Ancient faces: the Fayum mummy portraits of Egypt

by Sean McLachlan on

The pyramids, Tutankhamen’s gold, the massive temples of Luxor and Karnak. . .the civilization of ancient Egypt has left us an incredible legacy, yet of all of these impressive monuments and treasures none has a more personal effect on the viewer than the Fayum mummy portraits.

During the Graeco-Roman period, after Egypt had fallen first to Alexander the Great and then to the Romans, the old traditions continued. Temples were still built, priests still wrote in hieroglyphics, and the wealthy were still mummified in order to guarantee their place in the afterlife.

The new rulers of Egypt took on some local customs. They often chose to be mummified in the Egyptian fashion, but added the touch of putting a portrait of the deceased over the wrappings covering the face. Painted on thin slats of wood, they were part of a trend called panel painting, considered by Classical writers to be one of the highest forms of art.

Panel paintings were hung in houses and public buildings all over the Greek and Roman world. Two thousand years of damp, mold, and fire destroyed all of them except those buried in the preserving sands of Egypt, so these mummy portraits give us a look at what would otherwise be a lost art. Panel painting was hugely popular in its day and later influenced the Coptic and Byzantine icons of the Middle Ages.

Looking at a mummy portrait brings you face to face with a real person from the past, like this image of a priest courtesy user Eloquence via Wikimedia Commons. Painted around 140-160 AD, it’s realistic enough that we’d know him if he passed us on the street. The portraits vary in quality, but each gives us an individualistic look at a man or woman or child, often with fascinating details like jewelry or hairstyles.

%Gallery-126247%Mummy portraits appeared around the first century BC and continued in fashion for about 300 years. Many were found in the Fayum, an oasis west of modern Cairo that was a popular place to be buried, but examples have been found all over Egypt.

The Museo Arqueológico Nacional in Madrid has a display of 13 of the best mummy portraits showing until July 24. Most of the museum has been closed for more than two years for refurbishment so it’s nice that something is going on there. There’s also the exhibit Tesoros del Museo Arqueológico Nacional, a “greatest hits” collection like the British Museum did while it was remodeling.

If you aren’t going to Madrid this summer (don’t–the autumn or spring are better with fewer tourists and milder weather) there are plenty of other places to see mummy portraits. In London, The Petrie Museum of Egyptian Archaeology and the British Museum have two of the largest collections in the world, although many of the best examples from the British Museum are in Madrid at the moment. In New York there’s the Met, in Edinburgh the National Museum of Scotland, in Paris the Louvre, in Vienna the Kunsthistorisches Museum, and in Amsterdam the Allard Pierson Museum. And of course there’s the Museum of Egyptian Antiquities in Cairo!

Prehistoric stone circle discovered in Yorkshire

by Sean McLachlan on

A stone circle that was once part of a prehistoric cairn has been discovered by a group of amateur archaeologists on Ilkley Moor, Yorkshire, England.

A cairn is a large pile of stones that marked the grave of an important individual in prehistoric times. These stones were often taken away by later farmers for building walls or cottages, and sometimes all that’s left is a circle of stones from the base, as is the case here. The team says the cairn measures 27 by 24 feet. It would have been pretty high back in its glory days.

One stone had a man-made circular impression archaeologists call a cup mark. These are found all over prehistoric Europe singly or in groups, but nobody knows what they mean.

The UK countryside is full of ancient remains. When I was hiking along Hadrian’s Wall and the East Highland Way I brought along Ordnance Survey maps not only to find my way but because many prehistoric sites are marked on them. I passed stone circles, Anglo-Saxon ring forts, crumbled castles, and much more. Take these maps along to make your walk through the countryside a walk through history.

The Yorkshire team has made numerous discoveries in recent months. Archaeology is understaffed and underfunded, and dedicated groups of amateurs help take up the slack. Archaeological societies exist in many towns throughout the world and are a great way to learn about the past. While members are amateur in the sense that they don’t make their living as archaeologists, they’re often well trained and knowledgeable. This is important so that when they make their discoveries they don’t harm the very sites they are trying to study and preserve.

[Photo of Mölndal cairn in Sweden courtesy Wikimedia Commons. No image of the Ilkley Moor cairn is available. It’s not as well preserved as the Mölndal cairn.]

Exploring the tunnels under the Western Front

by Sean McLachlan on

The common image of the Western Front in World War One is of muddy trenches and artillery barrages. That was certainly the experience of most soldiers. But while huge armies slugged it out in the mud and ruin of France and Belgium, another war was going on underground. Sappers from both sides dug tunnels under enemy trenches, packed them with explosives, and blew them up.

The explosions were huge, like this one the British detonated under the German position on Hawthorn Ridge on 1 July 1916. The explosion used 40,000 pounds of high explosives and marked the beginning of the Battle of the Somme.

Sapping was extremely dangerous. Tunnels collapsed or got blown up by enemy mines. Sometimes mines intersected one another and there were hellish fights in the near darkness. Two good fictional portrayals of this war-beneath-a-war are the novel Birdsong by Sebastian Faulks and the Australian film Beneath Hill 60.

Now part of that underground battlefield is being studied by a team of British archaeologists. After detailed research in archives of several nations they’ve pinpointed a network of British and German tunnels under the French town of La Boisselle and have tracked down who fought there and when. They even know where some of these poor fellows got buried alive.

Right now the team is using ground-penetrating radar to map the tunnels and will being excavating in October. Some tunnels can still be entered while others are too unstable or have collapsed. Eventually the site will be opened up as a museum commemorating those who fought underneath the Western Front.

[Photo courtesy UK government]

Genetic clue to Easter Island mystery

by Sean McLachlan on

Easter Island has always been a puzzle to archaeologists and historians.

Hundreds of miles from the nearest land, this small Pacific island hosted a culture that built the famous Easter Island statues, and then vanished as mysteriously as it appeared.

Now DNA evidence has shed new light on where the Easter Islanders came from. It turns out that while most of the islanders’ heritage has roots in Polynesia, as scholars have long believed, they also have some South American ancestry.

Norwegian scientist Erik Thorsby has found genes among Easter Islanders that are only in South American Indian populations. These genes had recombined with Polynesian genes, something that only happens after many generations.

The findings are tentative because Thorsby only tested one extended family but supporting evidence comes from an excavation in Chile that found evidence of Polynesian visitors in the 14th and 15th centuries. Given that the Polynesians were arguably the best sailors of the preindustrial world, they probably went lots of places we don’t know about.

Ancient migrations were more common than most people believe, and in recent years DNA evidence has revealed many anomalies not recorded in history. It’s best to be cautious, however. Some overeager researchers called hyperdiffusionists want to see all sorts of cultures coming from one source–the Greeks or the Egyptians or whatever their favorite happens to be. They tend to make unsupported claims about places like America’s Stonehenge, which is probably not ancient, and descend into New Age archaeology.

As Thorsby’s findings show, real science can be much more exciting than myth making.

[Photo courtesy user davitydave via Gadling’s flickr pool]

Riddle of pyramid’s secret hieroglyphs solved

by Sean McLachlan on


Last month we reported on some secret writing discovered in the Pyramid of Cheops at Giza, near Cairo. A robot with a camera went down a mysterious passage only eight inches wide and found some hieroglyphs daubed with red paint onto the floor of a secret chamber at the end of the tunnel.

Egyptologist Luca Miatello has deciphered the writing and says they’re engineering marks. They make the number 121, which corresponds to the length in cubits of the so-called Queen’s Chamber of the pyramid.

The numbers are written in hieratic. Ancient Egyptian writing had three forms. Proper hieroglyphs were the most formal style and the one we usually associate with ancient Egypt. Hieratic was a cursive style that was quicker and easier to write. It was usually used for religious texts but since a royal tomb was a highly sacred place, it’s no surprise to find it here. Demotic was derived from hieratic and was used much later, after Egypt had lost most of its power and glory. All three styles are often termed “hieroglyphs”.

The numbers in the pyramid are sloppy, as if written by some foreman who wasn’t completely literate. Because of this, new interpretations of the writing will probably be published in the future.

[Photo courtesy Wikimedia Commons]