Chicago’s Field Museum Unveils Brilliant Reconstruction Of Lascaux Prehistoric Cave

by Sean McLachlan on


The Field Museum in Chicago is the first venue in North America to host an impressive 3D reconstruction of the famous prehistoric cave paintings of Lascaux, France.

“Scenes from the Stone Age: The Cave Paintings of Lascaux” showcases the best-ever full-sized replica of the paintings, including many never before seen by the public. Visitors will feel like they’re in the cave itself as they enter into a tunnel that has the same paintings and relief as the original. The works are lit by simulated oil lamps and torches to replicate what they would have looked like to the Paleolithic artists who made them some 15,000-20,000 years ago.

Lascaux contains hundreds of images of animals, geometric shapes and an enigmatic human figure with a birdlike head. The artists used the natural contours of the stone to give the figures a 3D effect and the illusion of movement.

Also on display are period artifacts and a reconstruction of a Stone Age family, with descriptions of their surprisingly advanced culture.

The original cave was closed to the public in 1963 in order to preserve the fragile paintings, which were already beginning to show wear due to the changes in temperature, humidity and a rise in carbon dioxide due to more than a million visitors entering the cave. Now experts are trying to remove a growth of fungus, bacteria and algae that threaten the paintings.

“Scenes from the Stone Age: The Cave Paintings of Lascaux” runs from March 20 to September 8.

[Photo courtesy Wikimedia Commons]

The ‘Christopher Columbus Of China’ May Have Visited Kenya, A New Find Reveals

by Sean McLachlan on


An explorer from medieval China may have visited an island off the coast of Kenya, archaeologists say.

A joint expedition by The Field Museum and the University of Illinois at Chicago unearthed a 15th-century Chinese coin on the Kenyan island of Manda, according to a Field Museum press release. Starting around 200 A.D., Manda was a trading hub and home to an advanced civilization.

The coin, shown here, is an alloy of copper and silver and was issued by the Ming Emperor Yongle, who reigned from 1403-1425 A.D. The coin bears the emperor’s name.

Emperor Yongle sent Admiral Zheng He, also known as Cheng Ho, on an epic mission of exploration to find new trading partners. He traveled around the coasts of south and southeast Asia, east Africa as far north as Somalia, and the Arabian Peninsula.

“Zheng He was, in many ways, the Christopher Columbus of China,” said Dr. Kusimba, curator of African Anthropology at The Field Museum. “This finding is significant. We know Africa has always been connected to the rest of the world, but this coin opens a discussion about the relationship between China and Indian Ocean nations.”

Sadly, later Chinese rulers took a more insular policy and banned foreign expeditions. If they had continued Yongle’s work, the great Age of Exploration may have been more Chinese than European. Manda was mysteriously abandoned around 1430, shortly after Emperor Yongle’s death.

Chinese contact with east Africa has become a hot topic of research in recent years. Back in 2010, we reported that a DNA study found genetic links between China and Africa.

While the focus has been on Kenya, researchers might want to take a look at the city of Harar in Ethiopia, which has been a trading center for centuries. Some Hararis have vaguely Chinese features, and Harari coins have been found in China. When I was doing research there some Hararis told me that the city used to trade with China many centuries ago.

In the nearby early medieval settlement of Harla, which may have been the predecessor to Harar, farmers have uncovered two Chinese coins dated to 1040 and 1080 A.D.

[Photo courtesy John Weinstein/The Field Museum]

London Crossrail Project Unearths Black Death Burial Pit

by Sean McLachlan on

“Bring out your dead!”

If you lived in London in 1348-50, you’d hear that call a lot. All of Europe was swept with the Black Death, a virulent plague that killed an estimated one-third of the population. London, like other congested urban areas, got hit hard.

Now archaeologists working in London have uncovered a mass grave of Black Death victims, a Crossrail press release reports. Digging ahead of the planned London Crossrail transportation project, the team discovered a mass grave of 13 bodies at Charterhouse Square, an area known as a burial ground during the plague. Pottery from the mid-14th century found at the site helps confirm the identification.

The bodies were laid out neatly in rows, hinting that the burial ground was from the early stages of the Black Death. When the plague was going full force, bodies were simply dumped into giant pits.

Now archaeologists are examining the bones to learn more about how the people lived, including diet, physical health and work-related wear and tear on the body. They also hope to find surviving DNA from the plague to give scientists a better idea of how it developed. Researchers stress that the plague bacteria cannot live for long in the soil and the excavation poses no health risk.

This is only the latest in a series of finds by the Crossrail workers. Earlier we reported on their discovery of a 3,500-year-old Bronze Age trackway. The Crossrail project is a high-speed train system that will link 37 stations along 73 miles of track through London. It’s due to open in 2018.

Sadly, the 14th century plague was only the first wave of a persistent contagion. The Black Death returned to London several times, the worst being in 1665-6, when it killed 100,000 Londoners.

[Photo courtesy Wikimedia Commons]

Cyrus Cylinder, ‘The First Bill Of Rights,’ Tours US

by Sean McLachlan on


The famous Cyrus Cylinder, a baked clay tablet from the 6th century B.C. that’s often called the “first bill of rights,” has made its U.S. debut at the Smithsonian’s Arthur M. Sackler Gallery in Washington, D.C.

The Cyrus Cylinder was deposited in the foundations of a building in Babylon during the reign of the Persian king Cyrus the Great. It commemorates his conquest of Babylon and announces religious freedom for the people displaced by the Babylonian king Nabonidus. Among them were the Jews, who had been in captivity in Babylon. Many Jews soon returned to Jerusalem and built the Second Temple.

While Cyrus’ announcement and inscription isn’t unique for that time, the cylinder became instantly famous upon its discovery in 1879 because of its connection to events that are mentioned in the Bible. Ever since, Cyrus has been considered the model of a just king ruling over a diverse empire.

It’s the centerpiece of a new exhibition titled “The Cyrus Cylinder and Ancient Persia: A New Beginning,” which examines the religious, cultural and linguistic traditions of the vast and powerful Achaemenid Empire (539–331 B.C.) founded by Cyrus the Great.

The exhibition runs until April 28. After the Smithsonian, the Cyrus Cylinder will tour the U.S., stopping at Houston, New York City, San Francisco and Los Angeles. You can see the full details of the schedule here.

[Photo courtesy Wikimedia Commons]

VIDEO: Prehistoric Art Of Panther Cave Reproduced In 3D

by Sean McLachlan on


Panther Cave in Seminole Canyon, Texas, has some of the country’s best-preserved prehistoric cave paintings. A colorful frieze of leaping panthers, feathered shamans and strange abstract shapes have puzzled researchers for decades. It appears to be telling a story of some sort, but what does that story say?

Now this new 3D video allows you to study it for yourself. Color enhancement brings out details hard to see with the naked eye. It also brings the cave (really a rock shelter) to the general public. Panther Cave is only visible from the opposite bank of the river or by a specially scheduled boat trip with a park ranger.

The paintings date to the Archaic period, a vague label stretching from 7,000 B.C. to 600 A.D. Judging from the condition of the paintings and the relatively shallow depth of the rock shelter, this former archaeologist thinks they must date to the last few centuries of that period. Take that with a grain of salt; my specialty was the Anglo-Saxon migration period.

The site is managed by Seminole Canyon State Park & Historic Site and Amistad National Recreation Area. Sadly, Past Horizons reports that the site is now endangered by flooding related to the construction of Amistad Reservoir. As prehistoric art across the nation falls prey to “development,” vandalism and time, these detailed videos become important records of our past.

For a look at some cave paintings from the opposite side of the globe, check out my post on the painted caves of Laas Geel in Somaliland.