Inside the 2011 Vail Film Festival (w/ exclusive video)


A few weeks ago, I was invited to attend the 8th annual Vail Film Festival to check out Olympus’s new initiatives in digital filmmaking and photography. As someone that loves independent films, experimenting with digital cameras, and snowboarding; the only way I would have been more anxious to pack my bags and fly to Colorado would’ve been if Lindsey Vonn had personally offered to escort me to the slopes and give me ski lessons upon arrival.

I’d never visited any Colorado ski resorts, so all of my preconceptions of the town were summoned from an exaggerated mix of pop culture references to Aspen (think Dumb & Dumber, Southpark or Family Guy). Just before touching down at Eagle Airport, I imagined that I would have to sift through hoards of stiff yuppies draped in mink furs and Burberry scarves scoffing at me for participating in the barbaric sport of the mono-ski.
But after settling into the newly remodeled Sebastian Hotel and taking a walk through the quaint cobblestone streets, I was relieved to find a proportionate balance of twenty-somethings on spring break from the nearby CSU Boulder, mild-mannered family crowds, and even a few polite young urban proffesionals sipping chardonnay and enjoying the afternoon’s aprés-ski.

Olympus came to Vail as one of the primary sponsors of the film festival and host of the 48-hour “PEN Your Short” competition. This contest gave teams of filmmakers the chance to shoot a 3 to 5 minute long video in just 48 hours with the PEN EP-L 2, a compact digital SLR camera that boasts interchangeable lenses and an array of in-camera ‘art filters’. The participants of the contest ranged from tight teams of young but experienced production buffs to a pair of local radio hosts that desperately began to search for a video editor moments after the countdown kicked off.

In theory, it was a great chance for everyone to showcase their ability; a level playing field of equipment, a list of specific shots & techniques to be incorporated in the videos, and the freedom to showcase any topic or narrative feasible within the given deadline.

Shot with the Olympus PEN and Olympus Tough TG-610

After meeting the 48-hour teams & getting familiar with the PEN, the impressive XZ-1, and Olympus’s Tough TG-610, myself and the handful of other journalists had the chance to participate in the weekend’s festivities and catch the various festival events and screenings. In its 8th year, the Vail Film Festival has yet to reach Telluride or Sundance proportions; but the stars that came to support the event and quality of the films shown lead me to believe it will eventually grow to be associated within the weight class of the bigger festivals over the next 5 years.

The films screened ranged from a charming low budget love story titled Falling Overnight, to a quirky Sideways-esque film about a female scientist that refuses to give up control in every aspect of her life, to a fascinating documentary about legendary skier Bill Johnson.

There were festival parties held across several ballrooms inside the Sebastian, with intimate musical performances by artists like Cary Brothers & Meiko. Representatives of films in the festival rubbed elbows with Vail’s socialites and a few celebrities (that had been lured to the festival by handing them awards) like Kate Bosworth, Michael Imperioli & Oscar Nunez; Lindsey Vonn even made a brief appearance, but I got the impression that my ski lessons would have to wait.

One of the biggest highlights of the weekend was chatting with Kris Krosskove, a Hollywood cinematographer and camera operator that had used the Olympus PEN to shoot several of the racing scenes in Disney’s 2010 horse-racing film Secretariat. Krosskove took advantage of the PEN’s small profile to capture angles that wouldn’t have been possible with full sized cameras, using it to shoot fast-paced action sequences that were then intercut with standard 35-mm film shots. It was both fascinating and reassuring to speak with a professional that was using the same tools that everyday consumers have access to; proof that a typically slow-to-adapt industry is in fact willing to incorporate new, inexpensive technology.

The founders of the Vail Film Festival are well on their way to establishing a legacy in Vail, and for travelers interested in independent film but reluctant to join the masses at Sundance it’s certainly a viable mountain festival alternative. The good snow, great venues throughout the town, and an overall charming and pleasant setting to mingle with the creative class and see a unique selection of films will certainly bring me back.

To check out the unique variety of finished films from the Olympus 48-hour film competition, visit the Olympus Youtube channel and see if your favorites match up with the contest winners.

Stephen traveled to the Vail Film Festival on a trip sponsored by Olympus. No editorial content was guaranteed and he was free to openly experiment with Olympus’s cameras while snowboarding, bathing in picturesque hot tubs, and rubbing elbows with A-list celebrities.

Video of the day: The Mountain, El Teide, Spain

The Mountain from Terje Sorgjerd on Vimeo.

This video by Terje Sorgjerd, called “The Mountain”, came into my Tumblr feed yesterday. I’ve watched it several times since that first breathtaking viewing and I’m still in awe. This time lapse video was filmed on El Teide–Spain‘s highest mountain. The mountain is reportedly one of the best places in the world to view the stars and the Teide Observatories call the mountain home.

The video was shot between April 4th-11th, 2011. Sorgjerd is a landscape photographer from Norway and, according the video’s Vimeo description, didn’t spend much time sleeping during this week-long shoot. With stunning views of the stars, the trees, and even a sandstorm that rolled through during the shoot, watching this video is an easy way to brighten your day in just a few minutes.

Video of the Day – Musical Birds on Wires


This video has been making the rounds on the internet for about two years, but every time I watch, it brings a smile to my face.

In 2009, São Paulo based musician Jarbas Agnelli came across a photo in a newspaper of birds perched on electric wires. His musical curiosity took over, and he decided to find out if the birds created some sort of melody based on their positions on the wires. Sure enough, a surprisingly well constructed melody emerged, and Agnelli posted the final result in this video.

Agnelli later gave a talk at TEDx São Paulo to discuss the piece and has been interviewed with the original photographer, Paulo Pinto, in the same newspaper that the photo first appeared.


Perhaps you’ve caught a natural tune in one of your travel photos or video? Share it with us in the Gadling Flickr Group and it could be our next Photo / Video of the Day!

The hyena man of Harar: a unique relationship between beast and man


The hyenas come just after dusk. We’ve been sitting in Yusuf’s modest farmhouse on the outskirts of Harar talking about them when we hear their familiar yipping laugh. Yusuf picks up a big bucket of mule and camel meat, shoos away his well-fed cat, and strolls outside to meet them.

Yusuf is Harar’s biggest celebrity, the famous “hyena man” whom everyone who has heard anything about Harar has heard about. He’s not Harari, though, his parents were Oromo and Somali, and he lives outside Harar’s medieval walls next to the town dump, a favorite hangout for hyenas.

Yusuf calls out into the darkness, and I spot a few hulking, dark shapes beyond the clearing in front of his house. He sets the meat down and whistles, like you’d do with a pet dog. One by one, the hyenas emerge from the shadows, giant canine shapes like Rottweilers on steroids. At first they seem uncertain, creeping closer and backing away again as Yusuf pulls out ribbons of raw flesh from the bucket.

I sit down to watch.

I’ve come with Marcus Baynes-Rock, an Australian graduate student who’s doing his Ph.D. thesis on the interaction between people and hyenas in Harar, and keeps a fascinating blog about Harar hyenas. As Yusuf puts a strip of meat on the end of a stick and holds it out to the lead hyena, Marcus tells me about the strange and unique coexistence that’s sprung up between humans and hyenas in this region of East Africa.

%Gallery-120767%Hyenas are deeply rooted in Harari and Ethiopian folklore. Blacksmiths and the Argobba people and supposed to be werehyenas, turning into the animals at night. The Jews do too, but most of them left for Israel during the last civil war. Hyenas are also supposed to gobble up djinn, evil spirits, and so are useful to have around.

“I met one young guy from Djibouti who had been possessed by djinn and came all the way to Harar to feed the hyenas and have them take the djinn away,” Marcus tells me.

It’s not just the Hararis who have stories about hyenas. The Somalis tell a tale of the Habercha’alow clan, which tried to drive the hyenas out of their territory by killing a bunch of them. The hyenas took revenge, picking off lone Habercha’alow.

“If a Habercha’alow and two men from other clans were sleeping by a fire, they’d take the Habercha’alow and leave the others untouched,” a Somali friend told me.

After suffering heavy losses, the Habercha’alow wanted to make peace. As mediators they hired the Idagalle, a clan well-known for their ability to talk with hyenas. They met in the desert. Delegates from the Habercha’alow sat to one side, delegates from the hyenas sat to the other, and the Idagalle mediators sat in the middle. They communicated, so I’m told, by mental telepathy. The Habercha’alow agreed to pay blood money to the hyenas in the form of a large number of slaughtered camels. And thus the war stopped.

Despite their size, hyenas are timid creatures, as I can see by the amount of coaxing Yusuf has to do to get the first hyenas of the evening to feed from his hand.

“They’re really scared of people,” Marcus says, “Dogs too. They don’t realize their jaws can break us in two.”

As if to emphasize his point a loud snap cuts through the night. A hyena has taken some meat. Yusuf fishes in his bucket for another piece as the hyenas, more confident now, crowd around.

Yusuf tells me he learned from his uncle, a farmer who started feeding the hyenas back in the 1950s. His uncle started feeding the hyenas partially to keep them away from his livestock, and partially because he liked them. While many cultures hate the hyenas and try to kill them, or shut their doors in fear, the Hararis are at peace with them. Low doorways in the city wall allow them to come and go at night, eating garbage and taking away djinn. When a Harari passes one in an alleyway, he’ll often greet it by saying darmasheikh (“young wise man”). I tried this myself one night and the hyena looked at me curiously for a moment before padding into the darkness.

But it’s not all peaceful. Yusuf’s feeding is not just out of friendliness, but also to placate the hyenas. As scavengers, they’ll sometimes root out freshly buried corpses and even snatch away small children. A beggar woman sleeping outside Selassie church had her baby taken from her one night a couple of years ago, and there have been other incidents too. When this happens the Hararis say the hyena was rabid or not from Harar. Yusuf himself was bitten by one when he was two years old.

“At that time I didn’t know the difference between a hyena and a dog so I never developed a fear,” he explains.

Yusuf has a large group of hyenas around him now. More come out of the shadows. Fights break out between the powerful beasts for the best scraps, and Yusuf shouts at them and even shoves one away like a misbehaving dog. One wanders into his compound to look around his house.

“Yusuf feeds them inside sometimes,” Marcus says.

Yusuf hands me the stick with a strip of meat hanging from the end. A moment later it’s nearly torn from my grasp as powerful jaws clamp down on it.

By now some tourists have shown up. Yusuf is a celebrity, after all. These are Ethiopian tourists, a middle-class family from Addis Ababa. One man holds his toddler son and I eye them nervously. Yusuf greets them and hands the stick to the most nervous one in the group. As a hyena hurries forward to get the meat this guy literally falls on his ass trying to get away. I think I catch a mischievous gleam in Yusuf’s eye. The man’s wife, unimpressed by her husband’s performance, offers to go next. She feeds it several times and even pets it.

“Not bad,” I say to Marcus, “Maybe you can use her as an assistant.”

Marcus likes to pet the hyenas, even though it means all the dogs in town can smell hyena on him and bark as he passes by. Not that’s he’s out in the daytime much. Usually he only comes out at night to follow the hyenas around town to see where they go.

We’re sitting on a low step in front of a Muslim shrine. Yusuf is next to me, the stick in his teeth as he feeds the hyenas from mouth to mouth. Suddenly a big furry form pushes between us. A hyena has gotten onto the platform behind us and reaches over our shoulders. He grabs a strip of camel meat and jerks it off the stick, slapping me across the face with it as he runs off.

“Would you like some toilet paper?” Yusuf asks, again with that gleam in his eye.

“No thanks, I brought some,” I say as I wipe my face.

It’s just another night feeding the hyenas.

To see the hyena man in action, check out the video below. It’s not mine, unfortunately. Upload a video on Ethiopian dialup? Yeah, right!

Don’t miss the rest of my series: Harar, Ethiopia: Two months in Africa’s city of Saints.

Coming up next: The worst zoo I’ve ever seen!