The Secret of Grain: An initmate look at Tunisian immigrants in France.

Here’s a heads up on a movie that one might easily miss. It most probably didn’t show up at a theater near you, unless you happen to live in a cosmopolitan city with an art house movie theater.

Last night I saw the 2007 film The Secret of Grain at a kick off reception for the Cleveland International Film Festival, and was transported to the immigrant community of Tunisians living in France.

This is a film filled with food, pathos and everyday life filled with the mundane and complexities. The camera comes in close to the subjects bringing the audience into scenes that are messy at times, exuberant, and sometimes devastating.

The dialog does a wonderful job of showing the interplay between immigrants and people who are native to a country–in this case France. It also shows how rough life can be, but how alike families are no matter which culture is influencing them.

The interplay between cultures as people move from their countries to make another country home makes for intriguing stories.

In a way, the story of The Secret of Grain reminds me of The Full Monty where the main character is fighting to stay afloat in fairly inhospitable circumstances. However, there’s a difference between the two. The Full Monty left me crowing with delight. The Secret of Grain left me wondering why life is so darned difficult due to no fault of one’s own.

One of the most valuable aspects of the film is that it shows a different angle of being Muslim. The more versions of stories we can see where the characters are Muslim, the more full and realistic the picture. The religion is an element of the story, but it’s not the story. Here’s a review by A.O Scott from The NY Times. By the way, The Secret of Grain is not showing at the festival, but it indicates the breadth of the types of films one might see and points to why festivals are important. Without festivals, where would such gems be seen?

Ode to Horton Foote and The Trip to Bountiful

Horton Foote, who died yesterday, was most known for writing the screenplay for the movie To Kill A Mockingbird. Foote also wrote The Trip to Bountiful, perhaps one of my all time favorite movies.

Originally written as a play, and then as a screenplay, The Trip to Bountiful is a traveler’s story about those who are traveling in search of a new life and those who are traveling to go home, even though home may not exist as we remember it.

There are wonderful scenes between Geraldine Page’s and Rebecca De Mornay’s characters as they ride on a bus through the Texas landscape. Here is a trailer for the movie that has a bit of those scenes.

In this article about Horton Foote’s life in The New York Times there is an interesting piece of information that also seems poignant. Foote is credited with opening the doors of the theatre of the King Smith School in Washington, D.C. in the 1940s to everyone, making this the first integrated audience in D.C.

American accent impersonations: Is that really how we sound?


Okay, we may not think about our accent much, but we have one–and yes, the American accent can be a funny one. But do we really sound as bad as that?

Urlesque points us to a few videos with a ‘how ’bout them apples’ look at our accent, as attempted by non-Americans. Some are just painful to watch. (Karma for all of those times you attempted an Irish brogue on St. Paddy’s Day?) Others fall in and out of their own. But job well done to the few who could pass as fellow countrymen. They lead off in their native accents for comparison, then easily make the switch into American.

I have to give them credit–it’s hard to do. If you’re like me, you might be able to get away with a word or two in a foreign accent. But ask me to keep it going consistently over several sentences, and I’m either going to make up my own version of the accent, or fall back into American.

Perfect or not, it makes you think about something that usually goes unnoticed, until you’re facing a regional accent or trying out a foreign one. Have a listen.

Eddie Aikau and the Hokule’a voyage

If you’ve heard the term “Eddie Would Go,” then you most certainly know about the Hokule’a voyage — the second of its kind — that ended tragically when Eddie Aikau attempted to seek rescue by paddling to Lanai 33 years ago. If you know this, then you will definitely be excited to know that the upcoming Hokule’a voyage promises to be the biggest and most ambitious sailing trip of its kind.

But let’s first start with Eddie’s story, for those of you who are not familiar with it: Aikau’s story has been popularly retold by two of my teachers at Punahou School (which is Barack Obama’s alma mater too, by the way). Marion Lyman-Mersereau (my 8th grade Ethics teacher) wrote a children’s book called “Eddie Wen’ Go,” and Stuart Coleman (my 10th grade English teacher) wrote his biography titled “Eddie Would Go” with the assistance of several of Aikau’s close friends and family members.

This cool video will help you understand Eddie’s journey on the Hokule’a:

[more on current Hokule’a plans after the break]


Eddie Aikau remains one of Hawaii’s most beloved figures, and his legend lives on in many forms, most notably, the Hokule’a voyage and, more recently, through the Eddie Aikau Big Wave Invitational that is held on the North Shore of Oahu in Waimea Bay if a massive swell hits the bay just right to create enormous 5-story waves for surfers to paddle into.

Following Eddie’s untimely death, locals termed “Eddie Would Go” as a reminder to live life to its fullest. Now, news of the latest Hokule’a voyage is spreading across the islands and the mainland, as preparations for one of the biggest and longest sailing journeys is in its final stages. The voyaging canoe is currently en route to the Palmyra Atoll, where 12 different crews will be trained to later embark on a 37-month, 40-country journey around the world.

The purpose of this ambitious sailing trip, organized by the Polynesian Voyaging Society, is to remind the public of the days when sailors traveled the seas by recognizing wave patterns and guiding themselves by the stars. Come 2012, the Hokule’a intends to invite scientists, educators, and other social leaders on the journey in an effort to teach them about the importance of protecting the ocean and marine-dependent ecosystems as well as to encourage them to consider more carefully marine-related policies, protection, and management.

Locals here on the islands are hoping the “Hokule’a Will Go.” It sounds like quite the adventure and the perfect educational experience.

Cleveland International Film Festival: One Day in Africa

The Cleveland International Film Festival, from March 19-29 is the largest film festival in Ohio. That’s merely one reason to attend this kaleidoscope of images and stories from around the world.

The other reason is that Brook Silver- Braga will be at the premiere of his film One Day in Africa. Brook wrote the Gadling series Across Northern Europe. Back in January, I wrote a post about Brook’s film and he promised to keep me up to date about the schedule. Now the news is out, and he has added the details to the One Day in Africa Web site.

I’ll be at the screening on Saturday, March 28th at 9:15 a.m. There is an earlier showing on Thursday, March 26th at 7:25 p.m.

Along with Brook’s gem are dozens of others that span subject matters and countries. I’m going to the preview party this Friday in Columbus at the Wexner Center for the Arts so I can give you a heads up on what other films to look for.

In the meantime, here’s a link to the complete film listing and schedule. To help wade through the offerings, some are divided out as being teen friendly.

If you do head to Cleveland, the film festival takes place at Tower City. Take some time to go to Terminal Tower, the original part of the building. First of all, the art deco atrium is stunning. Terminal Tower was the 2nd highest building in the United States in the 1960s after the Empire State Building. The Prudential Building in Boston took its 2nd place status away from it.