New public artwork imitates the changing mood of the city

by Jessica Festa on

For the people of Lindau, Germany, there is no such thing as keeping your mood to yourself. At least, not since German artists Julius Von Bismarck, Richard Wilhelmer, and Benjamin Maus installed a “Fuehlometer” (Feel-o-Meter), an interactive piece of public artwork that gauges and replicates the city’s mood swings.

The large smiley face is set on top of a lighthouse and changes expression as the people of the city do. How it works is a digital camera set along the water takes photos of peoples’ faces, which are then sent to a computer program to be analyzed. Once the mood is determined, the artwork will either show a happy, sad, or indifferent expression.

Want to see what the Feel-o-Meter looks like in action? Check out this video.

Video of the day: Seanna Sharpe performs illegal acrobatics show over Williamsburg Bridge

by Elizabeth Seward on

Aerialist Seanna Sharpe 285 Feet Over The Williamsburg Bridge from Ronen V on Vimeo.

Aerialist Seanna Sharpe took a few chances when she climbed the Williamsburg Bridge in July 2011 to perform an illegal acrobatic show for pedestrians beneath. She risked her life, we’d probably all agree, while flailing from the bridge’s beams 285 feet up connected to a white sheet by only her own acrobatic skills. She also risked getting arrested by NYPD officers and, as it turned out, she did get arrested. But the show she put on was spectacular and reason enough for dozens upon dozens of New Yorkers to halt their moving feet on their trek across the Williamsburg Bridge that day. Seanna Sharpe moved beautifully through the air that day in New York and the above video is a compilation video featuring footage captured by several onlookers. Is this the kind of “street performance” you’d stop to watch? I certainly would.

Architectural firm called “Al Qaeda lovers” over new project’s resemblance to New York City’s Twin Towers under attack

by Jessica Festa on

MVRDV, an architectural firm located in Rotterdam, Netherlands, has recently become the target of an outraged public. The company’s new luxury highrise project in Seoul, South Korea, called “The Cloud”, is being said to resemble New York City’s Twin Towers during the tragic 9/11 attacks. Not only have many of the media outlets and public turned against the company, but they are receiving threatening letters and are being called “Al Qaeda lovers”, among other names.

On the MVRDV Facebook page, the company has issued an explanation and apology to the public:

“MVRDV regrets deeply any connotations The Cloud projects evokes regarding 9/11, it was not our intention. The Cloud was designed based on parameters such as sunlight, outside spaces, living quality for inhabitants and the city. It is one of many projects in which MVRDV experiments with a raised city level to reinvent the often solitary typology of the skyscraper. It was not our intention to create an image resembling the attacks nor did we see the resemblance during the design process. We sincerely apologize to anyone whose feelings we have hurt, the design was not meant to provoke this.”

On a their Facebook page under the photo shown here, the debate has gotten heated, with over 600 comments and over 100 shares. While some feel strongly that the design is beautiful and a common design framework there are others who are arguing that it is ugly, disgraceful, and that the architects weren’t thinking (along with an overwhelming amount of obcenities and name-calling). What are your thoughts?

Boutique hotel in Turkey allows guests to sleep in caves and meander through underground tunnels

by Jessica Festa on

Located in the center of Cappadocia, Turkey, on the site of an ancient monastery, there is the Argos in Cappadocia, a historical and experiential boutique hotel. The remains of the historical structures, tunnels, and caves have been restored and turned it into a unique accommodation for travelers.

The views from the hotel look like a mix between a fairy tale and a sci-fi film, overlooking volcanic peaks and valleys of apricots and apples as the hotel is literally imbedded into the layered hillside. Room styles vary from “standard” to “Splendid Suites”, with each type being housed inside of a cave. These cave rooms are each located in hillside mansions that are connected to underground tunnels containing meeting rooms and fully stocked wine cellars. If you’re imagining a dark and dismal atmosphere, think again, as these rooms open onto terraces, balconies, and private courtyards with clear views of the adjacent Guvercinlik Valley and faraway mountain peaks. Moreover, each guestroom is technology-capable, with wireless internet and state-of-the-art sound systems. Turkish carpets, artifacts, and candles adorn each dwelling, although you may want to opt for the Splendid Suite for your own private in-suite swimming pool.

Having a hard time picturing it? Check out the gallery below to get a better idea of what you can expect.

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Has Google Maps ruined the art of the road trip?

by Kyle Ellison on

I may not be old enough to remember the completion of the US Interstate system (1980), but I’m at least old enough to remember what a paper map looks like.

I’ve felt the frustration of trying to solve the Rubik’s Cube of its original folds, and have engaged in the heated front seat argument that inevitably occurs when you realize the black line that crosses the Interstate doesn’t necessarily mean it actually connects with the Interstate.

On my recent 3,600 mile “10 days, 10 states, 10 great American sights” road trip, however, I never got lost once. No wrong turns, no hopelessly unfolded maps, just a bouncing blue ball embedded in the GPS of my smartphone on a little application commonly known as Google Maps.

This, many would argue, is a good thing. You get places faster, there are no front seat arguments, and the unfathomably smart little device will lead you directly to the gates of your hotel, National Park, or even the nearest coffee shop. From this perspective, Google Maps is the best thing to ever happen to the road trip.

If it’s even possible to be 27 years old and referred to as “old-school”, however, I have to say that I respectfully disagree. In my humble, perennially making U-turns opinion, Google Maps has actually ruined the art of the road trip, and I feel compelled to tell you why.

In a thoughtful effort to get you to your destination as quickly as possible, the shiny purple line overlaid on the Google Map points you from A to B on what it calculates to be the fastest route. More times than not, this leads you directly to the nearest Interstate.

As the late Charles Kuralt once stated in his long-running CBS series, On The Road, “Thanks to the Interstate Highway System, it is now possible to travel across the country from coast to coast without seeing anything. From the Interstate, America is all steel guardrails and plastic signs, and every place looks and feels and sounds and smells like every other place.”Part of the joy of the road trip–the true American road trip such as Gadling blogger Paul Brady discovered in his Traveling the American Road series–is not in getting from here to there in the speediest possible fashion, but rather in meandering amongst the back roads that connect village with village and neighbor with neighbor. Though 21% of America’s traffic travels along the Interstate system, it still only comprises 1% of America’s road network. The other 99% is where you will find the true American spirit and scenery, yet the purple line on my smartphone is telling me to pass it by.

Furthermore, getting lost is an intrinsic element of the road trip that Google Maps has eliminated. There is something to be said about not knowing what lies around the next bend, or in happening upon a township, a restaurant, or a scenic viewpoint that you had no plans of originally visiting. Maybe a person you speak with when you stop to ask for directions turns you on to a landmark or a festival that ends up being the best part of your trip. With the bouncing blue ball of precision, however, there are no longer any amicable strangers; there will be no festivals.

In a weird way, getting lost is supposed to happen. In our ever-morphing personal scripts and story lines, it is the unexpected encounters and unforeseen turns of event that add the toppings to the vanilla of our lives. As the ancient Greek philosopher Hericlitus once mused, “If you do not expect the unexpected you will not find it, for it is not to be reached by search or trail.” Or, for that matter, by GPS.

Lastly, when you’re eyes are constantly on the bouncing blue ball on your smartphone screen in anticipation of the next turn, you’re not even seeing what you originally set out to see, which of course are the communities which are suddenly passing you by. Here is a sample conversation of a Google navigator with eyes firmly glued to a smartphone:

“Ok, turn left in .2 miles…it’s going to fork to the right…you should be passing the Home Depot riiiiiiiiiiiight….now.”

“That was a nice town wasn’t it?”

“I don’t know. What did it look like?”

Though I am as guilty as the rest for relying on Google to get me where I need to go, I hope that we as travelers aren’t sacrificing the wind-in-your-hair freedom of adventure for a calculated algorithm of geographic efficiency. Robert Frost just doesn’t ring as true had he quipped “Two roads diverged in a wood, and I– I took the one Google told me to!”

While many may not agree, I am fearful that as technology revolutionizes the travel industry, the greatest casualty will be those roads not taken.