Centre Pompidou-Metz Recreates Artistic Life Of World War I

In the first of a series of events to commemorate the upcoming centennial of World War I, the Centre Pompidou-Metz in France is hosting “1917,” an exhibition of artistic life during that bloody conflict.

While millions were dying on the battlefield, the arts were flourishing in Europe. Much of it was centered on, or a reaction to, the most terrible war the world had yet seen. A large portion of the exhibit is devoted to trench art made by soldiers at the front line. Some drew sketches of their lives; others did creative things with the detritus of war, like the goblets made from artillery shells shown here.

Works from artists on the home front are exhibited too. The star attraction is Pablo Picasso’s largest work, the giant painted theater curtain he made for Parade, a ballet directed by Serge Diaghilev for the Ballets Russes. This impressive work is more than 30 feet long and is rarely displayed due to its size.

In all, “1917” gives us a snapshot into a crucial year in the development of modern art. The show runs until September 24.

[Image courtesy Wikimedia Commons]

Medieval Frescoes By Giotto Threatened By Construction Project


Priceless frescoes in the Scrovegni Chapel in Padua, Italy, may be damaged by a nearby construction project, experts say.

The frescoes were painted by Giotto di Bondone around 1305 and are considered a high point in medieval art. They depict the life of Jesus and the Last Judgement and were painted for the private chapel of a rich banker. The figures’ lifelike style and naturalistic poses anticipated the realism of Renaissance art.

Now the construction of a skyscraper nearby threatens to seriously damage the delicate paintings, according to three scholars who have started a petition to halt the project. They say the building will affect drainage in the area, causing the water level to rise. This would increase humidity and all lead subsidence of the walls, both of which would damage the medieval paintings.

A previous, smaller building proposal was postponed for the same reason but the skyscraper has been approved by the municipality. At the time of this writing the petition already had 1892 signatures.

[Image of “The Kiss of Judas” courtesy Flickr user Carla216]

The Last Pyramids Of Egypt


They just don’t make pyramids like they used to.

The pyramids of Egypt have fascinated people ever since they were built. The Step Pyramid at Saqqara started things off around 2650 B.C. Later came the iconic pyramids of Giza. What’s often forgotten, however, is that pyramid construction continued for more than a thousand years and there are at least 138 built to house the remains of pharaohs and queens. More are still being discovered. Last year, satellite imagery revealed seventeen previously unknown pyramids.

The later pyramids of Egypt tend to be overlooked, and it’s easy to see why considering the sad state of most of them. Just take a look at this photo of the pyramid of Senusret II (ruled 1895-1878 B.C.) and photographed by Jon Bodsworth. Like a lot of later pyramids, it was made of mud bricks instead of stone blocks to save money, and that’s why it’s a giant sad lump today – an interesting lump, though.

The interior tunnels are still intact and archaeologists discovered the nearby village where the workmen lived. Contrary to popular belief, slaves didn’t construct the pyramids. Actually, it was trained craftsmen and farmers who didn’t have any other work to do when their fields were underwater during the annual flooding of the Nile.

Senusret II was part of the 12th Dynasty, a high point in Egyptian power and civilization. It’s strange then that pyramids were in decline. You can see several of these pyramids at Dahsur, not far from Saqqara and an easy day trip from Cairo. One is the Black Pyramid of Amenemhat III (ruled 1842-1797 B.C.). It started to collapse almost immediately so he had to build a second one at the Faiyum Oasis near a giant temple to the crocodile god Sobek. This site reopened last year.

%Gallery-155699%The experimentation with cheaper building methods may have started with Senusret I (ruled 1962-1928 B.C.). Instead of a solid geometric shape, the builders first constructed a network of walls crisscrossing each other and dividing the pyramid into 32 parts. These were then filled with loose stone. A smooth limestone facing was put over the whole thing. It sounded good in theory, but it’s another sad lump today.

Perhaps as a compensation for the cheap building styles, the later pyramids had elaborate tricks to stop tomb robbers: dead end tunnels sealed with thick stones; interior chambers made of quartzite, the hardest substance worked in Ancient Egypt; elaborately sealed rooms that contained nothing; and sarcophagi as big as the rooms that held them in order to deny robbers room to work.

Sadly, none of these tricks worked and the pharaohs eventually resorted to hidden underground tombs in places like the Valley of the Kings. After the 12th and 13th dynasties, pyramids went out of fashion. Many of the 13th dynasty rulers didn’t bother building one at all. Only a few were made by later dynasties. The last pyramid made for a pharaoh was for Ahmose I around 1525 B.C. It’s a pile of rubble now that barely measures 30 feet high. Much later, pyramids briefly became fashionable in the Sudan.

The pyramid was dead, and last year, so was Egypt’s tourism industry. It’s been gradually rebuilding itself, though. Cruise lines are returning, as are independent travelers. The tourist sights remained mostly unaffected by the unrest and there’s not much trouble outside of a few spots in Cairo.

Visitors will have more to see with six tombs at Giza having reopened and Egyptologists hard at work uncovering more ancient wonders. Many of the later pyramids haven’t been excavated and while all the ones that have been explored were plundered by tomb robbers centuries ago, there’s always a chance that the treasure of a pharaoh remains hidden inside one of them.

Four UK Museums On Shortlist For Art Fund Prize

Four UK museums have made the shortlist for the Annual Art Fund Prize. The winner will get a hefty £100,000 ($161,000) donation, most welcome in these times of economic austerity.

One of the museums, the Hepworth Wakefield, only opened a year ago and has already smashed attendance expectations by attracting half a million visitors. Located in Yorkshire, it focuses on contemporary art and has an innovative modern building design.

The Royal Albert Memorial Museum in Exeter is housed in an elaborate Victorian building and has a broad-based collection ranging from local archaeological finds to Egyptian mummies, British watercolors and digital art. There’s also a natural history section with fossils, birds, insects and a rather intimidating tiger.

The Scottish National Portrait Gallery in Edinburgh reopened last December after a major renovation and now features free entrance and 60 percent more space to show off all those guys in kilts. The Watts Gallery in Guildford showcases the work of famous painter G.F. Watts as well as a huge collection of Victorian photographs and temporary exhibitions of British art.

The winner will be announced on June 19.

[Top photo of Hepworth Wakefield courtesy Carl Milner]

Met Showcases Predynastic Art Of Egypt

The Metropolitan Museum of Art in New York City has one of the best collections of ancient Egyptian art in the world. Now it has opened a special exhibition focusing on the lesser-known art from the early days of Egypt before the pharaohs.

The Dawn of Egyptian Art” brings together art from the Predynastic and Early Dynastic Periods (ca. 4000–2650 B.C.), a time when Egypt was developing into a society with towns, specialized labor and, eventually, a centralized government. This broad swath of time included several distinct local cultures that slowly became the ancient Egypt that we are familiar with.

The main culture was the Naqada culture. Villages each had their own animal deities, many of which survived as gods and goddesses of dynastic Egypt. The dead were buried with works of art such as jewelry and figurines of these deities. As agriculture became more important in the fertile Nile valley, villages grew into towns and art flourished. Local rulers became more powerful and expanded their territories until Egypt was two kingdoms: Upper and Lower Egypt.

The 175 objects from the Met’s collection, and those of a dozen other institutions, put Predynastic Art into its historical and cultural context as well as display them as objects of beauty. For example, this female figure, shown here in a photo courtesy the Brooklyn Museum, was made about 3500-3400 B.C. and is typical of the highly abstracted figures made throughout most of the Predynastic Period. It’s unclear what this figure symbolized, although many Egyptologists think these figures are goddesses, since similar figures painted onto pots are always larger than the male “priests” shown next to them.

Some art is easier to identify, like ships and hunting scenes painted onto pottery or on tomb walls. There are also statues of gods and goddesses, many of which can be identified as the major deities of the age of the pharaohs. A masterpiece of early Egyptian art is the Narmer Palette, seen in the gallery, which commemorates the unification of Upper and Lower Egypt in the 31st century B.C.

For more information, check out this excellent page on Predynastic Art and check out the gallery below.

“The Dawn of Egyptian Art” runs until August 5.

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