Gladiator died because of ref’s error, says archaeologist

by Sean McLachlan on

A gladiator who fought 1,800 years ago may have died because of a bad call from a ref.

Archaeologists have long puzzled over a line in the epitaph of Diodorus the gladiator’s gravestone. It reads, “After breaking my opponent Demetrius I did not kill him immediately. Fate and the cunning treachery of the summa rudis killed me.”

The summa rudis was a referee who oversaw gladiator games. Unlike what we see in the movies, real gladiator fights were highly ritualized and had strict rules. One rule was that if a man pleaded for mercy, it was up to the sponsor of the fight (a local bigwig or even the Emperor) to decide if the defeated gladiator should live or die. Another rule was that if a gladiator fell without being pushed down by his opponent, he was allowed to get up and retrieve his weapons before the match continued.

Now gladiator expert Prof. Michael Carter says he knows what this inscription means. His theory is that Diodorus knocked down his opponent and backed off, waiting for the sponsor’s orders to either kill him or let him go. The referee, however, ruled his opponent fell down on his own. He was allowed to pick up his weapons and fight on. . .and ended up killing Diodorus.

Whoever wrote Diodorus’ epitaph seems to have believed the ref did it on purpose. We’ll never know for sure, but it just goes to show that among the countless dusty old inscriptions preserved in museums and archives, there are stories of real people and how they lived, and died. So next time you’re shouting at a ref for making a bad call, think of poor Diodorus and remember that some bad calls are worse than others.

The gravestone was originally found in Turkey and is now in the Musee du Cinquanternaire in Brussels, Belgium. The best place to see where gladiators fought and died is, of course, Rome, where the Colosseum has opened its underground tunnels to show where gladiators, prisoners, and wild animals waited their turn to entertain the crowd. There’s also a well-preserved amphitheater in Mérida, Spain.

[Photo of gladiator grave courtesy Wikimedia Commons. No photo of Diodorus’ grave was available at press time, but you can see a photo of it here.]

Five places to see shrunken heads

by Sean McLachlan on


Call me sick, but I’ve always been fascinated with shrunken heads.

“OK, you’re sick!”

Fine, but you’re still reading this, aren’t you?

Throughout history many cultures took heads as trophies, including the ancestors of many Gadling readers–the Celts. Celtic warriors used to cut the heads off of enemies and attach them to their chariots to look extra intimidating in battle. Japanese samurai, Maori warriors, and angry peasants in the French Revolution all took enemy heads as trophies.

Yet only one culture, the Jivaro of South America, actually shrank heads. Living in the Amazon rainforest of Ecuador and Peru, the Jivaro people developed the strange custom of cutting off an enemy’s head and shrinking it down to the size of a man’s fist. Called tsantsa, these shrunken heads served not only as proof of a warrior’s valor but also as a way to destroy the victim’s spirit, which might otherwise take revenge.

The process was gruesome but simple. Different sources give different recipes. This one comes from the well-researched site Head Hunter. Once you get a head, cut open the back so the skin and hair can be peeled from the skull. Throw the skull into a river as an offering to the anaconda. Sew the eyes shut, and close the mouth with wooden spikes or thorns. Boil the head for no more than two hours, then turn the skin inside out to clean off any nasty residue. Turn the skin right side out and sew up the slit you cut in the back.

%Gallery-126587%To shrink further, drop hot stones through the neck hole. Roll them around to ensure even heating and prevent any unsightly burn marks. The head will continue to shrink until the neck hole is too small to allow stones to enter. Now use hot sand to shrink the head even more. Press hot stones against the face to singe off any excess hair and shape the face to look nice, and use a hot machete to dry the lips, which will not have shrunk as much as the rest of the head.

Now put three chonta, or palm thorns, through the lips and tie them together with long, decorative string. Hang it over a fire to harden. You may also want to blacken the skin with charcoal to avoid the man’s spirit from seeing out. Pierce a hole through the top of the head so you can put a string through and wear your trophy around your neck.

The whole process takes about a week but with a bit of patience and practice, you’ll have a keepsake of your favorite battle and a surefire icebreaker at parties.

Shrunken heads fascinated early European explorers. They became a hot commodity and warfare increased in order to meet the demand. Often tribesmen found it easier and safer to make a fake head by using an animal head or making one out of leather. Some researchers estimate that up to 80% of all heads on display in museums are actually fake. This week a study was released of a DNA analysis of a shrunken head in an Israeli museum that turned out to be genuine. Researchers are hoping to test more heads to determine if they’re legit.

Some fake heads are actually real, in a sense. When a warrior killed an enemy but couldn’t get the head for whatever reason, or killed an enemy who was a blood relative and therefore wasn’t allowed to take the head, he could make a head from that of a sloth as a stand-in. Magically this was considered a real tsantsa.

Controversy over displaying human remains and the demands by some tribes to have them back has meant that many museums have removed their displays of shrunken heads. So where can you still see these little darlings?

Ripley’s Believe it or Not Museum, Williamsburg, Virginia. This branch of Ripley’s fun chain of museums has several shrunken heads on display.

Ye Olde Curiosity Shop, Seattle, Washington. Forget the Space Needle, this is the coolest attraction in Seattle. Once you’ve seen the real shrunken heads, head over the the gift shop to buy a cruelty-free replica.

Lightner Museum, Saint Augustine, Florida. This huge collection of nineteenth century bric-a-brac housed in an old mansion is an odd place to find a shrunken head collection, but people collected all sorts of things back then.

Pitt-Rivers Museum, Oxford, England. Britain’s favorite museum has artifacts from all the world’s cultures, including a display case full of shrunken heads and trophy heads.

Madrid, Spain. Get a double dose of headhunting here at the Museo de América and the Museo Nacional de Antropología.

If you’d rather do some armchair traveling, check out the shrunken heads flickr group and Doc Bwana’s Shrunken Head Museum online.

Do you know of any other places still exhibiting shrunken heads? Tell us about it in the comments section!

[Photo courtesy Joe Mabel. In my opinion these are fakes, mostly made from monkeys, but they do look cool]

Ancient faces: the Fayum mummy portraits of Egypt

by Sean McLachlan on

The pyramids, Tutankhamen’s gold, the massive temples of Luxor and Karnak. . .the civilization of ancient Egypt has left us an incredible legacy, yet of all of these impressive monuments and treasures none has a more personal effect on the viewer than the Fayum mummy portraits.

During the Graeco-Roman period, after Egypt had fallen first to Alexander the Great and then to the Romans, the old traditions continued. Temples were still built, priests still wrote in hieroglyphics, and the wealthy were still mummified in order to guarantee their place in the afterlife.

The new rulers of Egypt took on some local customs. They often chose to be mummified in the Egyptian fashion, but added the touch of putting a portrait of the deceased over the wrappings covering the face. Painted on thin slats of wood, they were part of a trend called panel painting, considered by Classical writers to be one of the highest forms of art.

Panel paintings were hung in houses and public buildings all over the Greek and Roman world. Two thousand years of damp, mold, and fire destroyed all of them except those buried in the preserving sands of Egypt, so these mummy portraits give us a look at what would otherwise be a lost art. Panel painting was hugely popular in its day and later influenced the Coptic and Byzantine icons of the Middle Ages.

Looking at a mummy portrait brings you face to face with a real person from the past, like this image of a priest courtesy user Eloquence via Wikimedia Commons. Painted around 140-160 AD, it’s realistic enough that we’d know him if he passed us on the street. The portraits vary in quality, but each gives us an individualistic look at a man or woman or child, often with fascinating details like jewelry or hairstyles.

%Gallery-126247%Mummy portraits appeared around the first century BC and continued in fashion for about 300 years. Many were found in the Fayum, an oasis west of modern Cairo that was a popular place to be buried, but examples have been found all over Egypt.

The Museo Arqueológico Nacional in Madrid has a display of 13 of the best mummy portraits showing until July 24. Most of the museum has been closed for more than two years for refurbishment so it’s nice that something is going on there. There’s also the exhibit Tesoros del Museo Arqueológico Nacional, a “greatest hits” collection like the British Museum did while it was remodeling.

If you aren’t going to Madrid this summer (don’t–the autumn or spring are better with fewer tourists and milder weather) there are plenty of other places to see mummy portraits. In London, The Petrie Museum of Egyptian Archaeology and the British Museum have two of the largest collections in the world, although many of the best examples from the British Museum are in Madrid at the moment. In New York there’s the Met, in Edinburgh the National Museum of Scotland, in Paris the Louvre, in Vienna the Kunsthistorisches Museum, and in Amsterdam the Allard Pierson Museum. And of course there’s the Museum of Egyptian Antiquities in Cairo!

Prehistoric stone circle discovered in Yorkshire

by Sean McLachlan on

A stone circle that was once part of a prehistoric cairn has been discovered by a group of amateur archaeologists on Ilkley Moor, Yorkshire, England.

A cairn is a large pile of stones that marked the grave of an important individual in prehistoric times. These stones were often taken away by later farmers for building walls or cottages, and sometimes all that’s left is a circle of stones from the base, as is the case here. The team says the cairn measures 27 by 24 feet. It would have been pretty high back in its glory days.

One stone had a man-made circular impression archaeologists call a cup mark. These are found all over prehistoric Europe singly or in groups, but nobody knows what they mean.

The UK countryside is full of ancient remains. When I was hiking along Hadrian’s Wall and the East Highland Way I brought along Ordnance Survey maps not only to find my way but because many prehistoric sites are marked on them. I passed stone circles, Anglo-Saxon ring forts, crumbled castles, and much more. Take these maps along to make your walk through the countryside a walk through history.

The Yorkshire team has made numerous discoveries in recent months. Archaeology is understaffed and underfunded, and dedicated groups of amateurs help take up the slack. Archaeological societies exist in many towns throughout the world and are a great way to learn about the past. While members are amateur in the sense that they don’t make their living as archaeologists, they’re often well trained and knowledgeable. This is important so that when they make their discoveries they don’t harm the very sites they are trying to study and preserve.

[Photo of Mölndal cairn in Sweden courtesy Wikimedia Commons. No image of the Ilkley Moor cairn is available. It’s not as well preserved as the Mölndal cairn.]

Exploring the tunnels under the Western Front

by Sean McLachlan on

The common image of the Western Front in World War One is of muddy trenches and artillery barrages. That was certainly the experience of most soldiers. But while huge armies slugged it out in the mud and ruin of France and Belgium, another war was going on underground. Sappers from both sides dug tunnels under enemy trenches, packed them with explosives, and blew them up.

The explosions were huge, like this one the British detonated under the German position on Hawthorn Ridge on 1 July 1916. The explosion used 40,000 pounds of high explosives and marked the beginning of the Battle of the Somme.

Sapping was extremely dangerous. Tunnels collapsed or got blown up by enemy mines. Sometimes mines intersected one another and there were hellish fights in the near darkness. Two good fictional portrayals of this war-beneath-a-war are the novel Birdsong by Sebastian Faulks and the Australian film Beneath Hill 60.

Now part of that underground battlefield is being studied by a team of British archaeologists. After detailed research in archives of several nations they’ve pinpointed a network of British and German tunnels under the French town of La Boisselle and have tracked down who fought there and when. They even know where some of these poor fellows got buried alive.

Right now the team is using ground-penetrating radar to map the tunnels and will being excavating in October. Some tunnels can still be entered while others are too unstable or have collapsed. Eventually the site will be opened up as a museum commemorating those who fought underneath the Western Front.

[Photo courtesy UK government]