iheart the Roger Smith Hotel: art salon arrives in Manhattan

I would not have been surprised to find the likes of Denis Diderot and Jean-Jacques Rousseau sitting across from me Friday night. Reviving a concept only too scarce since the end of the eighteenth century, the Roger Smith Hotel was host to a dinner that centered on the exchange of ideas and the appreciation of art. The creators themselves were in attendance, flanked by friends, admirers and even the lowly folks who sit on the sidelines and chronicle these affairs. In midtown Manhattan, known for flocks of tourists eager to consume the same eye-candy as the previous wave, it was a rare reprieve from the commodity norm.

The arts are important to the Roger Smith Hotel, evident from the Lexington Avenue sidewalk in front of the property. A look inside THE LAB, home to installation and performance art, shows what can be done with a converted storefront to provide intellectual depth and enrichment in a world characterized by the swift progress of passers by, not unlike the 25CPW studio on the Upper West Side and other non-traditional gallery spaces. As you move farther up the street and turn to the main entrance, the interactive display immediately to your right drives the point home. In fact, it was the reason I was at the hotel in the first place.

The inside wall of the Roger Smith Hotel’s entrance changes regularly based on the whim and fancy of anybody who chooses to walk by. Framed magnetic pop art images from the “iheart” project are stacked on the floor when not stuck to the wall, and staff, guests and just about anyone else can pick them up and rearrange them in an attempt to make a point or express a feeling. It’s fun, hands on and expressive. You become a part of the exhibition.

I encountered the iheart project for the first time at New York’s Affordable Art Fair a couple of weeks ago. Entering the ArtWeLove booth, I was struck immediately by the display, which consumed a generous amount of wall space. After talking for a bit with company founder Laurence Lafforgue, I was hooked, and didn’t hesitate to accept her invitation to the iheart dinner at the Roger Smith. Not knowing what to expect, I showed up early (unusual for me) and grabbed a glass of wine and a cigar at the hotel’s rooftop bar with my friend and fellow blogger Laurie DePrete, who introduced me to the Affordable Art Fair in the first place, effectively making the experience to come possible.

The crip autumn air and accompanying glass of white wine provided the perfect frame of mind for the iheart dinner: it was impossible to avoid clarity, openness and a sense of excitement after viewing the city below with the lubricating effects of the vino, of course.

The room had filled in my absence, and upon first inspection, it was evident that a varied crowd would make for a lively and insightful evening. Salient eccentricity made the artists easy to identify, and clusters of conversation indicated which guests were present in support of the creators. Interestingly, the artists were not holding court in these disparate collections of discourse. Rather, their palpable humility made interpretation the main event, as observations tended to trump explanations. Underscoring this dynamic was a video projected on a screen at the front of the room, showing the variations on the front door display that had already come to life … and departed. Punctuating the conversation were pauses to look up, yielding the knowing looks of some and the expressions of awe by others.

With iheart being the guiding theme of the dinner, it followed naturally that the artists in attendance were responsible for variations on the original, having put their own imprimaturs on this spirited concept. In a sense, it was a vast, asynchronous collaboration, involving unique and divergent perspectives that nonetheless came together into a cohesive whole. An international effort representing three continents, a bevy of accents and broad range of experiences came together seamlessly, demonstrating that a shared mission can translate to a spectacular outcome, even without strict and rigid control.

As the meal was served and the table filled with plates, wine glasses and the spoken word shooting to and fro, with the original conversation groups mixing into new pockets of insight on art and art market issues. It was impossible not to share ideas, even while chomping on the pasta served by the hotel, given the diversity sitting elbow-to-elbow. I was particularly excited to speak with Kosuke Fujitaka, co-founder of NY Art Beat, which has an iPhone app listing in granular detail the city’s many (and perhaps otherwise unknown) art exhibitions.

The evening drew to a close, and I again retired to the rooftop bar to smoke a Guillermo Leon Signature cigar, sip my final glass of wine and watch the staff collect the blankets from the chairs (a nice touch for combating the late-night chill) as they wound down, too. The direct exchange of ideas was ending, though it would doubtless continue through the Roger Smith’s interactive exhibition, the online presence of the iheart project and, of course, the collective and separate efforts of the artists and onlookers.

Doubtless, Diderot and Rousseau would have been proud. If slightly divergent from their experiences, the spirit was certainly present, contrasting wildly with the relative mayhem of the streets 16 floors below. ArtWeLove, iheart and the Roger Smith created an experience nearly absent from today’s social lexicon, reviving the art of thinking for its own sake.

[photos by Laurie DePrete]

Airport contraband featured in Lever House Art Exhibition

Go to Manhattan‘s Lever House, and you may see that lighter – or hand grenade – that was taken from you a JFK airport. Through the end of the year, the free exhibition will consist of photographs taken by Taryn Simon of items seized from passengers and mail packages coming into the United States. She spent five days clicking away at more than 1,000 items.

The exhibition, called “Contraband,” includes everything you’d expect to find at JFK: Cuban cigars, pirated DVDs, bongs and hand grenades. Also, there were animal parts and heroin. You’ll have to decide for yourself what’s strangest, but here are MSNBC’s thoughts:

So what’s the strangest thing in Simon’s new “Contraband” show? Hard to say, but the horse sausage and cow manure tooth powder have to be up at the top of the list.

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[photo by 16 Miles of String via Flickr]

Affordable Art Fair: Putting the beautiful within reach

The Affordable Art Fair wrapped up in New York last weekend, crowed until the end. The event, which highlights originals and reproductions that don’t require obscene wealth to own, is the antithesis of a global art market in which the appreciation of beauty has been nudged aside by appreciation in value.

Galleries from around the world were represented at the event, which was home to more than 70 exhibitors for four days. I wandered the floor, often not knowing which way to look as my senses were assaulted by engaging pieces that could actually wind up adorning the walls of my apartment.

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Throughout my experiences on Sunday afternoon, in the waning hours of the art fair, I couldn’t shake a feeling of satisfaction: a thrill that anyone could begin to collect art as a result of the Affordable Art Fair. I remember being moved almost to anger through 2007 as the global art market bubble formed, making it nearly impossible for all but society’s wealthiest to participate. Even with the subsequent collapse in 2008, helped along by the financial crisis, it was still clear that art collecting was inherently exclusive.

These feelings fell away as I spoke with Laurance Lafforgue of ArtWeLove and artist Kamol Akhumov. I realized that art is actually inclusive, and it’s open to all to participate.

I stepped onto W. 34th Street after leaving the Affordable Art Fair with a fresh excitement for art and art collecting. Forget about the market; focus on the art.

North Korean art show focuses on the familiar

A new fine art exhibition kicked off in Pyongyang last week, and according to the Korea Central News Agency, it’s a must-see. If you’re down with the “anti-Japanese struggle,” I suspect you’ll be right at home at the Pyongyang International Cultural Center.

There are “at least 60 fine art works” on display, among them pieces created by Pyongyang-area artists during the “period of the anti-Japanese revolutionary struggle.” At the top of the list are paintings with the catchy titles “Return Blood for Blood and Oppose Arms with Arms” and “Arirang on Jiansanfeng,” They highlight the efforts of the Great Leader, Kim Il-sung, and his first wife, the Dear Leader’s mother, Kim Jong Suk. Both, according to the country’s official view of the past.

And, you won’t want to miss “You Should Conduct Combat Training under the Simulated Condition of Real Battle,” which addresses “the commanding trait of General Secretary Kim Jong Il who has strengthened the Korean People’s Army into the invincible revolutionary armed forces.” No exhibition, of course, would be complete without a Kim Jong-il painting!

The KCNA continues:

Among the works on display are Korean painting “Grievance on the Shore of Lake Pujon”, oil painting “Echo in Ulsa Year (1905)”, woodcut “Sea of Blood in Northern Jiandao” and poster “Brigandish Japanese Imperialists Who Forced Koreans to Change Their Names to Japanese Ones!”, which expose the hair-raising atrocities committed by the Japanese imperialists.

Was the Thursday opening well-attended? This is the best we’ll get: “Officials concerned, artists and working people in the city went round the fine art works on display.”

[photo by yeowatzup via Flickr]

Stalin hated nude male art

Joseph Stalin didn’t like seeing men nude.

A new exhibition at the Marat Guelman gallery in Moscow features a series of drawings of male nude models that the Soviet leader defaced with rude comments.

The comments include such philosophical gems as “Don’t sit with a bare ass on stones.” and “One thinking fool is worse than 10 enemies.”

Other images bear chatty, mocking comments to ex-comrades of the Communist Party. One drawing of a slim, older man says, “Why are you so thin, Mikhail Ivanovich? Do some work. Masturbation is not work. Try Marxisim!”

This may have been a reference to Mikhail Ivanovich Kalinin, a member of Stalin’s inner circle who had died in 1946 and who actually looks a bit like the guy in the drawing.

The prints come from a series issued in the late 1940s, when Stalin was aged about 70. They were preserved by members of the KGB who worked with Stalin and the handwriting has been authenticated by the Russian Interior Ministry. Many of the images bear Stalin’s signature.

Just why Stalin felt compelled to write these sayings and chat with his dead comrades on pictures of nude men is a but of a mystery. Perhaps it was his way of relieving the strain after helping to defeat Hitler and killing millions of his own people.

The exhibition is only on for one week, so if you’re not passing through Moscow at the moment check out this series of photos.