Ancient palace discovered in Sudan

by Sean McLachlan on


Archaeologists digging in the ancient city of Meroë in the Sudan have discovered what they believe is a palace dating to 900 BC.

The team discovered the building under the remains of a later palace. It’s believed to be the oldest building yet discovered at the site, which was once the capital of the Kingdom of Kush. Kush had several great cities and exported iron all the way to China. From 747-656 BC, the Kushites ruled Egypt as the twenty-fifth dynasty. The empire lasted from about 1000 BC to 350 AD before being conquered by the Empire of Axum in Ethiopia.

Meroë is one of the greatest archaeological sites in Africa. It has more than 200 pyramids, although they’re smaller than the largest Egyptian pyramids.

For a long time Meroë and Kush were understudied in favor of the more famous Egyptian civilization. Now scholars are beginning to realize that this Sudanese civilization contributed a lot to Egyptian culture.

Meroë is two-and-a-half hours north of Khartoum and it’s feasable to do in a long day trip. If you’re not going to the Sudan, the British Museum in London has a whole room dedicated to this civilization and its art.

Image courtesy Sven-steffenarndt via Wikimedia Commons

Ancient port discovered in Egypt

by Sean McLachlan on


Archaeologists working in Egypt have discovered a harbor on the Red Sea that was used for international trade.

The excavation at Mersa Gawasis has revealed traces of an ancient harbor. It’s long been known that the Egyptians traded down the coast of Africa, but the location of their embarkation was unknown. A famous carving at Deir el-Bahari, the temple of Queen Hatshepsut, shows an ocean-going vessel like the one pictured above and scenes a land with thatched huts and exotic items for sale such as ivory and giraffes. Inscriptions identify the land as Punt but don’t mention where it is. Archaeologists have speculated that it was in the Horn of Africa, either in Eritrea or Djibouti, or where the modern unrecognized states of Somaliland or Puntland are today.

The first recorded voyages to Punt started in the reign of the Pharaoh Sahure, who ruled from 2487-2475 BC. Regular trading missions were sent out for centuries to buy exotic items for Egypt’s elite. Queen Hatshepsut’s famous engravings of Punt date to around 1490-1460 BC.

Scholars have traditionally been doubtful of the Egyptians’ ability to make long sea voyages. Further excavation at Mersa Gawasis may change this view and open up new possibilities for Egyptian influence on other ancient cultures. While the excavations at Mersa Gawasis are not yet open to public view, Deir el-Bahari is a popular attraction and you can wonder at the scenes depicting the mysterious land of Punt for yourself.

[Photo courtesy Wikimedia Commons]

Mummies of the World exhibition opens in Philadelphia

by Sean McLachlan on


Mummies are endlessly fascinating. To see a centuries-old body so well preserved brings the past vividly to life. While Egyptian mummies get most of the press, bodies in many regions were mummified by natural processes after being deposited in peat bogs or very dry caves.

Mummies of the World is a state-of-the-art exhibition bringing together 150 mummies and related artifacts. It opened last weekend at the Franklin Institute in Philadelphia after successful runs in L.A. and Milwaukee. Visitors will see mummified people and animals from all over the world and learn how they came to be so well preserved.

Besides the required collection of ancient Egyptians, there are numerous mummies from other regions, such as this prehistoric man from the Atacama Desert in Chile.

%Gallery-126801%From South America there’s the famous Detmold child from Peru, dated to 4504-4457 B.C., more than 3,000 years before the birth of King Tutankhamen. This ten-month-old kid was naturally preserved by the incredibly dry climate of the Peruvian desert. There’s also a tattooed woman from Chile dating to sometime before 1400 AD who also dried out in a desert.

From Germany there’s Baron von Holz, who died in the 17th century and was preserved in the family crypt. Then there’s the Orlovits family: Michael, Veronica, and their baby Johannes. They were discovered in a forgotten crypt in Vac, Hungary, in 1994, where they had been buried in the early nineteenth century. The cool, dry conditions of the crypt and the pine wood used in their caskets helped preserve them.

There are animal mummies too. There’s a mummified cat from the Ptolemaic Period (305-30 BC), the same time in Egypt that the mummy portraits started coming into fashion. There are several naturally preserved mummies such as frogs, a lizard, a hyena, and even a howler monkey that dried out in desert conditions and are on display.

Several interactive exhibits give visitors a chance to see where mummies come from, how they were preserved naturally or artificially, and what they feel like. Visitors can even match DNA samples to see which mummies are related.

Mummies of the World runs until 23 October 2011.

[All photos courtesy American Exhibitions, Inc.]

Ancient faces: the Fayum mummy portraits of Egypt

by Sean McLachlan on

The pyramids, Tutankhamen’s gold, the massive temples of Luxor and Karnak. . .the civilization of ancient Egypt has left us an incredible legacy, yet of all of these impressive monuments and treasures none has a more personal effect on the viewer than the Fayum mummy portraits.

During the Graeco-Roman period, after Egypt had fallen first to Alexander the Great and then to the Romans, the old traditions continued. Temples were still built, priests still wrote in hieroglyphics, and the wealthy were still mummified in order to guarantee their place in the afterlife.

The new rulers of Egypt took on some local customs. They often chose to be mummified in the Egyptian fashion, but added the touch of putting a portrait of the deceased over the wrappings covering the face. Painted on thin slats of wood, they were part of a trend called panel painting, considered by Classical writers to be one of the highest forms of art.

Panel paintings were hung in houses and public buildings all over the Greek and Roman world. Two thousand years of damp, mold, and fire destroyed all of them except those buried in the preserving sands of Egypt, so these mummy portraits give us a look at what would otherwise be a lost art. Panel painting was hugely popular in its day and later influenced the Coptic and Byzantine icons of the Middle Ages.

Looking at a mummy portrait brings you face to face with a real person from the past, like this image of a priest courtesy user Eloquence via Wikimedia Commons. Painted around 140-160 AD, it’s realistic enough that we’d know him if he passed us on the street. The portraits vary in quality, but each gives us an individualistic look at a man or woman or child, often with fascinating details like jewelry or hairstyles.

%Gallery-126247%Mummy portraits appeared around the first century BC and continued in fashion for about 300 years. Many were found in the Fayum, an oasis west of modern Cairo that was a popular place to be buried, but examples have been found all over Egypt.

The Museo Arqueológico Nacional in Madrid has a display of 13 of the best mummy portraits showing until July 24. Most of the museum has been closed for more than two years for refurbishment so it’s nice that something is going on there. There’s also the exhibit Tesoros del Museo Arqueológico Nacional, a “greatest hits” collection like the British Museum did while it was remodeling.

If you aren’t going to Madrid this summer (don’t–the autumn or spring are better with fewer tourists and milder weather) there are plenty of other places to see mummy portraits. In London, The Petrie Museum of Egyptian Archaeology and the British Museum have two of the largest collections in the world, although many of the best examples from the British Museum are in Madrid at the moment. In New York there’s the Met, in Edinburgh the National Museum of Scotland, in Paris the Louvre, in Vienna the Kunsthistorisches Museum, and in Amsterdam the Allard Pierson Museum. And of course there’s the Museum of Egyptian Antiquities in Cairo!

Riddle of pyramid’s secret hieroglyphs solved

by Sean McLachlan on


Last month we reported on some secret writing discovered in the Pyramid of Cheops at Giza, near Cairo. A robot with a camera went down a mysterious passage only eight inches wide and found some hieroglyphs daubed with red paint onto the floor of a secret chamber at the end of the tunnel.

Egyptologist Luca Miatello has deciphered the writing and says they’re engineering marks. They make the number 121, which corresponds to the length in cubits of the so-called Queen’s Chamber of the pyramid.

The numbers are written in hieratic. Ancient Egyptian writing had three forms. Proper hieroglyphs were the most formal style and the one we usually associate with ancient Egypt. Hieratic was a cursive style that was quicker and easier to write. It was usually used for religious texts but since a royal tomb was a highly sacred place, it’s no surprise to find it here. Demotic was derived from hieratic and was used much later, after Egypt had lost most of its power and glory. All three styles are often termed “hieroglyphs”.

The numbers in the pyramid are sloppy, as if written by some foreman who wasn’t completely literate. Because of this, new interpretations of the writing will probably be published in the future.

[Photo courtesy Wikimedia Commons]