Oceania

Travel through Oceania by country:

Australia, Indonesia, Kiribati, Marshall Islands, Micronesia, Nauru, New Zealand, Palau, Papua New Guinea, Samoa, Solomon Islands, Tonga, Tuvalu, Vanuatu

Travel through Oceania by popular city:

Auckland, Canberra, Melbourne, Perth, Sydney, Wellington

Travel through Oceania by popular things to do:

Cook Islands, Sydney Opera House

Travel through Oceania with our writers:

In the Corner of the World, Work and Play in Queensland


Explore the Galapagos Islands on a stand-up paddle board

The Galapagos Islands have been inspiring adventurous travelers almost from the very moment that Charles Darwin first stepped ashore back in 1835. Upon his arrival, the famous naturalist discovered an array of unique wildlife there, which inspired him to write The Origin of Species and formulate his Theory of Evolution. Modern travelers continue to visit the Galapagos hoping to catch a glimpse of those same creatures while cruising through the Pacific waters 500 miles off the coast of Ecuador.

While relaxing at the local resorts and spending your day aboard a comfortable cruise ship is the perfect vacation for many, active travelers are often looking for a little more when they visit the Galapagos. With that in mind, adventure travel company Detour Destinations has designed a number of great itineraries that include hiking, snorkeling, mountain biking and kayaking around several of the 18 main islands that make up the archipelago. But a new itinerary offers a unique way to tour Darwin’s natural laboratory as visitors can glide along the coastline on a stand-up paddle board.

Stand-up paddle boards have seen an amazing rise in popularity over the past few years. Essentially, the sport puts the rider on a surfboard, but also gives them a one-bladed paddle, with a long shaft, that is not unlike those found in a canoe. Using that paddle, the rider can propel themselves through the the water and deftly steer through and around obstacles.

Using a stand-up paddle board in the Galapagos provides visitors with a number of advantages. The almost silent mode of transpiration allows travelers to get close to the wildlife that permeate the coastlines, which include sea lions, penguins, turtles, sharks and more. It also allows them to visit places that are not normally inaccessible through other forms of transportation, while the standing position affords a better view of the surrounding scenery than a kayak.

Active travelers whow want to explore the Galapagos in unique and adventurous ways should check out the various options that Detour Destinations has to offer. Even Darwin would be envious of these tours.

[Photo credit: Bill Ebbesen]

South Australian cattle station debuts tasting room

There was a time when Wagyu beef was eaten by only the most sophisticated of travelers. True Kobe beef is from Wagyu cattle that are raised in a very specific manner in the Hyogo Prefecture of Japan. Technically, Wagyu is the Japanese term for all cattle, and Kobe beef comes from a strain known as Tajima.

Kobe Wagyu receive massages to reduce stress and muscle stiffness, a summer diet supplemented with beer as an appetite stimulant, and regular brush-downs with sake (which is reputed to soften their coats, not act as some bizarre form of on-the-hoof marinade). At anywhere from $200 to $300 a pound, Kobe beef is the most expensive in the world.

Wagyu have been raised in the U.S. since the mid-seventies, but the market really took off in the nineties. Today, it’s not unusual to find “Kobe” steaks and burgers on menus, but it’s a bit of marketing hyperbole. It’s actually “American Wagyu,” or “American Style Kobe,” or “Kobe American Style.” It’s still great meat, but it’s not Kobe beef, and most American Wagyu are crossbred with Angus cattle.

What has all this to do with a South Australian cattle station, you ask? Australia has its own burgeoning Wagyu industry, and in May I visited Mayura Station, a full-blood Wagyu operation just outside the Coonawara wine region. I’m a longtime advocate of the farm-to-fork concept, and Mayura produces some of Australia’s best Wagyu beef, supplying an impressive roster of restaurants in Melbourne and Sydney, Penfold’s Magill Estate in Adelaide, and the Ritz-Carlton Singapore. As it happened, I’d tried Wagyu for the first time the week prior at Penfold’s, and it was delicious. But it was also obscured in sauce, and I didn’t have a real sense of what the big deal was. I was a bit skeptical, to be honest, so I made the trek out to Mayura to find out more.

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Mayura is owned and operated by the entrepreneurial de Bruin family, who first brought over live, full-blood Wagyu from Japan in 1998. Today, they have a sustainable operation that produces award-winning beef from one of the largest (1,700 head of breeders) full-blood herds outside of Japan. Most of the meat is exported to Southeast Asia and the UAE, but their newest business concept is likely to create a larger domestic fan base.

In May, Mayura debuted its tasting room, a professional demonstration kitchen equipped with a long counter in front of the flattop range. Visitors from all over the world can now let their tastebuds discover why Wagyu is such a big deal.

Explains manager Scott de Bruin, “We felt there was a strong need for visitors and valued clients to experience various cooking styles from a simple tasting ($80AUD/pp), through to a full degustation paired with local wines ($120AUD/pp). The tasting room is a serious take on the “paddock-to-plate” concept, designed to mirror a state-of-the-art Teppanyaki bar.”

I visited Mayura as part of a Limestone Coast excursion for Tasting Australia. The country’s largest food and wine festival, it’s held in Adelaide every other year. While there’s an emphasis on South Australia, which produces most of the country’s wine in its 16 growing regions (including designations within), it’s generally a celebration of all things edible and Australian. For one hedonistic week, there are tastings, pairings, classes, tours, dinners, seminars, demos, and a riverside “Feast for the Senses” with dozens of food stalls.

En route to visit some wineries, a group of us had arranged to visit Mayura and do a vertical (head-to-tail) tasting. The tasting room accommodates 14 to 40 guests by appointment (self-drive required if you’re not with an organized group, so call well in advance to see if you can fit into an existing booking). All visits include a tour to visit the cattle, so guests can learn more about the breed, industry, and Mayura’s animal husbandry practices. You can even buy packaged beef on-site, for domestic travel.

We were greeted by de Bruin and on-site chef Kirby Shearing. Our group of 14 lined up in front of the place settings running down the length of the demo area. A huge overhead mirror provided a bird’s eye view of Shearing, as he showed us the various cuts of beef we would be tasting, in order: tongue, flank steak, filet, bresaola (thin slices of air-dried beef), and strip loin. Then de Bruin talked about Mayura’s history and the Australian Wagyu industry.

The reason Wagyu is so tender (not accounting for feeding practices, which includes extra finishing time on a blend of specific grains) is because the cattle have a higher percentage of marbling, due to selective breeding practices over thousands of years. Most of the fat is monounsaturated, the meat high in conjugated linoleic acid, and Omega-3 and -6 fatty acids. Wagyu beef actually has myriad health benefits similar to those found in grass-finished beef. It isn’t aged the way some American beef is, because the fat will break down. The fat also dissipates throughout the meat as it cooks, making it more forgiving to work with.

Japanese beef is graded on a scale of one to five (highest), based on marbling, yield, meat color, firmness and texture, and fat quality. Wagyu should be at least 25% marbled fat (by comparison, USDA Prime meat must have six- to eight-percent, and our grading system doesn’t include a classification for Wagyu). Thus, Japanese A-5 Wagyu is considered primo, top-of-the-line. It should be tender, with lustrous fat and a sweet, fine flavor, even when eaten raw, as with a carpaccio.

Shearing started us off with a tasting plate of tongue that had been brined and poached. It was silky and mild, practically melting in my mouth. Next came flash-seared cubes of flank, a lean cut that is usually marinated, and cut across the grain to make it more tender. Not this steak. It was unctuously fatty, in the best possible way. Buttery. Juicy. Addictive.

Filet is already a rich cut, so I was especially curious to see how Wagyu compared to Prime.
The meat fell away at the touch of Shearing’s knife, it was so tender. Absolutely delicious, but as with regular beef, I prefer a ribeye or New York steak, because they have more flavor and a bit of chew to them. The flank steak had a little more complexity to it.

The bresaola was made from eye of round, and my least favorite, only because I’m not a big fan of the preparation. But the strip loin that concluded our tasting was a unanimous hit. While Wagyu is undeniably more subtle in flavor than standard grain- or grass-finished beef, it was deeply flavorful, and just slightly toothsome. Yet it still retained that glorious, fat-infused richness. Paired with a side of Shearing’s crisp, airy onion rings (his secret weapon: adding gin to his beer batter).

Our visit concluded with a tour of the open barns where some of the cattle were being finished on grain. They’re pretty things: Stocky and chocolate brown, with short horns that slant upwards. I was duly impressed with the property we saw on the tour. As a food and agriculture writer, it’s easy to tell when you’re dealing with a facility not on top of its sanitation or animal husbandry practices.

So here’s the thing about Wagyu…or Kobe beef. It’s pricey as hell, but get the good stuff, and it’s so rich, you can’t eat more than a few ounces. I now understand why true Kobe beef, and the cattle it comes from, have such a reputation. A little Wagyu goes a long way.

Getting There

The Limestone Coast is located in the southeastern part of the state. It’s a diverse mix of remote beaches and sand dunes, pine forest, ancient caves (including Naracoorte World Heritage Fossil Site, worth a visit, especially if you go caving), and farmland and vineyards. The adorable seaside town of Robe, in particular, is a great place to spend a weekend and feast upon the crayfish (actually spiny lobster) the town is famous for.

Of the Limestone Coast’s six wine regions, Coonawara is the most famous (primarily for its Cabernet Sauvignon). It’s a one-hour flight from Adelaide to the pleasant town of Mt. Gambier, famed for its stunning Blue Lake, which is actually a volcanic crater. Mayura, which is located just outside the town of Millicent, is a thirty-minute drive away (you can rent a car at the airport). The Barn in Mt. Gambier makes a good overnight base for Wagyu- and wine-tasting excursions. Just in case you return still hankering for a ribeye and a glass of red, The Barn Steakhouse wine list has over 400 selections from the region. .

Qantas and the South Australia Tourism Commission are giving away unlimited flights for two from Los Angeles to Adelaide for one year, in a contest running through December 31st, 2010. To enter, visit unlimitedflightstoaustralia.com.

Tasting Australia 2012 will be held April 26-May 3.

Worlds most expensive beer made from Antarctic ice

Australian beer maker Nail Brewing revealed the secret behind its latest ale, which set a new record for the most expensive beer ever produced when it was sold at auction last month. The new limited edition brew, which was produced and sold for charity, was made from melted Antarctic ice.

Dubbed Antarctic Nail Ale, the beer first went on the auction block to raise money for the Sea Sheperd Conservation Society, an organization dedicated to protecting whales and other sealife around the globe. On November 3, a single bottle sold for an amazing $800 AUD (roughly $780), setting the new record for the worlds most expensive beer in the process. That auction was just the warm-up however, as another bottle went up for sale on November 19, smashing the new record. That second bottle sold for a whopping $1850 AUD ($1805)!

The beer was created by John Stallwood, the owner of Nail Brewing. Stallwood’s brother-in-law is part of the crew on board a Sea Sheperd ship, and recently visited an iceberg floating in the waters off Antarctica. He collected some of the ice there and flew it back to Tasmania, where it was melted and then passed on to Stallwood to use in the beer.

I’ve had some expensive beer before, but $1850 for a single bottle? I’d have to nurse that one for a really long time.

Photo of the day (12.2.10)

Seeing animals in the wild can be one of the highlights of any trip, especially when everyone comes out of it with all body parts intact. Flickr user kumukulanui captured this “Emu intensity” in Perth, Western Australia. I love the emu’s soulful eyes and curious/bordering-on-scary expression. I don’t know how the meeting will end, but I’m glad to have caught a moment. Emus are native to Australia and quite bold about approaching human, particularly when they have food, and have also inspired the Perth-brewed Emu Beer.

Have any interesting animal encounters on your travels? Add your pix to the Gadling Flickr pool and we may use one for a future Photo of the Day.

Grantourismo blogger on guidebooks and travel writing

Last week I posted a Q & A with blogger Lara Dunston and her husband and partner Terence Carter about their travel project and blog Grantourismo. In addition to good advice about renting a vacation apartment and getting “under the skin” of a place when traveling, they had a lot of interesting things to say about guidebooks, both from their experiences writing them and how they see travelers using them wrong.

Read on for more on the guidebook writing process, how you can use them best on vacation, the changing media landscape, and which bloggers and publications offer the best content for travelers.How did this project stem from your experiences as travel writers?
Grantourismo began as a personal travel project that developed from our frustrations, firstly, with our own work as travel writers, and secondly, with how many travelers rely so much on guidebooks. Terence and I wrote, updated or contributed to around 50 guidebooks for Lonely Planet, Footprints, Rough Guides, DK, and others, and what we loved most about guidebook writing was when we worked on a city guide and rented an apartment for a month or two and really got beneath the skin of the place.

So many writers who aren’t residents of a place ‘parachute in’ to a destination for a few weeks and do crazy 18-hour days ticking off sights/bars/restaurants etc in a frenzy and leave. We didn’t start travel writing to live like that. However, what we disliked was the tedious stuff – ensuring the post office was in the right spot on the map, checking bus timetables, etc. We’d also been doing lots of feature writing, especially profiles, for magazines and newspapers, and what we loved about that was experiencing places through their people.

What’s the difference between guidebook and feature writing?

With guidebooks, unless Terence had a photography commission for the same book we were writing, we mostly traveled anonymously. As feature writers we could contact people, doors would open, and we’d have incredible experiences, and come away feeling like we’d really learnt something. For instance, for a story on Michelin-star chef Pierre Gagnaire’s Dubai restaurant, we spent a night in the kitchen, Terence cooking and me observing and notetaking and – Terence ended up cooking a dish for Pierre! Grantourismo was an attempt to develop a project that would give us the opportunity to have more of those kinds of experiences and have the best of both worlds, of guidebook and feature writing. We also wanted to inspire travelers to travel in the same way, to engage more with locals and explore their own interests when they travel. This desire grew out of a frustration with seeing how obsessed people were with their guidebooks and witnessing travellers miss out on amazing opportunities because they would only go to places their guidebooks recommended.

I’ll never forget going to a great little stand-up seafood tapas place in Barcelona and seeing a young American couple sitting on the doorstop next door frantically trying to figure out if it was in the guidebook. The place was heaving and it was full of locals! Just go in! There’s also another famous tapas bar in Barcelona which once had a great reputation but it fairly mediocre now but because it’s in every guidebook, people line up for it an hour before it opens. Yet there are 20 other better tapas bars in the surrounding streets! We’d rather see people leave their guidebooks closed occasionally, talk to locals more and pursue their interests. If you’re passionate about food and cooking, why not go to a place and do a cooking course, stay in a vacation rental and shop at the markets and cook? If you love a restaurant get tips on where to eat from the waiter, and if the restaurant is quiet, why not ask to see the kitchen and chat to the chef?

So can travelers still rely on guidebooks for basic info?
Guidebooks are great for background information on a wide variety of topics on a place. What’s the alternative? Lugging around half a dozen books on the history, politics, geography, culture etc of the destination? Or load those books onto a Kindle or iPad, although of course not all travelers can afford hi-tech gadgets or even want to take them to some destinations. The ‘front/back matter’ in guidebooks can usually be relied upon – sometimes the stuff is written by subject experts, or it’s written by authors who do a great deal of research, it’s fact-checked, and it doesn’t date quickly.

Where guidebooks can be unreliable on the other hand is in the perishable information – reviews of hotels, restaurants, shops, cafés, bars, their addresses, phone numbers, prices, opening times etc. It’s not necessarily the author’s fault. Businesses move or close down, things change. It’s the fault of the publisher and their long production schedules – sometimes a year or 18 months can pass from the time the author has done the research to the time the books hit the shops. Some places never change or change little, like small country towns, but cities like Shanghai or Dubai change constantly.

We once worked on a first edition guidebook that took two years from the time I submitted the manuscript and Terence submitted the photos to reaching the bookshops. I wrote the first edition of one guidebook and updated the second edition, but I know that book has since been reprinted twice without further updates. How can travelers rely on those books? In some cases, I think the publishers have a lot to answer for, particularly when new museums or significant sights would make a ‘Top 10’ list but haven’t been added.

Any guidebook series you do like for local recommendations?
We like niche guidebooks, such as Hedonist’s Guides, which uses authors that really know their stuff when it comes to restaurants, bars, and hotels.Hedonists also come in a cool hardcover book as well, so they don’t fall apart, and as iPhone apps that are updated much more frequently than the book.

This year, on our Grantourismo trip, we’ve been on a mission to find locally produced guidebooks in each place we’ve visited, and when we’ve tested out a book and loved it we’ve interviewed the publishers/editors and showcased the book on our site, such as the arty and rather philosophical ‘My Local Guide to Venice‘ and the straight-talking ‘Not for Tourists‘
in New York. We want to encourage travelers to look for these books because they bring a uniquely local flavor and multiple perspectives on their destinations, unlike the big mainstream global guidebook publishers where the authors’ personalities are never allowed to shine.


What can user-generated content like TripAdvisor offer travelers compared to traditional media?
I think user-generated content supplements books and travel features in newspapers/magazines but can never replace quality guidebook authorship or travel journalism. While user-generated content wins out in terms of currency (the reviews have dates), guidebook authors and travel journalists are professionals with expertise. It’s our job to assess hotels, restaurants, bars, sights, and so on. Having slept in thousands of hotels across all budget categories, eaten tens of thousands of meals at all kinds of restaurants, visited thousands of museums, etc, gives you a degree of experience and expertise that the average traveler who has 2 weeks (in the USA) or at most 4-8 weeks (in the UK/Australia/Europe) holiday can never hope to match. If a guidebook author tells me the XXX hotel is the best in Milan and a reviewer on Trip Advisor tells me the YYY hotel is the best, I know whose opinion I’m going to trust.

If the traveler writing on Trip Advisor focuses on describing in detail their very specific experience of a hotel or restaurant, that kind of information can be helpful when weighed up against other reviews by travelers and experts. Where it can be detrimental is when the Trip Advisor reviewer starts making claims about a certain hotel being the best in the city or the cheapest or friendliest or whatever. What I want to know is how many hotels have they stayed at or inspected to be able to compare their hotel to? A guidebook writer specializing on a destination might have stayed at a dozen hotels in that city over a number of years, and inspected 50 others. So when it comes to user-generated content, my main issue is with the authority of authorship. There are also plenty of games being played out behind the scenes with
manipulation of reviews (both positive and negative) of properties. In a recent destination we visited a local foodie who told us to simply ignore the top 10 places listed on Trip Advisor as they’re rubbish. And she was right. We’ve personally seen scathing reviews of hotels and restaurants that we know are some of our favourites in the world – so who are you going to trust? The user ‘britney_1537’ or a professional travel writer?

Where do you see travel journalism going?
I can’t see travel journalism in magazines or newspapers changing significantly because it hasn’t changed in its genre, form or structure a great deal at all. What has changed is that there are far more journalists working for broadsheets and travel magazine these days that are doing trips ‘courtesy of’ a tourism body or travel operator – and it’s apparent from the first paragraph, even if it’s not declared. There has definitely been a trend toward publications redefining and narrowing their focus and we’ve seen wonderful new niche travel publications born in the last year or so such as Wend and AFAR – a magazine after our own hearts and minds!

I can see traditional travel publications embracing more user-generated content in the way that some of the UK newspapers have been doing by incorporating reader’s travel writing and tips and linking to those on their main travel pages. I love how The Guardian in the UK engages its readers on Twitter and I dig the Twi-Trips that Benji Lanyado does, which are kind of mini-versions of that fantastic journey the Twitchhiker did that had us all engrossed in his journey halfway round the world relying totally on the hospitality of strangers.

I also think we’ll start to see more travel writers like Terence and I who have worked across traditional media platforms entering into direct relationships with companies as we have with HomeAway Holiday-Rentals and producing content on their own websites and blogs or on the company’s blog, as say, David Whitley has done for Round the World Flights in the UK. But it will only work if the writer can negotiate editorial control as we did with HomeAway Holiday-Rentals. As long as writers maintain their integrity and apply the same ethics they would to a story for a newspaper or magazine, it’s a good thing. But how many travel companies are willing to give writers this freedom? If you look at our last few posts on Cape Town and our first posts on Kenya – which are both reflective and critical – you have to ask yourself how many travel-related companies are willing to let writers produce this kind of content that doesn’t gloss over the situation on the ground?

How can travelers benefit from the changing media landscape?
Travellers can benefit by content that is more creative and less restricted by a publications editorial style or writing guidelines, by content that is more freewheeling in spirit. A perfect example is Pam Mandel who blogs at Nerd’s Eye View, who has a unique, intimate, chatty style of writing that wouldn’t work for a lot of newspapers for instance – but she’s heading off to Antarctica soon on a sponsored trip and I can’t wait to see how she brings her own singular brand of writing to that adventure. What’s important with these gigs, like Grantourismo, is that travel writers continue to be upfront, honest, critical and opinionated in their writing. They need to maintain their integrity and ethics. Travelers in turn need to expect that of the writers they’re reading – if they’re seeing ‘sponsored story’ or company widgets/logos on their blogs (both travel writers and bloggers), they need to look for an editorial policy. It’s only by writing critically that writers will win readers’ trust in the long term and projects like Grantourismo will succeed.

Check out more on Grantourismo on their blog and Twitter page.

All photos courtesy of Terence Carter.