Iran Photo Project on Flickr

There’s an interesting photo project going on at Flickr called the iRAN Project. I came across it a month or so ago and bookmarked for a later mention. It appears to have been set up by a Madhi Ayat as a way for photographers in Iran to show day- to-day life as they capture it with a their cameras. The latest photos were posted on May 19, 2007. This one is not Ayat’s, but in his pool of favorites. Elishka took this one of the Sardasht valley. I like it because it reminds me of the best travel moments.

Along with his photographs, the photo pools of other photographers’ work cover subjects that range from nature to architecture to portraits. There are discussion threads as well. Ayat has also included a link to Tehran24.com, another site dedicated to illuminating the daily life in Iran through photographs. Both collections are sort like coffee table books on-line.

Besides viewing the photographs for their artistic merit and interest, I find it fascinating just to see the variety of the subjects photographers pick as the ones worth noticing. The fact that Iran is the overarching theme is also intriguing. These are views of the world not often seen.

A Canadian in Beijing: Proud Love for the Pedestrian Overpass

Alright, I have been excited about these things since I got here and I’ve felt a bit like a dork about it. Okay, maybe more like an urban planning design geek or something (no offense to a very necessary modern profession!) and so I’ve decided that I’ve just got to put it out there. . . with pride. . . so here goes:

I love a good pedestrian overpass.

Both Beijing and Shanghai have some of the most impressive outdoor pedestrian walkways that I have ever seen. These elaborate bridges are designed for pedestrians only – no motorized vehicles – and they’re all over the city. When I was in Shanghai, I found them there too. Both cities also have pedestrian underpasses that stretch under streets and often connect to the subway system, but the overpasses are the most structurally impressive.

I would venture to say that they’re often architecturally beautiful.

While walking around Beijing, I sometimes feel like I’m part of a herd. We are herd animals after all (right, Brrassie? See comment on this blog) and I realize that these street crossings have been designed to corral us from one side to the other without upsetting the flow of traffic. I don’t mind. I’ve happily swept up into these archways. I’m willingly lured.

As I’ve mentioned in previous blogs, street crossing is a rather “interesting” experience here in China. Precarious? Death-defying? Brave? Ridiculously Random? Any of those descriptors will do. Where there are no specific crossings, i.e. overpasses or underpasses for the pedestrians, the mayhem ensues. I quite like the chaos, personally, and I’ve become quite used to forging forward into traffic flanked by several other equally insane human beings. . .

But, I’m equally charmed by these overpasses.

They seem so grand and elaborate but are just designed for a simple pedestrian like me. When I walk across them, I feel like I’ve been swept into an architect’s urban vision lit up under drawing lights on a drafting table. That’s me in my dusty sneakers and cap leaving my footprints across the crisp white page. That’s also me waving from the top at no one in particular.

When I was a kid living in Burlington, Ontario, there used to be a big pedestrian overpass across the railway tracks that ran parallel to Fairview Road. I have no idea if it’s there now, but it was big and made of painted-green metal and looked like a giant dragon’s spine that zigzagged its diagonal ramp up into the sky, stretched across and zigzagged back down. It was on the north-side as we drove east towards (what was then) the only mall in Burlington, “The Burlington Mall.” I would position myself eagerly by the back window when we turned onto Fairview Road because I always looked forward to the glimpse of that crazy structure that stretched past my imagination. I would picture myself climbing up into it and crossing it like it to the other (mythical) side like it was a giant amusement park ride that required no tickets or coupons.

When I learned that one of my classmates walked across that pedestrian overpass everyday, I looked at her in amazement. “What’s it like?” I asked, with all of my stories about this incredible journey stretching my eyes wide with expectation. I was deflated when I heard her response: “what’s what like? It’s just a sidewalk!”

Bite your tongue.

These are not just sidewalks; they’re gateways to the other side. They are proud pathways that feel regal under my feet. They’re an adventure with every crossing.

Now, I know you’re thinking that I’m getting carried away here, but let’s look at this logically:

First of all, they save your life. There’s no sidestepping vehicles or speeding bicycles in the crossing of these streets. There’s no potential death, shall we say.

Second of all, they’re a moment of respite from the direct fumes and the deafening noise of the Beijing (and Shanghai) streets and so it’s a peaceful experience! I usually walk a little slower up there just to take it all in from a different angle.

And finally, you can linger at the top of these pathways to get a great view of the street and your destination, especially if you’re lost. Trust me, I have used these overpasses as great places to study my maps.

Sometimes these pedestrian overpasses have “dianti” (escalators) and sometimes these escalators are covered and sometimes they’re not. I have often wondered about how snow mixes with moving steps, but I’m happy to be writing this in the summertime!

These ones in Shanghai stretched into elaborate sidewalks in the sky. They reminded me of images of “The Jetsons” cartoons. I shot endless photos much to my fellow sightseer’s annoyance.

I have a fond respect for these structures, as you can tell. Today, I crossed the street just because one was there beckoning to me with its amazing spiral staircases on each end. I crossed over and then walked up a few blocks before realizing that I had to go back under the street again to catch the subway.

I didn’t care.

It was worth it.

Next time you go across one, wave at the street below and to no in particular.

Why not?

I.M. Pei’s Genius Created a New Art Museum in Luxembourg

Years ago I flew into Luxembourg to begin a summer train travel/backpacking trip through Europe. Back then it was possible to get cheap stand-by flights to Luxembourg from New York City. Fresh out of college with a BA in sociology, cheap was the only way to go to Europe. We stayed in Clervaux for the night before heading out to Amsterdam and points beyond. I remember Luxembourg as being lovely and worth a longer stay if we weren’t hell-bent on seeing as many places as our Eurorail Pass would take us in two months.

I’ve just come across a reason to head back there. The Musée d’Art Moderne Grand-Duc Jean (MUDAM) just opened July 2006. The museum designed by architect I.M. Pei is an architectural masterpiece. It’s interesting to read the museum’s website just to learn about the concepts (PDF file) behind the building. I have to warn you. The website feels like a visit into a modern abstract painting. It’s worth the trip, but be prepared for some fishing. I’m starting you off with the links page. The art collection is an eclectic mix of works by modern artists from around the world. You can access this by going to the link “collection.”

An aspect of this museum that appeals to me is “Be the Artist’s Guest” which incorporates artists’ paintings, drawings, sculptures and photographs into areas that are not just traditional exhibit spaces. The café, reception areas and auditorium have the artists’ works as a way to engage the viewer. I think the artists whose works are featured in this manner may be part of the changing exhibits, but I’m not sure.

Inside Africa Vol. 1 & 2


TASCHEN books are some of my favorite to collect. If I had hundreds of dollars to blow I could easily do so on their website, but for now I’ll have to place some of these titles on my Christmas wish list or refrain from doing so much running to and fro’ to buy a few more. Of the more recent releases I’d like to take a peek at the Inside Africa titles. The two volume set puts the diversity of African living in the reader’s face. I’ll be one of the first to admit (and this is very sad because I have so many African friends), but when I think of dwellings found in various African places I don’t think modern for the majority. I see mud, clay, and earthy homes with wells and without running hot water. SO WRONG. While a good portion of countries may have tribes and villages with housing of this nature there are tons of luxury lodges, artist studios, minimalist houses, and so-forth. These two sets claim to have a good mixture of both and more, but with the eye-popping ink and paper stock TASCHEN uses I’m sure anyone flipping through the book would want to stay in a clay hut. Deidi von Schaewen is the photographer and it took a period of four years and fifteen countries to make it these Inside Africa volumes happen.

Countries featured include Egypt, Kenya, Botswana, Morocco, Réunion, Seychelles, Tanzania, Tunisia, Benin, Burkina Faso, Togo, Nigeria, and Senegal to list only a few.