The Sounds of Travel 3: “The Lakes of Pontchartrain”

Here at Gadling we’ll be highlighting some of our favorite sounds from the road and giving you a sample of each — maybe you’ll find the same inspiration that we did, but at the very least, hopefully you’ll think that they’re good songs.

Got a favorite of your own? Leave it in the Comments and we’ll post it at the end of the series.

Week 3 – “The Lakes of Pontchartrain,” performed by Paul Brady

I first heard this Civil War-era song when the bluegrass band Nickel Creek played it at one of their concerts several years ago. Since then, I’ve tracked down several versions of it, including a cover by Bob Dylan and a fantastic one by the Be Good Tanyas.

The song itself is old, sure, but the themes it deals with are timeless: the strange, indescribable feeling that new places bring, the hospitality of complete strangers, the memories of life’s finished chapters, and the thoughts about what could have been.

Here are the opening lyrics, discussing (in my mind, anyway) the homesickness that travelers often feel when they leave home:

It was on one bright March morning
I bid New Orleans adieu
And I took the road to Jackson town
My fortune to renew
I cursed all foreign money
No credit could I gain
Which filled my heart with longing
For the lakes of Pontchartrain

And here’s a verse about the generosity and hospitality with which travelers are so often met:

I said my pretty Creole girl
My money here’s no good
And if it weren’t for the alligators
I’d sleep out in the wood
“You’re welcome here kind stranger
Our house is very plain
But we never turned a stranger out
On the banks of Pontchartrain “

Here are the rest of the lyrics, in case you’re interested.

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The sounds of travel 2: “The Mountain”

Here at Gadling we’ll be highlighting some of our favorite sounds from the road and giving you a sample of each — maybe you’ll find the same inspiration that we did, but at the very least, hopefully you’ll think that they’re good songs. Got a favorite of your own? Leave it in the comments below and we’ll post it at the end of the series.

Dave Carter & Tracy Grammer — “The Mountain”



The first time I ever heard a live performance of “The Mountain,” I was sitting on the hillside at Falcon Ridge Folk Festival in the Berkshires of New York. Tracy Grammer was singing the song written by her late partner, Dave Carter, and the melody and poetry put me in a trance. What mountain is she talking about, I wondered. For a while, I believed the song must be about the very mountain I was on at the time.

To me, it felt like the song was about finding peace, and there is no place I’d ever felt more at peace than at Falcon Ridge, surrounded by gentle spirits, people who love the world well. Dave Carter wrote a lot of music about wandering the earth, going places and seeing things, and listening to Dave & Tracy’s albums always fills me with a desire to hit the road, but “The Mountain” always takes me to specific destinations.

First it was Falcon Ridge, and sometimes it still is, but then I visited Portland, Oregon. Dave had lived there when he wrote the song, and seeing Mount Hood for the first time, it dawned on me that this was probably the mountain in the song. While traveling in Oregon, I felt constantly drawn to the mountains, and so much at peace when I could just sit and stare at them. I felt like I really got the song this time. I wrote to Tracy Grammer to confirm my theory. She wrote back and told me this: “‘The Mountain’ isn’t about any particular mountain, far as I know. The song was inspired by a dream Dave had, where he stood on a mountain and watched the wind move through the long grass in waves … a place he felt the power of grace as if for the first time.”

Perfect. That’s exactly the way I felt sitting on that hill at Falcon Ridge for the first time, thinking This! This is where I need to be. This is where I need to keep coming back. And I do return for the festival every year (so does Tracy Grammer). It’s also how I felt when I saw Mount Hood for the first time, like I would always feel happy as long as I had a clear view of the Cascade Range. Mount Hood became my Utopia, and I know I’ll keep returning to it for the rest of my life.

“The Mountain” is closely associated with my two favorite places in the world, and whenever I hear the song, I feel at peace the way I imagine Dave Carter felt when he wrote it. I think the underlying theme of the song is not necessarily about going to the mountains but rather being exactly where you want to be. This song takes me there.

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The sounds of travel 1: Great Lake Swimmers

Welcome to The Sounds of Travel, music that reminds of you travel, the places you’ve been and the things that you’ve seen. We’ve all got that favorite road trip song or mix tape that brings us back to the open road, to the hills of Patagonia or to the rolling waves of the Mediterranean. Listening to these pieces back at home brings us vividly back to that same spot, years later, daydreaming about the beauty of travel, the wonderful landscapes and the luster of freedom.

Here at Gadling we’ll be highlighting some of our favorite sounds from the road and giving you a sample of each — maybe you’ll find the same inspiration that we did, but at the very least, hopefully you’ll think that they’re good songs.

Week One: Great Lake Swimmers — Backstage with the Modern Dancers

Great Lake Swimmers’ third album, Ongiara, had just been released the week before I touched down in Buenos Aires, Argentina for a week long trip with a few close friends. On the bus from the airport into the city, I happened to meet a young Canadian woman en route to her hostel. Knowing that we had a large apartment already booked I invited her to join us and with little deliberation she ended up staying with us for the entire week.

Architecture in Buenos Aires is shockingly beautiful, with narrow cobble stone streets lined with tall ceilinged, ornate buildings on either side. Apart from the exquisite ironwork and stained glass featured on many structures, you could pick up many blocks from Paris, drop them in Buenos Aires and not know the difference.

Our apartment was no exception. With tall ceilings, a broad front room that opened out into the street, an entire wall of stained glass and three bedrooms, the unit was not only one of the best but also one of the least expensive properties that I have ever stayed in.

Throughout my visit I began to explore the depths of Ongiara. At times when the others were napping, out finding groceries or buying antiques, the haunting voice of Tony Dekker filled the tall corners of the rooms, echoing through the hallways and shimmering through the bedrooms.

Now, when I hear Backstage with the Moden Dancers I’m taken back to Buenos Aires, to the young woman I met on the bus and to perching out over the apartment ironwork, peering onto the street as the fall rain blanketed around us. I see the yellows and blues of the stained glass windows, feel the black fabric on her shirt and taste the Malbec that I drank every night for dinner.

And all of these things I don’t think they should be — released” — Tony Dekker, Great Lake Swimmers.