Museum Asks For Your Help Reassembling Medieval Cross

The National Museum of Scotland in Edinburgh is asking for your help in reassembling an early medieval carved stone.

The Hilton of Cadboll Stone was carved in Scotland around 800 AD by the Picts, a mysterious people who have left little in the way of a written record but created some incredible art. The stone was carved shortly after the Picts converted to Christianity and includes one of Scotland’s earliest representations of Jesus.

This particular stone has had a rough time in the past 1200 years. At some unrecorded date it was snapped off from its base, then later defaced by Protestant reformers. In 1676, the Christian cross on one side of the stone was chipped off and replaced with an inscription commemorating a local man, Alexander Duff, and his three wives.

While one side is still impressive, as you can see here, it seemed the rest of the stone had been defaced beyond all hope of restoration until a recent excavation at the original site uncovered the stones’ base.Unfortunately it’s smashed into some 3,000 pieces, and that’s where you come in. The museum has put every piece through a 3D scanner and is launching a website where you can try your hand at reassembling it.

The project is part of the museum’s upcoming exhibition Creative Spirit Revealing Early Medieval Scotland, which will open October 25. It focuses on the Early Medieval period (around 300-900 AD), an time between Scottish and Viking influence and marking the arrival of Christianity and emerging powerful elites. The online reassembly will begin on that date at the special website Pictish Puzzle.

The museum is especially calling for gamers to help out because, they say, gamers are better at manipulating 3D images and finding patterns.

Might be a fun break from killing zombies.

Remodeled Hunterian Art Gallery In Glasgow Reopens With Rembrandt Exhibition


The Hunterian Art Gallery, part of the Hunterian Museum at the University of Glasgow, Scotland, has just reopened after a nine-month remodel that expanded its exhibition space.

Its opening show is “Rembrandt and the Passion,” which showcases one of the Hunterian’s most famous works of art, Rembrandt’s “Entombment Sketch,” alongside the final painting of the “Entombment” (shown here courtesy the University of Leipzig) and about 40 other masterpieces.

Rembrandt van Rijn (1606-1669) was one of Europe’s greatest painters and printmakers. This exhibition explains how the “Entombment Sketch” served as the model for the later painting. Rembrandt had been commissioned to create a series of paintings on the Passion of Christ for the Prince of Orange. It was one of the most important commissions of his career and helped give him a permanent standing among Europe’s major artists.

Since the sketch is in Glasgow and the final painting is usually in the Alte Pinakothek in Munich, this is a rare opportunity to see them side by side. The exhibition also examines Rembrandt’s studio, his painting process, inspiration and the techniques he used.

Besides its art gallery, the Hunterian Museum has a large collection of art and artifacts from all periods – everything from dinosaur bones to 19th century medical equipment – and a new permanent exhibition on the Antonine Wall, which was briefly the northernmost border of the Roman Empire in Scotland.

“Rembrandt and the Passion” runs from September 15 to December 2.

Shroud Of Turin One Of 40 Fakes, Historian Says

The Shroud of Turin has been causing controversy for centuries now. The linen cloth, measuring 14 feet by 4 feet, has what appear to be bloodstains on it. Also, the image of a wounded man can be seen, an image that becomes clearer when looked at as a photographic negative.

Now historian Antonio Lombatti of the Università Popolare in Parma, Italy, says the Shroud of Turin is a fake, and not only that, it’s not a very original one. About forty pieces of cloth purported to be the burial shroud of Jesus circulated in Europe during the Middle Ages and Renaissance. Religious relics were popular then and now.

Lombatti say the shroud was given to a French knight in Turkey in 1346. This is the first concrete record of the Shroud and agrees with radiocarbon analysis of the linen. In 1988, the University of Oxford, University of Arizona, and the Swiss Federal Institute of Technology independently tested parts of the Shroud and each said it dates to sometime between 1260-1390.

The photographic negative image was well within the ability of medieval technology as far back as the eleventh century A.D., according to one researcher who made his own shrouds using medieval techniques.

Also, John 19:40 and 20:6-7 clearly state that Jesus was wrapped in several strips of linen, not just one, and that his head was wrapped in a separate cloth.

None of this, of course, will dissuade the thousands of believers who flock to the Cathedral of Saint John the Baptist in Turin, where the Shroud is kept and (rarely) exhibited.

[Photo courtesy Wikimedia Commons]

Photo Of The Day: Copan Carpet In Honduras

This Sunday marks the Easter Holiday in much of the world, and worshippers everywhere are marking the day with uniquely local traditions. As evidence check out this photo taken by Flickr user Aldaberto.H.Vega in Honduras. As part of Semana Santa locals lay out brilliant “carpets” on the streets composed of colorful sawdust and flowers documenting the Stations of the Cross. The Gadling team liked the eye-catching visuals of the scene so much that fellow blogger Meg Nesterov used almost exactly the same image in a photo during Easter 2011. Seems like quite a sight to see, whether you’re a practicing Christian or simply curious about the world.

Have any great photos to share from your own travels? Why not upload them to our Gadling group on Flickr? We might just pick one of yours as our Photo of the Day.

Crucifixion nails found in Israel? Probably not.

There’s been a shocking archaeological discovery in Israel. Nails from the Crucifixion of Jesus Christ have been found!

Well, no, probably not.

The claim comes from Israeli Canadian documentary filmmaker Simcha Jacobovici, the Washington Post reports. Jacobovici has done several documentaries on Christian subjects and came across an archaeological report from 1990 mentioning the discovery of nails in the tomb of a man named Caiaphas. For those who know their Bible, this is the same name as the Jewish high priest who plotted to arrest Jesus and then gave him to the Romans. The name is right, the date of the tomb is right, so the nails must be those from the Crucifixion, right?

The Post quotes Jacobovici as saying, “There’s a general scholarly consensus that the tomb where the nails were found likely belonged to Caiaphas. Nails at that time were a dime a dozen, but finding one in a tomb is exceedingly rare.”

Actually neither of these statements is true. The Post quotes an Israeli archaeologist as saying that the inscriptions in the tomb aren’t clear as to the occupant’s identity, and I myself have seen Roman nails turn up in tombs. They were pretty common objects, after all.

The timing of this announcement just before Easter and just before Jacobovici’s next documentary comes out (titled “Nails of the Cross” to air Wednesday on the History Channel), adds to the suspicion that Jacobovici is fooling either himself or us.

There’s also the question of why a Jewish high priest would take the nails of someone who he thought was a false prophet to the grave with him, or even how he got them in the first place since it was Jesus’ family and followers who removed Jesus from the Cross.

In the view of this former archaeologist, this story is more of the usual sensationalism masking as science that fills so much of the media. A bit like the spurious discovery of Caligula’s tomb.

Never fear. There are plenty are saints’ relics in Rome, including enough nails for a dozen Crucifixions. Gadling’s own David Farley has even written a book about the Holy Foreskin, which you can also visit in Italy. Actually there’s more than one relic claiming to be the Holy Foreskin, but that’s another story. . .

[Image of Roman nails courtesy user Takkk via Wikimedia Commons. These are not the same nails that came from the tomb mentioned in this article.]