Travel Expert Brings Local Flavor To Guidebooks, Video

Known worldwide as travel editor for CBS News, Peter Greenberg has traveled the planet bringing far away places into living rooms for decades. Now, Greenberg shares his expertise on destinations around the globe in his new “Like a Local” series of guidebooks, videos and travel tips that go on sale April 16.

Teaming with Michelin, Greenberg is releasing the series of “Like a Local” travel guides to Buenos Aires, Cuba, the Caribbean, New Orleans, and Miami that have must-see sights and activities, but also reveal insider tips on how to navigate the process of travel to get the best experience.

“Learn tips like how to avoid the touristy tango clubs in Buenos Aires and dance with the locals in a milonga,” says a release touting Greenberg’s endeavour. Telling “where to find street food stalls serving locally sourced seafood in the Bahamas; how to spend a day with Cuban tobacco farmers in Pinar del Rio” and more, the series looks to be a winner.

Recently, I had the opportunity to talk to Greenberg in Amsterdam and found him as colorful and descriptive about travel as one might expect. Speaking of his recent PBS special, “Mexico:The Royal Tour,” Greenberg was as passionate about experiencing the country with Mexico’s President, Felipe Calderón as his guide, undertaking whale watching in Baja California, rappelling down the Cave of Swallows in San Luis Potosi and zip-lining through the jungles of Puerto Vallarta.

Bringing that level of up-close and personal experience to us via guidebooks, videos and tips, the project promises to be far more than the sum of it’s parts.


[Image via Flickr user LollyKnit]

Journey To Secret Beach in Austin, Texas

I walk through the open gate and into a dusty backyard BBQ party. I offer the contents of a grocery bag to the men manning the grill. The afternoon sun on July 4 in Texas isn’t subtle. Dozens of friends are gathered here and sweating in unison. I find a place to relax in the shade — a slice of watermelon in one hand and a cold beer in the other. I think of my puppy, Fiona, at home. I’ve just left her alone for the first time. Once an hour has quickly passed, I excuse myself on behalf of Fiona’s assumed despair. I think of her barricaded in my kitchen, all eight pounds of her. Before I leave, I’m invited to rejoin my friends later at a purported “secret” beach, appropriately and memorably called Secret Beach. I’m given specific directions that are promised to take me there, but I never go. I open the front door to my house to find Fiona hiding under the couch in the living room. How she managed to jump over the 4-foot-tall stacked plastic storage bins that closed off the kitchen without budging them whatsoever is a mystery. Clearly distraught from her first home alone experience, I instead decide to take her with me to a friend’s pool, where she’s allowed to be but not to swim. I could have taken her with me to Secret Beach, but I didn’t know that at the time. I emailed a friend a few days later to get the directions to Secret Beach in writing. I saved the email knowing I’d want those directions sooner or later.

%Gallery-152063%The summer in Austin is oppressive. It’s my first summer in Texas, but the record-breaking drought and heat aren’t making the transition easy. Locals commiserate. “I’ve been in Austin all my life and this is, by far, the worst summer ever. I’m so sorry it’s your first”, they tell me, attempting to reassure me that the hard time I’m having isn’t because I’m a newcomer. But my instincts tell me that no matter what they say, the brutality of this summer is weighing more heavily on me, a recent transplant from the north. Everyone is feeling exhausted and visibly so. Beat down by the relentless heat, which has been in the triple digits for over 70 days now, I receive the pitying facial expressions of air-conditioned drivers paused at stoplights as I walk Fiona. Walking her isn’t easy to do — her paws are too soft and raw for the burning asphalt. A friend tells me he can only walk his 6-year-old Samoyed when it’s dark. This gives me the idea to become nocturnal.

I succeed in living by night for a month or so. But between raising a new puppy, totaling a car, shopping for a new car and planning my upcoming wedding, the inconvenience of a nocturnal lifestyle isn’t suiting me. I return to the daylight in the weeks before my October wedding, slowly readjusting to societal normalcy. My wedding is blessed with rain; a beacon of hope that graces the multi-day outdoor event with cool breezes. With a marriage license signed, an elaborate wedding set-up and torn down, and the weight off my chest from entertaining over a hundred mostly out-of-town guests, I find myself able to kick my feet up at my own home. But my feet are on boxes. Boxes filled with vintage lace, plates and glasses, and bins filled with silverware and candles. I lay my head on a collection of solar-powered camping showers strewn across my couch. The opportunity to depart from the wedding immediately following the ceremony for a honeymoon wasn’t an option. Perhaps I could have planned better, asked more of our family members and friends, but I didn’t. Instead, my husband and I work during the week following the wedding. We work in 12-hour chunks scrubbing the floors of the cabin on the property we rented, Austin Heaven. We are washing dishes so that they might be sold, and we are making back-to-back trips between the property and our house in Austin — a 30-minute commute without any traffic. And there’s always traffic.

Eight days after the wedding, two out-of-town friends remain in our home. One friend is an optimistic, ukulele-playing young lady. She has decided to extend her stay permanently and will be looking for a place of her own soon (she eventually moves into an actual closet). The other flies back home tomorrow to Germany, where he works as a physicist, which I find both fascinating and intimidating. With a flea market-looking, post-wedding home yielding not a single interior space for our guests or selves to relax, I have an idea.

“Do you guys want to go to Secret Beach today?” I ask in a tone that I hope conveys to our guests that I, for one, am getting out of the house and into the water regardless of what they choose. They think this sounds “awesome” and I do too. Perhaps more importantly, Fiona hasn’t had any exercise whatsoever since running around the wedding property eight days ago. She sees her leash and rejoices; her paws stretched out and pressed against the door as far up as she can reach them. She is ebullient. We put on our swimsuits, spray on sunblock and I pack a few towels. When we arrive to the end of the road on Austin’s southeast side, I’m not sure where to go next.

“Let’s just park and walk,” I say, hoping the path down to the water isn’t too inconspicuous. We see the white building that was referenced in the directions as a landmark, but we don’t know where the referenced trail nearby is. I debate calling the friend who gave me the directions, but part of the adventure is finding the path on your own.

In the parking lot next to the white building, a man is wet and ushering his dripping dog into the back trunk of his station wagon.

“Do you know where Secret Beach is?” I ask him, certain that he does.

“Secret Beach?” He responds. “It’s not so much of a secret anymore. Back when I discovered it, well, actually, my dog here discovered it, ten years ago, nobody knew about this beach but us. He just went nosing around down there one day and I followed him, I wanted to see where he’d take me. And he took me to Secret Beach. Nobody was down there but us; we founded it. Been comin’ here ever since then, but more and more people seem to show up every time.”

“Wow, you discovered it,” I say, catering to his “I Found It; It’s Mine” gasconading bravado. “Well, I hear it’s beautiful. Can you tell us where it is?” I continue.

“Look,” he says pointing. “Now you follow that path right there all the way until you see another dirt path to your right, take that one, the one to the RIGHT, don’t miss it. Follow that path down and around all the way and I don’t know what you’re going to do, little lady, wearing sandals like those. It’s not easy to get down that hill without slipping. But once you’re down the hill, walk through the trees and then BAM! You’ll hit the sand and the water.”

As the man leaves, another man arrives wearing swim trunks and guiding his Boxer puppy in the direction that had been pointed out to us. Fiona chases after the puppy as we journey down to the sandy beach, finally arriving beneath the late afternoon sun. Beams of light shoot through the canopying trees and hit the water like kaleidoscopic images. Fiona and the Boxer puppy hit the water like exploding cannonballs. With gnashing teeth and splashing water, the two dogs share their first swim. Letting the cool water move through me as it travels farther east, I am unencumbered. I soak in the feeling of having a low-populated and beautiful retreat this close to home.

Autumn is beginning to set in and it looks good on the drought-stricken land — a shoe that finally fits. We cycle in and out several times from the water to our outspread towels. There are only a handful of other people here on this Sunday afternoon. The beach sand is soft and the shells that are scattered alongside the Colorado River are plentiful. Our shoes are behind us in a haphazard pile. We’re a group of unapologetic nelipots.

Once we feel fully depleted, I stuff everything into a large tote bag and we climb the steep hill back up to the dirt path that leads to the parking lot by the white building. Secret Beach isn’t exactly secret enough to warrant the mysterious title these days. But it is still a place I like to go; I am reprieved here from the overcrowded swimming holes in and around Austin. If you want to find it, you won’t have a hard time. Research it or ask a local. I’d tell you myself, but I don’t want the blood of sharing semi-secrets on my hands.

Delos Diary

As reported earlier this week on Gadling, the Greek government recently announced that it has earmarked $2 million for the restoration of an ancient theater on the sacred island of Delos. That welcome announcement — some rare good news emanating from that beleaguered country I love — had special import for me, because one of the magical experiences of my early traveling life took place on Delos. Reading about the theater and the history of the island re-immersed me in that singular memory — and inspired me to hunt through my journals and scrapbooks for an account I wrote shortly after my visit more than three decades ago. I offer it here not as a guidebook to the current conditions of the place — I’ve never returned — but rather as a snapshot of its spirit, and a celebration of the serendipitous bonds that travel can sometimes bestow.

***

There are no tavernas, no discotheques, no pleasure boats at anchor; nor are there churches, windmills or goatherds. Delos, three miles long and less than one mile wide, is a parched, rocky island of ruins, only 14 miles from Mykonos, Aegean playground of the international vagabonderie. Once the center of the Panhellenic world, Delos has been uninhabited since the first century A.D., fulfilling a proclamation of the Delphic oracle that “no man or woman shall give birth, fall sick or meet death on the sacred island.”

I chanced on Delos during my first visit to Greece. After three harrowing days of seeing Athens by foot, bus and taxi, my traveling companion and I were ready for open seas and uncrowded beaches. We selected Mykonos on the recommendation of a friend, who suggested that when we tired of the beautiful people, we should take a side trip to Delos.

On arriving in Mykonos, we learned that for under $3 we could catch a fishing trawler to Delos (where the harbor is too shallow for cruise ships) any morning at 8 a.m. and return to Mykonos at 1 p.m. the same afternoon. On the morning of our fourth day, we braved choppy seas and ominous clouds to board a rusty, peeling boat that reeked of fish. With a dozen other tourists, we packed ourselves into the ship’s tiny cabin, already crowded with anchors, ropes and wooden crates bearing unknown cargo.At some point during the 45-minute voyage, the toss and turn of the waves became too much for a few of the passengers, and I moved outside into the stinging, salty spray. As we made our way past Renea, the callus-like volcanic island that forms part of the natural breakwater with Delos, the clouds cleared and the fishermen who had docked their caiques at the Delos jetty greeted us in bright sunlight.

At the end of the dock a white-whiskered man in a navy blue beret and a faded black suit hailed each one of us as we walked by: “Tour of Delos! Informative guide to the ruins.” A few yards beyond him a young boy ran up to us, all elbows and knees, and confided in hard breaths, “I give you better tour. Cheaper too.”

I had read the Delphic oracle’s proclamation the night before and wondered what these people were doing on the island. I asked the boy, and he pointed to a cluster of houses on a knoll about a thousand yards away. “I live here. Family.”

At first glance, Delos seemed the quintessential ruin: broken bits of statues, stubby pillars, cracking archways and isolated walls. Nothing moved but the sunlight, glinting off the fragments like fish scales scattered over a two-acre basin.

Other movements had once animated the alleys and temples before us. Legend has it that Delos was originally a roving island when Leto, mistress of Zeus, landed there racked with birth pains. Poseidon anchored the island in its present position while Leto brought forth Artemis and Apollo, the Greek sun god and protector of light and art. Apollo eventually became the most revered of the Greek gods, and religious devotion, coupled with the island’s central, protected situation, established Delos as the thriving center of the Mediterranean world, religious and commercial leader of an empire that stretched from Italy to the coast of Asia Minor.

Wandering the ruins of this once-boisterous center, we found temples both plain and elegant, Greek and foreign; massive marketplaces studded with pedestals where statues once stood, now paved with poppies; a theater quarter with vivid mosaics depicting actors and symbolic animals and fish; a dry lake ringed with palm trees; a stadium and a gymnasium; storehouses and quays along the waterfront; and an ancient suburb where merchants and ship captains once lived: the haunting skeleton of a Hellenistic metropolis.

***

At 12:45 the captain of the trawler appeared at the end of the dock and whistled once, twice, three times, then waved his arms. He repeated this signal at 12:50 and 12:55. My friend left, but something about those deserted ruins held me, and I decided to spend the night on the island. I watched from the top of Mount Cynthus, the lone hill, as the boat moved away toward the mountains of Mykonos on the northeast horizon. Looking around, I felt at the center of the Cyclades: to the north, Tinos, to the northwest, Andros, then Syros, Siphnos, Pros and Naxos, and beyond them Melos and Ios — all spokes in the sacred chariot of the sun god.

Below me the ruins were absolutely desolate, shimmering silently in the midday sun. A lizard slithered over my boot. The boat crawled father away. The wind sighed. Droplets of sweat seemed to steam form my forehead.

I walked down the hill to the shade of the tourist pavilion, the one concession to tourism (besides a three-room museum) on the island. I walked inside and asked the owner, a large, jolly man with a Zorba mustache, what he was offering for lunch. He looked surprised to see me. “You miss the caique?”

“No, I wanted to spend the night here.”

“Ah.” He looked beyond me into the glaring, baked ruins. “We have rice, meat, vegetables.”

“Do you have any fish?”

“Fish? Yes.” He directed me to a case in the back room, opened it and took out five different fish, each caked with ice. “Which do you want?” I pointed to one. “Drink?”

“A beer, please.”

He nodded, pointed out the door to a terrace with tables and chairs scattered at random like dancers at a Mykonos discotheque, and said, “Sit, please,” motioning me into a chair.

The heat hung in the air, folding like a curtain over the pillars and pedestals, smothering the palms and reeds. Occasionally a dusty-brown lizard would scuttle from one shadow into another. The owner moved from kitchen to terrace like a man who has never waited, never worried about time, wiping off the table, bringing a glass of cold beer, then fish, fried potatoes and a tomato salad.

Eventually, two old men dressed in the same uniform as the man who had greeted us that morning walked up carrying two pails filled with water. One went inside and began to talk animatedly with the owner. The other sat down on the edge of the terrace, dipped his callused hands and pulled out a white and black octopus. He rolled the octopus in a milky white liquid from the other pail, twisting and slapping its tentacles against the cement until he was satisfied it was clean. Then he laid it aside, and dipped in again, pulling out another slippery creature. He cleaned five octopuses in all, leaving them oozing in the sun, their tentacles writhing and their suction cups puckering.

At 4 p.m. a cock crowed. What is he doing here? I wondered. And, more important, why is he crowing at 4 p.m.? The sound broke the silence with an eerie premonition. I looked at the bottles, chairs, tables, heard the reassuring murmur of voices inside. Beyond the terrace, in the light and heart, seemed another world.

***

An hour later I walked into the ruins, following the wide central avenue (the “Sacred Way”) toward the waterfront, the theater district and the hillside temples. On my way I passed columns carved with line after line of intricate symbols with no breaks between the words; sacrificial altars; huge cisterns for storing rainwater and oil; and vast foundations outlining meeting halls and marketplaces by the wharves. I explored the remains of private houses, passing from room to room, trying to imagine where their inhabitants had cooked, eaten and slept, awakened from my reverie only by an occasional spider web or lizard trail. As I walked on and the setting sun cast the halls and walls in an orange-pink light, the ruins seemed to take on a strange life all their own.

What had been eerie desolation became an intense timelessness, a sense of communion with other peoples and other eras. My boots crossed rocks other sandals had crossed; my hands touched marble other hands had touched. When I reached the mosaics, they seemed a living thing, green-eyed tigers and blue dolphins, flowers of every shape and color, the same to me as they were to the countless merchants and artisans who had admired them centuries before. I continued up the hill to the temples of the Syrian and Egyptian — as well as Greek — gods, and reflected how many different cultures had met in that silent hollow below.

While I was sitting in the temple to the Egyptian gods, a figure appeared walking up the hill toward me. It was not the owner of the pavilion, nor any of the fishermen I had seen previously. This was a man in shorts and a Western shirt with a satchel and a walking stick. We exchanged waves and wary glances until he came up and sat next to me. “You are English?”

“American.”

“Ah, good.” He stuck out his hand.

He was a physicist from Hungary on leave from a national research project for two weeks. “I have been saving my passes for this trip,” he said. “Isn’t this wonderful? Yesterday I examined all the ruins from there” — he waved a finger toward the stadium at the distant end of the basin– “to here. Today I have walked the circuit of the island.” He paused to catch his breath, his cheeks as grainy as the rocks on which we sat. “There really isn’t that much else to see.”

The mountains were turning purple over the poppy-red water. The ruins were fading into shade. I wanted to explore further before darkness set in, so we agreed to meet for dinner.

***

When I entered the tourist pavilion, the owner greeted me like a long-lost friend and brought out three glasses and a bottle of ouzo. “We drink.” The Hungarian appeared through another doorway that, I learned later, led to the pavilion’s four “guest rooms,” distinguished by the presence of a mattress and wash basin. We finished one bottle and began another, talking in Greek, Italian, French, German and English about everything and soon thereafter about nothing. When one language failed, we tried another, until we were all speaking in the universal tongue of Loquacious Libation.

In another hour or two the owner fixed us a feast of fish, lamb, fried potatoes, rice, tomatoes and cucumbers, with baklava and rice pudding for dessert. While we ate, the physicist and I talked. I learned that the cluster of houses I had seen earlier had been built by the French School of Classical Studies when it was digging on Delos in the 1950s and `60s. When the last archaeologists left, the curator of the museum moved in with his family. It was his son I had met that morning. The old man who had hailed our arrival was a fisherman from a local island who turned to guiding when the fishing was slow.

After finishing our second bottle — compliments of the owner — of sweet, resiny retsina, we drank a good night toast of thick Greek coffee. Then the physicist retired to his room, preceded by the owner’s wife, who had drawn a pitcher of cold water for his use in the morning. I was traveling on a backpack budget, however, and when the owner offered me the use of his roof for 30 drachmas (under $1), half the cost of the guest rooms, I gladly accepted.

I walked up two flights of cement stairs to a cement roof enclosed like a medieval fortress with a four-foot-high wall. The stars glinted like a nighttime mirror of the marble ruins. I unrolled my sleeping bag in a protected corner, thankful that the lizards could not reach me at that height, and rummaged in my backpack for soap, toothpaste and a toothbrush.

“Could you use this?” The physicist held out his flashlight. “I’ve come to ask you to hurry in preparing your toilet. The owner wants to turn off the electricity.”

After I had washed and brushed and stumbled back up the stairs to my sleeping bag, I heard a scuffling of footsteps; voices thundered back and forth through the blackness, and the lights went out.

The footsteps returned, a door squeaked and banged shut, chairs scraped. Then everything was silent. No machine sounds, no human sounds, no animal sounds. Absolute silence. I lay in my sleeping bag, and the ruins encroached on my dreams — the swish of the lizards scrambling over the rocks, the moist coolness of the marble at sunset, the languid perfume of the poppies dabbed among the fluted white fragments.

***

Streaming sunlight awakened me. I turned to look at my watch and disturbed a black kitten that had bundled itself at my feet. In so doing, I also disturbed the ouzo and retsina that had bundled itself in my head, and I crawled as close as I could to the shadow of the wall — 6:45. I pulled my towel over my head and tried to imagine the windy dark, but to no avail. The kitten mewed its way under my towel, where it set to lapping at my cheek as if it had discovered a bowl of milk.

I stumbled down the stairs and soaked my head in tepid tap water until at last I felt stable enough to survey the surroundings. Behind the pavilion a clothesline ran to the rusting generator. Chickens strutted inside a coop at the curator’s house. Rhenea stirred in the rising mist.

Again I wandered through the ruins, different ruins now, bright with day and the reality of returns: The tourists would return to Delos, and I would return to Mykonos. I ate a solemn breakfast on the terrace with the physicist, then walked past the sacred lake and the marketplace to the Terrace of the Lions. Standing among the five lions of Delos, erected in the seventh century B.C. to defend the island from invaders, I looked over the crumbling walls and stunted pillars to the temples on the hill. Like priests they presided over the procession of tourists who would surge onto the island, bearing their oblation in cameras and guidebooks. As the trawler approached, a bent figure in a navy blue beret hurried to the dock, and a boy in shorts raced out of the curator’s house past the physicist, past me, and into the ruins.

[flickr image via Alex Healing]

Video of the Day: flying like a bird

We all want to fly. We have all wanted to since we were children who realized that humans do not fly and birds do. Today’s video of the day features Dutch engineer Jamo Smeets successfully flying like a bird. Our concept of travel, and the related transportation necessary, is basically based on the bird. Humans aren’t born with wings so we invented the airplane. Because of the airplane we have modern day travel. But what if we could all fly ourselves? Granted, this video demonstrates a type of flying that couldn’t yet carry us far distances but maybe one day this technology will evolve. Smeets developed this project for eight months prior to testing the technology at a park in The Hague on March 18, 2012. Check it out.

SXSW: from NYC to Austin, a local musician’s perspective and photo gallery

When I initially began weighing my options for relocation, I was still living in New York. Austin, a purported ‘oasis’ in Texas, had only entered my mind during this process because of clamoring friends eager to direct me as I prepared for and soon voyaged away from New York. It was not easy to leave the city that had shaped me. Immediately following high school graduation, I had set off for New York with the kind of bravado only a teenager can possess — that asinine invincibility. Years flew by before I grew antsy and curious about life in other cities.

To live in L.A.: to drive with the windows down through glamorously warm-breeze-blowing nights. To live in Seattle: to meander through continuous gray days months at a time, answering the question of what to do with cozy, dedicated, indoor creation. To live in Austin: to surrender to sunny surrealism marked by hammocks and the time to lie in them, to melt into a dimension wherein the rhythm of the music is the heartbeat of the city. I needed to detox from New York; I needed a long time to pass before I heard the word “networking” again. I longed for sunshine. My music, I thought, deserved to and would best grow in a place where people harvest music. To live in Austin, to pack a 1996 Honda Accord so full with instruments that my stomach is positioned dangerously close to the steering wheel, to drive for three days without air conditioning through increasingly hotter air, to wonder if I’m making a big mistake.

New York had been my mold that cast me into adult form and I knew this. I knew it less while living in the city than I did upon trying to live in non-New York. Anyone can blend into a city like New York. People say the same thing about Austin, but I don’t think it’s true. Austin moves at a slower pace and exudes a distinct feel. But everything in Austin changes in March for SXSW.

%Gallery-151126%One thing I liked about living in New York was the feeling that everything was happening in the town where I lived and that everyone was either there or wishing they were there. Since uprooting and replanting myself in Austin, I don’t often feel this way. With the exception of SXSW, I never feel this way. Austin is a vacuum for creative professionals during SXSW. Throughout this chunk of time every March, Austin attracts entertainment industry movers and shakers from around the world. SXSW 2012 was my second “South By.” Undeniable nostalgia washed over me as the hordes of talented city-dwellers infiltrated Austin. Uneasy as it may still feel to address Austin as “my town,” it is my town for now. Living in Austin during SXSW allows me to feel as though my town is the only town on the radar for other creatives for a short period of time. It’s a chin-up, pleasing sort of feeling, but feelings toward SXSW are, like so many things, layered and complex.

Austin during SXSW reminds me of New York in that city-centric way. But as with any popular city or festival there are parallels that remind me of why I left New York in the first place. When SXSW hits Austin, residents are bombarded with inconvenience from multiple angles. Lattes cost more, beers cost more and food from restaurants or food trucks costs more, too. Traffic is already a problem in a town growing as quickly as Austin, but traffic during SXSW has become a major hindrance. Although anticipated, the expectation doesn’t make the traffic any less inconvenient. I spent nearly double what I normally spend on gas during SXSW and I didn’t travel more miles — I just spent more time sitting in traffic. Taxis, even when called in advance, may require over an hour wait. Parking is a nightmare. The buses and metro may be filled. Your bike, if it happens upon the fate of my husband’s bike, will be stolen. Drunk people scream through the streets no matter the time. Other drunk people pass out on the streets, hoping you’ll see them sprawled out on the sidewalk before tripping over their tattered skinny-jean legs. They vomit, fight, grope one another and, generally speaking, behave in ways many people would behave had they been drinking for free since 11 a.m. It seems as though no matter how much Austin prepares for SXSW, the festival continues to reel in more people than expected each year and the combined resources of the city can only go so far. Visitors should come to Austin during the festival expecting the sort of inconveniences that appear alongside an attraction this large. Residents have been taught to expect these inconveniences.

There is a silver lining among the inconveniences, though. Some of these inconveniences affect visitors only and create moneymaking opportunities for enterprising locals. Take hotels, for instance. Not only do hotels raise their rates for SXSW, but also the rooms sell out quickly and there aren’t enough rooms in town to accommodate all of the visitors. Renting a room or a house through a website like Airbnb, Homeaway or Craigslist can yield quick and easy income for an Austinite with a flexible living space. In most thinkable circumstances, SXSW provides outstanding demand for that of which there is not enough supply. Just about any local can explore myriad business opportunities during SXSW. This is a good thing. It boosts the economy of the city of Austin as a whole while simultaneously fluffing the personal bank accounts of entrepreneurial Austin residents. SXSW 2012 fluffed my income enough to afford my purchases of a PA system, 3 microphones and stands, a nice delay pedal and a new guitar amp.

The perspective I have of SXSW as a musician is one I presume is not unique. It is an incomparable festival. Life as we know it in Austin comes to a standstill for the sake of music and there is something innately rewarding about that. Music can be heard on every corner and reverb through microphones across the city tucks me into bed when I finally resign to sleep. I played two shows during SXSW and opened for two headlining acts from other cities, both of whom I like, respect and otherwise might not ever share a stage. Opportunities like these arise beneath the wings of a festival like SXSW. Music is on every mind in town during the music portion of the festival. To play with passion during SXSW should come secondhand. People are listening with passion and to be given a chance to reflect that back to an audience so easily is a gift.

The shows can be more complicated than non-SXSW shows, though. Loading gear in and out of clubs quickly to and from cars illegally parked with their hazards on in the rain. Beginning a show without much of a chance to sound check because there are simply too many bands playing for most shows to be anything other than behind schedule. Wading through some of the unavoidable slime that drips off of a certain percentage of people employed by the music industry. All of these things are par for the course, but they are sometimes illuminated during SXSW. It is mostly inspiring and fun; it is only marginally a drag. The good far outweighs the bad on the topic of playing shows during a music festival so big you can feel the current of electricity throbbing through the air.

And then SXSW ends and Austin goes eerily quiet during the gloriously peaceful week that follows.