Medieval painted churches in England and Wales

by Sean McLachlan on


England and Wales are full of beautiful medieval churches. From the famous like Christ Church cathedral to the lesser-known like Dorchester Abbey, they offer breathtaking architecture and decoration, and since many are free, they make good budget travel destinations.

Some even preserve fragile paintings from the Middle Ages, like this one photographed by Roger Rosewell, author of Medieval Wall Paintings in English and Welsh Churches. This is a thorough and richly illustrated guide to an art form many travelers know little about. He takes us through the history of these paintings and their sometimes obscure meanings, and delves into how they were seen by their contemporaries.

The above illustration shows the “Harrowing of Hell” and was painted in the late 15th century at the church of St. Peter and St. Paul in Pickering, Yorkshire. It’s a scene from The Gospel of Nicodemus, when between Christ’s burial and the third day, God undid Christ’s death and Christ released Adam, Eve, and other righteous souls from Hell. If you haven’t heard of this gospel, it’s because it’s one of the many books that didn’t make it into the final standard version of the Bible we know today. Scenes from this book and many other so-called Apocryphal texts were well-known to medieval Christians, though.

Other subjects include the Virgin Mary, the lives of saints, the Doom or final judgement, and the Warning to Blasphemers–a grisly scene in which those who have taken the Lord’s name in vain are shown tearing apart his body.

Rosewell also looks at the patrons who commissioned the work and the painters themselves, telling us a lot about medieval society. Interestingly, it appears some of the painters were women, yet little is known about any church painters, male or female. There’s also a handy gazetteer and subject guide to help you locate any church paintings along your trip itinerary.

I only have two minor criticisms of this work. Firstly, while Rosewell explains Christian iconography very well, sometimes he leaves architectural terms undefined. Despite having written two books on medieval history, I had to look up “soffit” and “voussoir”! Also, while many of the photos are lovely, some have less than ideal lighting and look like simple snapshots. Granted, many medieval wall paintings are so faded it’s virtually impossible to get good photos of them, yet I feel a bit more effort would have enhanced these photos considerably.

All in all, I highly recommend Medieval Wall Paintings in English and Welsh Churches to anyone interested in the Middle Ages, art, or travel in England in Wales. It’s the perfect mixture of art, history, and guidebook, something I wish the travel industry would give us more of.

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Egyptian Book of the Dead on display at Brooklyn Museum

by Sean McLachlan on


After three years of careful study and restoration, an important version of the ancient Egyptian Book of the Dead has gone on display in the Brooklyn Museum.

The Book of the Dead was a collection of prayers, spells, and rituals to help the dead in the afterlife. The book has its roots in prehistoric times. As the civilization in Egypt developed, the prayers and spells became more elaborate. Eventually they were gathered together in chapters to create what we call the Book of the Dead. Individual chapters or sets of chapters were written on tombs, mummy cases, and rolls of papyrus. Many burials have portions of the book, one of the largest being the Papyrus of Ani, which you can view online.

The Brooklyn Museum example was for the tomb of Sobekmose, a gold worker. It’s an early and long version, probably dating to the reign of Thutmose III or Amunhotep II (c. 1479–1400 BC). It’s 25 feet long, written on both sides, and contains nearly half of the known Book of the Dead chapters.

Portions of this book have long been on display at the museum. This is the first time the entire book is on display.

[Photo courtesy Wikimedia Commons]

The Met launches its new expanded art website

by Sean McLachlan on


One of the best art museums in the world now has a world-class website.

The Metropolitan Museum of Art in New York City has redesigned and expanded its website. The Met’s site now offers access to all of its more than 340,000 works of art.

There hasn’t been a major overhaul of the site since 2000, the cyber equivalent of the Late Bronze Age. Each of the almost 400 galleries at the museum and The Cloisters now has its own description and photograph on the interactive map and there are thousands of zoomable art images to explore. Students and aficionados will find the Heilbrunn Timeline of Art History handy. It’s searchable by date, period, style, region, and theme. First-time visitors will want to check out the suggested itineraries to the Met.

As museums and galleries strive to attract real visitors in a virtual age, they’re hard at work developing their online presence. The Smithsonian Archives is another of many institutions to spruce up their Web profile.

[Photo courtesy morrissey]

Amsterdam art exhibit focuses on the Antwerp school

by Sean McLachlan on


The Hermitage Amsterdam starts an important exhibition tomorrow focusing on the Antwerp school of Flemish art.

Rubens, Van Dyck & Jordaens: Flemish paintings from the Hermitage runs until 16 March 2012 and features almost a hundred paintings and drawings from some of the great names in Flemish art. Peter Paul Rubens is especially well covered, including his famous work Venus and Adonis, painted around 1614 and shown above. Rubens was hugely influential, teaching Anthony van Dyck and inspiring Jacob Jordaens. Both of these masters have several works in the exhibition, as do many lesser-known names.

Hermitage Amsterdam is a branch of the St. Petersburg Hermitage and the works all come from there. Since its opening two years ago, it has been one of the major art destinations in Amsterdam.

While Amsterdam attracts a lot of tourists for its legal pot and prostitution, it’s so much more than Sin City. Amsterdam one of the art capitals of the world and a good base for many daytrips to places like Delft and several Dutch castles. I will be exploring Amsterdam and hopefully Antwerp next month in a miniseries right here on Gadling.

Sotheby’s: the museum where you can buy the art

by Sean McLachlan on

Have you ever looked at a work of art hanging on a museum wall and thought, “That would look great in my living room”? Well, at one of the best “museums” in London you really can take it home with you.

Sotheby’s is London’s oldest auction house, and has been a London institution since 1744. They sell everything from fine art to vintage wine to antique furniture. While most items are beyond the means of the average visitor, the galleries and auctions are open to the public. There are branches in London, Paris, New York, and Hong Kong.

When I lived in London I visited the Sotheby’s galleries regularly. They host constantly changing exhibits of art and antiques. Since the items mostly end up in private hands, this is your only chance to see them. I was a bit worried the first time I went in that I’d be given some cold English upper-class attitude. It was painfully obvious I wasn’t there to buy anything. Surprisingly, I was treated with respect, which is more than I can say about a certain antique shop I visited in Islington.

On one visit a few years ago there was going to be a major auction of Russian art–some medieval icons and a lot of Neorealism. As usual the items that would be going under the gavel were put on display. As I wandered around admiring the art, I found the crowd to be equally interesting. Hordes of Russians in Armani suits were on their cell phones calling buyers in Moscow, describing art and getting instructions on maximum bids. Watching all these rich Russians and their multimillionaire bosses I realized just how much the world had changed in the past twenty years.

So check out Sotheby’s. It’s not only a lesson in art, it’s a lesson in sociology.

[Photo courtesy Claus Hoppe]