrow. It has evolved quite a bit today.

What’s your favorite food memory?

I don’t have a particular one, however, cooking for Chef Andre Soltner every day for his dinner with his wife taught me so many valuable lessons that helped create who I am today professionally.

Is there a special goal or project you are working on now?

We plan to open another restaurant on Maui, partnering with the Grand Wailea Hotel. It will be called Amasia, featuring small plates and family-style fare. We’re hoping to open it in early spring 2012.

[Photos by Kuniko George]

In winter, Seattle is mine again.

November, December, Seattle. Typically, it’s raining and the temperatures hover around 40ºF. The sky is a dull, even gray that mutes all light and color. It’s miserable, by most measures, not cold enough to snow, but too cold to enjoy being outside without performance attire. Perhaps it’s the worst at the bus stop; cars roll by throwing water and wind, there is not enough protection in those shallow three sided shelters.

I am a California girl by birth. My childhood was spent up in a new suburb on the edge of an agricultural region that is now sprawling housing developments and shopping malls. But it used to be cornfields and fruit trees; the not quite relentless daylight was ideal for sunshine crops. During my junior and senior years at San Jose State University, I went swimming most days Afterward, I dried myself in the sun on the concrete pool deck. I rode my bike year round, sometimes climbing the coastal range before rolling back down into the fog banks of the San Gregorio coast. I have limited memory of California winter. There was — is — more sunshine in California than in Seattle. This is a fact.

In summer, Seattle is a hub for cruise ships heading to Alaska in summer. We’re a foodie destination and even though grunge is dead, we still get pilgrims seeking out the Crocodile and Sub Pop records — those who have done their homework know where to find the Black Hole Sun and the Sound Garden. Throngs of people choke the entrance to the flagship Starbuck’s. They block traffic at First and Pike as they photograph themselves with the neon over the entrance of Pike Place Market. Seattle is nothing short of stunning in summer, an ecotopia on the edge of Puget Sound. The long hours of daylight, the weather that is never too hot, the easiness of this city in the northwest corner of the US makes for an irresistibly appealing place to be — for three months out of the year.Making peace with Seattle’s winter does not come easy to me, even with over a decade of residency in the Emerald City, as one marketing campaign branded us. The darkness wears on me. A morning person, I have trouble getting out of bed, trouble staying up late. I own a “happy light” — one of those high wattage devices that’s supposed to help with Seasonal Affected Disorder. I now understand the value of a sun-break vacation, something I never even considered when I lived in California. My wardrobe is replete with Goretex and polar fleece and stocky footwear suitable for navigating puddles. And I have the cliched Seattle-ite’s relationship with coffee.

Still, there’s something slow and quiet about this city in winter, something cozy and inclusive about Seattle. When the cruise ships move to ports south, Pike Place Market opens up and is easy to walk through. The tone of the market vendors shifts, the “Where are you from?” conversation takes a completely different turn when the answer is “Here. I’m from here.” There’s a camaraderie, a “We’re all in this together” sort of feeling as we shake out our damp coats and shed the rain from our wooly sweaters.

Mid-morning at Alki Beach, in Pioneer Coffee, there are no strays from the water taxi, it’s just us locals. If it’s dry, we sit on the concrete steps of the beach promenade, watching the ferries slide back and forth between Bainbridge Island and Bremerton and downtown. Evenings, we sparkle in candlelight. We reflect our weird northwest brand of outdoorsy bookishness in glasses that hold bourbon cocktails, whiskey. We plan our escape while wrapped in the cognitive dissonance of being in this city that we love. Places that were promoted in Sunset Magazine and the AAA Journeys west coast edition belong to us again.

This last weekend, the husband and I joined a friend at the Seattle Art Museum to see Luminous, a stunning selection of work from the museum’s Asian collection. First we ate passable Mexican food in an nearly empty restaurant on the Harbor Steps, a stair climb that runs from First Avenue down to the waterfront. In summertime, the top of the steps is a popular spot for protestors and I have photos of my family standing in the fountain. On the Sunday, the wind flew up the slope from the Sound, hurling sharp rain into our faces.

After spending a few hours in the museum — where we did not have to jostle for space in order to view the artwork, we went back out to a nearby coffee bar. A football game was on the television but the volume was turned all the way down. Instead of sports commentators, we got Death Cab for Cutie as our soundtrack. We lolled for an hour, more, maybe, over mochas, mine with cinnamon and black pepper. We unraveled things, as people do in cafes. Where to go next (us, Vancouver, my friend to China for work), the user interface on a popular new video game, the mediocre writing on this season’s The Simpsons.

The rain had stopped. We walked back to the car, a block away, past a bundled up couple who were clearly not from Seattle in their stylish wool overcoats and scarves. “Chicago,” I said out loud — my husband had spotted them too. They looked cold but they were smiling, he had her arm tucked in his. “They’re lucky,” I thought. “They are seeing my city at its very best.” The late afternoon sky had turned the color of ripe mango and fire and the blue of a baroque palace ceiling. To the south, there was a tower of black clouds, another storm front coming in. I was irrationally pleased about this. I knew what would happen. The Chicago visitors would go back to their hotel. I would tuck into a bowl of pho at my favorite local place and the city, Seattle, would be all mine once again.

Photos courtesy of the author by UJ Sommer and Pam Mandel.

Video: Pirate Wi-Fi on New York City subway

WeMakeCoolSh.it “L Train Notwork” Behind the Scenes from Matthew McGregor-Mento on Vimeo.

There was recently a pirate wi-fi network on New York City‘s L train. Available only in the last cars of the Brooklyn-bound train and only from 8am until 10am, this underground pirate wi-fi network was live and available only for a week. If you’re wondering why or how or who put this together, allow me to fill in those blanks as best as I can. WeMakeCoolSh.it tends to do precisely what their name advertises–they really are masters of cool. The L Train ‘Notwork’ was just one of their endeavors and here’s how it went. The people over at WMCS powered the ‘Notwork’ with person-portable battery-powered web servers. The wi-fi didn’t connect commuters to the internet, though. Instead of connecting train passengers to the whole world wide web, it connected them to content provided by local artists in addition to a chat room. Check out the behind the scenes video above for a look into the the world and work of the people who put this project together.

Find out more about what WMCS did for the L train here on Laughing Squid and keep up with WMCS so that you might be tuned in for their next cool endeavor here on the WMCS website.

Discount space travel site launched

A new website devoted to discount space travel was launched this week and has member-only benefits for joining.

“Space.Travel was created to fill a void in the burgeoning space tourism industry. With passenger space travel becoming a routine activity, outer space needed a destination website just like any other travel location. A one-stop website for all of your space trip planning,” says Kenneth Schweitzer, Founder of Space.Travel.

In addition to discounts on space-related travel, membership ($99 a year) includes access to a Space Trip Reviews section that invites members to describe and post travel reviews of their experiences. These experiences might include visiting a space center or museum, attending a space camp or launch event, experiencing weightlessness in an aircraft, or even visiting outer space itself.

“When people think about space tourism they initially imagine trips into outer space. However, millions of people a year attend a space-themed attraction or museum. Space.Travel provides a place to share all of these amazing experiences,” adds Schweitzer.The website also offers daily space tourism news and a travel directory. The Space.Travel Directory includes listings of space travel agents, space insurance providers, and space tour operators.

Flickr photo by Marxchivist


Five holiday cookies from around the world

I love good old American iced sugar cookies as much as the next person. Yet there’s a whole world of cookiedom out there, and the holdiays are the best excuse to do a little experimenting.

Whether you prefer your cookies buttery, spiced, crisp, or iced, there’s something to suit your…ahem, taste. Check out the following holiday favorites from around the world.

Springerle
These embossed, biscuit-like German cookies–usually flavored with anise–date back to the 14th century. They’re traditionally made using a wooden or ceramic mold (human figures are a common theme) or a rolling pin decorated with carved-out depressions. Think of them as edible art, especially if you have the talent and patience to ice them.

Shortbread
For butter sluts like me, few things beat a well-made piece of shortbread. True shortbread is Scottish in origin (the recipe we’re most familiar with today–flour, sugar, and butter–is attributed to Mary, Queen of Scots). Because the ingredients were considered luxury goods, shortbread became synonymous with festive occasions, including Christmas.

Shortbread has become ubiquitous throughout the UK, and similar (but inferior, in my humble opinion) cookies are found throughout Scandinavia. What makes good shortbread so special? The quality of the butter is paramount, but also the handling of the dough. Any baked good with a fat content that high is bound to be tasty, but overworking the dough–whether it’s rolled or patted out by hand–ensures a cookie the equivalent of a hockey puck. And I’m a purist: no crystallized sugar or fancy shapes for me, please. Just give me the cookie.

[Photo credits: Flickr user JeMaSiDi]Ma’amoul
These rich, Lebanese semolina cookie/pastry hybrids traditionally have their top half pressed into a decorative mold, while the bottom half is stuffed with a filling of chopped fruit and nuts such as dates, figs, walnuts, pistachios, walnuts, or almonds. Ma’amoul may be round or dome-shaped, or slightly flattened, and are categorically a form of shortbread due to their high fat (butter or shortening) content. They also contain rose and/or orange flower water, which gives them a subtle floral essence.

Ma’amoul are popular in the Levantine cuisine of the Eastern Mediterranean, as well as that of the Arab Persian Gulf states. They’re a frequent site during religious holidays an festivals, including Ramadan and Purim. In Jewish communities, date-filled ma’amoul are a favorite Hanukkah treat.

Mandelbrot
Some liken these twice-baked almond cookies to “Jewish” or “Askenazic” biscotti, and it’s a fairly accurate description. The name comes from the Yiddish for “almond bread.” Like biscotti, they’re shaped into a loaf, sliced, and baked twice to achieve a hard texture. They’re traditionally dunked in tea.

It’s believed that mandelbrot may have found it’s way to medieval Eastern Europe via the significant Jewish population residing in Northern Italy. According to food writer and Jewish cuisine expert Joan Nathan, the durability of the cookies made them a popular Sabbath dessert, because they traveled well via merchants and rabbis. Mandelbrot are also served at Hanukkah, because they’re parve (made with oil, instead of butter, aka dairy).

Melting Moments

Although similar to Mexican Wedding cookies–those tender little shortbread domes dusted with powdered sugar–Melting Moments don’t contain ground nuts (the Latin versions–which have been traced back to medieval Arab culture–always contain ground almonds or other nuts, which were then a delicacy).

I first discovered Melting Moments, which rely upon the addition of cornstarch for their trademark disintegrating quality, while working for a Kiwi chef in London. Charmed by the name, I soon discovered that these Australian/Kiwi cookies are holiday favorites. They’re ridiculously easy to make, consisting primarily of butter, powdered sugar, and flour in addition to the aforementioned cornstarch (called “corn flour” in UK/Aussie recipes). They’re often made as sandwich cookies filled with icing (because you can never have too many Melting Moments).

There are literally dozens of other holiday cookies out there, ranging from the anise-fragranced wafers of the Nordic countries and soft amareti or macarons of Italy, to the spice cookies of Central Europe. An easy affordable gift idea: bake up a batch that correlate to your recipient’s ethnic heritage or favorite/dream vacation spot. Happy holidays!

[Photo credits: ma’amoul, Flickr user àlajulia;melting moment, Flicker user ohdarling]